Domain Parklands Master Plan 2019-2039 a City That Cares for the Environment
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Support State Library Victoria
•FOUNDATION ADVERTORIAL – 2-PAGE EXAMPLE 108 SUPPORT STATE LIBRARY VICTORIA Our vision GIVE TO THE COLLECTION AND A library for all in a changing world CONSERVATION FUND The newly established State Library Our purpose Collection and Conservation Fund supports Inspiring possibilities the preservation and conservation of the Join us and be a part of this great cultural State Collection – including fragile works and heritage institution. Your generous such as the one being worked on in the support will help us acquire, house and image opposite. conserve significant collection items, as well The Fund will support acquisition, as mount exhibitions, events and programs. conservation, preservation, digitisation and You can personally support State Library description of collection items. This critical Victoria in a number of ways. work allows the State Library to continue the legacy of collecting, and sharing the stories of Victoria. State Library Victoria was created to be a ‘great emporium of learning’. This Fund will ensure that the Library continues to meet increasing demand with a comprehensive, accessible collection and a range of services that honour our obligation to provide access to knowledge for all. Donate to the Fund now or find out more at slv.vic.gov.au/get-involved/support-our- programs/collection-conservation-fund MAKE A BEQUEST JOIN OUR CORPORATE One of the most meaningful ways you can MEMBER NETWORK ensure that State Library Victoria continues Become part of a dynamic corporate to thrive is to leave a bequest. Those who membership network and connect with make a bequest to the Library are invited to a diverse group of organisations, while join the Redmond Barry Society, which was supporting one of Australia’s most established to recognise the generosity and established and prestigious cultural support of Library benefactors. -
Australian Plants Society Waverley
AAustralianustralian PPlantslants SSocietyociety WWaverleyaverley November 2020 Australian Plants Society (Waverley) Inc. Reg. No. A0013116G Arthropodium https://sites.google.com/view/apswaverley PO Box 248 Glen Waverley Vic 3150 strictum Meetings Third Thursday of month, Ground floor, Wadham House, 52 Wadham Parade, Mt Waverley (Melways Map 61 E12) Commencing 8pm APS Waverley Group Events Other Events DECEM BER Thursday 3 rd commencing 6:00pm MARCH 24 th - 28 th 2021 End-of-year Breakup Dinner And Twilight Stroll 25th Melbourne International Flower & Garden Show Venue: Wattle Park Royal Exhibition Building and Carlton Gardens, Drive into the park from Riversdale Road. Proceed to the car Melbourne. park at the end of the entrance road. Meet at the BBQ closest to the car park at 6:00pm. Bring your own food and drink APRIL 17 th 2021 Wear shoes suitable for a short stroll through the park on bush APS Geelong Australian Native Plant Sale, tracks. ‘Wirrawilla’, Lovely Banks. APRIL 25 th 2021 10 am – 4 pm Monthly meetings in Wadham House cancelled until APS Yarra Yarra Autumn Plant Sale, permitted by government regulations Eltham Senior Citizens Hall, Eltham. MAY 1 st 2021 10 am - 3.30 pm APS Mornington Peninsula Plant Sale, Seawinds Gardens, Arthurs Seat Park, Purves Road, Arthurs Seat. JUNE 26 th & 27 th 2021 10 am – 4 pm APS Ballarat Winter Flower Show. Flower show, plant sales etc. Robert Clark Centre, Ballarat Botanic Gardens, Gilles Street, Ballarat. ALL EVENTS HELD ONLY IF PERMITTED BY HEALTH REGULATIONS. PLEASE CONFIRM WITH EVENT ORGANISER THAT EVENT DETAILS HAVE NOT CHANGED. STORIES & PHOTOS OF NATIVE PLANTS ARE URGENTLY NEEDED; CAN YOU HELP? Please email them to [email protected] WILLIAM ROBERT GUILFOYLE – Gifted garden designer William Guilfoyle was born in 1840 at Chelsea, England and migrated to Sydney as a child with the Guilfoyle family in 1849. -
Public Art in the City of Melbourne Its Typology and Planning
