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Xmmigrant RACES MASSACHUSETTS the SYRIANS
CPS 17 1320 xMMIGRANT RACES IN MASSACHUSETTS THE SYRIANS WRITTEN FOR THE MASSACHUSETTS DEPARTMENT OF EDUCATION Division of Education of Aliens BY WILLIAM I. COLE, PROFESSOR OF APPLIED SOCIOLOGY, WHEAT^N COLLEGE PUBLICATION OF THIS DOCUMENT APPROVED BT THE SUPERVISOR OF ADMINISTRATION. IMMIGRANT RACES IN MASSACHUSETTS THE SYRIANS Background. The background which the Syrians bring with them to this country, and against which they are seen, is composite. In this respect it is not unlike the backgrounds of most of our immigrant races. Fragments of many different places and times, of many different peoples and civilizations, enter into it. There are the snowy peaks, the lonely villages, the ancient cedars, the olive and mulberry plantations, and the grain fields of Mount Lebanon. There are the Tyre and Sidon of to-day, towns insignificant in themselves, but shining in the reflected glory of the Tyre and Sidon of the remote past, the wealthy and powerful cities of Iving Hiram. There is Damascus, thriving and populous, "beautiful for situation" in the luxuriant plains of Anti-Lebanon. It, too, is seen against a far older and more splendid self, — the Damascus toward which Saul of Tarsus journeyed. There are also fragments of many races and civilizations. We get glimpses of the Bedouins, those nomadic Arabs of the desert; and, far in the distance, the shadowy figures of other Arabs and hints of a civilization which has made Bagdad forever the city of romance. There are, finally, although dimly seen, the hills and valleys, the cities and towns of the Holy Land; and, rising far beyond, the misty outlines of Mount Sinai. -
The Prophet (Discussion Questions)
The Prophet (Discussion Questions) 1. Is Lebanese or Arab patriotism discernable? What is Gibran's view of America? Is there a political dimension to his work? 2. Can you identify with any of the characters? Does Gibran want you to identify with them? Do you think somebody in Lebanon would feel closer or less close to them? Why? 3. What is the prophet's message? What is his vision of human relationships in society? 4. How, overall, does Almustafa rate his ministry to Orphalese? 5. Can Gibran's writing be classified as immigration literature or are there more universal themes at work here? Could it just be romantic idealism? 6. How does Almitra figure in The Prophet? 7. How does Almustafa view nudity? 8. How does Almustafa relate to cities? 9. What is the function of human labor? 10. What is God's function in The Prophet? Is God a creator, provider, or savior, or does God serve some other function? 11. Does Almustafa's enigmatic promise to return through reincarnation fit in with his teachings on human nature? https://www.grpl.org/wp-content/uploads/2017/05/The-Prophet.pdf The Prophet (About the Author) Kahlil Gibran, known in Arabic as Gibran Khalil Gibran, was born January 6, 1883, in Bsharri, Lebanon, which at the time was part of Syria and part of the Ottoman Empire. In 1885 Gibran emigrated with his mother and siblings to the United States, where they settled in the large Syrian and Lebanese community in Boston, Massachusetts. In 1904 Gibran began publishing articles in an Arabic-language newspaper and also had his first public exhibit of his drawings, which were championed by the Boston photographer Fred Holland Day. -
Exhibition Guide
A free exhibition presented at the State Library of New South Wales 4 December 2010 to 20 February 2011 Exhibition opening hours: 9 am to 8 pm Monday to Thursday, 9 am to 5 pm Friday, 10 am to 5pm weekends Macquarie Street Sydney NSW 2000 Telephone (02) 9273 1414 Facsimile (02) 9273 1255 TTY (02) 9273 1541 Email [email protected] www.sl.nsw.gov.au Curator: Avryl Whitnall The State Library of New South Wales is a statutory authority Exhibition project manager: Phil Verner of, and principally funded by, the NSW State Government Exhibition designers: Beth Steven and Stephen Ryan, The State Library acknowledges the