Heather Shimmen
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FEM-Affinity Exhibition Publication Online PDF Here
1 — FEM—aFFINITY — 2 FEM—aFFINITY Fulli Andrinopoulos / Jane Trengove Dorothy Berry / Jill Orr Wendy Dawson / Helga Groves Bronwyn Hack / Heather Shimmen Eden Menta / Janelle Low Lisa Reid / Yvette Coppersmith Cathy Staughton / Prudence Flint A NETS Victoria & Arts Project Australia touring exhibition, curated by Catherine Bell Cover Prudence Flint Feed 2019 oil on linen 105 × 90 cm Courtesy of the artist, represented by Australian Galleries, Melbourne BacK Cover Eden Menta & Janelle Low Eden and the Gorge 2019 inkjet print, ed. 1/5 100 × 80 cm Courtesy of the artists; Eden Menta is represented by Arts Project Australia, Melbourne — Co-published by: National Exhibitions Touring Support Victoria c/- The Ian Potter Centre: NGV Australia Federation Square PO Box 7259 Melbourne Vic 8004 netsvictoria.org.au and Arts Project Australia 24 High Street Northcote Vic 3070 artsproject.org.au — Design: Liz Cox, studiomono.co Copyediting & proofreading: Clare Williamson Printer: Ellikon Edition: 1000 ISBN: 978-0-6486691-0-4 Images © the artists 2019. Text © the authors, NETS Victoria and Arts Project Australia 2019. The views and opinions expressed here are those of the authors. No material, whether written or photographic, may be reproduced without the permission of the artists, authors, NETS Victoria and Arts Project Australia. Every effort has been made to ensure that any text and images in this publication have been reproduced with the permission of the artists or the appropriate authorities, wherever it is possible. 3 — Lisa Reid Not titled 2019 -
37 48' Project Outline
• 37° 48ʹ S: artists navigate MELBOURNE is an exciting and provocative visual art project exploring the cultural diversity of contemporary Australia as exemplified by life in Melbourne. Street-art practices and traditional printmaking techniques are on an equal footing as twelve diverse, exceptional Melbourne artists consider the cultural, natural and built environments of their city. • The twelve 37° 48ʹ S: artists navigate MELBOURNE project artists are: Angela Cavalieri, Bindi Cole, Carmel Wallace, Cat Poljski, Debra Luccio, Eolo Paul Bottaro, Heather Shimmen, Regan Tamanui aka HA! HA! Judy Holding, Marco Luccio, Rona Green, Rone • A new network of artists whose work collectively presents a unique perspective of life in Melbourne will be established. • The large format, limited edition suite of prints created by these twelve artists will be previewed in Melbourne before journeying to New York where it will join a complementary body of work created by the New York Society of Etchers in response to their city. The resulting dialogue will highlight similarities, differences and crosscurrents between the two cities of Melbourne and New York. Exhibitions will follow in other cities. 37° 48′ S: artists navigate MELBOURNE is a visual art project co-curated by artist, writer and curator, Dr Carmel Wallace, and Dianna Gold, an independent curator, arts consultant and former Director of Gallery 101 (a leading gallery in Melbourne from 1989 until 2010). In 2004, at the invitation of the New York Society of Etchers, Dianna and Carmel co-curated the exhibition Surface Tension: Twenty-One Contemporary Australian Printmakers and successfully presented this exhibition at the National Arts Club, Gramercy Park, Manhattan as part of a major cultural exchange. -
Shortlist Announced— 2019 Geelong Acquisitive Print Awards
Media Contact Media Penny Whitehead T: 03 5229 3645 Release E: [email protected] Shortlist announced— 2019 Geelong acquisitive print awards 20 September to 24 November Official prize winning Geelong Gallery announcement: Free entry Thursday 19 September, 6.00pm Open daily 10am to 5pm Geelong Gallery is delighted to announce The prize-winning prints will be that 36 works by 37 leading and emerging announced at the official opening of Australian artists have been shortlisted the exhibition on Thursday 19 September for the 2019 Geelong acquisitive print (by invitation). awards. Selected from hundreds of entries from Showcasing diverse contemporary around Australia, the 36 shortlisted works Australian printmaking practice, for the 2019 Geelong acquisitive