The World of Pink Diamonds and Identifying Them
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ASX Market Announcements Australian Securities Exchange SYDNEY NSW 2000 13 September 2012 Dear Sir, Attached Is a Presentati
120 Collins Street Melbourne 3000 Australia Postal Address: GPO Box 384D Melbourne 3001 Australia T +61 (0) 3 9283 3333 F +61 (0) 3 9283 3707 ASX Market Announcements Australian Securities Exchange SYDNEY NSW 2000 13 September 2012 Dear Sir, Attached is a presentation given by Alan Davies, Chief executive, Rio Tinto Diamonds & Minerals, Bruce Cox, Managing director, Rio Tinto Diamonds, Jean-Francois Turgeon, Managing director, Rio Tinto Iron & Titanium and Xiaoling Liu, President and Chief executive, Rio Tinto Minerals, as part of a financial community visit in Montreal, Canada. Yours faithfully, Stephen Consedine Company Secretary Registered in Australia Rio Tinto Limited 120 Collins Street Melbourne 3000 Australia ABN 96 004 458 404 Rio Tinto Diamonds & Minerals Fuelling consumer-driven economic growth Alan Davies Chief executive 12 September 2012 Cautionary statement This presentation has been prepared by Rio Tinto plc and Rio Tinto Limited (“Rio Tinto”) and consisting of the slides for a presentation concerning Rio Tinto. By reviewing/attending this presentation you agree to be bound by the following conditions. Forward-looking statements This presentation includes forward-looking statements. All statements other than statements of historical facts included in this presentation, including, without limitation, those regarding Rio Tinto’s financial position, business strategy, plans and objectives of management for future operations (including development plans and objectives relating to Rio Tinto’s products, production forecasts and reserve and resource positions), are forward-looking statements. Such forward-looking statements involve known and unknown risks, uncertainties and other factors which may cause the actual results, performance or achievements of Rio Tinto, or industry results, to be materially different from any future results, performance or achievements expressed or implied by such forward- looking statements. -
Spring 1998 Gems & Gemology
VOLUME 34 NO. 1 SPRING 1998 TABLE OF CONTENTS EDITORIAL 1 The Dr. Edward J. Gübelin Most Valuable Article Award FEATURE ARTICLE 4 The Rise to pProminence of the Modern Diamond Cutting Industry in India Menahem Sevdermish, Alan R. Miciak, and Alfred A. Levinson pg. 7 NOTES AND NEW TECHNIQUES 24 Leigha: The Creation of a Three-Dimensional Intarsia Sculpture Arthur Lee Anderson 34 Russian Synthetic Pink Quartz Vladimir S. Balitsky, Irina B. Makhina, Vadim I. Prygov, Anatolii A. Mar’in, Alexandr G. Emel’chenko, Emmanuel Fritsch, Shane F. McClure, Lu Taijing, Dino DeGhionno, John I. Koivula, and James E. Shigley REGULAR FEATURES pg. 30 44 Gem Trade Lab Notes 50 Gem News 64 Gems & Gemology Challenge 66 Book Reviews 68 Gemological Abstracts ABOUT THE COVER: Over the past 30 years, India has emerged as the dominant sup- plier of small cut diamonds for the world market. Today, nearly 70% by weight of the diamonds polished worldwide come from India. The feature article in this issue discuss- es India’s near-monopoly of the cut diamond industry, and reviews India’s impact on the worldwide diamond trade. The availability of an enormous amount of small, low-cost pg. 42 Indian diamonds has recently spawned a growing jewelry manufacturing sector in India. However, the Indian diamond jewelery–making tradition has been around much longer, pg. 46 as shown by the 19th century necklace (39.0 cm long), pendant (4.5 cm high), and bracelet (17.5 cm long) on the cover. The necklace contains 31 table-cut diamond panels, with enamels and freshwater pearls. -
Download PDF About Minerals Sorted by Mineral Name