generous support of the Freeman Ryan Design Nelson Meers Foundation Exhibition graphics: Nerida Orsatti, Freeman Ryan Design Print and marketing graphics: Marianne Hawke Names of people and works in this exhibition have been Editor: Theresa Willsteed westernised where appropriate for English-language publication. Unless otherwise stated, all works illustrated in this guide are Conservation services in Lebanon: David Butcher, by Kahlil Gibran (1883–1931), and are on loan from the Gibran Paris Art Consulting Museum, Bsharri, Lebanon. International freight: Terry Fahey, Global Specialised Services Printed in Australia by Pegasus Print Group Cover: Fred Holland Day, Kahlil Gibran with book, 1897, Paper: Focus Paper Evolve 275gsm (cover) and 120 gsm (text). photographic print, © National Media Museum/Science & Society The paper is 100% recycled from post-consumer waste. Picture Library, UK Print run: 10,000 Above: Fred Holland Day, Portrait of Kahlil Gibran, c. 1898, P&D-3499-11/2010 photographic print, © National Media Museum/Science & Society Picture Library, UK ISBN 0 7313 7205 0 © State Library of New South Wales, November 2010 FOREWORD Kahlil Gibran’s visit to the State Library of Kahlil Gibran had an enormous impact on many Gibran Khalil Gibran — writer, poet, artist From Bsharri to Sydney New South Wales is both timely and fitting. -
From Tent to Temple by Eugene Pease, 1959 and Earlier U
The 120-Year Story of University Temple United Methodist Church (1890–2010) University Temple United Methodist Church 1415 NE 43rd Street Seattle, Washington 98105 Contents Foreword ................................................................................................................ i Preface .................................................................................................................. iv 1. How Firm a Foundation ............................................. 1 Methodism on Seattle's Northern Frontier (1) A Growing Congregation's Ambitious Plans (4) “I Will Build My Church” (5) A Walk Through God’s House (8) The Sanctuary Stained Glass Windows (13) A Block-Long Methodist Presence (16) The Education Wing Sander Memorial Chapel The Church Library Where The Money Came From (23) A Brief Financial History The Crisis of 1935 The Memorial and Endowment Funds 2. The Pastors and Staff .................................................. 30 The Preaching Ministry (30) The Music Ministry (57) Religious Education (73) The Church Office (75) 3. The Congregation .......................................................... 79 United Methodist Women (80) A Brief History The Christmas Gift Banquet The Quilting Group The Sewing Group Wesleyan Service Guild/Jennie Fulton Guild Susannah Wesleyan Service Guild Christian Social Relations Fellowship and Service Groups (93) Triple F and Supper Club Young Adult Beacon Club Meriweds/In-Betweeners Temple Two’s/The Collection Methodist Men Organization Temple Men: The Working Methodists -
Contemporary American Painting and Sculpture
AT UR8ANA-GHAMPAIGN ARCHITECTURE The person charging this material is responsible for .ts return to the library from which it was withdrawn on or before the Latest Date stamped below '"" """"""'"9 "< "ooks are reason, ™racTo?,'l,°;'nary action and tor di,elpl(- may result in dismissal from To renew the ""'*'e™«y-University call Telephone Center, 333-8400 UNIVERSITY OF ILLINOIS LIBRARY AT URBANA-CHAMPAIGN I emp^rary American Painting and Sculpture University of Illinois Press, Urbana, 1959 Contemporary American Painting and Scuipttfre ^ University of Illinois, Urbana March 1, through April 5, 195 9 Galleries, Architecture Building College of Fine and Applied Arts (c) 1959 by the Board of Trustees of the University of Illinois Library of Congress Catalog Card No. A4 8-34 i 75?. A^'-^ PDCEIMtBieiiRr C_>o/"T ^ APCMi.'rri'Ht CONTEMPORARY AMERICAN PAINTING AND SCULPTURE DAVID D. HENRY President of the University ALLEN S. WELLER Dean, College of Fine and Applied Arts Chairman, Festival of Contemporary Arts N. Britsky E. C. Rae W. F. Doolittlc H. A. Schultz EXHIBITION COMMITTEE D. E. Frith J. R. Shipley \'. Donovan, Chairman J. D. Hogan C. E. H. Bctts M. B. Martin P. W. Bornarth N. McFarland G. R. Bradshaw D. C. Miller C. W. Briggs R. Perlman L. R. Chesney L. H. Price STAFF COMMITTEE MEMBERS E. F. DeSoto J. W. Raushenbergcr C. A. Dietemann D. C. Robertson G. \. Foster F. J. Roos C. R. Heldt C. W. Sanders R. Huggins M. A. Sprague R. E. Huh R. A. von Neumann B. M. Jarkson L. M. Woodroofe R. Youngman J. -