print the acquisitive awards and biennial awards reveal the technical and thematic exhibition will feature works by Alison diversity of contemporary printmaking Alder, Rosalind Atkins, GW Bot, Susanna practice. This year’s exhibition will Castleden, Tony Coleing, Christine include works by some of the nation’s Courcier-Jones, Marian Crawford, most talented established and younger Phil Day, Marieke Dench, Clive Dickson, generation artists. Dianne Fogwell, Graham Fransella, David Frazer, Silvi Glattauer, Jackie The selection panel for the 2019 Geelong Gorring, Gracia Haby & Louise Jennison, acquisitive print awards includes Rew Hanks, Kyoko Imazu, Locust Jones, Danny Lacy (Senior Curator, Mornington Peninsula Regional Gallery), Trent Walter Laith McGregor Martin King, Barbie Kjar, -
Shimmen Full CV 2019
HEATHER SHIMMEN Born 1957, Melbourne 78. BA Fine Art (Painting), RMIT, Melbourne 2010 Artists in residence, RMIT, Melbourne , Vic 2013 Artist in residence, The Art Vault, Mildura, VIC SOLO EXHIBITIONS 2019. ‘Ladies of the Pleiades’, Sale Regional Gallery, Sale 2017. 'Time Warps',Australian Galleries,Melbourne 2014. 'Insectivoria', Australian Galleries, Melbourne 2011. ‘The Swamp Maidens Tale’, Australian Galleries, Smith Street, Melbourne 2008. ‘Betwixt’, Gallery 101, Melbourne 2006 ‘I Dreamt I Dwelt in Marble Halls’, Stonnington Stables Museum of Art, Deakin University, Melbourne ‘Whispers’ Adele Boag Gallery, Adelaide 2005 ‘Figment, Fragment’, Gallery 101, Melbourne 2002 ‘Things That Float In The Air’, Joshua McClelland Print Room, Melbourne 1999. ‘The Sutured Heart’, Bulle Gallery, Melbourne 1997. ‘The Invisible Hand of the Future’, Lyall Burton Gallery, Melbourne 1996. Lyall Burton Gallery, Melbourne Adelaide Central Gallery, Adelaide 1993 Adelaide Central Gallery, Adelaide Lyall Burton Gallery, Melbourne 1991. Realities Gallery, Melbourne 1990. Realities Gallery, Melbourne 1986. Realities Gallery, Melbourne 1984 Bitumen River Gallery, Canberra 1983. Anthill Theatre, Melbourne 1982. Drummond Street Gallery, Melbourne GROUP EXHIBITION 2020. ‘Let All the Birds Fly- the hybrid print’,Maitland Regional Galleries,NSW ‘Fem -aFfinity’, Devonport Regional Art Gallery Tas Benalla Art GalleryVic Noosa Regional Art Gallery Qld Horsham Regional Art Gallery Vic Bunjil Place Gallery Vic Riddoch Art GallerySA 2019 ‘Paper Made’, Australian Galleries, Melbourne ‘Fem-aFfinity’, Arts Project, Melbourne ‘Beyond the Veil’,Art for the World Gallery, Cannaregio, Biennale de Venetzia, Venice,Italy ‘Beyond the Veil’,Memoire de L’Avenir Espace cultures pluridisciplinairl, Paris, France ‘2019 Ulsan International Woodcut Biennale’ South Korea ‘Round About’ Gecko Gallery, Fish Creek,VIC ‘Sydney Contemporary Art Fair’Sydney,NSW ‘Art Meets Nature’,WAMA, Sofitel,Melbourne ‘A Fine Line’, Bright Space, Melbourne 2018. -
Symposium Program Hobart
Symposium 2 Schedule Workshops 4 Think Symposium 5 Events Vendors 7 Speakers and 9 Beyond Presenters Venues and 12 Locations AGM Notice 12 the Contact 12 Information Square Thursday 17th August - Monday 21st August 2017 Hobart Function Centre Hobart, Tasmania Page 2 Thursday 2.00 pm Exhibition Floor Talk with Caitlin Hughes 17th August Salamanca Arts Centre Long Gallery 6.00 pm – 9.00 pm Early Registration Evening Gretel/Marina Rooms 6.00 pm - 9.00 pm Not Salamanca - Vendors’ Market Gretel Room Friday 8.00 am – 8:45 am Registration and Brown Bag Check in Gretel Room 18th August 8.00 am – 5.00 pm Vendors’ Market Gretel Room All events are at the 9.00 am Welcome and Introduction to Symposium 2017 Hobart Sovereign Room Noula Diamantopoulos, Pamela Irving, Sue Leitch Function Keynote Speaker Centre un- Toyoharu Kii My Mosaics and Japanese Mosaic History less stated otherwise 10.45 am Morning Tea Gretel Room 11.15 am Presentations Sovereign Room Rachel Bremner Music and Mosaic Lea Kannar-Lichtenberger Beyond the Idealised Mosaic: stepping out side the comfort zone Marian Shapiro Adventures in Italy: 2nd international symposium of contemporary mosaic Kate Jenkins Inspiration Exploration Reciprocation Collaboration: a creative journey 1.00 pm Lunch Gretel Room Submit your questions for Saturday’s panel to the registration desk 2.00 pm Presentations Sovereign Room Kelley Knickerbocker The Collaboration Equation: E(volution) = M(odulation) x C(reativity)2 Cetta Pilati If it Doesn’t Challenge You, it Won’t Change You Kate Butler Mosaic Art Scholarship -