MINERALS SORTED BY NAME Here is an alphabetical list of minerals discussed on this site. More information on and photographs of these minerals in Kentucky is available in the book “Rocks and Minerals of Kentucky” (Anderson, 1994). APATITE Crystal system: hexagonal. Fracture: conchoidal. Color: red, brown, white. Hardness: 5.0. Luster: opaque or semitransparent. Specific gravity: 3.1. Apatite, also called cellophane, occurs in peridotites in eastern and western Kentucky. A microcrystalline variety of collophane found in northern Woodford County is dark reddish brown, porous, and occurs in phosphatic beds, lenses, and nodules in the Tanglewood Member of the Lexington Limestone. Some fossils in the Tanglewood Member are coated with phosphate. Beds are generally very thin, but occasionally several feet thick. The Woodford County phosphate beds were mined during the early 1900s near Wallace, Ky. BARITE Crystal system: orthorhombic. Cleavage: often in groups of platy or tabular crystals. Color: usually white, but may be light shades of blue, brown, yellow, or red. Hardness: 3.0 to 3.5. Streak: white. Luster: vitreous to pearly. Specific gravity: 4.5. Tenacity: brittle. Uses: in heavy muds in oil-well drilling, to increase brilliance in the glass-making industry, as filler for paper, cosmetics, textiles, linoleum, rubber goods, paints. Barite generally occurs in a white massive variety (often appearing earthy when weathered), although some clear to bluish, bladed barite crystals have been observed in several vein deposits in central Kentucky, and commonly occurs as a solid solution series with celestite where barium and strontium can substitute for each other. Various nodular zones have been observed in Silurian–Devonian rocks in east-central Kentucky. -
A Ground Magnetic Survey of Kimberlite Intrusives in Elliott County, Kentucky
Kentucky Geological Survey James C. Cobb, State Geologist and Director University of Kentucky, Lexington A Ground Magnetic Survey of Kimberlite Intrusives in Elliott County, Kentucky John D. Calandra Thesis Series 2 Series XII, 2000 Kentucky Geological Survey James C. Cobb, State Geologist and Director University of Kentucky, Lexington A Ground Magnetic Survey of Kimberlite Intrusives in Elliott County, Kentucky John D. Calandra On the cover: Photomicrographs of olivine phenoc- rysts: (top) a stressed first-generation olivine pheno- cryst and (bottom) a late-stage olivine phenocryst. Thesis Series 2 Series XII, 2000 i UNIVERSITY OF KENTUCKY Computer and Laboratory Services Section: Charles T. Wethington Jr., President Steven Cordiviola, Head Fitzgerald Bramwell, Vice President for Research and Richard E. Sergeant, Geologist IV Graduate Studies Joseph B. Dixon, Information Technology Manager I Jack Supplee, Director, Administrative Affairs, Research James M. McElhone, Information Systems Technical and Graduate Studies Support Specialist IV Henry E. Francis, Scientist II KENTUCKY GEOLOGICAL SURVEY ADVISORY Karen Cisler, Scientist I BOARD Jason S. Backus, Research Analyst Henry M. Morgan, Chair, Utica Steven R. Mock, Research Analyst Ron D. Gilkerson, Vice Chair, Lexington Tracy Sizemore, Research Analyst William W. Bowdy, Fort Thomas Steve Cawood, Frankfort GEOLOGICAL DIVISION Hugh B. Gabbard, Winchester Coal and Minerals Section: Kenneth Gibson, Madisonville Donald R. Chesnut Jr., Head Mark E. Gormley, Versailles Garland R. Dever Jr., Geologist V Rosanne Kruzich, Louisville Cortland F. Eble, Geologist V W.A. Mossbarger, Lexington Gerald A. Weisenfluh, Geologist V Jacqueline Swigart, Louisville David A. Williams, Geologist V, Henderson office John F. Tate, Bonnyman Stephen F. Greb, Geologist IV David A. -
Download Course Outline for This Program
Program Outline 434- Jewellery and Metalwork NUNAVUT INUIT LANGUAGES AND CULTURES Jewelry and Metalwork (and all fine arts) PROGRAM REPORT 434 Jewellery and Metalwork Start Term: No Specified End Date End Term: No Specified End Date Program Status: Approved Action Type: N/A Change Type: N/A Discontinued: No Latest Version: Yes Printed: 03/30/2015 1 Program Outline 434- Jewellery and Metalwork Program Details 434 - Jewellery and Metalwork Start Term: No Specified End Date End Term: No Specified End Date Program Details Code 434 Title Jewellery and Metalwork Start Term No Specified End Date End Term No Specified End Date Total Credits Institution Nunavut Faculty Inuit Languages and Cultures Department Jewelry and Metalwork (and all fine arts) General Information Eligible for RPL No Description The Program in Jewellery and Metalwork will enable students to develop their knowledge and skills of jewellery and metalwork production in a professional studio atmosphere. To this end the program stresses high standards of craftship and