A Finding Aid to the Lee Nordness Business Records and Papers, Circa 1931-1992 (Bulk 1954-1984), in the Archives of American Art
A Finding Aid to the Lee Nordness business records and papers, circa 1931-1992 (bulk 1954-1984), in the Archives of American Art Sarah Haug Funding for the processing of this collection was provided by the Smithsonian Institution Collection Care Preservation Fund 2012 November 6 Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement..................................................................................................................... 4 Biographical / Historical.................................................................................................... 2 Scope and Contents........................................................................................................ 3 Names and Subjects ...................................................................................................... 4 Container Listing ............................................................................................................. 6 Series 1: Nordness Gallery, Inc. and Lee Nordness Galleries Art Advisory Section, Inc., circa 1938-1992 (bulk 1958-1982)................................................................... 6 Series 2: Lee Nordness -
“Kahlil Gibran”, in American Writers
List of Subjects Introduction ix REGINALD MCKNIGHT 147 Stefanie K. Dunning List of Contributors xi JIM WAYNE MILLER 161 MARY ANTIN 1 Morris A. Grubbs Janet McCann TOVA MIRVIS 177 T. CORAGHESSAN BOYLE 17 Terry Barr D. Quentin Miller FLOYD SKLOOT 193 PIETRO DI DONATO 33 Ron Slate Tom Cerasulo GENE STRATTON-PORTER 211 TIMOTHY FINDLEY 49 Susan Carol Hauser Nancy Bunge HOWARD OVERING STURGIS 227 WALDO FRANK 67 Benjamin Ivry Kathleen Pfeiffer LEON URIS 243 JONATHAN FRANZEN 83 Jack Fischel Stephen J. Burn PATRICIA NELL WARREN 259 HENRY LOUIS GATES, JR. 99 Nikolai Endres S. Bailey Shurbutt PHILLIS WHEATLEY 277 KAHLIL GIBRAN 113 Caleb Puckett Christopher Buck Cumulative Index 293 ANNE LAMOTT 131 Pegge Bochynski Authors List 567 vii Contributors Terry Barr. Terry Barr holds a Ph.D in English Nancy Bunge. Nancy Bunge, a professor at from the University of Tennessee–Knoxville, Michigan State University, has held senior Ful- and has taught courses in Holocaust Literature bright lectureships at the University of Vienna and Southern Jewish Literature. He has taught in Austria, at the University of Ghent and the Modern Literature and Film Studies at Presbyte- Free University of Brussels in Belgium and at rian College, in Clinton, SC, for the past 23 the University of Siegen in Germany. She is the years. His essays have been published in Stud- interviewer and editor of Finding the Words: ies in American Culture, The Journal of Popular Conversations with Writers Who Teach and Mas- Film and TV, the American Literary Review, ter Class: Lessons from Leading Writers, the and in Half-Life: Jew-ishy Tales from Interfaith editor of Conversations with Clarence Major Homes. -
Mayor's Office of Arts, Tourism and Special Events Boston Art
