Irreverent Tales
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City of Whitehorse Freedom of Information Part II Statement 1 January 2021
City of Whitehorse Freedom of Information Part II Statement 1 January 2021 Pursuant to the Freedom of Information Act 1982 Updated 1 July 2021 Contents PART II PUBLICATION OF CERTAIN DOCUMENTS AND INFORMATION ....................................... 4 Introduction ...................................................................................................................................... 4 STATEMENT 1 - ORGANISATION AND FUNCTIONS OF COUNCIL FREEDOM OF INFORMATION ACT 1982 – SECTION 7(1)(A)(I), (VII) AND (VIII) ................................................................................. 4 Establishment .................................................................................................................................. 4 Purpose of Council .......................................................................................................................... 5 What are the Roles and Powers of a Council? ............................................................................... 5 Overarching governance principles and supporting principles ....................................................... 2 General power ................................................................................................................................. 2 How is a Council constituted? ......................................................................................................... 2 Council is a body corporate ............................................................................................................ -
Shimmen Full CV 2019
HEATHER SHIMMEN Born 1957, Melbourne 78. BA Fine Art (Painting), RMIT, Melbourne 2010 Artists in residence, RMIT, Melbourne , Vic 2013 Artist in residence, The Art Vault, Mildura, VIC SOLO EXHIBITIONS 2019. ‘Ladies of the Pleiades’, Sale Regional Gallery, Sale 2017. 'Time Warps',Australian Galleries,Melbourne 2014. 'Insectivoria', Australian Galleries, Melbourne 2011. ‘The Swamp Maidens Tale’, Australian Galleries, Smith Street, Melbourne 2008. ‘Betwixt’, Gallery 101, Melbourne 2006 ‘I Dreamt I Dwelt in Marble Halls’, Stonnington Stables Museum of Art, Deakin University, Melbourne ‘Whispers’ Adele Boag Gallery, Adelaide 2005 ‘Figment, Fragment’, Gallery 101, Melbourne 2002 ‘Things That Float In The Air’, Joshua McClelland Print Room, Melbourne 1999. ‘The Sutured Heart’, Bulle Gallery, Melbourne 1997. ‘The Invisible Hand of the Future’, Lyall Burton Gallery, Melbourne 1996. Lyall Burton Gallery, Melbourne Adelaide Central Gallery, Adelaide 1993 Adelaide Central Gallery, Adelaide Lyall Burton Gallery, Melbourne 1991. Realities Gallery, Melbourne 1990. Realities Gallery, Melbourne 1986. Realities Gallery, Melbourne 1984 Bitumen River Gallery, Canberra 1983. Anthill Theatre, Melbourne 1982. Drummond Street Gallery, Melbourne GROUP EXHIBITION 2020. ‘Let All the Birds Fly- the hybrid print’,Maitland Regional Galleries,NSW ‘Fem -aFfinity’, Devonport Regional Art Gallery Tas Benalla Art GalleryVic Noosa Regional Art Gallery Qld Horsham Regional Art Gallery Vic Bunjil Place Gallery Vic Riddoch Art GallerySA 2019 ‘Paper Made’, Australian Galleries, Melbourne ‘Fem-aFfinity’, Arts Project, Melbourne ‘Beyond the Veil’,Art for the World Gallery, Cannaregio, Biennale de Venetzia, Venice,Italy ‘Beyond the Veil’,Memoire de L’Avenir Espace cultures pluridisciplinairl, Paris, France ‘2019 Ulsan International Woodcut Biennale’ South Korea ‘Round About’ Gecko Gallery, Fish Creek,VIC ‘Sydney Contemporary Art Fair’Sydney,NSW ‘Art Meets Nature’,WAMA, Sofitel,Melbourne ‘A Fine Line’, Bright Space, Melbourne 2018. -
Symposium Program Hobart
