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(MGH) COVID-19 Treatment Guidance
Version 8.0 4/28/2021 10:00AM © Copyright 2020 The General Hospital Corporation. All Rights Reserved. Massachusetts General Hospital (MGH) COVID-19 Treatment Guidance This document was prepared (in March, 2020-April, 2021) by and for MGH medical professionals (a.k.a. clinicians, care givers) and is being made available publicly for informational purposes only, in the context of a public health emergency related to COVID-19 (a.k.a. the coronavirus) and in connection with the state of emergency declared by the Governor of the Commonwealth of Massachusetts and the President of the United States. It is neither an attempt to substitute for the practice of medicine nor as a substitute for the provision of any medical professional services. Furthermore, the content is not meant to be complete, exhaustive, or a substitute for medical professional advice, diagnosis, or treatment. The information herein should be adapted to each specific patient based on the treating medical professional’s independent professional judgment and consideration of the patient’s needs, the resources available at the location from where the medical professional services are being provided (e.g., healthcare institution, ambulatory clinic, physician’s office, etc.), and any other unique circumstances. This information should not be used to replace, substitute for, or overrule a qualified medical professional’s judgment. This website may contain third party materials and/or links to third party materials and third party websites for your information and convenience. Partners is not responsible for the availability, accuracy, or content of any of those third party materials or websites nor does it endorse them. -
Marital and Familial Roles on Television: an Exploratory Sociological Analysis Charles Daniel Fisher Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1974 Marital and familial roles on television: an exploratory sociological analysis Charles Daniel Fisher Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Family, Life Course, and Society Commons Recommended Citation Fisher, Charles Daniel, "Marital and familial roles on television: an exploratory sociological analysis " (1974). Retrospective Theses and Dissertations. 5984. https://lib.dr.iastate.edu/rtd/5984 This Dissertation is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. -
The Disability Drive by Anna Mollow a Dissertation Submitted in Partial Satisfaction of the Requirements for the Degree of Docto
The Disability Drive by Anna Mollow A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Kent Puckett, Chair Professor Celeste G. Langan Professor Melinda Y. Chen Spring 2015 The Disability Drive © Anna Mollow, 2015. 1 Abstract The Disability Drive by Anna Mollow Doctor of Philosophy in English University of California Berkeley Professor Kent Puckett, Chair This dissertation argues that the psychic force that Freud named “the death drive” would more precisely be termed “the disability drive.” Freud‟s concept of the death drive emerged from his efforts to account for feelings, desires, and actions that seemed not to accord with rational self- interest or the desire for pleasure. Positing that human subjectivity was intrinsically divided against itself, Freud suggested that the ego‟s instincts for pleasure and survival were undermined by a competing component of mental life, which he called the death drive. But the death drive does not primarily refer to biological death, and the term has consequently provoked confusion. By distancing Freud‟s theory from physical death and highlighting its imbrication with disability, I revise this important psychoanalytic concept and reveal its utility to disability studies. While Freud envisaged a human subject that is drawn, despite itself, toward something like death, I propose that this “something” can productively be understood as disability. In addition, I contend that our culture‟s repression of the disability drive, and its resultant projection of the drive onto stigmatized minorities, is a root cause of multiple forms of oppression. -
GENRE STUDIES in MASS MEDIA Art Silverblatt Is Professor of Communications and Journalism at Webster Univer- Sity, St
