Oprah Winfrey Network August 2013 Highlights
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The Disability Drive by Anna Mollow a Dissertation Submitted in Partial Satisfaction of the Requirements for the Degree of Docto
The Disability Drive by Anna Mollow A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Kent Puckett, Chair Professor Celeste G. Langan Professor Melinda Y. Chen Spring 2015 The Disability Drive © Anna Mollow, 2015. 1 Abstract The Disability Drive by Anna Mollow Doctor of Philosophy in English University of California Berkeley Professor Kent Puckett, Chair This dissertation argues that the psychic force that Freud named “the death drive” would more precisely be termed “the disability drive.” Freud‟s concept of the death drive emerged from his efforts to account for feelings, desires, and actions that seemed not to accord with rational self- interest or the desire for pleasure. Positing that human subjectivity was intrinsically divided against itself, Freud suggested that the ego‟s instincts for pleasure and survival were undermined by a competing component of mental life, which he called the death drive. But the death drive does not primarily refer to biological death, and the term has consequently provoked confusion. By distancing Freud‟s theory from physical death and highlighting its imbrication with disability, I revise this important psychoanalytic concept and reveal its utility to disability studies. While Freud envisaged a human subject that is drawn, despite itself, toward something like death, I propose that this “something” can productively be understood as disability. In addition, I contend that our culture‟s repression of the disability drive, and its resultant projection of the drive onto stigmatized minorities, is a root cause of multiple forms of oppression. -
GENRE STUDIES in MASS MEDIA Art Silverblatt Is Professor of Communications and Journalism at Webster Univer- Sity, St
GENRE STUDIES IN MASS MEDIA Art Silverblatt is Professor of Communications and Journalism at Webster Univer- sity, St. Louis, Missouri. He earned his Ph.D. in 1980 from Michigan State University. He is the author of numerous books and articles, including Media Literacy: Keys to Interpreting Media Messages (1995, 2001), The Dictionary of Media Literacy (1997), Approaches to the Study of Media Literacy (M.E. Sharpe, 1999), and International Communications: A Media Literacy Approach (M.E. Sharpe, 2004). Silverblatt’s work has been translated into Japanese, Korean, Chinese, and German. GENRE STUDIES IN MASS MEDIA A HANDBOOK ART SILVERBLATT M.E.Sharpe Armonk, New York London, England Copyright © 2007 by M.E. Sharpe, Inc. All rights reserved. No part of this book may be reproduced in any form without written permission from the publisher, M.E. Sharpe, Inc., 80 Business Park Drive, Armonk, New York 10504. Library of Congress Cataloging-in-Publication Data Silverblatt, Art. Genre studies in mass media : a handbook / Art Silverblatt. p. cm. Includes bibliographical references and index. ISBN: 978-0-7656-1669-2 (cloth : alk. paper) 1. Mass media genres. I. Title. P96.G455S57 2007 302.23—dc22 2006022316 Printed in the United States of America The paper used in this publication meets the minimum requirements of American National Standard for Information Sciences Permanence of Paper for Printed Library Materials, ANSI Z 39.48-1984. ~ BM (c) 10 9 8 7 6 5 4 3 2 1 To my “first generation” of friends, who have been supportive for so long: Rick Rosenfeld, Linda Holtzman, Karen Techner, John Goldstein, Alan Osherow, and Gary Tobin. -
Reminder List of Productions Eligible for the 90Th Academy Awards Alien
