Getting Started with Steven Universe Created by Takara Wheeler
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CARTOON NETWORK November 2019
CARTOON NETWORK November 2019 MON. TUE. WED. THU. FRI. SAT. SUN. 4:00 Grizzy and the Lemmings We Bare Bears 4:00 4:30 The Powerpuff Girls Steven Universe 4:30 5:00 Uncle Grandpa The Amazing World of Gumball 5:00 5:30 The Pink Panther & Pals Oggy & the Cockroaches (season 5) 5:30 6:00 Thomas and Friends 6:00 HANAKAPPA (J) 6:30 6:30 The Amazing World of Gumball Pingu in the City 6:45 7:00 TEEN TiTANS GO! Uncle Grandpa 7:00 7:30 Uncle Grandpa The Amazing World of Gumball 7:30 8:00 The Amazing World of Gumball Tom & Jerry series 8:00 8:30 Oggy & the Cockroaches 11/21~Oggy & the Cockroaches (season 5) 9:00 Tom & Jerry series The New Looney Tunes Show 9:00 9:30 Grizzy and the Lemmings 10:00 Thomas and Friends 11/16~ 11/10 10:30 HANAKAPPA (J) BEN 10 BEN 10 Steven Universe Steven Universe 10:00 10:45 Pingu in the City The Powerpuff Girls The Powerpuff Girls The New Looney Tunes Show The New Looney Tunes Show 11:00 The Powerpuff Girls 11:30 We Bare Bears Eagle Talon The EX(J) 11:30 12:00 Thomas and Friends 12:00 12:30 HANAKAPPA (J) Barbie Dreamhouse Adventures 12:30 12:45 Pingu in the City 13:00 OK KO: Let's Be Heroes! The Powerpuff Girls 13:00 13:30 Uncle Grandpa Unikitty! 13:30 14:00 The Powerpuff Girls Clarence 14:00 14:30 We Bare Bears BEN 10 14:30 15:00 Sylvester & Tweety Mysteries Uncle Grandpa 15:00 15:30 BEN 10 The New Looney Tunes Show 15:30 16:00 TEEN TiTANS GO! Tom & Jerry series 16:00 16:30 Uncle Grandpa 17:00 OK KO: Let's Be Heroes! 17:15 Eagle Talon The DO(J) The Amazing World of Gumball 17:00 17:30 The New Looney Tunes Show 18:00 -
Steven Universe in College Curriculum
e Interdisciplinary Journal of Popular Culture and Pedagogy “I am a Conversation”: Media Literacy, Queer Pedagogy, and Steven Universe in College Curriculum Misty Thomas University of New Mexico Albuquerque, New Mexico, USA [email protected] ABSTRACT: The recent cartoon show on Cartoon Network Steven Universe allows for the blending of both queer theory and media literacies to create a pedagogical space for students to investigate and analyze not only queerness, but also normative and non-normative identities. This show creates characters as well as relationships that both break with and subvert what would be considered traditional masculine and feminine identities. Additionally, Steven Universe also creates a space where sexuality and transgender bodies are represented. This paper demonstrates both the presence of queerness within the show and the pedagogical implications for using this piece of media within a college classroom. Keywords: popular culture; Steven Universe; Queer Theory; media literacy; pedagogy Dialogue: The Interdisciplinary Journal of Popular Culture and Pedagogy 1 Thomas INTRODUCTION Media literacy pedagogy is expanding as new advances and theories are added each year along with recommendations on how these theories can work together. Two of these pedagogical theories are Media Literacies and Queer Pedagogy. This blended pedagogical approach is useful for not only courses in media studies, but also composition classes. Media literacies focus on the use of various forms of media to investigate the role media plays in the creation and reinforcement of identity. Due to this focus on identity representations, media literacy effectively combines with queer pedagogy, which investigates the concepts of normalization within the classroom. -
The Wittelsbach-Graff and Hope Diamonds: Not Cut from the Same Rough
THE WITTELSBACH-GRAFF AND HOPE DIAMONDS: NOT CUT FROM THE SAME ROUGH Eloïse Gaillou, Wuyi Wang, Jeffrey E. Post, John M. King, James E. Butler, Alan T. Collins, and Thomas M. Moses Two historic blue diamonds, the Hope and the Wittelsbach-Graff, appeared together for the first time at the Smithsonian Institution in 2010. Both diamonds were apparently purchased in India in the 17th century and later belonged to European royalty. In addition to the parallels in their histo- ries, their comparable color and bright, long-lasting orange-red phosphorescence have led to speculation that these two diamonds might have come from the same piece of rough. Although the diamonds are similar