Library Board of Victoria Annual Report 2016
Library Board of Victoria Victoria Library of Board Library Board of Victoria Annual Report 2016–17 Annual ReportAnnual 2016–17 Library Board of Victoria Annual Report 2016–17 Published by State Library Victoria 328 Swanston Street Melbourne VIC 3000 Australia Also published on slv.vic.gov.au © State Library Victoria 2017 This publication is copyright. No part may be reproduced by any process except in accordance with the provisions of the Copyright Act 1968. Authorised by the Victorian Government 328 Swanston Street Melbourne VIC 3000 Australia Typeset by Cannon Typesetting Cover photograph: The night garden, illumination created by Nick Azidis, Lisa Greenaway and Rose Staff for White Night Melbourne 2017. Photograph by James Braund. Contents 2 President’s report 4 Chief Executive Officer’s year in review 6 Vision and values 7 Report of operations 22 Financial summary 24 2016–17 key performance indicators 25 Service Agreement with the Minister for Creative Industries 26 Output framework 28 Acquisitions statistics 29 Library Board and corporate governance 33 Library Executive 34 Organisational structure 35 Occupational health and safety 37 Public sector values and employment principles 38 Statement of workforce data and merit and equity 40 Environmental performance 42 Diversity and Social Inclusion Plan 43 Freedom of information 44 Protected Disclosure Act 2012 44 Compliance with the Building Act 1993 45 Victorian Industry Participation Policy 45 National Competition Policy 46 Government advertising expenditure 46 Major contracts 47 Consultancies 48 Financial information 49 Risk attestation Financial statements 51 Auditor-General’s report 53 Library Board of Victoria letter 54 Financial report for year ended 30 June 2017 59 Notes to the financial statements 105 Disclosure index President’s report I am pleased to present my sixth report as the donated $2 million to establish Start Space, a new President of the Library Board of Victoria. -
James Turrell's Skyspace Robert Dowling Life, Death
HANS HEYSEN ROBERT DOWLING ROBERT LIFE, DEATH AND MAGIC AND MAGIC LIFE, DEATH JAMES TURRELL’S SKYSPACE SKYSPACE TURRELL’S JAMES ISSUE 62 • winter 2010 artonview ISSUE 62 • WINTER 2010 NATIONAL GALLERY OF AUSTRALIA The National Gallery of Australia is an Australian Government Agency Issue 62, winter 2010 published quarterly by 3 Director’s foreword National Gallery of Australia GPO Box 1150 exhibitions and displays Canberra ACT 2601 nga.gov.au 6 Robert Dowling: Tasmanian son of Empire ISSN 1323-4552 Anne Gray Print Post Approved 10 Life, death and magic: 2000 years of Southeast Asian pp255003/00078 ancestral art © National Gallery of Australia 2010 Copyright for reproductions of artworks is Robyn Maxwell held by the artists or their estates. Apart from 16 Hans Heysen uses permitted under the Copyright Act 1968, no part of artonview may be reproduced, Anne Gray transmitted or copied without the prior permission of the National Gallery of Australia. 20 Portraits from India 1850s–1950s Enquiries about permissions should be made in Anne O’Hehir writing to the Rights and Permissions Officer. 22 In the Japanese manner: Australian prints 1900–1940 The opinions expressed in artonview are not necessarily those of the editor or publisher. Emma Colton Produced the National Gallery of Australia Publishing Department: acquisitions editor Eric Meredith 26 James Turrell Skyspace designer Kristin Thomas Lucina Ward photography Eleni Kypridis, Barry Le Lievre, Brenton McGeachie, Steve Nebauer, 28 Theo van Doesburg Space-time construction #3 David Pang, -
Zart Extra Newsletters 2010
