Library Board of Victoria Annual Report 2016
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Collecting and Preserving Digital Materials
COLLECTING AND PRESERVING DIGITAL MATERIALS A HOW-TO GUIDE FOR HISTORICAL SOCIETIES BY SOPHIE SHILLING CONTENTS Foreword Preface 1 Introduction 2 Digital material creation Born-digital materials Digitisation 3 Project planning Write a plan Create a workflow Policies and procedures Funding Getting everyone on-board 4 Select Bitstream preservation File formats Image resolution File naming conventions 5 Describe Metadata 6 Ingest Software Digital storage 7 Access and outreach Copyright Culturally sensitive content 8 Community 9 Glossary Bibliography i Foreword FOREWORD How the collection and research landscape has changed!! In 2000 the Federation of Australian Historical Societies commissioned Bronwyn Wilson to prepare a training guide for historical societies on the collection of cultural materials. Its purpose was to advise societies on the need to gather and collect contemporary material of diverse types for the benefit of future generations of researchers. The material that she discussed was essentially in hard copy format, but under the heading of ‘Electronic Media’ Bronwyn included a discussion of video tape, audio tape and the internet. Fast forward to 2018 and we inhabit a very different world because of the digital revolution. Today a very high proportion of the information generated in our technologically-driven society is created and distributed digitally, from emails to publications to images. Increasingly, collecting organisations are making their data available online, so that the modern researcher can achieve much by simply sitting at home on their computer and accessing information via services such as Trove and the increasing body of government and private material that is becoming available on the web. This creates both challenges and opportunities for historical societies. -
Support State Library Victoria
•FOUNDATION ADVERTORIAL – 2-PAGE EXAMPLE 108 SUPPORT STATE LIBRARY VICTORIA Our vision GIVE TO THE COLLECTION AND A library for all in a changing world CONSERVATION FUND The newly established State Library Our purpose Collection and Conservation Fund supports Inspiring possibilities the preservation and conservation of the Join us and be a part of this great cultural State Collection – including fragile works and heritage institution. Your generous such as the one being worked on in the support will help us acquire, house and image opposite. conserve significant collection items, as well The Fund will support acquisition, as mount exhibitions, events and programs. conservation, preservation, digitisation and You can personally support State Library description of collection items. This critical Victoria in a number of ways. work allows the State Library to continue the legacy of collecting, and sharing the stories of Victoria. State Library Victoria was created to be a ‘great emporium of learning’. This Fund will ensure that the Library continues to meet increasing demand with a comprehensive, accessible collection and a range of services that honour our obligation to provide access to knowledge for all. Donate to the Fund now or find out more at slv.vic.gov.au/get-involved/support-our- programs/collection-conservation-fund MAKE A BEQUEST JOIN OUR CORPORATE One of the most meaningful ways you can MEMBER NETWORK ensure that State Library Victoria continues Become part of a dynamic corporate to thrive is to leave a bequest. Those who membership network and connect with make a bequest to the Library are invited to a diverse group of organisations, while join the Redmond Barry Society, which was supporting one of Australia’s most established to recognise the generosity and established and prestigious cultural support of Library benefactors. -
Shimmen Full CV 2019
