DOCSLIB.ORG

Tuesday, August 25 Northwestern University Presider: E

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Tuesday, August 25 Northwestern University Presider: E Session Organizer: Celeste M. Watkins-Hayes, Tuesday, August 25 Northwestern University Presider: E. Patrick Johnson, Northwestern University The length of each daytime session/meeting activity Panelists: Marlon M. Bailey, Indiana University is one hour and forty minutes, unless noted Michael Kimmel, State University of New York-Stony otherwise. The usual turnover is as follows: Brook 8:30am-10:10am Jennifer Nash, George Washington University 10:30am-12:10pm In this session, leading scholars will explore issues around 12:30pm-2:10pm femininity, masculinity, race, representation, and pleasure in the creation and consumption of pornography. This will include critical 2:30pm-4:10pm examinations of popular claims about the content, consumption, and outcomes of exposure to pornography on consumers and the wider Session presiders and committee chairs are society. Drawing on theories in the fields of sociology, gender studies, requested to see that sessions and meetings end on and critical race studies, these scholars will offer innovative ideas to time to avoid conflicts with subsequent activities analyze the complexities of pornography. scheduled into the same room. 485. Thematic Session. Sexuality and Body Size 7:00 am Meetings Session Organizer: Abigail C. Saguy, University of ASA Business Meeting California-Los Angeles Section on Labor and Labor Movements Council Meeting Presider: Michaela A. Nowell, University of Wisconsin- Fond du Lac 8:30 am Meetings Panelists: Jeannine A. Gailey, Texas Christian University 2014-15 ASA Council Members-at-Large Jason Andrew Whitesel, Pace University Film/Video Screening. Earth Water Woman Amy Shuman, The Ohio State University Honors Program Wrap-up Sabrina A. Strings, University of California-Berkeley Section on Crime, Law and Deviance Council and Lynne Gerber, University of California-Berkeley Business Meeting Sarah Quinn, University of Washington State, Regional, and Aligned Sociological Association Discussant: Carla A. Pfeffer, Purdue University-North Officers Central Research on human sexuality has been thriving for at least four 8:30 am Sessions decades. Yet, scholars have paid scant attention to how body size shapes experiences with sexuality. In an effort to remedy this silence, 483. Thematic Session. Housing Instability, Gender this panel brings together cutting-edge research on the way in which and Sexuality body size shapes people’s sexual experiences, as well as their Session Organizer: Melody L. Boyd, State University of understandings of themselves as sexual beings. It takes an intersectional approach, examining how experiences of body size and New York-Brockport sexuality vary by gender, sexual orientation and race. Specific paper Presider: Melody L. Boyd, State University of New York- topics include the (in)visibility of fat women’s sexuality, the experiences Brockport of fat gay men, and the racial and sexual biopolitics of yoga. Housing Discrimination: A Moving Target. Gregory D. 486. Thematic Session. The Career Consequences of Squires, George Washington University; Susan Studying Sexuality Scovill, M.Davis and Company Session Organizer: Elizabeth A. Armstrong, University of Housing Insecurity and Risky Sexual Behavior in the Michigan Poor, Urban Communities of Accra, Ghana. Meredith Presider: Janice M. Irvine, University of Massachusetts Greif, Johns Hopkins University Panelists: Janice M. Irvine, University of Massachusetts Psychological Costs of Housing Instability and African Beth E. Schneider, University of California-Santa American Mothers’ Cultural Resiliency. Ruby Barbara Mendenhall, University of Illinois at Urbana- Susana Peña, Bowling Green State University Champaign “Don’t study sex if you want a job!” This ASA theme would not be Gender, Poverty, and Mechanisms of Exploitation in the possible if that advice had not been ignored. Yet it has been ignored at Private Rental Market. Matthew Desmond, Harvard a cost. The panelists discuss the career consequences of studying University sexuality. Janice Irvine has