Symposium 2 Schedule Workshops 4 Think Symposium 5 Events Vendors 7 Speakers and 9 Beyond Presenters Venues and 12 Locations AGM Notice 12 the Contact 12 Information Square Thursday 17th August - Monday 21st August 2017 Hobart Function Centre Hobart, Tasmania Page 2 Thursday 2.00 pm Exhibition Floor Talk with Caitlin Hughes 17th August Salamanca Arts Centre Long Gallery 6.00 pm – 9.00 pm Early Registration Evening Gretel/Marina Rooms 6.00 pm - 9.00 pm Not Salamanca - Vendors’ Market Gretel Room Friday 8.00 am – 8:45 am Registration and Brown Bag Check in Gretel Room 18th August 8.00 am – 5.00 pm Vendors’ Market Gretel Room All events are at the 9.00 am Welcome and Introduction to Symposium 2017 Hobart Sovereign Room Noula Diamantopoulos, Pamela Irving, Sue Leitch Function Keynote Speaker Centre un- Toyoharu Kii My Mosaics and Japanese Mosaic History less stated otherwise 10.45 am Morning Tea Gretel Room 11.15 am Presentations Sovereign Room Rachel Bremner Music and Mosaic Lea Kannar-Lichtenberger Beyond the Idealised Mosaic: stepping out side the comfort zone Marian Shapiro Adventures in Italy: 2nd international symposium of contemporary mosaic Kate Jenkins Inspiration Exploration Reciprocation Collaboration: a creative journey 1.00 pm Lunch Gretel Room Submit your questions for Saturday’s panel to the registration desk 2.00 pm Presentations Sovereign Room Kelley Knickerbocker The Collaboration Equation: E(volution) = M(odulation) x C(reativity)2 Cetta Pilati If it Doesn’t Challenge You, it Won’t Change You Kate Butler Mosaic Art Scholarship -
Zart Extra Newsletters 2010
EXZartTRA TermTerm # 1 2010 RegisteredRegistered by Australia Post Publication No. 327687/00003327687/00003 Zart Extra NewslettersHeadlineA Student’s 2010 Headlinejourney InspirationInspirationnspiration •• IdeasIdeas •• EducationEducationEducation UpdatesUpdatesUpdates •• OnlineOnlOnlineine SupportSupportSupport •• TipsTipsTips && TechniquesTechniquesTechnique HeadlineIdentifyIdentify Us HeadlineArtistArtist inin HeadlineHelp!Help! MyMy NotesA wholewhole schoolschooll rresidenceNotesesidence sschoolNoteschool iiss unitunit of workwork AerialAAeerial viewsviews wwithith bbuildinguilding bbasedased on ideidentity.nttiitty. MMaxax Darby. TrolleyTrolley / portable aartrt - solutions, ssupportupport and activities.activities. Term 1 Term 2 Term 3 Term 4 Zart Art ZartZart ArtArt - Supporting - Supporting teachers teachers in creative in creative educationeducatio educationn Blank Page Zart EX TermRTerm # 1 2010A T Registered by Australia Post Publication No. 327687/00003 HeadlineA Student’s Headlinejourney InspirationInspiration •• IdeasIdeas •• EducationEducation UpdatesUpdates •• OnlineOnline SupportSupport •• TipsTips && TechniquesTechniques HeadlineIdentify Us HeadlineArtist in HeadlineHelp! My NotesA whole school residenceNotes schoolNotes is unit of work Aerial views with building based on identity. Max Darby. Trolley / portable art - solutions, support and activities. ZartZart Art -Art Supporting - Supporting teachers teachers in creative in creative education education Contents News, Events & Dates . 2 Studio Arts A Student’s Journey. -
Whitehorse Artists' Trail
The Artists’ Trail En Plein Air – In The Open The Artists’ Camp Moving On Artist Biographies Further Reading Contacting Council The City of Whitehorse Artists’ Trail celebrates a significant During the late nineteenth century, a small number of European Almost every Saturday, for some four years (1885–1888), a group of A country house at Eaglemont was an attractive alternative Auty, G. and P. Corbally Stourton, Galbally, A. and A. Gray (eds), Phone: 9262 6333 Tom Roberts John Llewelyn Jones: Australia’s Letters from Smike: The Letters Fax: 9262 6490 phase in the municipality’s artistic heritage. This brochure and master painters were teaching new painting techniques to young Melbourne artists raced to the Lilydale line to catch a steam train, to a tent at Box Hill, and by early 1889 the artists’ camp had Forgotten Painter (exh. cat.), Corbally of Arthur Streeton 1890–1943, 1856 Born Dorchester, England Email: [email protected] the interpretative panels located at various points along the trail artists in Melbourne. leaving behind the bustling metropolis for an idyllic weekend of been disbanded. Stourton Contemporary Art, Edgecliff, Oxford University Press, South 1869 Arrived in Melbourne New South Wales [1999]. Melbourne, 1989. NRS: 133 677 acknowledge the artists who painted regularly at the Box Hill camping and painting. (service for hearing impaired people) Tom Roberts (1856–1931) and became a member of the group, where the majority of the 9 by 5 1874 Enrolled at National Gallery City of Whitehorse, Heritage McCulloch, A., The Encyclopedia artists’ camp. Frederick McCubbin (1855–1917) following a chance encounter Alighting at Box Hill, now part of paintings were created. -