HEATHER SHIMMEN Born 1957, Melbourne 78. BA Fine Art (Painting), RMIT, Melbourne 2010 Artists in residence, RMIT, Melbourne , Vic 2013 Artist in residence, The Art Vault, Mildura, VIC SOLO EXHIBITIONS 2019. ‘Ladies of the Pleiades’, Sale Regional Gallery, Sale 2017. 'Time Warps',Australian Galleries,Melbourne 2014. 'Insectivoria', Australian Galleries, Melbourne 2011. ‘The Swamp Maidens Tale’, Australian Galleries, Smith Street, Melbourne 2008. ‘Betwixt’, Gallery 101, Melbourne 2006 ‘I Dreamt I Dwelt in Marble Halls’, Stonnington Stables Museum of Art, Deakin University, Melbourne ‘Whispers’ Adele Boag Gallery, Adelaide 2005 ‘Figment, Fragment’, Gallery 101, Melbourne 2002 ‘Things That Float In The Air’, Joshua McClelland Print Room, Melbourne 1999. ‘The Sutured Heart’, Bulle Gallery, Melbourne 1997. ‘The Invisible Hand of the Future’, Lyall Burton Gallery, Melbourne 1996. Lyall Burton Gallery, Melbourne Adelaide Central Gallery, Adelaide 1993 Adelaide Central Gallery, Adelaide Lyall Burton Gallery, Melbourne 1991. Realities Gallery, Melbourne 1990. Realities Gallery, Melbourne 1986. Realities Gallery, Melbourne 1984 Bitumen River Gallery, Canberra 1983. Anthill Theatre, Melbourne 1982. Drummond Street Gallery, Melbourne GROUP EXHIBITION 2020. ‘Let All the Birds Fly- the hybrid print’,Maitland Regional Galleries,NSW ‘Fem -aFfinity’, Devonport Regional Art Gallery Tas Benalla Art GalleryVic Noosa Regional Art Gallery Qld Horsham Regional Art Gallery Vic Bunjil Place Gallery Vic Riddoch Art GallerySA 2019 ‘Paper Made’, Australian Galleries, Melbourne ‘Fem-aFfinity’, Arts Project, Melbourne ‘Beyond the Veil’,Art for the World Gallery, Cannaregio, Biennale de Venetzia, Venice,Italy ‘Beyond the Veil’,Memoire de L’Avenir Espace cultures pluridisciplinairl, Paris, France ‘2019 Ulsan International Woodcut Biennale’ South Korea ‘Round About’ Gecko Gallery, Fish Creek,VIC ‘Sydney Contemporary Art Fair’Sydney,NSW ‘Art Meets Nature’,WAMA, Sofitel,Melbourne ‘A Fine Line’, Bright Space, Melbourne 2018. -
Digitization Strategic Plan
Creating a Digital Smithsonian DIGITIZATION STRATEGIC PLAN Fiscal Years 2010–2015 1002256_StratPlan.indd 2 5/26/10 8:25:45 AM INTRODUCTION 2 Extending Reach/Enhancing Meaning 3 What, Exactly, Is Digitization? 3 What Are We Digitizing? 4 Launching a New Era 5 Broaden Access 5 Preserve Collections 5 Support Education 5 Enrich Context 6 A Straightforward Approach 6 Assessing Cost and Timelines 7 From Pioneer to Leader 7 Virtual Access Ensures Relevance and Impact 8 Infinite Reach 8 creating a GOALS, OBJECTIVES, ACTION STEPS 10 Mission 10 Values 10 digital smithsonian STRATEGIC GOALS 11 Goal 1: Digital Assets 11 Goal 2: Digitization Program 12 Goal 3: Organizational Capacity 13 APPENDIX A: DIGITIZATION STRATEGIC PLAN COMMITTEE CHARTER 14 APPENDIX B: SMITHSONIAN DIGITIZATION STRATEGIC PLAN COMMITTEE 14 APPENDIX C: ACKNOWLEDGEMENTS 15 Photo Credits 15 APPENDIX D: DIGITIZATION STRATEGIC PLAN WORKING GROUP MEMBERS 16 1002256_StratPlan.indd 3 5/26/10 8:25:45 AM creating a digital smithsonian 1002256_StratPlan.indd 1 5/26/10 8:25:45 AM Introduction Picture a room with infinite capacity. It is absent cabinets or shelves, yet it holds tens of millions of objects and records — scientifically invaluable specimens, artifacts that connect us to our heritage, and research findings from some of the greatest minds in the world. Delving into its contents, a schoolgirl sitting in a North Creating a Digital Smithsonian is an ambitious five-year Dakota classroom can hear the voices of Jane Addams plan that lays out how we will accomplish digitization — the and Linus Pauling plead for peace in earlier times. A activity that will help us realize these benefits. -
James Turrell's Skyspace Robert Dowling Life, Death
HANS HEYSEN ROBERT DOWLING ROBERT LIFE, DEATH AND MAGIC AND MAGIC LIFE, DEATH JAMES TURRELL’S SKYSPACE SKYSPACE TURRELL’S JAMES ISSUE 62 • winter 2010 artonview ISSUE 62 • WINTER 2010 NATIONAL GALLERY OF AUSTRALIA The National Gallery of Australia is an Australian Government Agency Issue 62, winter 2010 published quarterly by 3 Director’s foreword National Gallery of Australia GPO Box 1150 exhibitions and displays Canberra ACT 2601 nga.gov.au 6 Robert Dowling: Tasmanian son of Empire ISSN 1323-4552 Anne Gray Print Post Approved 10 Life, death and magic: 2000 years of Southeast Asian pp255003/00078 ancestral art © National Gallery of Australia 2010 Copyright for reproductions of artworks is Robyn Maxwell held by the artists or their estates. Apart from 16 Hans Heysen uses permitted under the Copyright Act 1968, no part of artonview may be reproduced, Anne Gray transmitted or copied without the prior permission of the National Gallery of Australia. 20 Portraits from India 1850s–1950s Enquiries about permissions should be made in Anne O’Hehir writing to the Rights and Permissions Officer. 22 In the Japanese manner: Australian prints 1900–1940 The opinions expressed in artonview are not necessarily those of the editor or publisher. Emma Colton Produced the National Gallery of Australia Publishing Department: acquisitions editor Eric Meredith 26 James Turrell Skyspace designer Kristin Thomas Lucina Ward photography Eleni Kypridis, Barry Le Lievre, Brenton McGeachie, Steve Nebauer, 28 Theo van Doesburg Space-time construction #3 David Pang, -