REMINDER LIST OF PRODUCTIONS ELIGIBLE FOR THE 90TH ACADEMY AWARDS ALIEN: COVENANT Actors: Michael Fassbender. Billy Crudup. Danny McBride. Demian Bichir. Jussie Smollett. Nathaniel Dean. Alexander England. Benjamin Rigby. Uli Latukefu. Goran D. Kleut. Actresses: Katherine Waterston. Carmen Ejogo. Callie Hernandez. Amy Seimetz. Tess Haubrich. Lorelei King. ALL I SEE IS YOU Actors: Jason Clarke. Wes Chatham. Danny Huston. Actresses: Blake Lively. Ahna O'Reilly. Yvonne Strahovski. ALL THE MONEY IN THE WORLD Actors: Christopher Plummer. Mark Wahlberg. Romain Duris. Timothy Hutton. Charlie Plummer. Charlie Shotwell. Andrew Buchan. Marco Leonardi. Giuseppe Bonifati. Nicolas Vaporidis. Actresses: Michelle Williams. ALL THESE SLEEPLESS NIGHTS AMERICAN ASSASSIN Actors: Dylan O'Brien. Michael Keaton. David Suchet. Navid Negahban. Scott Adkins. Taylor Kitsch. Actresses: Sanaa Lathan. Shiva Negar. AMERICAN MADE Actors: Tom Cruise. Domhnall Gleeson. Actresses: Sarah Wright. AND THE WINNER ISN'T ANNABELLE: CREATION Actors: Anthony LaPaglia. Brad Greenquist. Mark Bramhall. Joseph Bishara. Adam Bartley. Brian Howe. Ward Horton. Fred Tatasciore. Actresses: Stephanie Sigman. Talitha Bateman. Lulu Wilson. Miranda Otto. Grace Fulton. Philippa Coulthard. Samara Lee. Tayler Buck. Lou Lou Safran. Alicia Vela-Bailey. ARCHITECTS OF DENIAL ATOMIC BLONDE Actors: James McAvoy. John Goodman. Til Schweiger. Eddie Marsan. Toby Jones. Actresses: Charlize Theron. Sofia Boutella. 90th Academy Awards Page 1 of 34 AZIMUTH Actors: Sammy Sheik. Yiftach Klein. Actresses: Naama Preis. Samar Qupty. BPM (BEATS PER MINUTE) Actors: 1DKXHO 3«UH] %LVFD\DUW $UQDXG 9DORLV $QWRLQH 5HLQDUW] )«OL[ 0DULWDXG 0«GKL 7RXU« Actresses: $GªOH +DHQHO THE B-SIDE: ELSA DORFMAN'S PORTRAIT PHOTOGRAPHY BABY DRIVER Actors: Ansel Elgort. Kevin Spacey. Jon Bernthal. Jon Hamm. Jamie Foxx. -
Oprah Winfrey Network July 2013 Highlights
OWN: OPRAH WINFREY NETWORK JULY 2013 HIGHLIGHTS Visit www.press.discovery.com/us/own for select episodic photography and screeners NEW SERIES & SEASONS (P) Denotes: Premieres WELCOME TO SWEETIE PIE’S (60 Minutes) Season premiere Saturday, July 27 (10 p.m. - 11 p.m. ET/PT) When Robbie Montgomery, a 1960s backup singer and former Ikette, suffered a collapsed lung and had to stop singing, she decided to pour her talents into another creative venture: a soul food restaurant called Sweetie Pie’s. At her family-centered eateries, which include Sweetie Pie’s at the Mangrove, Sweetie Pie’s Upper Crust and the original Sweetie Pie’s established in 1996, which Miss Robbie runs with her son, Tim, both hilarity and drama are offered in equal measure. This docu-series follows the loud, loving and often singing Montgomery family as they work to expand their empire, one soulful dish at a time. #SweetiePies (P) Saturday, July 27 (10 p.m. - 11 p.m. ET/PT) Episode: End of an Era As Miss Robbie wrestles with the decision to close down her very first restaurant, Tim and Jenae struggle with their emotions around their separation. Meanwhile, Charles continues his shenanigans causing Tim to regret letting him move in. CONTINUING SERIES (New Episodes) (P) Denotes: Premieres OPRAH’S LIFECLASS (60 Minutes) Sundays (9 p.m. - 10 p.m. ET/PT) The award-winning series "Oprah's Lifeclass" is a richly interactive experience where millions of students from countries around the world participate in inspiring conversations with Oprah on-air, online and via social media. -
UC Berkeley UC Berkeley Electronic Theses and Dissertations
UC Berkeley UC Berkeley Electronic Theses and Dissertations Title The Disability Drive Permalink https://escholarship.org/uc/item/0bb4c3bv Author Mollow, Anna Publication Date 2015 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California The Disability Drive by Anna Mollow A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Kent Puckett, Chair Professor Celeste G. Langan Professor Melinda Y. Chen Spring 2015 The Disability Drive © Anna Mollow, 2015. 