Faculty of Architecture, Building and Planning The University of Melbourne Public Art in the City of Melbourne Its Typology and Planning November 1999 Dongsuk Shin Faculty of Architecture, Building and Planning The University of Melbourne Public Art in the City of Melbourne Its Typology and Planning November 1999 Subject: Masters Research Project Coordinator: Dr. Ray Green Supervisor: Andrew Saniga Written by Dongsuk Shin Contents Contents Abstract ii Acknowledgments iii List of Tables iv List of Figures v 1. Introduction 1 1.1. Research Questions and Objectives 1 1.2. Approaches 2 1.3. Significance 4 2. Background 5 2.1. Definitions of Public Art 5 2.2. Kinds of Public Art and Settings 8 2.3. Roles of Public Art 11 2.4. Public Art Policies and Planning 15 3. Methodology 23 3.1. Chronological Analysis 25 3.2. Geographical and Locational Analysis 33 3.3. Content Analysis 41 3.4. Changes of Public Artworks before and after 1973 55 3.5. Artworks in Urban Context 60 4. Conclusion 65 Appendix A. Public Artworks, Part of the City of Melbourne Collection 68 B. Public Artworks Complimented by a Survey 100 Glossary 109 Bibliography 112 Public Art in the City of Melbourne: Its Typology and Planning i Abstract Abstract Public art began with outdoor sculpture as symbolism or embellishment, and public artworks were increased dramatically over the world in the 1960s. However, debate on the definition of public art is still going on: ‘Artworks in Public Places’ and ‘Artworks by/with the public’. Roles and content of public art in Melbourne have been altered and they have affected the typology chronologically and geographically. -
Melbourne Parks and Gardens Through the Magic Lantern
While the depression of the 1890s has dented their confidence, Melbournians have good reason to feel pleased with themselves as the new century begins: Queen Victoria has graciously agreed to the formation of the new Commonwealth; the first motor cars are appearing on the city’s streets (a mixed blessing, admittedly); some of the better homes are lit by electricity, the marvel of the age, and the telephone is revolutionising business communications (although, of course, nobody would think of having one in the home). Furthermore, a new city-wide sewerage system has drastically reduced the risk of typhoid and other deadly diseases. Australians, as one contemporary journalist enthuses, ‘... are equipped by a more than usually high average of education, a broader measure of political privilege, and a more generous share of individual freedom and public liberty than those who have preceded us in the race.’ 1 There can be few more potent expressions of civic pride than the public park or garden. From the mid-nineteenth century, almost every Victorian town of consequence had established its own municipal botanic garden, an achievement unmatched by any other state. And now, with working hours reduced to an average of 48 per week, citizens of all social classes had the leisure to enjoy them. And enjoy them they did! That horticultural genius, William Guilfoyle, was transforming Melbourne’s Botanic Gardens into a verdant paradise, while the ring of public parks around the city – Carlton, Alexandra, Fitzroy, Treasury and Flagstaff Gardens, and the Domain - which only thirty years earlier the visiting English writer, Anthony Trollope, had derided as ‘not lovely’ and ‘not in themselves well kept’2 had been rejuvenated, with wide, tree-lined avenues, colourful parterres and mixed borders. -
Australian Notable Gardens? Towards a List for Each State, Territory and Region…
Australian Notable Gardens? Towards a list for each state, territory and region… The AGHS are keen to find out from you which ten gardens in your region, state or territory – public and private – you think are remarkable or notable in that area. This might be for their heritage significance, their quality, or their intactness or ‘integrity’ (e.g. of an era, or style). It might be for their historic, expression of their geographic location, their style or design or their ‘intact’ character. They may be heritage-listed, in recognition of this – or unsung gems. Below are some ideas of ours as a start, with some reasons why. In two lists: ‘Public’ and ‘Private’. They are listed in chronological order – i.e. oldest garden to youngest. This in no way makes judgements about any being ‘better’ than any others – just ‘remarkable’ in that state or area. By ‘Public’ we mean publicly owned, and open to the public. So parks, botanic gardens and the like. NB: this does not imply ‘free’ entry, necessarily. With increasing budget stringency, some ‘Public’ gardens now charge fees for entry, to help cover maintenance costs. An example are the suite of properties, some with well renowned historic gardens, run by Sydney Living Museums, e.g. Elizabeth Farm, Parramatta, NSW and Vaucluse House garden, Vaucluse, NSW. Universities are ‘private’ entities, and ‘private’ means privately-owned, some of which are opened to the public (usually for a fee). Again, the emphasis is not on whether entry is free or paid – it is on ownership and accessibility. AGHS membership often means that members can access privately- owned gardens that do not, normally, or frequently, open to the general public. -