Domain Parklands Master Plan 2019-2039 a City That Cares for the Environment
DOMAIN PARKLANDS MASTER PLAN 2019-2039 A CITY THAT CARES FOR THE ENVIRONMENT Environmental sustainability is the basis of all Future Melbourne goals. It requires current generations to choose how they meet their needs without compromising the ability of future generations to be able to do the same. Acknowledgement of Traditional Owners The City of Melbourne respectfully acknowledges the Traditional Owners of the land, the Boon Wurrung and Woiwurrung (Wurundjeri) people of the Kulin Nation and pays respect to their Elders, past and present. For the Kulin Nation, Melbourne has always been an important meeting place for events of social, educational, sporting and cultural significance. Today we are proud to say that Melbourne is a significant gathering place for all Aboriginal and Torres Strait Islander peoples. melbourne.vic.gov.au CONTENTS A City That Cares For Its Environment 2 4. Master Plan Themes 23 1. Overview 5 4.1 Nurture a diverse landscape and parkland ecology 23 1.1 Why do we need a master plan? 6 4.2 Acknowledge history and cultural heritage 24 1.2 Vision 7 4.3 Support exceptional visitor experience 28 1.3 Domain Parklands Master Plan Snapshot 8 4.4 Improve people movement and access 32 1.4 Preparation of the master plan 9 4.5 Management and partnerships to build resilience 39 1.5 Community and Stakeholder engagement 10 5. Domain Parklands Precincts Plans 41 2. Domain Parklands 11 5.1 Precinct 1 - Alexandra and Queen Victoria Gardens 42 2.1 The history of the site 11 5.2 Precinct 2 - Kings Domain 43 2.2 The Domain Parklands today 12 5.3 Precinct 3 - Yarra Frontage and Government House 44 2.3 Strategic context and influences 12 5.4 Precinct 4 - Visitor Precinct 45 2.4 Landscape Characters 14 5.5 Precinct 5 - Kings Domain South 46 2.5 Land management and status 15 6. -
Publishing the Trove Newspaper Corpus
Publishing the Trove Newspaper Corpus Steve Cassidy Department of Computing Macquarie University Sydney, Australia Abstract The Trove Newspaper Corpus is derived from the National Library of Australia’s digital archive of newspaper text. The corpus is a snapshot of the NLA collection taken in 2015 to be made available for language research as part of the Alveo Virtual Laboratory and contains 143 million articles dating from 1806 to 2007. This paper describes the work we have done to make this large corpus available as a research collection, facilitating access to individual documents and enabling large scale processing of the newspaper text in a cloud-based environment. Keywords: newspaper, corpus, linked data 1. Introduction to reproduce published results. Alveo also aims to provide access to the data in a way that facilitates automatic pro- This paper describes a new corpus of Australian histori- cessing of the text rather than the document-by-document cal newspaper text and the process by which it was pre- interface provided by the Trove web API. pared for publication as an online resource for language research. The corpus itself is of interest as it represents The snapshot we were given of the current state of the col- a large collection of newspaper text dating from 1806 to lection contains around 143 million articles from 836 dif- around 2007. However, to make this data available in a us- ferent newspaper titles. The collection takes up 195G com- able form, rather than a very large download, we have taken pressed and was supplied as a single file containing the doc- steps to build a usable web-based interface to the individ- ument metadata encoded as JSON, one document per line. -
State Library Victoria Receives Extraordinary Rare Book Donation