creativity, all the time encouraging and exposing students to a wide range of materials, techniques and concepts. This program is designed to allow the individual student to specialize in an area of study of particular interest. There is an emphasis on creative thinking and problem-solving throughout the program.The first year of the program provides an environment for the students to acquire the necessary skills that will enable them to translate their ideas into two and three dimensional jewellery and metalwork. This first year includes courses in: Drawing and Design, Inuit Art and Jewellery History, Lapidary and also Business and Communications. -
Preliminary Investigation of Purple Garnet from a New Deposit in Mozambique
GIT GEMSTONE UPDATE Preliminary Investigation of Purple Garnet from a New Deposit in Mozambique By GIT-Gem testing laboratory 11 May 2016 Introduction In March 2016, a group of Thai gem dealer led by Mr. Pichit Nilprapaporn paid a visit to the GIT and informed us about a new garnet deposit in Mozambique, that was discovered near the western border with Zimbabwe. They also displayed a large parcel of rough and a few cut stones claimed to be the material found in this new deposit (Figure 1). According to the stone’s owner, these garnet specimens were unearthed from an unconsolidated sediment layer, just a few meters below ground surface. This brief report is our preliminary investigation on the interesting vivid purple garnet from the new deposit in Mozambique. Figure 1: Mr. Pichit Nilprapaporn (center), the stone’s owner, showing a large parcel of purple gar- net roughs claimed to be from a new deposit in Mozambique to the GIT director (left). The Gem and Jewelry Institute of Thailand (Public Organization) 140, 140/1-3, 140/5 ITF-Tower Building. 1st - 4th and 6th Floor,Silom Road, Suriyawong, Bangrak, Bangkok 10500 Thailand Tel: +66 2634 4999 Fax: +66 2634 4970; Web: http://www.git.or.th; E-mail: [email protected] 11 May, 2016 Preliminary Investigation of Purple Garnet from a New Deposit in Mozambique 2 Samples and Testing Procedure The stone’s owners donated some specimens (one 6.10 ct oval-facetted stone and 13 rough samples weighing from 3.83 to 9.43 cts) to the GIT Gem Testing Laboratory for studying. -
HIGHLIGHTS and BREAKTHROUGHS Sapphire, A
1 HIGHLIGHTS AND BREAKTHROUGHS 2 Sapphire, a not so simple gemstone 3 F. LIN SUTHERLAND1* 4 1Geoscience, Australian Museum, 1 William Street, Sydney, NSW 2010, Australia. 5 *E-mail: [email protected] 6 Abstract: Sapphire is a gemstone of considerable reach and is much researched. It still delivers scientific surprises, as exemplified by a 7 recent paper in American Mineralogist that re-interprets the origin of needle-like rutile inclusions that form “silk” in sapphires. 8 Understanding of variations in sapphire genesis continues to expand. Keywords: Sapphire, inclusions, trace elements, genesis 9 Sapphire as a gem variety of corundum has wide use in the gem trade as one of the more historically valuable colored gem stones 10 (CGS) and is mined from a great variety of continental gem deposits across the world. A masterly compendium on this gemstone and its 11 ramifications is recently available (Hughes 2017). As a gem, sapphire ranges through all the colors of corundum, except where 12 sufficient Cr enters its α-alumina crystal structure and causes the red color of the variety ruby. Sapphire, as a key pillar in a wide 13 economic network of gem enhancing treatments, jewelry and other manufacturing enterprises, has elicited numerous scientific and 14 gemological enquiries into its internal nature and natural genesis and subsequent treatments. A further use of sapphire as a synthetic 15 material with a great variety of purposes also has triggered a proliferation of detailed studies on its growth, properties and other element 16 substitutional effects (Dobrovinski et al. 2009). Even with this vast range of studies, this apparently simple gemstone still yields 17 controversies and breakthroughs in understanding its genetic formation. -
Global Rough Diamond Production Since 1870