EXZartTRA TermTerm # 1 2010 RegisteredRegistered by Australia Post Publication No. 327687/00003327687/00003 Zart Extra NewslettersHeadlineA Student’s 2010 Headlinejourney InspirationInspirationnspiration •• IdeasIdeas •• EducationEducationEducation UpdatesUpdatesUpdates •• OnlineOnlOnlineine SupportSupportSupport •• TipsTipsTips && TechniquesTechniquesTechnique HeadlineIdentifyIdentify Us HeadlineArtistArtist inin HeadlineHelp!Help! MyMy NotesA wholewhole schoolschooll rresidenceNotesesidence sschoolNoteschool iiss unitunit of workwork AerialAAeerial viewsviews wwithith bbuildinguilding bbasedased on ideidentity.nttiitty. MMaxax Darby. TrolleyTrolley / portable aartrt - solutions, ssupportupport and activities.activities. Term 1 Term 2 Term 3 Term 4 Zart Art ZartZart ArtArt - Supporting - Supporting teachers teachers in creative in creative educationeducatio educationn Blank Page Zart EX TermRTerm # 1 2010A T Registered by Australia Post Publication No. 327687/00003 HeadlineA Student’s Headlinejourney InspirationInspiration •• IdeasIdeas •• EducationEducation UpdatesUpdates •• OnlineOnline SupportSupport •• TipsTips && TechniquesTechniques HeadlineIdentify Us HeadlineArtist in HeadlineHelp! My NotesA whole school residenceNotes schoolNotes is unit of work Aerial views with building based on identity. Max Darby. Trolley / portable art - solutions, support and activities. ZartZart Art -Art Supporting - Supporting teachers teachers in creative in creative education education Contents News, Events & Dates . 2 Studio Arts A Student’s Journey. -
Albert Tucker Born: 29 December 1914 Melbourne, Victoria Died: 23 October 1999 Melbourne, Victoria
HEIDE EDUCATION RESOURCE Albert Tucker Born: 29 December 1914 Melbourne, Victoria Died: 23 October 1999 Melbourne, Victoria Albert Tucker on the roof of the Chelsea Hotel, New York, 1967 Photograph: Richard Crichton This Education Resource has been produced by Heide Museum of Modern Art to provide information to support education institution visits to Heide Museum of Modern Art and as such is intended for their use only. Reproduction and communication is permitted for educational purposes only. No part of this education resource may be stored in a retrieval system, communicated or transmitted in any form or by any means. For personal use only – do not store, copy or distribute Page 1 of 20 HEIDE EDUCATION RESOURCE Albert Tucker is known as one of Australia’s foremost artists and as a key figure in the development of Australian modernism in Melbourne. Primarily a figurative painter, his works responded to the world around him and his own life experiences, and they often reflected critically on society. During his career he played an active role in art politics, particularly in the 1940s, writing influential articles about the direction of art in Australia. He also held prominent positions within the art community, including President of the Contemporary Art Society in the late 1940s and again in the 1960s. Tucker grew up during the Depression and began his career as a young artist in the late 1930s, in the years leading up to the outbreak of World War II. At this time, his world was defined by financial insecurity, social inequality and war, and these concerns became the catalyst for much of his painting. -
Heide Museum of Modern Art 2003 Annual Report
HEIDE MUSEUM OF MODERN ART 2003 ANNUAL REPORT Heide Museum of Modern Art HEIDE MUSEUM OF MODERN ART 2003 ANNUAL REPORTHEIDE MUSEUM OF MODERN ART 2003 ANNUAL REPORT CONTENTS PAGE CONTENTS 1 Mission 3 2 Patrons, Fellows, 4 Board of Directors and Company Members 3 Chairman’s Report 5 4 Operations Report 6 5 Exhibitions and Events 11 6 Acquisitions 13 7 Outward Loans 15 8 Lenders 16 9 Donors and Partners 17 10 Staff and Volunteers 21 11 Financial Statements 23 HEIDE MUSEUM OF MODERN ART 2003 ANNUAL REPORT MISSION STATEMENT Heide Museum of Modern Art tells the story of modern art in Australia through the heritage of John and Sunday Reed and the unique environment in which they lived. The Museum maintains their philosophy of support for contemporary art. 3 HEIDE MUSEUM OF MODERN ART 2003 ANNUAL REPORT PATRONS, FELLOWS, FOUNDING PATRON BOARD OF DIRECTORS BOARD OF DIRECTORS Sir Rupert Hamer AC KCMG, 1916 – 2004 Trevor Tappenden Chairman AND COMPANY MEMBERS Kerry Gardner Deputy Chairman PATRON Mrs Terry Bracks Dr Janine Burke Craig Kimberley (from December) FELLOWS Bryce Menzies Dr H Norman B Wettenhall AM, 1988 1915 – 2000 Ken Ryan (from December) Georges Mora, 1913 – 1992 1989 David Walsh Maria Prendergast 1990 Baillieu Myer AC 1992 Rob Adams (to March) Loti Smorgon AO 1993 James Colquhoun (to October) Victor Smorgon AO 1993 Michael Roux (to March) Dr Barrett Reid AM, 1926 – 1995 1994 Dr Tom Quirk 1995 COMPANY MEMBERS Maudie Palmer 1997 Helen Alter The Hon. Mr Justice Charles 1998 Ken Cato Christine Collingwood 1999 The Hon. Mr Justice Charles Albert Tucker AO, 1914 – 1999 2000 Joan Clemenger Barbara Tucker 2000 Christine Collingwood Tom Lowenstein 2002 Patricia Cross Janne Faulkner AM Jeff Floyd Julia King Tom Lowenstein Professor Ray Martin Sarah McKay Ian McRae Dr Thomas Quirk Rosemary Simpson Deryk Stephens Chris Thomas 4 HEIDE MUSEUM OF MODERN ART 2003 ANNUAL REPORT CHAIRMAN’S REPORT During 2003 Heide underwent significant increased to ensure we can continue to transition to re-emerge as a major art operate to the high standards we seek and destination. -