Streetscape Character Study
STREETSCAPE CHARACTER STUDY MANNINGHAM CITY COUNCIL DECEMBER, 2009 TABLE OF CONTENTS PAGE NO. PART A: Background Introduction ............................................................................................................................ 4 Study Aims ............................................................................................................................. 5 Strategic Context .................................................................................................................... 6 Study Methodology ................................................................................................................. 9 Streetscape Character ......................................................................................................... 10 Streetscape Character Typologies ....................................................................................... 14 Implementation ..................................................................................................................... 17 PART B: Individual Streetscape Character Precincts Main Roads ............................................................................................................... 20 Doncaster Hill Precinct .............................................................................................. 40 Historic Precincts ...................................................................................................... 42 Pine Theme Precincts .............................................................................................. -
Albert Tucker Born: 29 December 1914 Melbourne, Victoria Died: 23 October 1999 Melbourne, Victoria
HEIDE EDUCATION RESOURCE Albert Tucker Born: 29 December 1914 Melbourne, Victoria Died: 23 October 1999 Melbourne, Victoria Albert Tucker on the roof of the Chelsea Hotel, New York, 1967 Photograph: Richard Crichton This Education Resource has been produced by Heide Museum of Modern Art to provide information to support education institution visits to Heide Museum of Modern Art and as such is intended for their use only. Reproduction and communication is permitted for educational purposes only. No part of this education resource may be stored in a retrieval system, communicated or transmitted in any form or by any means. For personal use only – do not store, copy or distribute Page 1 of 20 HEIDE EDUCATION RESOURCE Albert Tucker is known as one of Australia’s foremost artists and as a key figure in the development of Australian modernism in Melbourne. Primarily a figurative painter, his works responded to the world around him and his own life experiences, and they often reflected critically on society. During his career he played an active role in art politics, particularly in the 1940s, writing influential articles about the direction of art in Australia. He also held prominent positions within the art community, including President of the Contemporary Art Society in the late 1940s and again in the 1960s. Tucker grew up during the Depression and began his career as a young artist in the late 1930s, in the years leading up to the outbreak of World War II. At this time, his world was defined by financial insecurity, social inequality and war, and these concerns became the catalyst for much of his painting. -
Bluestone Heritage