GENRE STUDIES IN MASS MEDIA Art Silverblatt is Professor of Communications and Journalism at Webster Univer- sity, St. Louis, Missouri. He earned his Ph.D. in 1980 from Michigan State University. He is the author of numerous books and articles, including Media Literacy: Keys to Interpreting Media Messages (1995, 2001), The Dictionary of Media Literacy (1997), Approaches to the Study of Media Literacy (M.E. Sharpe, 1999), and International Communications: A Media Literacy Approach (M.E. Sharpe, 2004). Silverblatt’s work has been translated into Japanese, Korean, Chinese, and German. GENRE STUDIES IN MASS MEDIA A HANDBOOK ART SILVERBLATT M.E.Sharpe Armonk, New York London, England Copyright © 2007 by M.E. Sharpe, Inc. All rights reserved. No part of this book may be reproduced in any form without written permission from the publisher, M.E. Sharpe, Inc., 80 Business Park Drive, Armonk, New York 10504. Library of Congress Cataloging-in-Publication Data Silverblatt, Art. Genre studies in mass media : a handbook / Art Silverblatt. p. cm. Includes bibliographical references and index. ISBN: 978-0-7656-1669-2 (cloth : alk. paper) 1. Mass media genres. I. Title. P96.G455S57 2007 302.23—dc22 2006022316 Printed in the United States of America The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences Permanence of Paper for Printed Library Materials, ANSI Z 39.48-1984. ~ BM (c) 10 9 8 7 6 5 4 3 2 1 To my “first generation” of friends, who have been supportive for so long: Rick Rosenfeld, Linda Holtzman, Karen Techner, John Goldstein, Alan Osherow, and Gary Tobin. -
Broadway Guest Artists & High-Profile Key Note Speakers
Broadway Guest Artists & High-Profile Key Note Speakers George Hamilton, Broadway and Film Actor, Broadway Actresses Charlotte D’Amboise & Jasmine Guy speaks at a Chicago Day on Broadway speak at a Chicago Day on Broadway Fashion Designer, Tommy Hilfiger, speaks at a Career Day on Broadway AMY WEINSTEIN PRESIDENT, CEO AND FOUNDER OF STUDENTSLIVE Amy Weinstein has been developing, creating, marketing and producing education programs in partnership with some of the finest Broadway Artists and Creative teams since 1998. A leader and pioneer in curriculum based standards and exciting and educational custom designed workshops and presentations, she has been recognized as a cutting edge and highly effective creative presence within public and private schools nationwide. She has been dedicated to arts and education for the past twenty years. Graduating from New York University with a degree in theater and communication, she began her work early on as a theatrical talent agent and casting director in Hollywood. Due to her expertise and comprehensive focus on education, she was asked to teach acting to at-risk teenagers with Jean Stapleton's foundation, The Academy of Performing and Visual Arts in East Los Angeles. Out of her work with these artistically talented and gifted young people, she co-wrote and directed a musical play entitled Second Chance, which toured as an Equity TYA contract to over 350,000 students in California and surrounding states. National mental health experts recognized the play as an inspirational arts model for crisis intervention, and interpersonal issues amongst teenagers at risk throughout the country. WGBH/PBS was so impressed with the play they commissioned it for adaptation to teleplay in 1996. -
Oprah Winfrey Network July 2013 Highlights
OWN: OPRAH WINFREY NETWORK JULY 2013 HIGHLIGHTS Visit www.press.discovery.com/us/own for select episodic photography and screeners NEW SERIES & SEASONS (P) Denotes: Premieres WELCOME TO SWEETIE PIE’S (60 Minutes) Season premiere Saturday, July 27 (10 p.m. - 11 p.m. ET/PT) When Robbie Montgomery, a 1960s backup singer and former Ikette, suffered a collapsed lung and had to stop singing, she decided to pour her talents into another creative venture: a soul food restaurant called Sweetie Pie’s. At her family-centered eateries, which include Sweetie Pie’s at the Mangrove, Sweetie Pie’s Upper Crust and the original Sweetie Pie’s established in 1996, which Miss Robbie runs with her son, Tim, both hilarity and drama are offered in equal measure. This docu-series follows the loud, loving and often singing Montgomery family as they work to expand their empire, one soulful dish at a time. #SweetiePies (P) Saturday, July 27 (10 p.m. - 11 p.m. ET/PT) Episode: End of an Era As Miss Robbie wrestles with the decision to close down her very first restaurant, Tim and Jenae struggle with their emotions around their separation. Meanwhile, Charles continues his shenanigans causing Tim to regret letting him move in. CONTINUING SERIES (New Episodes) (P) Denotes: Premieres OPRAH’S LIFECLASS (60 Minutes) Sundays (9 p.m. - 10 p.m. ET/PT) The award-winning series "Oprah's Lifeclass" is a richly interactive experience where millions of students from countries around the world participate in inspiring conversations with Oprah on-air, online and via social media. -
CONNECT PREP Onair & Social Media Ready Features, Kickers and Interviews
