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VOLUME 1 • NUMBER 1 • 2018 Aims and Scope
VOLUME 1 • NUMBER 1 • 2018 Aims and Scope Critical Romani Studies is an international, interdisciplinary, peer-reviewed journal, providing a forum for activist-scholars to critically examine racial oppressions, different forms of exclusion, inequalities, and human rights abuses Editors of Roma. Without compromising academic standards of evidence collection and analysis, the Journal seeks to create a platform to critically engage with Maria Bogdan academic knowledge production, and generate critical academic and policy Central European University knowledge targeting – amongst others – scholars, activists, and policy-makers. Jekatyerina Dunajeva Pázmány Péter Catholic University Scholarly expertise is a tool, rather than the end, for critical analysis of social phenomena affecting Roma, contributing to the fight for social justice. The Journal Tímea Junghaus especially welcomes the cross-fertilization of Romani studies with the fields of European Roma Institute for Arts and Culture critical race studies, gender and sexuality studies, critical policy studies, diaspora studies, colonial studies, postcolonial studies, and studies of decolonization. Angéla Kóczé Central European University The Journal actively solicits papers from critically-minded young Romani Iulius Rostas (editor-in-chief) scholars who have historically experienced significant barriers in engaging Central European University with academic knowledge production. The Journal considers only previously unpublished manuscripts which present original, high-quality research. The Márton Rövid (managing editor) Journal is committed to the principle of open access, so articles are available free Central European University of charge. All published articles undergo rigorous peer review, based on initial Marek Szilvasi (review editor) editorial screening and refereeing by at least two anonymous scholars. The Journal Open Society Foundations provides a modest but fair remuneration for authors, editors, and reviewers. -
WALLACE, (Richard Horatio) Edgar Geboren: Greenwich, Londen, 1 April 1875
WALLACE, (Richard Horatio) Edgar Geboren: Greenwich, Londen, 1 april 1875. Overleden: Hollywood, USA, 10 februari 1932 Opleiding: St. Peter's School, Londen; kostschool, Camberwell, Londen, tot 12 jarige leeftijd. Carrière: Wallace was de onwettige zoon van een acteur, werd geadopteerd door een viskruier en ging op 12-jarige leeftijd van huis weg; werkte bij een drukkerij, in een schoen- winkel, rubberfabriek, als zeeman, stukadoor, melkbezorger, in Londen, 1886-1891; corres- pondent, Reuter's, Zuid Afrika, 1899-1902; correspondent, Zuid Afrika, London Daily Mail, 1900-1902 redacteur, Rand Daily News, Johannesburg, 1902-1903; keerde naar Londen terug: journalist, Daily Mail, 1903-1907 en Standard, 1910; redacteur paardenraces en later redacteur The Week-End, The Week-End Racing Supplement, 1910-1912; redacteur paardenraces en speciaal journalist, Evening News, 1910-1912; oprichter van de bladen voor paardenraces Bibury's Weekly en R.E. Walton's Weekly, redacteur, Ideas en The Story Journal, 1913; schrijver en later redacteur, Town Topics, 1913-1916; schreef regelmatig bijdragen voor de Birmingham Post, Thomson's Weekly News, Dundee; paardenraces columnist, The Star, 1927-1932, Daily Mail, 1930-1932; toneelcriticus, Morning Post, 1928; oprichter, The Bucks Mail, 1930; redacteur, Sunday News, 1931; voorzitter van de raad van directeuren en filmschrijver/regisseur, British Lion Film Corporation. Militaire dienst: Royal West Regiment, Engeland, 1893-1896; Medical Staff Corps, Zuid Afrika, 1896-1899; kocht zijn ontslag af in 1899; diende bij de Lincoln's Inn afdeling van de Special Constabulary en als speciaal ondervrager voor het War Office, gedurende de Eerste Wereldoorlog. Lid van: Press Club, Londen (voorzitter, 1923-1924). Familie: getrouwd met 1. -
Journal of Writing and Writing Courses