1 Abstract The Disability Drive by Anna Mollow Doctor of Philosophy in English University of California Berkeley Professor Kent Puckett, Chair This dissertation argues that the psychic force that Freud named “the death drive” would more precisely be termed “the disability drive.” Freud‟s concept of the death drive emerged from his efforts to account for feelings, desires, and actions that seemed not to accord with rational self- interest or the desire for pleasure. Positing that human subjectivity was intrinsically divided against itself, Freud suggested that the ego‟s instincts for pleasure and survival were undermined by a competing component of mental life, which he called the death drive. But the death drive does not primarily refer to biological death, and the term has consequently provoked confusion. By distancing Freud‟s theory from physical death and highlighting its imbrication with disability, I revise this important psychoanalytic concept and reveal its utility to disability studies. While Freud envisaged a human subject that is drawn, despite itself, toward something like death, I propose that this “something” can productively be understood as disability. -
Preliminary Program
Europe’s Past, Present, and Future: Utopias and Dystopias University of Iceland | Reykjavik, Iceland June 22-24, 2020 Preliminary Program This preliminary program is subject to change and CES can not be held liable for any reservation/booking made based on the information provided. Updated on February 7, 2020 Chair: Zsuzsanna Fagyal - University of Illinois at MONDAY, JUNE 22 Urbana-Champaign Participants: [1] Austerity, populism and changing policy Are French people white?: Towards an legitimacy: the European welfare states in understanding of whiteness in Republican France comparative perspective Single Paper 6/22/2020 Jean Beaman - University of California, 9:00 AM to 10:45 AM - Room 14 Santa Barbara Paper Panel Colorblindness and Narratives from the ‘Other’ Chair: Maria Petmesidou - Democritus University of (colorful) France Single Paper Thrace Christina Horvath - University of Bath Ana Guillén - University of Oviedo Participants: ‘Migrants’ or ‘Marseillais?’ The Sociolinguistic Construction of French Minority Youth in Nordic welfare states changes especially in the Marseille light of migration and the financial crisis Single Paper Single Paper Cecile Evers - Pomona College, Bent Greve - Roskilde University Department of Anthropology Jon Kvist - Roskilde University Prototypically non-French: the ‘accent of the The post-Brexit liberal welfare state in Europe: suburbs’ as a cultural construct where next for the United Kingdom? Single Paper Single Paper Zsuzsanna Fagyal - University of Illinois Benjamin Leruth - University of at Urbana-Champaign -
PICKLES - Make-Up and Hair Designer
McKinney Macartney Management Ltd KATIE (PIX) PICKLES - Make-Up and Hair Designer HORIZON LINE (Additional Photography) (as Hair Designer) Director: Mikael Marcimain. Producer: Fredrik Wikstrtöm. Starring: Alexander Dreymon, Allison Williams and Keith David. SF Studios Production AB. AN EXTRA JULY Director: John Hay. Producer: Donall McCusker, Adrian Politowski and Nick Quested. Starring: Sam Heughan, Keeley Hawes and Hugh Bonneville. Thing One. THE LAST KINGDOM (Series 4) Directors: Sarah O’Gorman and David Moore Producer: Vicki Delow Starring: Alexander Dreymon, Ian Hart, David Dawson and Eliza Butterworth Carnival Film & Television / Netflix JAMESTOWN (Series 3) Director: Sarah O’ Gorman Producer: Lis Steele Starring: Max Beesley, Naomi Battrick and Claire Cox Carnival Film & Television MELODY Director: John Stephenson Producer: Simon Moseley Starring: Aneurin Barnard and Samantha Barks The Melody Movie Ltd THE ANGEL (as Key Hair & Make Up) Director: Ariel Vroman Producer: Mark Birmingham Starring: Toby Kebbell, Hannah Ware and Marwan Kenzari Adama Pictures GUERRILLA (as Hair & Make-up Supervisor) Director: John Ridley Producer: Yvonne Ibazebo Starring: Idris Elba, Frida Pinto and Babou Cessay Fifty Fathoms Gable House, 18 – 24 Turnham Green Terrace, London W4 1QP Tel: 020 8995 4747 E-mail: [email protected] www.mckinneymacartney.com VAT Reg. No: 685 1851 06 KATIE PICKLES Contd … 2 INTERLUDE IN PRAGUE Director: John Stephenson Producer: David Minkowski Starring: Aneurin Barnard, James Purefoy and Samantha Barks Stillking Films -