surveyed sexuality scholars about experiences of discrimination in the field. Beth Schneider has studied This panel will focus on research in the area of housing instability sexuality for decades, was Special Features Editor of Sexualities for 10 and the ways that housing instability connects with gender and years, and mentored many young sexuality scholars as they have sexuality. The panel will provide an overview of the history of housing entered the field (many of which are now tenured)! Susana Peña offers discrimination and instability, and focus on current research in housing the perspective of someone who entered the field more recently, and discrimination and instability related to gender and sexuality. Panelists who combines a focus on sexuality with the study of race and ethnicity. will discuss the role of the rental housing market in creating both Her faculty appointment is in an Ethnic Studies department. She will opportunities and disadvantages for different populations. The panel consider the ways in which studying sexuality – particularly in will include research on the impact of housing instability on risky sexual intersection with race or class – leads scholars to find positions outside behavior, and the ways that the rental market discriminates against of Sociology departments. same-sex couples. 484. Thematic Session. Pornography and Sexualities 487. Author Meets Critics Session. Amigas y Amantes: Sexually Nonconforming Latinas competencies in solving real-world, interdisciplinary problems • Learn about an online community for sharing teaching resources that Negotiate Family (Rutgers University Press, 2013) can be used as an instructional aid • Discuss the opportunities and by Katie L. Acosta challenges that the revised test presents for your courses and Session Organizer: Verta A. Taylor, University of departments Having pre-meds in your sociology course doesn’t mean California-Santa Barbara you’ll be stuck with students asking “is that on the test.” Together, let’s Author: Katie Linette Acosta, Georgia State University investigate the opportunities it presents for improving student learning outcomes. Presider: Kari Lerum, University of Washington-Bothell Critics: Mignon R. Moore, Columbia University 490. Regular Session. Development and Gender 2: Amy T. Schalet, University of Massachusetts-Amherst Women and Work Salvador Vidal-Ortiz, American University Session Organizer: Kathleen M. Fallon, State University of New York-Stony Brook 488. Policy and Research Workshop. The Wisconsin Presider: Liam Swiss, Memorial University Longitudinal Study: Over 50 Years of Social Data Working Women Worldwide. Age Effects of Aggregate Combined with Genetic and Microbiome Data Female Labor Force Participation in 117 Countries. Session Organizer: Carol Lynn Roan, University of Janna Besamusca, University of Amsterdam; Kea Wisconsin-Madison Tijdens, University of Amsterdam; Maarten Keune, Leader: Pamela Herd, University of Wisconsin-Madison University of Amsterdam; Stephanie Steinmetz, Co-Leader: Huey-Chi Vicky Chang, University of University of Amsterdam Wisconsin-Madison The Double-Edged Sword of Women’s Employment and The Wisconsin Longitudinal Study is a panel study covering nearly sixty years, making it an excellent data source for researchers Gendered Practices: Lessons From Gujarat 1981- interested in linking early-life factors to later-life outcomes. The study is 2011. Alexandra Claire Feldberg, Harvard University; a sample of one in three Wisconsin high school graduates, and a Kathleen McGinn, Harvard University selected sibling, from the class of 1957. WLS is unique among social The Motherhood Penalty in Latin America: An scientific resources for the length with which it has followed a large population-based cohort sample and the inclusion of siblings. The most Exploratory Study for Argentina & Peru. Aida recent round of data was collected between March of 2010 and Villanueva, University of Texas-Austin; Ken-Hou Lin, December of 2012. The data cover nearly every aspect of the University of Texas-Austin participants’ lives from early life socioeconomic background, schooling, For Better or Worse? The Effects of Maternity Leave family