TEXT creative TEXT Journal of writing and writing courses ISSN: 1327-9556 | https://www.textjournal.com.au/ TEXT creative Contents page Poetry Richard James Allen, Click here to allow this poem to access your location Gayelene Carbis, Oranges Edward Caruso, Potsherds Becky Cherriman, Christina Tissues a Script (or what my Otter app misheard) Abigail Fisher, A un poema acerca del agua Carolyn Gerrish, Aperture Lauren Rae, Hemispheric March Script Cailean McBride, Be Near Me (after In Memoriam) Prose Julia Prendergast, Mothwebs, spinners, orange Patrick West, Pauline Laura Grace Simpkins, Vanilla Phillip Edmonds, Giving it away Rosanna Licari, Fiona and the fish Georgia Rose Phillips, On the Obfuscations of Language Diane Stubbings, From Variation for three voices on a letter to nature Ariel Riveros, Planetary Nephology Calendar App Dean Kerrison, 2 stories Lachie Rhodes, The Silver Locket Tara East, Story Monster Ned Brooks, This is Not a Film TEXT Vol 24 No 2 October 2020 www.textjournal.com.au General editor: Nigel Krauth. Creative works editor: Anthony Lawrence TEXT poetry Richard James Allen Click here to allow this poem to access your location TEXT Journal of writing and writing courses ISSN: 1327-9556 | https://www.textjournal.com.au/ TEXT poetry Richard James Allen Click here to allow this poem to access your location I couldn’t lasso it but I drew a line from there to here and swung between [Michigan] and the moon. Richard James Allen is an Australian born poet. His latest book is The short story of you and I (UWAP, 2019). His writing has appeared widely in journals, anthologies, and online over many years. -
L'impresario De Smyrne
Documentation du spectacle « L’Impresario de Smyrne » Merci de reproduire les mentions obligatoires indiquées dans le cadre ci-dessous L’Impresario de Smyrne de Carlo Goldoni adaptation Michael Stampe mise en scène Christophe Lidon avec Bernard Alane, Denis Berner, Adèle Bernier, Marianne Epin, Catherine Jacob, Bernard Malaka, Nicolas Vaude décors Catherine Bluwal costumes Chouchane Abello-Tcherpachian lumières Marie-Hélène Pinon son Christophe Sechet vidéo Léonard assistante mise en scène Natacha Garange tournée Acte 2 création du CADO Orléans Acte 2 – tél. 01 42 25 51 11 - fax 01 42 25 51 22 e-mail : [email protected] - www.acte2.fr L’Impresario de Smyrne Présentation Dans la plus flamboyante Venise du dix huitième siècle, si proche d'un univers théâtral idéal, Goldoni nous raconte comment un nabab Turc décide de s'improviser "producteur" pour créer à Smyrne, sa ville natale, le plus illustre Opéra que l'époque ait vu monter. Tout le cercle du spectacle en effervescence, de la Diva jusqu'au librettiste, va essayer de se faire engager, afin d'entrevoir les quelques mois de tranquillité indispensables à ces artistes aux abois. Une magnifique occasion d'illustrer les pétillantes ressources des artistes de l'époque mais aussi leurs travers très humains, et leurs préoccupations très quotidiennes... peut-être pas si éloignées de celles des intermittents d'aujourd'hui ! Là où l'on peut espérer que le talent fait la différence, on s'aperçoit que les us et coutumes de la scène doivent être respectés à la lettre, sous peine de cruelle exclusion de ce petit monde. Un monde où la séduction, l'envie, l'engagement, la jalousie, frappent ceux qui se révèlent affaiblis par une situation fragilisante d'insécurité de l'emploi, et qui sont dévorés dans le même temps par l'irrépressible besoin d'être artiste. -
Catalogue-2018 Web W Covers.Pdf
A LOOK TO THE FUTURE 22 years in Hollywood… The COLCOA French Film this year. The French NeWave 2.0 lineup on Saturday is Festival has become a reference for many and a composed of first films written and directed by women. landmark with a non-stop growing popularity year after The Focus on a Filmmaker day will be offered to writer, year. This longevity has several reasons: the continued director, actor Mélanie Laurent and one of our panels will support of its creator, the Franco-American Cultural address the role of women in the French film industry. Fund (a unique partnership between DGA, MPA, SACEM and WGA West); the faithfulness of our audience and The future is also about new talent highlighted at sponsors; the interest of professionals (American and the festival. A large number of filmmakers