City of Whitehorse HeritageHeritage KerbsKerbs ChannelsChannels andand LanewaysLaneways Table of Contents Table of Contents Page No. Executive Summary 2 Scope 2 Historical overview 3 Discussion of significance 6 Heritage bluestone kerb and channeling 9 Heritage brick and bluestone laneways 16 The use of bluestone in new road features 20 Conclusion21 Acknowledgements 22 Bibliography 23 Policy Policy for significant heritage bluestone kerb and channeling, bluestone laneways and brick laneways 24 Appendices Appendix 1 27 Schedule of streets within the City of Whitehorse with bluestone kerb & channeling Appendix 2 30 Schedule of streets within the City of Whitehorse with bluestone laneways or brick laneways Appendix 3 32 Maps showing the location of existing heritage laneways in the City of Whitehorse Appendix 4 36 Maps showing the location of existing heritage The information included in this document is primarily based on a report by kerb and channel in the City of Whitehorse Helen Lardner Conservation & Design Pty Ltd December 2001 Executive Summary Historical Overview Executive Summary Historical Overview This report has been instigated by the City of Whitehorse Heritage Steering Committee This brief historical overview reveals why early methods of road and lane construction are following community concerns that significant early methods of construction are being lost important in the area. through road and lane reconstruction in the Whitehorse area. The concern is particularly The first European settlement in the area was in Box Hill in the 1830s and 1840s.1 The with the loss of historic bluestone kerb and channeling, and bluestone and brick paved first surveys were undertaken in the 1840s.2 The first sale of freehold land in the Parish of laneways. -
Minutes of Ordinary Council Meeting
Ordinary Council Meeting Held in the Council Chamber Whitehorse Civic Centre 379 Whitehorse Road Nunawading On Monday 10 December 2018 At 7:00pm Members: Cr Bill Bennett (Mayor), Cr Blair Barker, Cr Raylene Carr, Cr Prue Cutts, Cr Andrew Davenport, Cr Sharon Ellis, Cr Tina Liu, Cr Denise Massoud, Cr Andrew Munroe, Cr Ben Stennett Ms Noelene Duff Chief Executive Officer Recording of Meeting and Disclaimer Please note every Ordinary Council Meeting (other than items deemed confidential under section 89(2) of the Local Government Act 1989) is being recorded and streamed live on Whitehorse City Council’s website in accordance with Council's Live Streaming and Recording of Meetings Policy. A copy of the policy can also be viewed on Council’s website. The recording will be archived and made publicly available on Council's website within 48 hours after the meeting on www.whitehorse.vic.gov.au for a period of three years (or as otherwise agreed to by Council). Live streaming allows everyone to watch and listen to the meeting in real time, giving you greater access to Council debate and decision making and encouraging openness and transparency. All care is taken to maintain your privacy; however, as a visitor in the public gallery, your presence may be recorded. By remaining in the public gallery, it is understood your consent is given if your image is inadvertently broadcast. Opinions expressed or statements made by individual persons during a meeting are not the opinions or statements of Whitehorse City Council. Council therefore accepts no liability for any defamatory remarks that are made during a meeting. -
Stephen Wickham Curriculum Vitae
STEPHEN WICKHAM CURRICULUM VITAE 17 River Parade | Barwon Heads Victoria | Australia | 3227 0438 866 603 [email protected] QUALIFICATIONS Masters of Arts (Visual Arts), Monash University, Victoria Graduate Diploma of Education, Melbourne University, Victoria Diploma of Arts, National Gallery Art School of Victoria SOLO EXHIBITIONS 2017 Non-Objective: Painting, Deakin University Downtown Gallery. Victoria. 2013 Stephen Wickham @ Factory 49, Factory 49, Marrickville, New South Wales 2011 – 12 Snow as Ash: From Stefan to Georg Weisz, Exhibition Gallery, Deakin University, Victoria 2011 Dark Mantras as Dark Matter, Stephen McLaughlan Gallery, Melbourne, Victoria 2009 Peppie Vs Godzilla: Part Ι & Π, Shell Regional Arts Program, Geelong Gallery, Victoria 2008 Dark Mantra, Stephen McLaughlan Gallery, Melbourne, Victoria 2007 Peppie Vs Godzilla, Stephen McLaughlan Gallery, Melbourne, Victoria 2004 Another Apocryphal History of Modernity, Stephen McLaughlan Gallery, Melbourne, Victoria 2004 …from Stefan Weisz for Georg Weisz… Icon Museum of Art, Deakin University, Victoria 2001 …from Stefan Weisz for Elizabeth, Emil, George Weisz, and Margaret Lasica… Stephen McLaughlan Gallery, 1999 Dark Mantras, Stephen McLaughlan Gallery, Melbourne, Victoria 1998 Arcadian Mists, Byron + Mapp Gallery, Sydney, New South Wales 1998 Whispers from The Hindu Love Gods, Stephen McLaughlan Gallery, Melbourne, Victoria 1997 Creatio ex Nihlo, Stephen McLaughlan Gallery, Melbourne, Victoria 1995 Recent Painting, Stephen McLaughlan Gallery, Melbourne, Victoria 1994 -