State Library Victoria receives extraordinary rare book donation State Library Victoria receives the “most significant donation of rare books in its 160 year history” More than 5000 rare books estimated at over $5 million with an endowment of over $1.3 million State Library Victoria is honoured to receive one of the world’s great rare book collections from the late John Emmerson QC. An Oxford physicist and later a Melbourne barrister, John Emmerson dedicated over 40 years to amassing one of the most significant collections of early modern printed books and pamphlets in the world. The extraordinary collection encompasses more than 5000 rare printed books spanning over 400 years from the 15th to the 18th century, including political, religious, philosophical and literary works. Among the treasures are King Charles I’s own personal copy of his father King James’ writings, a 15th century Nuremburg bible belonging to Archbishop of Canterbury William Juxon (who offered last rites to King Charles I), some of the world’s earliest newspapers, and editions of many literary greats. This is considered to be one of the largest and most valuable collections of rare English books and printed materials surrounding the King Charles I era and the English Civil War of the 1640s, with the only comparable collections belonging to the British Library and Oxford’s Bodleian Library. State Library Victoria’s History of the Book Manager Des Cowley says: “The rare book collection donated by John Emmerson is quite simply the most significant ever received by the State Library in its 160 year history.” “From treasures that belonged to King Charles himself to pamphlets documenting his trial and execution, to illustrated early editions of works by John Milton and other literary greats, the collection is significant not just for the sheer quantity but the quality of the works – who they belonged to and how beautifully they’ve been maintained,” he says. -
City of Port Phillip Heritage Review
City of Port Phillip Heritage Review Place name: B.A.L.M. Paints Factory Citation No: Administration Building 8 (former) Other names: - Address: 2 Salmon Street, Port Heritage Precinct: None Melbourne Heritage Overlay: HO282 Category: Factory Graded as: Significant Style: Interwar Modernist Victorian Heritage Register: No Constructed: 1937 Designer: Unknown Amendment: C29, C161 Comment: Revised citation Significance What is significant? The former B.A.L.M. Paints factory administration building, to the extent of the building as constructed in 1937 at 2 Salmon Street, Port Melbourne, is significant. This is in the European Modernist manner having a plain stuccoed and brick façade with fluted Art Deco parapet treatment and projecting hood to the windows emphasising the horizontality of the composition. There is a tower towards the west end with a flag pole mounted on a tiered base in the Streamlined Moderne mode and porthole motif constituting the key stylistic elements. The brickwork between the windows is extended vertically through the cement window hood in ornamental terminations. Non-original alterations and additions to the building are not significant. How is it significant? The former B.A.L.M. Paints factory administration building at 2 Salmon Street, Port Melbourne is of local historic, architectural and aesthetic significance to the City of Port Phillip. City of Port Phillip Heritage Review Citation No: 8 Why is it significant? It is historically important (Criterion A) as evidence of the importance of the locality as part of Melbourne's inner industrial hub during the inter-war period, also recalling the presence of other paint manufacturers at Port Melbourne including Glazebrooks, also in Williamstown Road. -
'GETTING' BETTER Author: Rose Holley, Manager
RESOURCE SHARING IN AUSTRALIA: FIND AND GET IN TROVE – MAKING ‘GETTING’ BETTER Author: Rose Holley, Manager - Trove, National Library of Australia [email protected] Conference Paper - ALIA Information Online 2011: 1-3 February 2011, Sydney, Australia 5000 words Final Version: 7 January 2011 ABSTRACT Trove http://trove.nla.gov.au is the National Australian discovery service focusing on Australia and Australians, launched at the end of 2009. It has been created and is managed by the National Library of Australia. Trove harvests metadata from over 1000 Australian libraries and other cultural heritage institutions and organisations, giving the public free access to over 100 million items. A guiding principle of Trove is ‘Find and Get’. The first principle to ‘find’ has been achieved well. A user can find a wealth of information and format types in a single search, aggregated from many sources. The relevance ranking and zoning of results makes finding quick and easy. Therefore the focus of the Trove team for the latter half of 2010 and into 2011 has been to improve the ‘get’ options. This paper gives an overview of how ‘getting’ has been improved so far, current work underway, and ideas for the future. ‘Get’ includes buy, borrow (national loans), copy, digital view, print on demand and digitise on demand. __________________________________________________________________________ 1. OVERVIEW Trove http://trove.nla.gov.au, the Australian discovery service focused on Australia and Australians, was launched in late 2009 by the National Library of Australia (NLA). Trove harvests metadata from over 1000 Australian libraries and other cultural heritage organisations, allowing free public access to over 100 million items. -