spectroscopically, their dislocation patterns observed with the DiamondView differ in scale and texture, and they do not show the same internal strain features. The results indicate that the two diamonds did not originate from the same crystal, though they likely experienced similar geologic histories. he earliest records of the famous Hope and Adornment (Toison d’Or de la Parure de Couleur) in Wittelsbach-Graff diamonds (figure 1) show 1749, but was stolen in 1792 during the French T them in the possession of prominent Revolution. Twenty years later, a 45.52 ct blue dia- European royal families in the mid-17th century. mond appeared for sale in London and eventually They were undoubtedly mined in India, the world’s became part of the collection of Henry Philip Hope. only commercial source of diamonds at that time. Recent computer modeling studies have established The original ancestor of the Hope diamond was that the Hope diamond was cut from the French an approximately 115 ct stone (the Tavernier Blue) Blue, presumably to disguise its identity after the that Jean-Baptiste Tavernier sold to Louis XIV of theft (Attaway, 2005; Farges et al., 2009; Sucher et France in 1668. -
Universidade De Brasília Faculdade De Comunicação Departamento De Audiovisuais E Publicidade Bárbara Ingrid De Oliveira
1 UNIVERSIDADE DE BRASÍLIA FACULDADE DE COMUNICAÇÃO DEPARTAMENTO DE AUDIOVISUAIS E PUBLICIDADE BÁRBARA INGRID DE OLIVEIRA ARAÚJO A CONSTRUÇÃO DE PERSONAGENS FEMININAS EM ANIMAÇÕES DO CARTOON NETWORK: ANÁLISE COMPARATIVA DOS DESENHOS APENAS UM SHOW E STEVEN UNIVERSO Brasília-DF Junho de 2019 2 UNIVERSIDADE DE BRASÍLIA FACULDADE DE COMUNICAÇÃO DEPARTAMENTO DE AUDIOVISUAIS E PUBLICIDADE BÁRBARA INGRID DE OLIVEIRA ARAÚJO A CONSTRUÇÃO DE PERSONAGENS FEMININAS EM ANIMAÇÕES DO CARTOON NETWORK: ANÁLISE COMPARATIVA DOS DESENHOS APENAS UM SHOW E STEVEN UNIVERSO Monografia submetida à Faculdade de Comunicação da Universidade de Brasília como requisito parcial para obtenção do grau de bacharel em Comunicação Social, habilitação em Audiovisual Orientadora: Prof. Dr. Denise Moraes Brasília-DF Junho de 2019 3 A CONSTRUÇÃO DE PERSONAGENS FEMININAS EM ANIMAÇÕES DO CARTOON NETWORK: ANÁLISE COMPARATIVA DOS DESENHOS APENAS UM SHOW E STEVEN UNIVERSO Monografia submetida à Faculdade de Comunicação da Universidade de Brasília como requisito parcial para obtenção do grau de bacharel em Comunicação Social, habilitação em Audiovisual Brasília, 2 de julho de 2019. MEMBROS DA BANCA EXAMINADORA Prof. Dra. Denise Moraes Cavalcante, FAC/UnB Orientadora Prof. M.a Emilia Silveira Silbertein Examinadora Prof. M.a Érika Bauer Oliveira Examinadora Prof. Dra. Rose May Carneiro Suplente 4 A todas as mulheres que lutam por um feminismo classista e acessível. 5 AGRADECIMENTOS A minha família, pelo suporte em todos os momentos, desde a formação quando criança até a bagagem necessária para chegar aqui. A Deus, por ter me dado sabedoria para que eu fizesse as melhores escolhas. A todas as mulheres fortes e inspiradoras próximas a mim. Entre elas: minha mãe, uma mulher incrível que sempre me moveu com sua determinação. -
Exceptional Works of Art 2017 PUSHKIN ANTIQUES – MAYFAIR –
Exceptional works of art 2017 PUSHKIN ANTIQUES – MAYFAIR – At Pushkin Antiques we specialise in unique statement Each item is professionally selected and inspected pieces of antique silver as well as branded luxury items, to ensure we can give our customers a guarantee of stylish interior articles and objects d’art. authenticity and the required peace of mind when buying from us. Since the inception of our company, we’ve been at the forefront of online sales for high end, quality antiques. Our retail gallery is located on the lower floor of the world Our presence on most major platforms has allowed us famous Grays Antiques Centre in the heart of Mayfair. to consistently connect exquisite pieces with the most discerning collectors and interior decorators from all over the world with particular focus on the demands of the markets from the Far East, the Americas, Europe & Russia. www.pushkinantiques.com [email protected] We aim to provide the highest quality in every department: rare hand crafted articles, accurate item descriptions (+44) 02085 544 300 to include the history and provenance of each item, an (+44) 07595 595 079 extensive photography report, as well as a smooth buying process thus facilitating an efficient and pleasant online Shop 111, Lower Ground Floor, Grays Antiques Market. experience. 