invited to French filmmakers, distributors, producers, agents, COLCOA this year are newcomers. The popular compe- journalists); our unique location – the Directors Guild of tition dedicated to short films is back with a record 23 America in Hollywood – and, of course, the involvement films selected, and first films represent a significant part of a dedicated team. of the cinema selection. As in 2017, you will also be able to discover the work of new talent through our Television, Now, because of the continuing digital (r)evolution in Digital Series and Virtual Reality selections. the film and television series industry, the life of a film or series depends on people who spread the word and The future is, ultimately, about a new generation of foreign create a buzz. -
Contemporary Ukrainian Cinema Into the European Context (2014-2019)
How to Cite: Alforova, Z., Marchenko, S., Shevchuk, Y., Kotlyar, S., & Honcharuk, S. (2021). Contemporary Ukrainian cinema into the European context (2014-2019). Linguistics and Culture Review, 5(S2), 274-283. https://doi.org/10.37028/lingcure.v5nS2.1345 Contemporary Ukrainian Cinema into the European Context (2014-2019) Zoya Alforova Kharkiv State Academy of Culture, Kharkiv, Ukraine Serhii Marchenko Kyiv National I.K. Karpenko-Kary Theatre, Cinema and Television University, Kyiv, Ukraine Yuliia Shevchuk Kyiv National University of Culture and Arts, Kyiv, Ukraine Svitlana Kotlyar Kyiv National University of Culture and Arts, Kyiv, Ukraine Serhii Honcharuk Kyiv National University of Culture and Arts, Kyiv, Ukraine Abstract---The relevance of the study is conditioned by the fact that the development of Ukrainian art, including cinema, is becoming more popular every year. Since 2014, the Ukrainian film industry has been rapidly developing, and has also shown good results at European and other international film festivals. The purpose of the study is to analyses the position of Ukrainian cinema in the recent historical period, as well as to analyses the preconditions that were created for its development and introduction to the European cinema market. The methodological basis of this study is the combination of theoretical methods of cognition. Methods of data analysis and synthesis, dialectical method, historical and periodization method are used. In the course of writing this paper, the studies of Ukrainian and foreign researchers regarding the subject were studied and analyzed. The establishment and current state of the film industry are investigated. The preconditions for the development of Ukrainian cinema as well as factors that influenced its entrance to the European market are considered. -
Catalogo-Festivaldorio-2015.Pdf
Sumário TABLE OF CONTENTS 012 APRESENTAÇÃO PRESENTATION 023 GALA DE ABERTURA OPENNING NIGHT GALA 025 GALA DE ENCERRAMENTO CLOSING NIGHT GALA 033 PREMIERE BRASIL PREMIERE BRASIL 079 PANORAMA GRANDES MESTRES PANORAMA: MASTERS 099 PANORAMA DO CINEMA MUNDIAL WORLD PANORAMA 2015 141 EXPECTATIVA 2015 EXPECTATIONS 2015 193 PREMIERE LATINA LATIN PREMIERE 213 MIDNIGHT MOVIES MIDNIGHT MOVIES 229 MIDNIGHT DOCS MIDNIGHT DOCS 245 FILME DOC FILM DOC 251 ITINERÁRIOS ÚNICOS UNIQUE ITINERARIES 267 FRONTEIRAS FRONTIERS 283 MEIO AMBIENTE THREATENED ENVIRONMENT 293 MOSTRA GERAÇÃO GENERATION 303 ORSON WELLS IN RIO ORSON WELLS IN RIO 317 STUDIO GHIBLI - A LOUCURA E OS SONHOS STUDIO GHIBLI - THE MADNESS AND THE DREAMS 329 LIÇÃO DE CINEMA COM HAL HARTLEY CINEMA LESSON WITH HAL HARTLEY 333 NOIR MEXICANO MEXICAN FILM NOIR 343 PERSONALIDADE FIPRESCI LATINO-AMERICANA DO ANO FIPRESCI’S LATIN AMERICAN PERSONALITY OF THE YEAR 349 PRÊMIO FELIX FELIX AWARD 357 HOMENAGEM A JYTTE JENSEN A TRIBUTE TO JYTTE JENSEN 361 FOX SEARCHLIGHT 20 ANOS FOX SEARCHLIGHT 20 YEARS 365 JÚRIS JURIES 369 CINE ENCONTRO CINE CHAT 373 RIOMARKET RIOMARKET 377 A ETERNA MAGIA DO CINEMA THE ETERNAL MAGIC OF CINEMA 383 PARCEIROS PARTNERS AND SUPPLIES 399 CRÉDITOS E AGRADECIMENTOS CREDITS AND AKNOWLEDGEMENTS 415 ÍNDICES INDEX CARIOCA DE CORPO E ALMA CARIOCA BODY AND SOUL Cidade que provoca encantamento ao olhar, o Rio Enchanting to look at, Rio de Janeiro will once de Janeiro estará mais uma vez no primeiro plano again take centre stage in world cinema do cinema mundial entre os dias 1º e 14 de ou- between the 1st and 14th of October. -