Arts and Culture Unnumbered Sparks: Janet Echelman, TED Sculpture Foreword
Arts and Culture Unnumbered Sparks: Janet Echelman, TED Sculpture Foreword Imagine a world without performing or visual arts. Imagine – no opera houses, no theatres or concert halls, no galleries or museums, no dance, music, theatre, collaborative arts or circus – and in an instant we appreciate the essential, colourful, emotive and inspiring place that creative pursuits hold in our daily life. Creating opportunities for arts to flourish is vital, and this includes realising inspiring venues which are cutting edge, beautiful, functional, sustainable, have the right balance of architecture, acoustics, theatrical and visual functionality and most importantly are magnets for artists and audiences, are enjoyable spaces and places, and allow the shows and exhibitions to go on. 4 Performing Arts Bendigo Art Gallery 5 Performing Arts Arts and Culture Performing and Visual Arts 03 08 – 87 88 – 105 Foreword Performing Musicians, Arts Artists, Sculptors and Festivals 106 – 139 140 – 143 144 Visual Arup Services Photography Arts Clients and Credits Collaborators Contents Foreword 3 Victoria Theatre and Concert Hall 46 Singapore South Bank Studio, Queensland Symphony Orchestra 50 Australia Performing Marina Bay Sands Theatres 52 Arts 8 Singapore Elisabeth Murdoch Hall Federation Concert Hall 56 Melbourne Recital Centre 10 Australia Australia Chatswood Civic Place 58 Sydney Opera House 14 Australia Australia Carriageworks 60 Glasshouse Arts, Conference and Australia Entertainment Centre 16 Australia Greening the Arts Portfolio 64 Australia Melbourne -
Library Board of Victoria Annual Report 2016
Library Board of Victoria Victoria Library of Board Library Board of Victoria Annual Report 2016–17 Annual ReportAnnual 2016–17 Library Board of Victoria Annual Report 2016–17 Published by State Library Victoria 328 Swanston Street Melbourne VIC 3000 Australia Also published on slv.vic.gov.au © State Library Victoria 2017 This publication is copyright. No part may be reproduced by any process except in accordance with the provisions of the Copyright Act 1968. Authorised by the Victorian Government 328 Swanston Street Melbourne VIC 3000 Australia Typeset by Cannon Typesetting Cover photograph: The night garden, illumination created by Nick Azidis, Lisa Greenaway and Rose Staff for White Night Melbourne 2017. Photograph by James Braund. Contents 2 President’s report 4 Chief Executive Officer’s year in review 6 Vision and values 7 Report of operations 22 Financial summary 24 2016–17 key performance indicators 25 Service Agreement with the Minister for Creative Industries 26 Output framework 28 Acquisitions statistics 29 Library Board and corporate governance 33 Library Executive 34 Organisational structure 35 Occupational health and safety 37 Public sector values and employment principles 38 Statement of workforce data and merit and equity 40 Environmental performance 42 Diversity and Social Inclusion Plan 43 Freedom of information 44 Protected Disclosure Act 2012 44 Compliance with the Building Act 1993 45 Victorian Industry Participation Policy 45 National Competition Policy 46 Government advertising expenditure 46 Major contracts 47 Consultancies 48 Financial information 49 Risk attestation Financial statements 51 Auditor-General’s report 53 Library Board of Victoria letter 54 Financial report for year ended 30 June 2017 59 Notes to the financial statements 105 Disclosure index President’s report I am pleased to present my sixth report as the donated $2 million to establish Start Space, a new President of the Library Board of Victoria. -
% Semper'bombarded for Slighting Recruiting Director Nothing Thrills Me As Much Os the Thought That Every Right- of Public Dignitaries