58 Davies St, London. W1K 5AB, UK. ALEX PUSHKIN OLGA PUSHKINA DUMITRU TIRA Founder & Director Managing Director Photographer Contents 6 ENGLISH SILVER 42 CHINESE SILVER 56 JAPANESE SILVER 66 INDIAN SILVER 78 BURMESE SILVER 86 CONTINENTAL SILVER 100 FRENCH SILVER 108 GERMAN SILVER 118 RUSSIAN SILVER 132 OBJECTS OF VERTU English Silver The style and technique in manufacturing silver during Hester Bateman (1708-1794) was one of the greatest this era (over 100 years) changed radically, reflecting silversmiths operating in this style, she is the most the variations in taste, society, costumes, economic and renowned and appreciated female silversmith of all time. -
Pearl Accessories Operator's Manual
Pearl® Trilogy Accessories Manual CE Marking: This product (model number 5700-DS) is a CE-marked product. For conformity information, contact LI-COR Support at http://www.licor.com/biotechsupport. Outside of the U.S., contact your local sales office or distributor. Notes on Safety LI-COR products have been designed to be safe when operated in the manner described in this manual. The safety of this product cannot be guaranteed if the product is used in any other way than is specified in this manual. The Pearl® Docking Station and Pearl Clean Box is intended to be used by qualified personnel. Read this entire manual before using the Pearl Docking Station and Pearl Clean Box. Equipment Markings: The product is marked with this symbol when it is necessary for you to refer to the manual or accompanying documents in order to protect against damage to the product. The product is marked with this symbol when a hazardous voltage may be present. Manual Markings: WARNING Warnings must be followed carefully to avoid bodily injury. CAUTION Cautions must be observed to avoid damaging your equipment. NOTE Notes contain additional information and useful tips. IMPORTANT Information of importance to prevent procedural mistakes in the operation of the equipment or related software. Failure to comply may result in a poor experimental outcome but will not cause bodily injury or equipment damage. Federal Communications Commission Radio Frequency Interference Statement WARNING: This equipment generates, uses, and can radiate radio frequency energy and if not installed in accordance with the instruction manual, may cause interference to radio communications. -
F I N E C R a F T J E W E L R Y C O L L E C T I O N 2014
F i n e C r a f t J e w e l r y C o l l e c t i o n 2014 www.MarthaSeelyDesign.com y jewelry is always a reflection of the art forms that have inspired me over the years: Fiber, fashion, and the grace of natural forms; The boldness of architectural concepts; The simplicity of cold connections, and the kinetic energy of objects in M motion. It expresses in precious metal and gemstones, the strongest influences in my life as a designer: clothing/costume design, art history (with a special fondness for the Art Nouveau /Art Deco movements) and the uniqueness and strength of individual style. Floral Nouveau was inspired by my love of the Art Nouveau (and Deco) movement of the late Curved lines nineteenth century. It is contemporary and feminine. The woven wire combines my love of fiber with the asymmetrical, sinuous vines used widely within Art Nouveau art and design. and vines, woven Floral Architecture is layered contemporary jewelry with simple construction techniques where together. stones seem to float in their floral frames. The floral shapes are simple, layered and riveted together, sometimes flat and sometimes hammered and sculptural. Hammered and Echo Structures are multi-layers of simple, architectural shapes. Rivets. Textures. Con- sometimes sculptural trasts. Brilliant colored stones. Modern and clean. flowers. Formed and Winged Secrets are edgy, formed, textured and riveted flying insects. Sometimes the wings riveted flying insects. move, sometimes not. They are made in silver and gold with large faceted gemstone heads. Everything is handmade, hand formed and one of a kind. -
The World of Pink Diamonds and Identifying Them