and work to health, social participation, civic engagement, well- being, and cognition. The study also has a wealth of unique data Provisions across Developing Countries. Kathleen M. including examples such as administrative IQ scores from high school, Fallon, State University of New York-Stony Brook; information collected from high school yearbooks that include Alissa Mazar, McGill University; Liam Swiss, measures of attractiveness, proxy measures for obesity, Memorial University anthropometric and functioning, and complete lists of student activities for all respondents. Currently, the survey data can be merged with genetic data on ~90 SNPs. Shortly GWAS data will be available. We 491. Regular Session. Gay, Lesbian, Bisexual, and collected ~300 stool samples from the graduate and sibling participants Transgender and ~100 samples from their spouses. We are using these samples to Session Organizer: Bernadette Barton, Morehead State measure participants’ gut microbiome. Administrative data include University Medicare records, Social Security records, and resource data on primary and secondary schools attended by participants. This Presider: Miriam J. Abelson, Portland State University workshop will introduce the study to researchers and attendees will be Attitudes towards Gay/Lesbian Rights and provided with a USB containing
Load more

Recommended publications
  • Shimmen Full CV 2019
    HEATHER SHIMMEN Born 1957, Melbourne 78. BA Fine Art (Painting), RMIT, Melbourne 2010 Artists in residence, RMIT, Melbourne , Vic 2013 Artist in residence, The Art Vault, Mildura, VIC SOLO EXHIBITIONS 2019. ‘Ladies of the Pleiades’, Sale Regional Gallery, Sale 2017. 'Time Warps',Australian Galleries,Melbourne 2014. 'Insectivoria', Australian Galleries, Melbourne 2011. ‘The Swamp Maidens Tale’, Australian Galleries, Smith Street, Melbourne 2008. ‘Betwixt’, Gallery 101, Melbourne 2006 ‘I Dreamt I Dwelt in Marble Halls’, Stonnington Stables Museum of Art, Deakin University, Melbourne ‘Whispers’ Adele Boag Gallery, Adelaide 2005 ‘Figment, Fragment’, Gallery 101, Melbourne 2002 ‘Things That Float In The Air’, Joshua McClelland Print Room, Melbourne 1999. ‘The Sutured Heart’, Bulle Gallery, Melbourne 1997. ‘The Invisible Hand of the Future’, Lyall Burton Gallery, Melbourne 1996. Lyall Burton Gallery, Melbourne Adelaide Central Gallery, Adelaide 1993 Adelaide Central Gallery, Adelaide Lyall Burton Gallery, Melbourne 1991. Realities Gallery, Melbourne 1990. Realities Gallery, Melbourne 1986. Realities Gallery, Melbourne 1984 Bitumen River Gallery, Canberra 1983. Anthill Theatre, Melbourne 1982. Drummond Street Gallery, Melbourne GROUP EXHIBITION 2020. ‘Let All the Birds Fly- the hybrid print’,Maitland Regional Galleries,NSW ‘Fem -aFfinity’, Devonport Regional Art Gallery Tas Benalla Art GalleryVic Noosa Regional Art Gallery Qld Horsham Regional Art Gallery Vic Bunjil Place Gallery Vic Riddoch Art GallerySA 2019 ‘Paper Made’, Australian Galleries, Melbourne ‘Fem-aFfinity’, Arts Project, Melbourne ‘Beyond the Veil’,Art for the World Gallery, Cannaregio, Biennale de Venetzia, Venice,Italy ‘Beyond the Veil’,Memoire de L’Avenir Espace cultures pluridisciplinairl, Paris, France ‘2019 Ulsan International Woodcut Biennale’ South Korea ‘Round About’ Gecko Gallery, Fish Creek,VIC ‘Sydney Contemporary Art Fair’Sydney,NSW ‘Art Meets Nature’,WAMA, Sofitel,Melbourne ‘A Fine Line’, Bright Space, Melbourne 2018.
    [Show full text]
  • Symposium Program Hobart
    Symposium 2 Schedule Workshops 4 Think Symposium 5 Events Vendors 7 Speakers and 9 Beyond Presenters Venues and 12 Locations AGM Notice 12 the Contact 12 Information Square Thursday 17th August - Monday 21st August 2017 Hobart Function Centre Hobart, Tasmania Page 2 Thursday 2.00 pm Exhibition Floor Talk with Caitlin Hughes 17th August Salamanca Arts Centre Long Gallery 6.00 pm – 9.00 pm Early Registration Evening Gretel/Marina Rooms 6.00 pm - 9.00 pm Not Salamanca - Vendors’ Market Gretel Room Friday 8.00 am – 8:45 am Registration and Brown Bag Check in Gretel Room 18th August 8.00 am – 5.00 pm Vendors’ Market Gretel Room All events are at the 9.00 am Welcome and Introduction to Symposium 2017 Hobart Sovereign Room Noula