Mayor’s Office of Arts, Tourism and Special Events Boston Art Commission 100 Public Artworks: Back Bay, Beacon Hill, the Financial District and the North End 1. Lief Eriksson by Anne Whitney This life-size bronze statue memorializes Lief Eriksson, the Norse explorer believed to be the first European to set foot on North America. Originally sited to overlook the Charles River, Eriksson stands atop a boulder and shields his eyes as if surveying unfamiliar terrain. Two bronze plaques on the sculpture’s base show Eriksson and his crew landing on a rocky shore and, later, sharing the story of their discovery. When Boston philanthropist Eben N. Horsford commissioned the statue, some people believed that Eriksson and his crew landed on the shore of Massachusetts and founded their settlement, called Vinland, here. However, most scholars now consider Vinland to be located on the Canadian coast. This piece was created by a notable Boston sculptor, Anne Whitney. Several of her pieces can be found around the city. Whitney was a fascinating and rebellious figure for her time: not only did she excel in the typically ‘masculine’ medium of large-scale sculpture, she also never married and instead lived with a female partner. 2. Ayer Mansion Mosaics by Louis Comfort Tiffany At first glance, the Ayer Mansion seems to be a typical Back Bay residence. Look more closely, though, and you can see unique elements decorating the mansion’s façade. Both inside and outside, the Ayer Mansion is ornamented with colorful mosaics and windows created by the famed interior designer Louis Comfort Tiffany. -
The Fenway Victory Gardens Est. 1942
FGS / The Fenway Garden Society Welcome to The Richard Our Accessible Garden Our Central Meadow D. Parker Memorial Victory A Partnership with the Northeastern University The heart of the gardens, the Central Meadow is student chapter of the American Society of Civil an ideal place to relax and enjoy the sights and Gardens. We encourage you Engineers, our one-of-a-kind ADA-compliant sounds with family and friends. We encourage The to explore our vibrant and Accessible Garden is a space for the whole you to bring a picnic and make yourself at home, A community. We welcome gardeners of all but please clean up when your done. growing community! abilities and levels of experience, as well as partnerships with organizations. Our Compost The Fenway Victory Gardens are the oldest With three independent compost locations, we continuously operating Word War II Victory B Our Teaching Garden are able to process and reuse 100% of our Gardens in the US. A link in Fredick Law A working victory garden open to the public organic waste thanks to the knowledge and Olmsted’s Emerald Necklace, over 500 with regular programming on everything from commitment of our dedicated members and gardens spanning 7 acres are tended by building a raised-bed garden to making it grow. volunteers. Fenway a community of more than 300 members from In partnership with ENC Green Team and every neighborhood in Boston, refl ecting the Boylston Street C the Greater Boston Food Bank, the Teaching Our Friends diversity of our city and its rich Garden is a place to teach, learn, and grow history and culture. -
U.S. Department of Education Newcomer Tool
U.S. Department of Education NEWCOMER TOOL KIT U.S. Department of Education NEWCOMER TOOL KIT This report was produced by the National Center for English Language Acquisition (NCELA) under U.S. Department of Education (Department) Contract No. ED-ELA-12-C-0092 with Leed Management Consulting, Inc. Synergy Enterprises, Inc. and WestEd also assisted with the publication. The views expressed herein do not necessarily represent the positions or policies of the Department. No official endorsement by the Department of any product, commodity, service, enterprise, curriculum, or program of instruction mentioned in this publication is intended or should be inferred. For the reader’s convenience, the tool kit contains information about and from outside organizations, including URLs. Inclusion of such information does not constitute the Department’s endorsement. U.S. Department of Education 400 Maryland Avenue, SW Washington, D.C. 20202 Phone: 1-800-USA-LEARN (1-800-872-5327) https://www.ed.gov/ Office of English Language Acquisition Phone: (202) 401-4300 Fax: (202) 260-1292 https://www2.ed.gov/about/offices/list/oela/index.html September 2016 (Updated September 2017) This report is in the public domain. Authorization to reproduce it in whole or in part is