GEMOLOGY GEMOLOGY as to what dealers can do to spot them using standard, geologists from Ashton Joint Venture found certain indicator The World of Pink Diamonds inexpensive instruments. The commercial signifcance of minerals (such as ilmenite, chromite, chrome diopside, the various types will also be touched on. and pyrope garnet) in stream-gravel concentrates which indicated the presence of diamond-bearing host rocks. and Identifying Them Impact of Auction Sales Lamproites are special ultrapotassic magnesium-rich In the late 1980s, the public perception surrounding fancy- mantle-derived volcanic rocks with low CaO, Al2O3, Na2O colored diamonds began to change when the 0.95-carat and high K2O. Leucite, glass, K-richterite, K-feldspar and Cr- By Branko Deljanin, Dr Adolf Peretti, ‘Hancock Red’ from Brazil was sold for almost $1 million per spinel are unique to lamproites and are not associated with and Matthias Alessandri carat at a Christie’s auction. This stone was studied by one kimberlites. The diamonds in lamproites are considered to be of the authors (Dr. Adolf Peretti) at that time. Since then, xenocrysts and derived from parts of the lithospheric mantle Dr. Peretti has documented the extreme impact this one that lies above the regions of lamproite genesis. Kimberlites sale has had on subsequent prices and the corresponding are also magmatic rocks but have a different composition recognition of fancy diamonds as a desirable asset class. The and could contain non-Argyle origin pink diamonds. demand for rare colors increased and the media began to play a more active role in showcasing new and previously Impact of Mining Activities unknown such stones. -
Queer Utopia in Steven Universe Mandy Elizabeth Moore University of Florida, [email protected]
Research on Diversity in Youth Literature Volume 2 | Issue 1 Article 5 June 2019 Future Visions: Queer Utopia in Steven Universe Mandy Elizabeth Moore University of Florida, [email protected] Follow this and additional works at: http://sophia.stkate.edu/rdyl Recommended Citation Moore, Mandy Elizabeth (2019) "Future Visions: Queer Utopia in Steven Universe," Research on Diversity in Youth Literature: Vol. 2 : Iss. 1 , Article 5. Available at: http://sophia.stkate.edu/rdyl/vol2/iss1/5 This Article is brought to you for free and open access by SOPHIA. It has been accepted for inclusion in Research on Diversity in Youth Literature by an authorized editor of SOPHIA. For more information, please contact [email protected]. Moore: Future Visions: Queer Utopia in Steven Universe Since it premiered on Cartoon Network in 2013, Steven Universe has garnered both praise and criticism for its portrayal of queer characters and its flexible approach to gender. Created by Rebecca Sugar, a bisexual and nonbinary artist, the show tells the story of Steven, a half-human, half-alien teenager raised by a trio of alien parental figures called the Crystal Gems. Steven’s adventures range from helping his friends at the local donut shop to defending Earth from the colonizing forces of the Gem Homeworld. Across its five seasons, this series has celebrated many queer firsts for animated children’s content. In 2018, Steven Universe aired one of the first cartoon same-sex wedding scenes (“Reunited”), and in 2019, it became the first animated show to win a Gay and Lesbian Alliance Against Defamation (GLAAD) award, taking home the prize for Outstanding Kids and Family Programming. -
Jackson's Auction
Jackson's Auction Collector's Choice: Antiques & Collectibles Wednesday - September 19, 2012 Collector's Choice: Antiques & Collectibles 675: REED & BARTON STERLING SILVER FLATWARE, 148 PIECES USD 4,000 - 6,000 A LARGE 148 PIECE SET OF REED AND BARTON FRANCIS 1ST STERLING SILVER FLATWARE, MID 20TH CENTURY. Comprising 24 table knives, 24 table forks, 24 salad forks, 35 teaspoons, 13 cream soup spoons, 5 tablespoons, 12 individual butter knives and 11 various serving pieces. Contained in two fitted chests, not matching. Total weight approximately 194 troy oz. 676: DUTCH SILVER EPERGNE, 1853 USD 1,000 - 1,500 A VERY FINE DUTCH SILVER AND CUT CRYSTAL CENTERPIECE EPERGNE, 1853. Stamp hallmarks including "Z&B" probably for Pieter Zollner and William Beijoer (1849-1871) comprising a silver entwining stem with extending foliage supporting two scallop cut crystal trays below a tulip blossom finial raised on a scalloped floral repousse and chased bell form base. Additionally stamped "Pde Meyer te'Hage." Silver weight approximately 34.76 troy oz. Height 22.5 inches (57cm). 