Diamantopoulos, Pamela Irving, Sue Leitch Function Keynote Speaker Centre un- Toyoharu Kii My Mosaics and Japanese Mosaic History less stated otherwise 10.45 am Morning Tea Gretel Room 11.15 am Presentations Sovereign Room Rachel Bremner Music and Mosaic Lea Kannar-Lichtenberger Beyond the Idealised Mosaic: stepping out side the comfort zone Marian Shapiro Adventures in Italy: 2nd international symposium of contemporary mosaic Kate Jenkins Inspiration Exploration Reciprocation Collaboration: a creative journey 1.00 pm Lunch Gretel Room Submit your questions for Saturday’s panel to the registration desk 2.00 pm Presentations Sovereign Room Kelley Knickerbocker The Collaboration Equation: E(volution) = M(odulation) x C(reativity)2 Cetta Pilati If it Doesn’t Challenge You, it Won’t Change You Kate Butler Mosaic Art Scholarship
    [Show full text]
  • Zart Extra Newsletters 2010
    EXZartTRA TermTerm # 1 2010 RegisteredRegistered by Australia Post Publication No. 327687/00003327687/00003 Zart Extra NewslettersHeadlineA Student’s 2010 Headlinejourney InspirationInspirationnspiration •• IdeasIdeas •• EducationEducationEducation UpdatesUpdatesUpdates •• OnlineOnlOnlineine SupportSupportSupport •• TipsTipsTips && TechniquesTechniquesTechnique HeadlineIdentifyIdentify Us HeadlineArtistArtist inin HeadlineHelp!Help! MyMy NotesA wholewhole schoolschooll rresidenceNotesesidence sschoolNoteschool iiss unitunit of workwork AerialAAeerial viewsviews wwithith bbuildinguilding bbasedased on ideidentity.nttiitty. MMaxax Darby. TrolleyTrolley / portable aartrt - solutions, ssupportupport and activities.activities. Term 1 Term 2 Term 3 Term 4 Zart Art ZartZart ArtArt - Supporting - Supporting teachers teachers in creative in creative educationeducatio educationn Blank Page Zart EX TermRTerm # 1 2010A T Registered by Australia Post Publication No. 327687/00003 HeadlineA Student’s Headlinejourney InspirationInspiration •• IdeasIdeas •• EducationEducation UpdatesUpdates •• OnlineOnline SupportSupport •• TipsTips && TechniquesTechniques HeadlineIdentify Us HeadlineArtist in HeadlineHelp! My NotesA whole school residenceNotes schoolNotes is unit of work Aerial views with building based on identity. Max Darby. Trolley / portable art - solutions, support and activities. ZartZart Art -Art Supporting - Supporting teachers teachers in creative in creative education education Contents News, Events & Dates . 2 Studio Arts A Student’s Journey.
    [Show full text]
  • Albert Tucker Born: 29 December 1914 Melbourne, Victoria Died: 23 October 1999 Melbourne, Victoria
    HEIDE EDUCATION RESOURCE Albert Tucker Born: 29 December 1914 Melbourne, Victoria Died: 23 October 1999 Melbourne, Victoria Albert Tucker on the roof of the Chelsea Hotel, New York, 1967 Photograph: Richard Crichton This Education Resource has been produced by Heide Museum of Modern Art to provide information to support education institution visits to Heide Museum of Modern Art and as such is intended for their use only. Reproduction and communication is permitted for educational purposes only. No part of this education resource may be stored in a retrieval system, communicated or transmitted in any form or by any means. For personal use only – do not store, copy or distribute Page 1 of 20 HEIDE EDUCATION RESOURCE Albert Tucker is known as one of Australia’s foremost artists and as a key figure in the development of Australian modernism in Melbourne. Primarily a figurative painter, his works responded to the world around him and his own life experiences, and they often reflected critically on society. During his career he played an active role in art politics, particularly in the 1940s, writing influential articles about the direction of art in Australia. He also held prominent positions within the art community, including President of the Contemporary Art Society in the late 1940s and again in the 1960s. Tucker grew up during the Depression and began his career as a young artist in the late 1930s, in the years leading up to the outbreak of World War II. At this time, his world was defined by financial insecurity, social inequality and war, and these concerns became the catalyst for much of his painting.