2014 / 2015 Image: Pamela Irving, Adoration of the Yolo, 2014, Smalti and 1 China, 32Cm X 48Cm, on Exhibition in the Barn Gallery, 2014 Mission
Montsalvat 2014 2015 Annual Report Contents 2 Mission 3 Chair’s Report 5 Executive Director’s Report 7 Cultural Operations 10 Onsite Arts Tradition 12 Heritage, Community & Tourism Operation 13 Development Montsalvat Foundation Montsalvat Partnerships 15 Governance Board Patron Arts Advisory Board 17 Staff & Volunteers 19 Financial Statements Cover image: The Teskey Brothers performing at the Montsalvat Montsalvat Limited Open Day 2014 © Field of Vision Photography Annual report 2014 / 2015 Image: Pamela Irving, Adoration of the Yolo, 2014, smalti and 1 China, 32cm x 48cm, on exhibition in the Barn Gallery, 2014 Mission Montsalvat’s mission is to continue to be a “living, thriving, creative artistic community. Welcoming to the general public, we aim to educate and promote local, national and international cultural practice.” Image: Harpist, Megan Reeve Montsalvat Limited Annual report 2014 / 2015 2 Chair’s Report THE BOARD this not-for-profit enterprise, giving their time and The Board of Montsalvat Ltd was formed in 2006—7 to expertise to Montsalvat and their enthusiastic support to ensure that this unique Australian treasure, located on a the artists who work here. beautiful Eltham hillside, would continue to be a haven for practising artists, and a place where art, in all its forms COMMITTEES could be celebrated - in exhibitions, teaching studios, Montsalvat’s Board Committees meet as required between concerts, festivals, conversations and residencies. The Board meetings to expedite the Board’s plans, monitor its Board’s parallel role is to ensure Montsalvat’s future by finances, develop its projects and programs, and to discuss being a careful steward of its environment and resources, and resolve any pressing governance issues. -
Irreverent Tales – Pamela Irving Artspace, 22 June-29 July 2017 Liza Dale-Hallett, Senior Curator, Sustainable Futures, Museums Victoria
Irreverent Tales – Pamela Irving Artspace, 22 June-29 July 2017 Liza Dale-Hallett, Senior Curator, Sustainable Futures, Museums Victoria Thank you Jacquie and Pamela for the opportunity to speak here tonight. Welcome everyone to Irreverent Tales! What an exhibition. When I view Pamela Irving’s art it reminds me of why art matters. How it keeps our brains and hearts primed for living. Pamela’s YOLO Men graphically & optimistically remind us that we Only Live Once. When I look at Pamela’s art, these are the words that come to mind: Surprising Provocative Personal Joyful Fun Useful Colourful Symbolic Passionate Poetic Complex Her work has many layers of meaning & depth across time Pamela has, more than most artists, used her talents to foster creative communities and enrich our public places with vibrant and fun art. Her work is found in collections across Australia and the world. It is on our streets, in our schools. It is very firmly planted in our hearts and has become part of Melbourne’s urban legends. We are indeed very honoured to present over 30 years of Pamela Irving’s artistic practice in paintings, drawings and mosaics. It is particularly special to know that she created her first ceramic work in Box Hill. Some of these works in this exhibition have never been shown in Australia. One work on loan from Museums Victoria has not been seen publicly since 1991! 'Something old, something new, something borrowed, someone blue' – was acquired by me, as a young, just married for the first time (!), curator. It became part of the Ritual & Belief Collection within the Museums Victoria, and had been intended for the new Museum at Southbank.