CONNECT PREP OnAir & Social Media ready features, kickers and interviews. WEDNESDAY, December 23rd, 2020 LIFESTYLE AND OFFBEAT Kid Punches The Grinch In The Face AUDIO: NATS SOCIAL MEDIA: Video LENGTH: 00:00:05 LEAD: More and more parents have forgone the traditional Santa pictures, and opted for a hilarious meet and greet with the Grinch. And usually, the kids scream, cry then run away. But one little guy is going viral after sucker punching the Grinch. The green monster sneaks up behind him, the boy turns around and WAM. Right in the face. I guess the Grinch won’t be stealing HIS Christmas. OUTCUE: (crying fades) Santa Determines Reindeer Are His Best Flight Option AUDIO: Sacramento Resident SOCIAL MEDIA: Photo LENGTH: 00:00:05 LEAD: Looks like Santa was going for a bit of a test flight earlier this week but things didn't turn out well at all. Rather than taking his reindeer along with him, he tried to paraglide instead. Turns out that's not the best way to get to a chimney. Kris Kringle flew right into a power line, forcing the Sacramento Fire Department to rescue him. Good thing he tested this out ahead of time, otherwise Christmas would be a nightmare! One local agreed that Rudolph should continue to guide St. Nick. OUTCUE: so many problems KFC Says They Have The Best Console Of All AUDIO: 'KFConsole' Promo SOCIAL MEDIA: Video LENGTH: 00:00:25 LEAD: Forget the chase for Playstation or Xbox. KFC says they actually have the best console of all. In a new promo video, KFC introduces a sleek and futuristic looking air fryer contraption that they call the "KF Console." The heavily produced promo sheds little details about the product. -
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title The Disability Drive Permalink https://escholarship.org/uc/item/0bb4c3bv Author Mollow, Anna Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California The Disability Drive by Anna Mollow A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Kent Puckett, Chair Professor Celeste G. Langan Professor Melinda Y. Chen Spring 2015 The Disability Drive © Anna Mollow, 2015. 1 Abstract The Disability Drive by Anna Mollow Doctor of Philosophy in English University of California Berkeley Professor Kent Puckett, Chair This dissertation argues that the psychic force that Freud named “the death drive” would more precisely be termed “the disability drive.” Freud‟s concept of the death drive emerged from his efforts to account for feelings, desires, and actions that seemed not to accord with rational self- interest or the desire for pleasure. Positing that human subjectivity was intrinsically divided against itself, Freud suggested that the ego‟s instincts for pleasure and survival were undermined by a competing component of mental life, which he called the death drive. But the death drive does not primarily refer to biological death, and the term has consequently provoked confusion. By distancing Freud‟s theory from physical death and highlighting its imbrication with disability, I revise this important psychoanalytic concept and reveal its utility to disability studies. While Freud envisaged a human subject that is drawn, despite itself, toward something like death, I propose that this “something” can productively be understood as disability. -
Alternate Archives in US Daytime TV Soap Opera Historiography
Elana Levine Alternate Archives in US Daytime TV Soap Opera Historiography Television history is more dependent on alternative archives than is film his- tory. A range of factors place TV outside the parameters of conventional archi- val practice. The live broadcast of television in its early years and the ongoing liveness of some forms of TV have posed a technological challenge to the institutionalized archiving of programs, as have changing formats of videotape and the disintegration of tape itself. The domestic reception of TV, along with its commercial funding structure in many parts of the world, has also ranked television low in cultural hierarchies, and thereby low in priorities of preser- vation. The dismissal of most television for much of its history as inartistic, or as pandering to a “lowest common denominator,” has led many to devalue TV programs as historical artifacts and as objects of critical analysis. One of the clearest cases of this conventional archival neglect is the US daytime television soap opera. Soap operas transitioned to US television from radio in the early 1950s, broadcast daily episodes live into the early 1960s, and were subsequently shot on (sequential formats of) videotape. To many, the soap opera epitomizes the characterization of television as com- mercial, domestic, and unartful. As a result, few involved in the production, distribution, or preservation of television have found soap opera to be an object worthy of or viable for preservation. This situation is compounded by the voluminousness of soap opera texts— many daytime serials air daily for decades— as well as soaps’ associations with women and other marginal- ized audiences such as children, the elderly, and the unemployed, who are assumed to be home during the day with “nothing better to do.” The histo- riography of the soap opera may seem impossible given these constraints. -