    [Show full text]
  • Richard Tewksbury, Ph.D. Department of Criminal Justice University of Louisville Phone: (502) 852 - 0000 Fax: (502) 852 – 0065 [email protected]
    Richard Tewksbury, Ph.D. Department of Criminal Justice University of Louisville Phone: (502) 852 - 0000 Fax: (502) 852 – 0065 [email protected] EDUCATION 1991 Ph.D. The Ohio State University - Sociology Dissertation title: “The Social Construction of Experience and Identity Management Among Post-Secondary Correctional Educators.” 1988 M.A. The Ohio State University – Sociology Thesis title: “Fear of Sexual Assault in Prison Inmates.” 1986 B.A. Butler University – Sociology and Psychology Thesis title: “Gerontological Substance Abuse: Incidence, Demographics, and Treatments.” ACADEMIC POSITIONS 2000 – Present Professor of Criminal Justice Department of Criminal Justice, University of Louisville 2013 Visiting Scholar Andrew Young School of Policy Studies, Georgia State University 2004 – 2005 Visiting Fellow Bureau of Justice Statistics, United States Department of Justice 1997 – 2000 Associate Professor of Criminal Justice Department of Criminal Justice, University of Louisville 1992 – 1997 Assistant Professor of Criminal Justice Department of Criminal Justice, University of Louisville 1991 – 1992 Visiting Assistant Professor Department of Sociology, University of Louisville 1986 – 1991 Graduate Teaching & Research Assistant Department of Sociology, The Ohio State University 1990 – 1990 Adjunct Professor College of Arts & Sciences, Franklin University 1 1998 – 1989 Instructor Division of Social Sciences, Columbus State Community College 1987 – 1989 Research Technician Ohio Department of Rehabilitation & Corrections 1988
    [Show full text]
  • 2014 / 2015 Image: Pamela Irving, Adoration of the Yolo, 2014, Smalti and 1 China, 32Cm X 48Cm, on Exhibition in the Barn Gallery, 2014 Mission
    Montsalvat 2014 2015 Annual Report Contents 2 Mission 3 Chair’s Report 5 Executive Director’s Report 7 Cultural Operations 10 Onsite Arts Tradition 12 Heritage, Community & Tourism Operation 13 Development Montsalvat Foundation Montsalvat Partnerships 15 Governance Board Patron Arts Advisory Board 17 Staff & Volunteers 19 Financial Statements Cover image: The Teskey Brothers performing at the Montsalvat Montsalvat Limited Open Day 2014 © Field of Vision Photography Annual report 2014 / 2015 Image: Pamela Irving, Adoration of the Yolo, 2014, smalti and 1 China, 32cm x 48cm, on exhibition in the Barn Gallery, 2014 Mission Montsalvat’s mission is to continue to be a “living, thriving, creative artistic community. Welcoming to the general public, we aim to educate and promote local, national and international cultural practice.” Image: Harpist, Megan Reeve Montsalvat Limited Annual report 2014 / 2015 2 Chair’s Report THE BOARD this not-for-profit enterprise, giving their time and The Board of Montsalvat Ltd was formed in 2006—7 to expertise to Montsalvat and their enthusiastic support to ensure that this unique Australian treasure, located on a the artists who work here. beautiful Eltham hillside, would continue to be a haven for practising artists, and a place where art, in all its forms COMMITTEES could be celebrated - in exhibitions, teaching studios, Montsalvat’s Board Committees meet as required between concerts, festivals, conversations and residencies. The Board meetings to expedite the Board’s plans, monitor its Board’s parallel role is to ensure Montsalvat’s future by finances, develop its projects and programs, and to discuss being a careful steward of its environment and resources, and resolve any pressing governance issues.
    [Show full text]
  • Irreverent Tales – Pamela Irving Artspace, 22 June-29 July 2017 Liza Dale-Hallett, Senior Curator, Sustainable Futures, Museums Victoria
    Irreverent Tales – Pamela Irving Artspace, 22 June-29 July 2017 Liza Dale-Hallett, Senior Curator, Sustainable Futures, Museums Victoria Thank you Jacquie and Pamela for the opportunity to speak here tonight. Welcome everyone to Irreverent Tales! What an exhibition. When I view Pamela Irving’s art it reminds me of why art matters. How it keeps our brains and hearts primed for living. Pamela’s YOLO Men graphically & optimistically remind us that we Only Live Once. When I look at Pamela’s art, these are the words that come to mind: Surprising Provocative Personal Joyful Fun Useful Colourful Symbolic Passionate Poetic Complex Her work has many layers of meaning & depth across time Pamela has, more than most artists, used her talents to foster creative communities and enrich our public places with vibrant and fun art. Her work is found in collections across Australia and the world. It is on our streets, in our schools. It is very firmly planted in our hearts and has become part of Melbourne’s urban legends. We are indeed very honoured to present over 30 years of Pamela Irving’s artistic practice in paintings, drawings and mosaics. It is particularly special to know that she created her first ceramic work in Box Hill. Some of these works in this exhibition have never been shown in Australia. One work on loan from Museums Victoria has not been seen publicly since 1991! 'Something old, something new, something borrowed, someone blue' – was acquired by me, as a young, just married for the first time (!), curator. It became part of the Ritual & Belief Collection within the Museums Victoria, and had been intended for the new Museum at Southbank.