FR/Oy^y APRIL 6tli is the BIG BAY of the ARCHITECTS' DANCE at Victoria Parii Refectory Registered at G.P.O,, Brisbane, for (Not April 7 as advertised i n Vol XX—No. V. APRE 3rd. 1951 transmission by post as a periodical, ^^^t week s "Semper,') Editorial ReshuiSles in the Politburo TT has been compIaCned that •»- "Semper Floreat" this year Is a one-man show, While quantitatively, the Editor has never written more than one-fifth of each issue, and usually much less, it is true that the general tone of the paper has bCcn j very largely influenced by the tem perament of one person. This week, I have officially accre dited four staff seniors, who will be very lei-gely r^ponsible for the running of the paper. Should the Editor wish to "go into smoke" for a week, these foia- will have full discretion in turning out the usual 'Semper". The "BiB Pour" are: Peter Ed wards (co-Editor) and Zell Rabin (News Editor), who will concentrate on pages 1, 2, 3, and 6; Joan Palmer, the magazine section (4, 5); and Olive Williams, who has already performed for four creditable weeka as Sports Editor (pp. 7, 8). The Editor now hopes to be able TROUBLED WATERS tOr concentrate a little on hia course. % Semper'Bombarded for Slighting Recruiting Director Nothing thrills me as much os the thought that every right- of public dignitaries. Revue and procession directors beware of cas- thinking youth in the University should have (if he hasn't) tigation. joined in to condemn this threat to his way of tldnking. -
Influences of German Science and Scientists on Melbourne Observatory
CSIRO Publishing The Royal Society of Victoria, 127, 43–58, 2015 www.publish.csiro.au/journals/rs 10.1071/RS15004 INFLUENCES OF GERMAN SCIENCE AND SCIENTISTS ON MELBOURNE OBSERVATORY Barry a.J. Clark Astronomical Society of Victoria Inc. PO Box 1059, GPO Melbourne 3001 Correspondence: Barry Clark, [email protected] ABSTRACT: The multidisciplinary approach of Alexander von Humboldt in scientific studies of the natural world in the first half of the nineteenth century gained early and lasting acclaim. Later, given the broad scientific interests of colonial Victoria’s first Government Astronomer Robert Ellery, one could expect to find some evidence of the Humboldtian approach in the operations of Williamstown Observatory and its successor, Melbourne Observatory. On examination, and without discounting the importance of other international scientific contributions, it appears that Melbourne Observatory was indeed substantially influenced from afar by Humboldt and other German scientists, and in person by Georg Neumayer in particular. Some of the ways in which these influences acted are obvious but others are less so. Like the other Australian state observatories, in its later years Melbourne Observatory had to concentrate its diminishing resources on positional astronomy and timekeeping. Along with Sydney Observatory, it has survived almost intact to become a heritage treasure, perpetuating appreciation of its formative influences. Keywords: Melbourne Observatory, 19th century, Neumayer, German science The pioneering holistic approach of Alexander von (Geoscience Australia 2015). In 1838 Carl Friedrich Gauss Humboldt in his scientific expeditions to study the natural helped put Humboldt’s call into practice by setting up world had a substantial, lasting and international influence the Göttinger Magnetische Verein (Göttingen Magnetic on a broad range of scientific fields. -
The Final Campaigns: Bougainville 1944-1945
University of Wollongong Thesis Collections University of Wollongong Thesis Collection University of Wollongong Year The final campaigns: Bougainville 1944-1945 Karl James University of Wollongong James, Karl, The final campaigns: Bougainville 1944-1945, PhD thesis, School of History and Politics, University of Wollongong, 2005. http://ro.uow.edu.au/theses/467 This paper is posted at Research Online. http://ro.uow.edu.au/theses/467 The Final Campaigns: Bougainville 1944-1945 A thesis submitted in fulfilment of the requirements for the award of the degree Doctor of Philosophy from University of Wollongong by Karl James, BA (Hons) School of History and Politics 2005 i CERTIFICATION I, Karl James, declare that this thesis, submitted in partial fulfilment of the requirements for the award of Doctor of Philosophy, in the School of History and Politics, University of Wollongong, is wholly my work unless otherwise referenced or acknowledged. The document has not been submitted for qualifications at any other academic institution. Karl James 20 July 2005 ii Table of Contents Maps, List of Illustrations iv Abbreviations vi Conversion viii Abstract ix Acknowledgments xi Introduction 1 1 ‘We have got to play our part in it’. Australia’s land war until 1944. 