677: WALLACE ROSE POINT STERLING SILVER FLATWARE, 63 PIECES USD 1,200 - 1,800 A VERY FINE SET OF WALLACE ROSE POINT STERLING SILVER FLATWARE, MID 20TH CENTURY. 63 pieces comprising 10 each place knives, place forks and salad forks, 20 teaspoons, 10 individual butters, a gravy ladle, sugar shell and pastry server. All contained in a fitted mahogany chest with drawer. Weight approximately 60 troy oz. 678: A FINE CONTINENTAL SILVER BACCHANALIAN FOOTED BOWL USD 200 - 400 A FINE CONTINENTAL SILVER BACCHANALIAN FOOTED BOWL, 20TH CENTURY. With embossed and chased facial mask within hammered scalloped lobes and grape vine rim in deep relief. -
Turquoise and Pearl Antique Victorian Pin, PN-2973 Like Pale Blue Skies
Turquoise and Pearl Antique Victorian Pin, PN-2973 Like pale blue skies dappled with silver-lined clouds, this turquoise and pearl antique Victorian pin shimmers with soft color. The twelve gems that cascade down this Victorian brooch alternate between round cabochon turquoises and round half pearls for a total of six of each. The pearls range in color from dark silver to cream. A 14k yellow gold setting showcases these gemstones. Circa 1885 Item # pn2973 Metal 14 karat yellow gold Circa 1885 Weight in grams 1.22 Period or Style Victorian Gemstone name Natural Turquoise Gemstone cut or shape Round Cabochon Gemstone carat weight N/A Gemstone mm measurements 2.0 Gemstone hue Greenish Blue Gemstone tone 4-Medium Light Gemstone saturation 5-Strong Gemstone # of stones 6 Number of pearls 6 Pearl shape Round Half Pearls Pearl size 2.0 Pearl color Dark Silver White and Cream White Pearl overtone None Other pearl info Natural Half Pearls Length 26.8 mm [1.05 in] Width of widest point 3.66 mm [0.14 in] Important Jewelry Information Each antique and vintage jewelry piece is sent off site to be evaluated by an appraiser who is not a Topazery employee and who has earned the GIA Graduate Gemologist diploma as well as the title of AGS Certified Gemologist Appraiser. The gemologist/appraiser's report is included on the Detail Page for each jewelry piece. An appraisal is not included with your purchase but we are pleased to provide one upon request at the time of purchase and for an additional fee. -
Exploring Embodied Gender Identities in Steven Universe
AN ABSTRACT OF THE THESIS OF Stephanie Painter for the degree of Master of Arts in Applied Ethics presented on March 22, 2017. Title: Exploring Embodied Gender Identities in Steven Universe. Abstract approved: ______________________________________________________ Stephanie C. Jenkins Steven Universe, a relatively new show from Cartoon Network, explores an unexpectedly complex understanding of gender through their main protagonists. Utilizing Judith Butler’s work on gender performativity and doing gender, as well as Daniel Dennett’s conception of the self as a theorist’s fiction, and Alexander Weheliye’s understanding of power and oppression existing in the articulated assemblages of people’s embodiment, I analyze the construction of several of the characters in Steven Universe and how they deviate from normative modes of being. In this paper, I argue that Steven Universe is expanding the normative construction of what it means to have an identity and a gender identity in children’s animation. ©Copyright by Stephanie Painter March 22, 2017 All Rights Reserved Exploring Embodied Gender Identities in Steven Universe by Stephanie Painter A THESIS submitted to Oregon State University in partial fulfillment of the requirements for the degree of Master of Arts Presented March 22, 2017 Commencement June 2017 Master of Arts thesis of Stephanie Painter presented on March 22, 2017 APPROVED: Major Professor, representing Applied Ethics Director of the School of History, Philosophy, and Religion Dean of the Graduate School I understand that my thesis will become part of the permanent collection of Oregon State University libraries. My signature below authorizes release of my thesis to any reader upon request.