    [Show full text]
  • History of the Art Horses
    05/10/18 CURATOR’S STATEMENT - ART HORSES AUSTRALIA ART HORSES - A Sculpture Exhibition of Painted Horses These Art Horses have their genesis in the phenomena of painted animal-art that has swept the world. It has included exhibitions of artist-designed cows in Zurich, Calgary, Chicago and New York, pigs in Seattle and moose in Toronto. In Australia, the horse was selected for its unique role in our history, from the settlers to the legendary Phar Lap - and, of course, the “race that stops a nation” - the Melbourne Cup. These uniquely painted and designed life-size horse and foal sculptures created by prominent and emerging Victorian artists provide an unprecedented blend of art, imagination and fun. The exhibition combines elements of street theatre and public art and they create a memorable spectacle wherever they ‘graze’! Each horse is brightly and amusingly painted to reveal the individual artist’s distinctive perspective on the tradition of ‘equine art’. They have become synonymous with the famous Spring Racing Carnival over the years. The Art Horses Collection originally included over fifty wonderfully painted horses on many themes, ranging from wild and zany to more classically executed pieces. They have been displayed throughout the City, beginning in 2000, with exhibitions running through 2015. In 2001, a major three week event entitled “Birth of an Art Horse” was staged at the Melbourne Museum, featuring notable artists at work designing and painting them. Art Horses Australia has three simple goals: • to generate artistic creativity & showcase local artists • to bring smiles & chuckles to the faces of children and adults - Melbournians and visitors alike • to raise substantial funds for a nominated charity with a major auction to be held at the conclusion of the exhibition run.
    [Show full text]
  • Di Erica Martin Pdf, Epub, Ebook
    THE TAKEN: DI ERICA MARTIN PDF, EPUB, EBOOK Alice Clark-Platts | 400 pages | 03 Nov 2016 | Penguin Books Ltd | 9780718181109 | English | London, United Kingdom The Taken: Di Erica Martin PDF Book She is the widow of Zach Slater. She was briefly involved with Adam Chandler, and dated Palmer Cortlandt. Also has a sister Bianca Montgomery. Lydia can emit a high pitch scream which can be used defensively as it harms peoples hearing. The ruse, along with her relationship with Jackson Whittemore , was part of a carefully orchestrated plan to maintain her popularity at Beacon Hills High School. Flickriver widget for iGoogle or Netvibes can display almost any Flickriver view - most interesting today, by user, by group, by tag etc. Supposedly killed in a plane crash, his body was not found and he was reported alive in August Erika Martin told CNN that the incident occurred when she stopped at the store last month to help a homeless man she knew hung out there. Namespaces Article Talk. Ghostwriter hired to help Erica write her autobiography. Had a romance with Lily Montgomery. He dated Colby Chandler before sleeping with her mother, Liza , and left town for an internship and to give Colby time to adjust to his mistake. Help Learn to edit Community portal Recent changes Upload file. In Tad learned that she was married to Paul Miller and had a son, Damon later revealed as Tad's son. Ross Chandler's ex-wife and Andrew Preston's mother, she was a golddigger who married Palmer Cortlandt and cheated on him with Ross.
    [Show full text]
  • A Walking Tour of the Public Sculptures Along Swanston Street, Melbourne. Text Only. Michael Donnelly, First Produced, 2005, at RVIB
    “Do Touch the Sculptures” A walking tour of the public sculptures along Swanston Street, Melbourne. Text Only. Michael Donnelly, First produced, 2005, at RVIB. This revised edition, 2015, at SVRC. Copies of the Braille & Tactile Image or the Large Print & image versions of the Guide are available for loan from SVRC. Acknowledgements: I must acknowledge my indebtedness to a publication by the City of Melbourne Art and Culture Department: Public Art Works: Swanston Street & Bourke Street Mall, (c.1998) from which I have borrowed copious amounts of text and to the assistance of Andrea Kleist, Public Art Program Manager and Eddie Butler Bowdon at the Council, as well as, more recently, Lynda Roberts, Public Art Program Manager, Arts & Culture, City of Melbourne. I wish also to thank the sculptor Des McKenna for information he supplied on his Wombat sculpture. Thanks also to the Production staff at the Statewide Vision Resource Centre, Donvale. This applies also to Garry Stinchcombe, Deb Lewis and other staff who have supported me in continuing this project. Introduction: The City of Melbourne has a very rich and varied collection of public sculptures that creates, in effect, an “Open Air Sculpture Museum”. Many of the streets, building facades and parklands are punctuated by interesting sculptural pieces, many of them accessible for tactual investigation even if “no climbing” is allowed. The often contentious stretch of street scape known as the Swanston Street Walk and the adjacent Bourke Street Mall are just a small part of the overall scheme but they provide a marvellous opportunity to discover a diverse sculptural mix in relatively close proximity to each other.