15 2 ‘History written is history preserved’. History’s treatment of the Final Campaigns. 30 3 ‘Once the soldier had gone to war he looked for leadership’. The men of the II Australian Corps. 51 4 ‘Away to the north of Queensland, On the tropic shores of hell, Stand grimfaced men who watch and wait, For a future none can tell’. The campaign takes shape: Torokina and the Outer Islands. -
Heritage Precincts: History and Significance
MELBOURNE PLANNING SCHEME TABLE OF CONTENTS Introduction 4 1 The City of Melbourne 5 Background History 5 City of Melbourne Summary Statement of Significance 11 2. Carlton Heritage Precinct 13 Background History 13 Statement of Significance for Carlton Heritage Precinct 16 3. East Melbourne Heritage Precinct including Jolimont and the Parliamentary Precinct 19 Background History 19 0 Statement of Significance for East Melbourne Heritage Precinct including Jolimont and the Parliamentary Precinct 22 4. Kensington & Flour Milling Heritage Precinct 27 Background History 27 Statement of Significance for Kensington & Flour Milling Heritage Precinct 29 5. North & West Melbourne Heritage Precinct 31 Background History 31 Statement of Significance for North & West Melbourne Heritage Precinct 34 6. Parkville Heritage Precinct 37 Background History 37 Statement of Significance for Perky'Ile Heritage Precinct 40 7. South Yarra Heritage Precinct 43 Background History 43 Statement of Significance for South Yarra Heritage Precinct 46 8. Bank Place Heritage Precinct 50 Background History 50 Statement of Significance for Bank Place Heritage Precinct 52 9. Bourke Hill Heritage Precinct 54 Background History 54 Statement of Significance for Bourke Hill Heritage Precinct 56 10. Collins Street East Heritage Precinct59 Background History 59 Statement of Significance for Collins Street East Heritage Precinct 61 REFERENCE DOCUMENT - PAGE 2 OF 94 MELBOURNE PLANNING SCHEME 11. Flinders Lane Heritage Precinct 64 Background History 64 Statement of Significance for Flinders Lane Heritage Precinct 65 12. Flinders Street Heritage Precinct 68 Background History 68 Statement of Significance for Flinders Street Heritage Precinct 69 13. Guildford Lane Heritage Precinct 72 Background History 72 Statement of Significance for Guildford Lane Heritage Precinct 73 14. -
'Something Is Wrong with Our Army…' Command, Leadership & Italian
Journal of Military and Strategic VOLUME 14, ISSUE 1, FALL 2011 Studies ‘Something is wrong with our army…’ Command, Leadership & Italian Military Failure in the First Libyan Campaign, 1940-41. Dr. Craig Stockings There is no question that the First Libyan Campaign of 1940-41 was an Italian military disaster of the highest order. Within hours of Mussolini’s declaration of war British troops began launching a series of very successful raids by air, sea and land in the North African theatre. Despite such early setbacks a long-anticipated Italian invasion of Egypt began on 13 September 1940. After three days of ponderous and costly advance, elements of the Italian 10th Army halted 95 kilometres into Egyptian territory and dug into a series of fortified camps southwest of the small coastal village of Sidi Barrani. From 9-11 December, these camps were attacked by Western Desert Force (WDF) in the opening stages of Operation Compass – the British counter-offensive against the Italian invasion. Italian troops not killed or captured in the rout that followed began a desperate and disjointed withdrawal back over the Libyan border, with the British in pursuit. The next significant engagement of the campaign was at the port-village Bardia, 30 kilometres inside Libya, in the first week of 1941. There the Australian 6 Division, having recently replaced 4 Indian Division as the infantry component of WDF (now renamed 13 Corps), broke the Italian fortress and its 40,000 defenders with few casualties. The feat was repeated at the port of Tobruk, deeper into Libya, when another 27,000 Italian prisoners were taken.