granted. While permission to reprint this publication is not necessary, the citation should be U.S. Department of Education, Office of English Language Acquisition. (2016). Newcomer Tool Kit. Washington, DC: Author. This report is available on the Department’s website at: http://www2.ed.gov/about/offices/list/oela/newcomers-toolkit/ncomertoolkit.pdf Availability of Alternative Formats Requests for documents in alternative formats such as Braille or large print should be submitted to the Alternate Format Center by calling 202-260-0852 or by contacting the 504 coordinator via email at [email protected]. -
Kahlil Gibran (1883–1931), and Are on Loan from the Gibran Paris Art Consulting Museum, Bsharri, Lebanon
A free exhibition presented at the State Library of New South Wales 4 December 2010 to 20 February 2011 Exhibition opening hours: 9 am to 8 pm Monday to Thursday, 9 am to 5 pm Friday, 10 am to 5pm weekends Macquarie Street Sydney NSW 2000 Telephone (02) 9273 1414 Facsimile (02) 9273 1255 TTY (02) 9273 1541 Email [email protected] www.sl.nsw.gov.au Curator: Avryl Whitnall The State Library of New South Wales is a statutory authority Exhibition project manager: Phil Verner of, and principally funded by, the NSW State Government Exhibition designers: Beth Steven and Stephen Ryan, The State Library acknowledges the generous support of the Freeman Ryan Design Nelson Meers Foundation Exhibition graphics: Nerida Orsatti, Freeman Ryan Design Print and marketing graphics: Marianne Hawke Names of people and works in this exhibition have been Editor: Theresa Willsteed westernised where appropriate for English-language publication. Unless otherwise stated, all works illustrated in this guide are Conservation services in Lebanon: David Butcher, by Kahlil Gibran (1883–1931), and are on loan from the Gibran Paris Art Consulting Museum, Bsharri, Lebanon. International freight: Terry Fahey, Global Specialised Services Printed in Australia by Pegasus Print Group Cover: Fred Holland Day, Kahlil Gibran with book, 1897, Paper: Focus Paper Evolve 275gsm (cover) and 120 gsm (text). photographic print, © National Media Museum/Science & Society The paper is 100% recycled from post-consumer waste. Picture Library, UK Print run: 10,000 Above: Fred Holland Day, Portrait of Kahlil Gibran, c. 1898, P&D-3499-11/2010 photographic print, © National Media Museum/Science & Society Picture Library, UK ISBN 0 7313 7205 0 © State Library of New South Wales, November 2010 FOREWORD Kahlil Gibran’s visit to the State Library of Kahlil Gibran had an enormous impact on many Gibran Khalil Gibran — writer, poet, artist From Bsharri to Sydney New South Wales is both timely and fitting. -
Kahlil Gibran Papers
Kahlil Gibran papers Archives of American Art 750 9th Street, NW Victor Building, Suite 2200 Washington, D.C. 20001 https://www.aaa.si.edu/services/questions https://www.aaa.si.edu/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Scope and Contents........................................................................................................ 1 Biographical / Historical.................................................................................................... 1 Names and Subjects ...................................................................................................... 2 Container Listing ...................................................................................................... Kahlil Gibran papers AAA.gibrkahl Collection Overview Repository: Archives of American Art Title: Kahlil Gibran papers Identifier: AAA.gibrkahl Date: circa 1945-2008 Creator: Gibran, Kahlil, 1922- Extent: 6 Linear feet Language: English . Administrative Information Acquisition Information Material was both lent and donated by Kahlil George Gibran, April 1972.The bulk of the material was donated in 2020 by Jean Gibran, Kahlil Gibran's widow. It is unclear whether the material on reel 374 was donated in 2019. Location of Originals Reel 374: Material returned to the lender, Kahlil Gibran, after microfilming.