Completeandleft
MEN WOMEN 1. JA Jason Aldean=American singer=188,534=33 Julia Alexandratou=Model, singer and actress=129,945=69 Jin Akanishi=Singer-songwriter, actor, voice actor, Julie Anne+San+Jose=Filipino actress and radio host=31,926=197 singer=67,087=129 John Abraham=Film actor=118,346=54 Julie Andrews=Actress, singer, author=55,954=162 Jensen Ackles=American actor=453,578=10 Julie Adams=American actress=54,598=166 Jonas Armstrong=Irish, Actor=20,732=288 Jenny Agutter=British film and television actress=72,810=122 COMPLETEandLEFT Jessica Alba=actress=893,599=3 JA,Jack Anderson Jaimie Alexander=Actress=59,371=151 JA,James Agee June Allyson=Actress=28,006=290 JA,James Arness Jennifer Aniston=American actress=1,005,243=2 JA,Jane Austen Julia Ann=American pornographic actress=47,874=184 JA,Jean Arthur Judy Ann+Santos=Filipino, Actress=39,619=212 JA,Jennifer Aniston Jean Arthur=Actress=45,356=192 JA,Jessica Alba JA,Joan Van Ark Jane Asher=Actress, author=53,663=168 …….. JA,Joan of Arc José González JA,John Adams Janelle Monáe JA,John Amos Joseph Arthur JA,John Astin James Arthur JA,John James Audubon Jann Arden JA,John Quincy Adams Jessica Andrews JA,Jon Anderson John Anderson JA,Julie Andrews Jefferson Airplane JA,June Allyson Jane's Addiction Jacob ,Abbott ,Author ,Franconia Stories Jim ,Abbott ,Baseball ,One-handed MLB pitcher John ,Abbott ,Actor ,The Woman in White John ,Abbott ,Head of State ,Prime Minister of Canada, 1891-93 James ,Abdnor ,Politician ,US Senator from South Dakota, 1981-87 John ,Abizaid ,Military ,C-in-C, US Central Command, 2003- -
Beyond the Pink: (Post) Youth Iconography in Cinema
Beyond the Pink: (Post) Youth Iconography in Cinema Christina Lee Bachelor of Arts with First Class Honours in Communication Studies This thesis is presented for the degree of Doctor of Philosophy of Murdoch University 2005 Declaration I declare that this dissertation is my own account of my research and contains as its main content work which has not previously been submitted for a degree at any tertiary education institution. ______________________ Christina LEE Hsiao Ping i Publications and Conference Presentations Refereed Publications Christina Lee. “Party people in the house(s): The hobos of history” in Liverpool of the South Seas: Perth and Its Popular Music. Tara Brabazon (ed.) Crawley: University of Western Australia Press, 2005. pp. 43-52. This chapter was written in association with the research on rave culture, as featured in Chapter Six. Christina Lee. “Let me entertain you” in TTS Australia: Critical Reader. Bec Dean (ed.) Northbridge: PICA, 2005. pp. 17-18. This piece was written in association with the research on nationalism and xenophobia, as featured in Chapter Seven. Christina Lee. “Lock and load(up): The action body in The Matrix”, Continuum: Journal of Media and Cultural Studies, forthcoming 2005. This journal article was written in association with the research on simulacra and masculinity, as featured in Chapter Two and Chapter Seven. Conference Presentations “Lock and Load(up): The Action Body in The Matrix”. Alchemies: Community Exchanges. 7th Annual Humanities Graduate Research Conference. Curtin University of Technology: Bentley, Australia. 6-7 November, 2003. This conference presentation was derived from research on the simulacra and the action hardbody as presented in Chapter Two and Chapter Seven. -
Dossier Pédagogique