Sagawkit Acceptancespeechtran
Screen Actors Guild Awards Acceptance Speech Transcripts TABLE OF CONTENTS INAUGURAL SCREEN ACTORS GUILD AWARDS ...........................................................................................2 2ND ANNUAL SCREEN ACTORS GUILD AWARDS .........................................................................................6 3RD ANNUAL SCREEN ACTORS GUILD AWARDS ...................................................................................... 11 4TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 15 5TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 20 6TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 24 7TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 28 8TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 32 9TH ANNUAL SCREEN ACTORS GUILD AWARDS ....................................................................................... 36 10TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 42 11TH ANNUAL SCREEN ACTORS GUILD AWARDS ..................................................................................... 48 12TH ANNUAL SCREEN ACTORS GUILD AWARDS .................................................................................... -
Confronting Historical Stereotypes of African Americans on the Big Screen Melissa Ann Garrett Iowa State University
Iowa State University Capstones, Theses and Graduate Theses and Dissertations Dissertations 2017 Contemporary portrayals of blacks and mixed- blacks in lead roles: Confronting historical stereotypes of African Americans on the big screen Melissa Ann Garrett Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/etd Part of the African American Studies Commons, Film and Media Studies Commons, and the Journalism Studies Commons Recommended Citation Garrett, Melissa Ann, "Contemporary portrayals of blacks and mixed-blacks in lead roles: Confronting historical stereotypes of African Americans on the big screen" (2017). Graduate Theses and Dissertations. 15307. https://lib.dr.iastate.edu/etd/15307 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Contemporary portrayals of blacks and mixed-blacks in lead roles: Confronting historical stereotypes of African Americans on the big screen by Melissa Ann Garrett A thesis submitted to the graduate faculty in partial fulfillment of the requirements for the degree of MASTER OF SCIENCE Major: Journalism and Mass Communication Program of Study Committee: Tracy Lucht, Major Professor Daniela Dimitrova Linda Shenk The student author and the program of study committee are solely responsible for the content of this thesis. The Graduate College will ensure this thesis is globally accessible and will not permit alterations after a degree is conferred. Iowa State University Ames, Iowa 2017 Copyright © Melissa Ann Garrett, 2017. -
Catholic Diocese Moving 16 Priests Later This Year
SOAPS: “All My Children” returns online with much of its cast intact. | 6D FaithThe Paducah Sun | Friday,& April 25, Family2013 | paducahsun.com Section D Daughter’s organ donations bittersweet Jocelyn made a few good and bad choices in her life. And, let me be blunt, she made one re- ally stupid decision. But she also made at least one brilliant choice. Twice, in fact. Jocelyn marked Organ Do- nor on both her North Carolina driver’s learning permit and her provisional driver’s license. I re- jaletta Desmond member there was little discus- sion about it as she was fi lling proximately 18 people die every out the fi rst set of paperwork for day without a life-saving trans- the permit at 15 years of age. And plant. there was no discussion the day According to the Mayo Clinic she was happily, fi nally, getting