Heide Museum of Modern Art 2003 Annual Report
HEIDE MUSEUM OF MODERN ART 2003 ANNUAL REPORT Heide Museum of Modern Art HEIDE MUSEUM OF MODERN ART 2003 ANNUAL REPORTHEIDE MUSEUM OF MODERN ART 2003 ANNUAL REPORT CONTENTS PAGE CONTENTS 1 Mission 3 2 Patrons, Fellows, 4 Board of Directors and Company Members 3 Chairman’s Report 5 4 Operations Report 6 5 Exhibitions and Events 11 6 Acquisitions 13 7 Outward Loans 15 8 Lenders 16 9 Donors and Partners 17 10 Staff and Volunteers 21 11 Financial Statements 23 HEIDE MUSEUM OF MODERN ART 2003 ANNUAL REPORT MISSION STATEMENT Heide Museum of Modern Art tells the story of modern art in Australia through the heritage of John and Sunday Reed and the unique environment in which they lived. The Museum maintains their philosophy of support for contemporary art. 3 HEIDE MUSEUM OF MODERN ART 2003 ANNUAL REPORT PATRONS, FELLOWS, FOUNDING PATRON BOARD OF DIRECTORS BOARD OF DIRECTORS Sir Rupert Hamer AC KCMG, 1916 – 2004 Trevor Tappenden Chairman AND COMPANY MEMBERS Kerry Gardner Deputy Chairman PATRON Mrs Terry Bracks Dr Janine Burke Craig Kimberley (from December) FELLOWS Bryce Menzies Dr H Norman B Wettenhall AM, 1988 1915 – 2000 Ken Ryan (from December) Georges Mora, 1913 – 1992 1989 David Walsh Maria Prendergast 1990 Baillieu Myer AC 1992 Rob Adams (to March) Loti Smorgon AO 1993 James Colquhoun (to October) Victor Smorgon AO 1993 Michael Roux (to March) Dr Barrett Reid AM, 1926 – 1995 1994 Dr Tom Quirk 1995 COMPANY MEMBERS Maudie Palmer 1997 Helen Alter The Hon. Mr Justice Charles 1998 Ken Cato Christine Collingwood 1999 The Hon. Mr Justice Charles Albert Tucker AO, 1914 – 1999 2000 Joan Clemenger Barbara Tucker 2000 Christine Collingwood Tom Lowenstein 2002 Patricia Cross Janne Faulkner AM Jeff Floyd Julia King Tom Lowenstein Professor Ray Martin Sarah McKay Ian McRae Dr Thomas Quirk Rosemary Simpson Deryk Stephens Chris Thomas 4 HEIDE MUSEUM OF MODERN ART 2003 ANNUAL REPORT CHAIRMAN’S REPORT During 2003 Heide underwent significant increased to ensure we can continue to transition to re-emerge as a major art operate to the high standards we seek and destination. -
History News Issue.344 October 2019
HISTORY NEWS ISSUE.344 OCTOBER 2019 INSIDE THIS ISSUE President’s Report Melbourne Day What’s on HSVG report Heritage report Windows: Cathedral Arcade Bishop James Grant If trees talked Old Melbourne, not old Melburnians Books received and Bookshop Around the Societies Cathedral Arcade President’s RHSV NEWS RHSV Report Volunteerism is vital to Australian consideration in the knowledge that you and five on procedures and guidelines. society, which is replete with hundreds are not alone and will receive assistance There are twenty-six sample forms of thousands of organisations run largely from the RHSV. available too, covering the collection, or entirely by volunteers. The community Our RHSV website contains a plethora photographs, copyright, volunteers, history movement is at the forefront of of advice. Since the 1980s the RHSV OH & S, risk management and so forth. important organisations run by volunteers. has issued three versions of our ‘Guide Please consult this rich resource and as The protection of the stories of our past, to Managing Historical Societies’. It is Molly Meldrum always says: ‘do yourself which lays the basis for our identity and now in digital form on our website at this a favour!’ self-knowledge in the present, and the page. https://www.historyvictoria.org.au/ The Federation of Australian Historical pathways for the future, depends on societies/guide-to-managing-historical- Societies’ website has its own rich veins active local historical societies. In other societies/ to mine for assistance, at https://www. words, the history movement plays its part As you will see from a quick inspection history.org.au/ for social wellbeing.