Annual Report 2014–15
Annual Report 2014–15 Annual Report 2014–15 Published by the National Gallery of Australia Parkes Place, Canberra ACT 2600 GPO Box 1150, Canberra ACT 2601 nga.gov.au/aboutus/reports ISSN 1323 5192 © National Gallery of Australia 2015 All rights reserved. No part of this publication can be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopy, recording or any information storage and retrieval system, without permission in writing from the publisher. Prepared by the Governance and Reporting Department Edited by Eric Meredith Designed by Carla Da Silva Pastrello Figures by Michael Tonna Index by Sherrey Quinn Printed by Union Offset Printers Cover: The 2015 Summer Art Scholars with Senior Curator Franchesca Cubillo in the Indigenous Urban gallery, 14 January 2015. 16 October 2015 Senator the Hon Mitch Fifield Minister for Communications Minister for the Arts Minister Assisting the Prime Minister for Digital Government Parliament House CANBERRA ACT 2600 Dear Minister On behalf of the Council of the National Gallery of Australia, I have pleasure in submitting to you, for presentation to each House of Parliament, the National Gallery of Australia’s annual report covering the period 1 July 2014 to 30 June 2015. This report is submitted to you as required by section 39 of the Public Governance, Performance and Accountability Act 2013. It is consistent with the requirements set out in the Commonwealth Authorities (Annual Reporting) Orders 2011, and due consideration has been given to the Requirements for Annual Reports approved by the Joint Committee of Public Accounts and Audit under subsections 63(2) and 70(2) of the Public Service Act 1999 and made available by the Department of the Prime Minister and Cabinet on 25 June 2015. -
2014 / 2015 Image: Pamela Irving, Adoration of the Yolo, 2014, Smalti and 1 China, 32Cm X 48Cm, on Exhibition in the Barn Gallery, 2014 Mission
Montsalvat 2014 2015 Annual Report Contents 2 Mission 3 Chair’s Report 5 Executive Director’s Report 7 Cultural Operations 10 Onsite Arts Tradition 12 Heritage, Community & Tourism Operation 13 Development Montsalvat Foundation Montsalvat Partnerships 15 Governance Board Patron Arts Advisory Board 17 Staff & Volunteers 19 Financial Statements Cover image: The Teskey Brothers performing at the Montsalvat Montsalvat Limited Open Day 2014 © Field of Vision Photography Annual report 2014 / 2015 Image: Pamela Irving, Adoration of the Yolo, 2014, smalti and 1 China, 32cm x 48cm, on exhibition in the Barn Gallery, 2014 Mission Montsalvat’s mission is to continue to be a “living, thriving, creative artistic community. Welcoming to the general public, we aim to educate and promote local, national and international cultural practice.” Image: Harpist, Megan Reeve Montsalvat Limited Annual report 2014 / 2015 2 Chair’s Report THE BOARD this not-for-profit enterprise, giving their time and The Board of Montsalvat Ltd was formed in 2006—7 to expertise to Montsalvat and their enthusiastic support to ensure that this unique Australian treasure, located on a the artists who work here. beautiful Eltham hillside, would continue to be a haven for practising artists, and a place where art, in all its forms COMMITTEES could be celebrated - in exhibitions, teaching studios, Montsalvat’s Board Committees meet as required between concerts, festivals, conversations and residencies. The Board meetings to expedite the Board’s plans, monitor its Board’s parallel role is to ensure Montsalvat’s future by finances, develop its projects and programs, and to discuss being a careful steward of its environment and resources, and resolve any pressing governance issues.