de Philippe Minyana mise en scène Conception graphique : Atelier ter Bekke & Behage / Licence n° Licence n°1-1067344. 2-1066617. 3-1066618 2-1066617. n°1-1067344. Licence n° Licence / graphiqueConception Behage & Bekke ter Atelier : Marcial Di Fonzo Bo www.colline.fr 01 44 62 52 52 15 rue Malte-Brun, Paris 20e Petit Théâtre du 20 mars au 5 avril 2014 et Grand Théâtre du 9 au 17 avril 2014 Introduction 3 I. La genèse d’Une femme : histoire d’une collaboration artistique A. L’écriture théâtrale de Philippe Minyana 1. Qu’est-ce qu’écrire du théâtre ? 4 2. Le laboratoire de Minyana : la musicalité de l’écriture 5 B. Quand l’écriture de Philippe Minyana rencontre la mise en scène de Marcial Di Fonzo Bo 1. Exemple d’une première rencontre : La Petite dans la forêt profonde 6 2. Une femme, un nouveau projet commun d’écriture et de mise en scène 7 C. Un trio artistique : créer pour et avec Catherine Hiegel 9 II. Une femme, un “poème dramatique” A. L’image de la femme alitée : de l’expérience intime au mythe fondateur 10 B. Les espaces d’Une femme : entre enfermement quotidien et évasion vers un ailleurs 1. La chambre, espace polysémique 13 2. Une ouverture possible vers le monde extérieur ? 15 C. Un “poème dramatique” sur la chute : la noirceur au service du grotesque 1. Une pièce “allégorie de fin de cycle” 19 2. Le grotesque au service du drame 22 III. Repères sur le spectacle Biographies de l’équipe artistique 25 Bibliographie 28 Une femme de Philippe Minyana mise en scène Marcial Di Fonzo Bo scénographie et lumières Yves Bernard musique Étienne -
Virginie Efira Niels Schneider a Film by Catherine Corsini
CHAZ PRODUCTIONS PRESENT VIRGINIE EFIRA NIELS SCHNEIDER AN IMPOSSIBLE LOVEA FILM BY CATHERINE CORSINI 1 CHAZ PRODUCTIONS PRESENT VIRGINIE EFIRA NIELS SCHNEIDER AN IMPOSSIBLE LOVEA FILM BY CATHERINE CORSINI 135 min – France – French – 2018 – Scope – 5.1 INTERNATIONAL SALES 5, rue Darcet 75017 Paris Tél. : 01 44 69 59 59 www.le-pacte.com Downloadable press materials here www.le-pacte.com 2 3 SYNOPSIS At the end of the 1950s, Rachel, a young office clerk living in a provincial town, meets Philippe, a well-educated man from a wealthy family. They share an intense but short-lived romance, from which a daughter is born. Over the next 50 years, their lives will be shaped by the unconditional love between a mother and her daughter, overshadowed by the impossible love of a woman for a man that rejects her, and of a daughter for an absent and abusive father. Based on the acclaimed novel by Christine Angot, « Un Amour Impossible » (2015). 4 5 INTERVIEW WITH CATHERINE CORSINI Which aspects of Christine Angot’s book made you decide to adapt Un the moment Rachel thinks she has won, that’s when she loses everything. At amour impossible for the big screen? the heart of the book is the mother-daughter relationship, a theme that I have I hadn’t read any of Christine Angot’s books for a few years, and it was my wanted to tackle for a long time. In Summertime, I already touched on this producer, Elisabeth Perez, who drew my attention to Un amour impossible, complex relation, but it wasn’t the core of the film. -
Report on the Slovak Audiovisual Situation in 2010
REP ORT ON THE SL OVAK AUDI OVIS UAL SIT UATION IN 2010 REPORT ON THE SLOVAK AUDIOVISUAL SITUATION IN 2010 § CONTENT I Introduction ............................................................................................. 3 I Legislation ............................................................................................... 4 I Film Education ......................................................................................... 5 I Film Production ........................................................................................ 7 I Slovak Audiovisual Fund ........................................................................... 8 I Literary Fund .......................................................................................... 11 I MEDIA ..................................................................................................... 11 I Eurimages ............................................................................................... 13 I Theatrical Distribution ............................................................................. 14 I Videodistribution ..................................................................................... 16 I Cinemas ................................................................................................... 20 I Film Clubs ............................................................................................... 21 I Festivals and Reviews .............................................................................. 23 I Awards of Slovak