GLOBAL ROUGH DIAMOND PRODUCTION SINCE 1870 A. J. A. (Bram) Janse Data for global annual rough diamond production (both carat weight and value) from 1870 to 2005 were compiled and analyzed. Production statistics over this period are given for 27 dia- mond-producing countries, 24 major diamond mines, and eight advanced projects. Historically, global production has seen numerous rises—as new mines were opened—and falls—as wars, political upheavals, and financial crises interfered with mining or drove down demand. Production from Africa (first South Africa, later joined by South-West Africa [Namibia], then West Africa and the Congo) was dominant until the middle of the 20th century. Not until the 1960s did production from non-African sources (first the Soviet Union, then Australia, and now Canada) become impor- tant. Distinctions between carat weight and value affect relative importance to a significant degree. The total global production from antiquity to 2005 is estimated to be 4.5 billion carats valued at US$300 billion, with an average value per carat of $67. For the 1870–2005 period, South Africa ranks first in value and fourth in carat weight, mainly due to its long history of production. Botswana ranks second in value and fifth in carat weight, although its history dates only from 1970. Global production for 2001–2005 is approximately 840 million carats with a total value of $55 billion, for an average value per carat of $65. For this period, USSR/Russia ranks first in weight and second in value, but Botswana is first in value and third in weight, just behind Australia. -
Exceptional Works of Art 2017 PUSHKIN ANTIQUES – MAYFAIR –
Exceptional works of art 2017 PUSHKIN ANTIQUES – MAYFAIR – At Pushkin Antiques we specialise in unique statement Each item is professionally selected and inspected pieces of antique silver as well as branded luxury items, to ensure we can give our customers a guarantee of stylish interior articles and objects d’art. authenticity and the required peace of mind when buying from us. Since the inception of our company, we’ve been at the forefront of online sales for high end, quality antiques. Our retail gallery is located on the lower floor of the world Our presence on most major platforms has allowed us famous Grays Antiques Centre in the heart of Mayfair. to consistently connect exquisite pieces with the most discerning collectors and interior decorators from all over the world with particular focus on the demands of the markets from the Far East, the Americas, Europe & Russia. www.pushkinantiques.com [email protected] We aim to provide the highest quality in every department: rare hand crafted articles, accurate item descriptions (+44) 02085 544 300 to include the history and provenance of each item, an (+44) 07595 595 079 extensive photography report, as well as a smooth buying process thus facilitating an efficient and pleasant online Shop 111, Lower Ground Floor, Grays Antiques Market. experience. 58 Davies St, London. W1K 5AB, UK. ALEX PUSHKIN OLGA PUSHKINA DUMITRU TIRA Founder & Director Managing Director Photographer Contents 6 ENGLISH SILVER 42 CHINESE SILVER 56 JAPANESE SILVER 66 INDIAN SILVER 78 BURMESE SILVER 86 CONTINENTAL SILVER 100 FRENCH SILVER 108 GERMAN SILVER 118 RUSSIAN SILVER 132 OBJECTS OF VERTU English Silver The style and technique in manufacturing silver during Hester Bateman (1708-1794) was one of the greatest this era (over 100 years) changed radically, reflecting silversmiths operating in this style, she is the most the variations in taste, society, costumes, economic and renowned and appreciated female silversmith of all time. -
Ecological Comparison of Synthetic Versus Mined Diamonds
Ecological Comparison of Synthetic versus Mined Diamonds Saleem H. Ali Working Paper, Institute for Environmental Diplomacy and Security University of Vermont, January, 2011 http://www.uvm.edu/ieds Abstract The energy usage and emissions in mined versus lab-created diamonds was evaluated, based on industrial data, since these two factors are often a general indicator of environmental impact that can be useful in product comparisons. Depending on the process and the location of the mine, the data can be highly divergent and cannot be used as a singular measure of environmental impact. There is a need to develop life cycle analysis techniques from industrial ecology to conduct a detailed comparison of synthetic versus mined stones. Introduction Synthetic diamonds have