website, one person donating her driver license only a couple organs can save or improve as of months before she turned many as 50 lives. It’s especially Photo courtesy of St. Thomas More Parish Father Ryan Harpole preaches the homily for the 2012 Christmas Mass at St. Thomas More Parish in 17. She just marked it matter of important to consider organ do- Paducah. Harpole, the associate pastor for the past two years, is leaving St. Thomas More to become factly and the red heart icon ap- nation if you belong to an eth- the associate pastor at the Newman Center of Murray State University, as of June. peared next to her beautiful face nic minority because, according when the license arrived in the to the Mayo Clinic, “minorities mail. -
Jury Convicts Man in Killing
Project1:Layout 1 6/10/2014 1:13 PM Page 1 Olympics: USA men’s boxing has revival in Tokyo /B1 THURSDAY T O D A Y C I T R U S C O U N T Y & n e x t m o r n i n g HIGH 84 Numerous LOW storms. Localized flooding possible. 73 PAGE A4 www.chronicleonline.com AUGUST 5, 2021 Florida’s Best Community Newspaper Serving Florida’s Best Community $1 VOL. 126 ISSUE 302 SO YOU KNOW I The Florida Depart- ment of Health Jury convicts man in killing has ceased the daily COVID-19 re- ports that have been used to track Michael Ball, 64, faces possibility of life in prison for shooting of neighbor changes in the MIKE WRIGHT It’s as simple as prison. Sentenc- video recording of an in- video. “I hate it but he number of corona- Staff writer that,” Ball said. ing was set for terview detectives con- didn’t give me no virus cases and A four-man, Sept. 15. ducted with Ball at the choice.” deaths in the state. A Beverly Hills man on two-woman jury Ball, 64, was county jail after the Ball said he had just trial for second-degree held Ball respon- charged in the shooting. finished cleaning the murder in the shooting sible, convicting March 25, 2020, During the interview, handgun when he stuffed NEWS death of a neighbor said him as charged death of 32-year- Ball repeatedly states he it in his waistband, cov- he was afraid for his life Wednesday eve- old Tyler Dorbert shot Dorbert out of fear ered with a sweatshirt, BRIEFS when he pulled the ning at the conclu- Michael on a street outside based on an assault that and went outside to get trigger. -
Read Ebook {PDF EPUB} Love in the Shadows by Barbara Wallace Love in the Shadows
Read Ebook {PDF EPUB} Love in the Shadows by Barbara Wallace Love in the Shadows. Teacher Jenny Travolini doesn't care that the town's reclusive, cold-hearted tycoon millionaire won't see her. They have business to discuss—like how his dog knocked up her dog. However, Nicholas Bonaparte isn't exactly what Jenny imagined. Arrogant and icy? Absolutely. But the shadows can't conceal the raw, sensuality of his voice. or how it sends shivers along Jenny's skin. Nicolas knows his reputation for being cold and aloof. He welcomes it, in fact. He prefers to stay in the shadows, hiding the scars that mar both his skin and his soul. Yet something in Jenny calls to him, lights a raging fire that deep within him. There is more here than mere lust . More than passion. But the past is a shadow that won't be left behind. even when it threatens the hope of true love. Genre: Romance. Love in the Shadows by Barbara Wallace. "Today in Soap Opera History" is a collection of the most memorable, interesting and influential events in the history of scripted, serialized programs. From birthdays and anniversaries to scandals and controversies, every day this column celebrates the soap opera in American culture. On this date in. 1940: On The Guiding Light , Rose Kransky (Ruth Bailey) and Charles Cunningham had dinner together after a chance meeting on the street. The episode opened with the following narration: "Where we are free to act, we are also free to refrain from acting. And where we are able to say no, we are also able to say yes.