    [Show full text]
  • Zart Extra Newsletters 2005
    TermTerm 1 20052005 RegisteredRegistered by Australia Post Publication No. 327687/00003327687/00003 Zart Extra Newsletters 2005 Term 1 Term 2 Term 3 Term 4 Blank Page Term 1 2005 Registered by Australia Post Publication No. 327687/00003 contents cover + Secondary Article: Product Development Primary Article Faces Profile: Wild Things Zart’s Student Gallery Lazertran Monochromatic Painting New Products Lowther Hall Grammar 3D Mosaic Sculpture What’s on and featuring in Discover the techniques for South Geelong Primary Great new products in New page 3 page School 5 page Pamela Irving 7 page our Gallery for Term 1 2005 8 page applying decals to any surfaces 10 page School 11 page 2005! 12 page Resources Creating an Intelligence-friendly Art Room Eric Oddleifson, President for the Centre for the Arts in the Basic Curriculum states, “Many people do not associate the arts with ‘thinking’. We are aware of the art ‘product’ - the song, the picture, the play - but less aware of the ‘process’ which creates the product. The arts are not so much a result of inspiration and innate talent as they are a person’s capacities for creative thinking and imagining, problem solving, creative judgement and a host of other mental processes.” Artistic achievement is learning • Do I have the ability to direct artistic choices and the journey of how to unify diverse elements into student thinking? their own artistic growth? Am I cohesive art works. For this to take • Do I challenge students with helping students to learn how to place a plethora of different kinds of problem solving that will result in constructively evaluate their art thinking and feelings need to melt individual solutions to complex works and the art works of others? together to form a whole.
    [Show full text]
  • Heather Shimmen
    HEATHER SHIMMEN Born 1957, Melbourne 1976-78 BA Fine Art (Painting), RMIT, Melbourne 2013 Artist in residence, The Art Vault, Mildura, VIC SOLO EXHIBITIONS 2019 ‘The Ladies of the Pleiades’, Gippsland Art Gallery, Sale, VIC 2017 ‘Time warps’, Australian Galleries, Melbourne 2014 ‘Insectivoria +’, Australian Galleries, Derby Street, Melbourne 2011 ‘The Swamp Maidens Tale’, Australian Galleries, Smith Street, Melbourne 2008 ‘Betwixt’, Gallery 101, Melbourne 2006 ‘I Dreamt I Dwelt in Marble Halls’, Stonnington Stables Museum of Art, Deakin University, Melbourne ‘Whispers’ Adele Boag Gallery, Adelaide 2005 ‘Figment, Fragment’, Gallery 101, Melbourne 2002 ‘Things That Float In The Air’, Joshua McClelland Print Room, Melbourne 1999 ‘The Sutured Heart’, Bulle Gallery, Melbourne 1997 ‘The Invisible Hand of the Future’, Lyall Burton Gallery, Melbourne 1996 Lyall Burton Gallery, Melbourne Adelaide Central Gallery, Adelaide 1993 Adelaide Central Gallery, Adelaide Lyall Burton Gallery, Melbourne 1991 Realities Gallery, Melbourne 1990 Realities Gallery, Melbourne 1986 Realities Gallery, Melbourne 1984 Bitumen River Gallery, Canberra 1983 Anthill Theatre, Melbourne 1982 Drummond Street Gallery, Melbourne GROUP EXHIBITIONS 2021 Burnie Print Prize, Burnie Regional Art Gallery, Burnie, TAS ‘State of the Mark’, Work on Paper Group Exhibition, Australian Galleries, Melbourne ‘Making Marks: Australia to Afghanistan’, Counihan Gallery, Melbourne ‘FEM-aFFINITY’, Bunjil Place Gallery, Narre Warren, VIC 2019 ‘Australian Galleries: The Purves Family Business.
    [Show full text]