come of age, and the year 2010 will be remembered as a landmark year in this regard since for the first time labs of the Gemological Institute of America (GIA) in New York were able to grade a gem quality near-colorless synthetic diamond (formed by chemical vapor deposition) , greater than 1 carat. The history of synthetic diamonds at the industrial level, goes back to patents for super-abrasives at General Electric can be traced back to several decades (Hazen, 1996). However, gem quality synthetic diamonds have only risen to prominence in the last decade with the rise of a few key companies who are taking on this growing market in concert with boutique jewelry brands. As jewelers consider environmental social responsibility more seriously in marketing their gemstone products, energy usage in mined versus lab-created gems can be an important factor in determining comparative environmental impact. -
Distinctive Designs
Distinctive Designs Brides Ring in an Era of Self-Expression by Stacey Marcus Diamond rings have been sporting the hands of newly can elevate a traditional setting to an entirely new level. While engaged women since ancient times. In the mid 1940s, diamonds are always in vogue for engagement rings, millen- DeBeers revived the ritual with its famous “Diamonds Are nials are also opting for nontraditional stones, such as color- Forever” campaign. Today’s brides are blazing new trails by changing alexandrite, beautiful tanzanite, black opal, and even selecting nontraditional wedding rings that express their aquamarine. We are in an age when anything goes, and brides individual style. are embracing the idea of individuality and self-expression!” True Colors says Jordan Fine, CEO of JFINE. “Brides today want to be unique and they don’t mind taking Kathryn Money, vice president of strategy and merchandising chances with colors, settings, and stones. When it comes to at Brilliant Earth agrees: “Customers are seeking products that choosing an engagement ring, natural pink, blue, and even express their individuality and are increasingly drawn towards green diamonds are trending. These precious and rare dia- uniqueness. They want a ring that isn’t like everyone else’s, monds originate from only a few mines in the world, and they which we’re seeing manifested in many different ways, such 34 Spring 2018 BRIDE&GROOM as choosing a distinctive ring setting, using colored gemstones in lieu of a diamond, using a fancy (non-round) diamond, or opting for rose gold.” Money adds that 16% of respondents in a recent survey they conducted favored a colored gemstone engagement ring over a diamond. -
F I N E C R a F T J E W E L R Y C O L L E C T I O N 2014
F i n e C r a f t J e w e l r y C o l l e c t i o n 2014 www.MarthaSeelyDesign.com y jewelry is always a reflection of the art forms that have inspired me over the years: Fiber, fashion, and the grace of natural forms; The boldness of architectural concepts; The simplicity of cold connections, and the kinetic energy of objects in M motion. It expresses in precious metal and gemstones, the strongest influences in my life as a designer: clothing/costume design, art history (with a special fondness for the Art Nouveau /Art Deco movements) and the uniqueness and strength of individual style. Floral Nouveau was inspired by my love of the Art Nouveau (and Deco) movement of the late Curved lines nineteenth century. It is contemporary and feminine. The woven wire combines my love of fiber with the asymmetrical, sinuous vines used widely within Art Nouveau art and design. and vines, woven Floral Architecture is layered contemporary jewelry with simple construction techniques where together. stones seem to float in their floral frames. The floral shapes are simple, layered and riveted together, sometimes flat and sometimes hammered and sculptural. Hammered and Echo Structures are multi-layers of simple, architectural shapes. Rivets. Textures. Con- sometimes sculptural trasts. Brilliant colored stones. Modern and clean. flowers. Formed and Winged Secrets are edgy, formed, textured and riveted flying insects. Sometimes the wings riveted flying insects. move, sometimes not. They are made in silver and gold with large faceted gemstone heads. Everything is handmade, hand formed and one of a kind.