Richard Tewksbury, Ph.D. Department of Criminal Justice University of Louisville Phone: (502) 852 - 0000 Fax: (502) 852 – 0065 [email protected]
Richard Tewksbury, Ph.D. Department of Criminal Justice University of Louisville Phone: (502) 852 - 0000 Fax: (502) 852 – 0065 [email protected] EDUCATION 1991 Ph.D. The Ohio State University - Sociology Dissertation title: “The Social Construction of Experience and Identity Management Among Post-Secondary Correctional Educators.” 1988 M.A. The Ohio State University – Sociology Thesis title: “Fear of Sexual Assault in Prison Inmates.” 1986 B.A. Butler University – Sociology and Psychology Thesis title: “Gerontological Substance Abuse: Incidence, Demographics, and Treatments.” ACADEMIC POSITIONS 2000 – Present Professor of Criminal Justice Department of Criminal Justice, University of Louisville 2013 Visiting Scholar Andrew Young School of Policy Studies, Georgia State University 2004 – 2005 Visiting Fellow Bureau of Justice Statistics, United States Department of Justice 1997 – 2000 Associate Professor of Criminal Justice Department of Criminal Justice, University of Louisville 1992 – 1997 Assistant Professor of Criminal Justice Department of Criminal Justice, University of Louisville 1991 – 1992 Visiting Assistant Professor Department of Sociology, University of Louisville 1986 – 1991 Graduate Teaching & Research Assistant Department of Sociology, The Ohio State University 1990 – 1990 Adjunct Professor College of Arts & Sciences, Franklin University 1 1998 – 1989 Instructor Division of Social Sciences, Columbus State Community College 1987 – 1989 Research Technician Ohio Department of Rehabilitation & Corrections 1988 -
Soap Opera Summary from A.J
The Blue Banner April 20, 1995 Comks another relationship. Katherine tried to get information about Charles Street Trivia Questions Soap Opera Summary from A.J. Jason and Keesha arrived in Paris. 1. On Ifie ^o u ry andTfie H(estCess, Victor held a man captive because he thought his wife was having an affair with him. Name the m a n Brandon Treadway Guiding Light and Victor’s wife at the time. Lucy didn’t tell anyone Brent had S taff W riter raped her. Alan-Michael knew some 2. Back in 1983, the DVX had spies working at QeneraCfHospitaC thing was wrong with Lucy when he Who were the two spies and what were they trying to obtain? All My Children get him released. Orlena was upset told her his true feelings and didn’t The Maricks knew Kendall and by a phone call from an unknown 3. On ^ays o f Our Lives, Tony DiMera and International Security Corvina put the letter in the leop man. get a response from her. Holly told Alliance agent Shane Donovan both have twin brothers who worked ard. Janet phoned a friend from Roger she didn’t want anything to do for Stefano. Name both men. prison to find out how to make a The Bold and The Beautiful with him or Fletcher. Eve’s tumor was malignant. She told Ed she had bomb. Anton told Del he knew Brooke was shocked to see Taylor 4. There have been two Silver Kane’s on CfuUren. Do you Kendall was up to something and alive and well in her home. -
Rookie Blue’S Green Guy
COVER Story Rookie Blue’s green guy ter mess, but upon closer inspec- tion, there’s more to his story than meets the eye. BILL As far as Mooney’s character Nick goes, there’s more to his story than HarrIS meets the eye, too. Television “Gail, Charlotte Sullivan’s char- acter, and Nick have a history,” said Mooney, who originally is from There were uniform considera- Winnipeg. “So that helps bring Nick tions for Peter Mooney when he right into the middle of things, for joined Rookie Blue fresh off his role better or worse. in Camelot. “There are a lot of characters “They wouldn’t let me keep a on Rookie Blue, but it’s so well sword in my gun belt, for some rea- designed as an ensemble show, son,” Mooney said. “I thought it in that there’s so much we all do would be kind of a cool character together. So I’m definitely not trait.” bored. It’s busy.” Nonetheless, the transition of There obviously are a lot of police skills from one job to another also shows on TV, many of them centred is the issue for Mooney’s character on young cops who work hard, play in Rookie Blue, which returns for its hard, live hard and love hard, dam- third season Thursday, on Global mit. Mooney — who played Sir Kay and ABC. in Camelot, which was cancelled “Nick Collins comes in, he’s the after one season — was asked if he new rookie,” Mooney said. “But it’s has a theory as to why Rookie Blue an interesting dynamic with him, cuts through the clutter.