DOCSLIB.ORG

December 12, 2014 - 5:00 Pm 5:00 - 2014 12, December

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

(580) 777-2877 • 777-2878 fax 20376 State Hwy 99 South • Ada, Oklahoma 74820 French Folly 2013 Top Seller - $50,000 December 12, 2014 - 5:00 pm Oklahoma State Fairgrounds Sale Pavilllion Barn 3 Sale Preview December 11, 2014 5:00pm - Barn 6 Sale Produced by 2014 World Championship Barrel Futurity Show Schedule December 8th - Monday 12pm-9pm Move-In begins- Stalls Available- No one is allowed in the stalls before noon. There will be NO one allowed to set up tack stalls or move in before Monday, this will be enforced! Violators will be subject to a $500 fine. Check in and numbering in barn 7. You must present original copy of registration papers, health papers (within 30 days) and Negative Coggins (within 12 months). Note: Check-in will also be open Saturday morning for YOUTH horses ONLY. ***$uper$takes Riders have to be named at check-in.* 2pm/3pm Futurity & Juvenile Exhibitions- Please note the time. Depending on the readiness of the arena, the exhibitions will start between 2pm & 3pm. Futurity & Juvenile may have 1 exhibition each. You MUST have your horses numbered, exhibitions will run in order of your draw and will run back thru numbers one time to pick up anyone that missed theirs on the 1st round. THERE WILL BE A 45 SECOND TIME LIMIT ON YOUR EXHIBITION. There will be a $100.00 fine Payable immediately for those who exceed time limit. December 9th-Tuesday 7am-8:30am $uper$takes Horses arena time. (7am-7:45am 1st session 1-28 and 7:45- 8:30am 2nd session 29-55) 9am Futurity 1st go Round 9:30am $uper$takes: Running order will be drawn in BFA office. Owner or rider (or representative) needs to be present to draw. 6pm $uper$takes *** Derby: (30 minutes after $uper$takes) December 10th-Wednesday 8am Open 4D Juvenile 4pm General Membership Meeting (Conference Room next to BFA Office) 6pm Church Services (Conference Room next to BFA Office) December 11th-Thursday 8am Futurity 2nd Go Round (reverse order) 9am Sale Horse Check In Derby 2nd Go Round (reverse order) 2pm Horse Sale Seminar (Barn 3 Arena ) 5pm Horse Sale Demonstrations (Barn 6 Sale Arena) December 12th-Friday 8am Juvenile 2nd Go Round (reverse order) 5pm Horse Sale (Barn 3) December 13th-Saturday 9am Open 4D 2nd Go 10am-12pm Juniors Check-in (Barn 1 Warm Up Arena) 2pm Junior Barrel Race (Will follow Open 4D but will not start before 2pm) 5:30 pm Future Fortunes Awards Presentations 6pm Opening Ceremony Derby Amateur Short Go Round (Top 5) Derby Finals (20 fastest qualifying times) Awards presentation to Derby Champion and Reserve Derby Champion Youth Futurity Riders (Top 5)(18 & under) Futurity Amateur Short Go Round (Top 10 ) Youth Futurity Riders Futurity Amateurs Awards Futurity Finals (50 fastest qualifying times) Awards presentation to Futurity Champion and Reserve Futurity Champion Year End Awards Preview: Health: All horses can be seen on All horses will have a negative 6 month coggins and Dec. 11 & Dec. 12, 2014 all day, Barn 3 health certificate. The preview for riding horses will be at 5:00 pm on Dec. 11, in barn 6 Prospect Guarantee: All prospects will be sold “As is, where is” without any warranties either expressed or implied, Sale: including NO IMPLIED WARRANTY OF The sale will begin Friday MERCHANTABILITY, FITNESS, BEHAVIOR December 12, 2014 at 5:00 pm, OR TRAINING FOR HORSE. Buyer has the right barn 3 Sale Pavillion to have the horse examined by a veterinarian, at the buyers’ expense prior to sale. Going Big Time Sales the quick brown fox jumped over the lazy dogs Co., Inc. will announce any known defects during THE QUICK BROWN FOX JUMPED OVER THE LAZY DOGS Office Phone: the sale. All announcements at sale time supercedes 0123456789® (580) 777-2877 catalog. (580) 777-2878 fax Sale Day Phone: Absentee Bids: the quick brown fox jumped over the lazy dogs Anyone wishing to bid that cannot attend the THE QUICK BROWN FOX JUMPED OVER THE LAZY DOGS (580) 421-2323 or sale, may call Danny Ray at (580) 777-2877 office, (501) 336-4363 or or on sale day call (501) 336-4363. We will be very 0123456789® (580) 399-6943 happy to assist you. All absentee purchases must be paid for at the the quick brown fox jumped over the lazy dogs time by Visa, Master card or Discover. There will Auctioneer: be 3.5 percent office processing fee added to all THE QUICK BROWN FOX JUMPED OVER THE LAZY DOGS Wade Shaw purchases (however, this fee will be discounted for 0123456789® Pedigrees: purchases paid by cash, check or cashier’s check) or Danny Ray you may make arrangements prior to the sale with Danny Ray or Hallie Ford at the office. the quick brown fox jumped over the lazy dogs Office Staff: THE QUICK BROWN FOX JUMPED OVER THE LAZY DOGS Hallie Ford Terms: Heather LaBove 0123456789® BFA Officers: Terms of the sale are cash, payable in U.S. Funds only. Personal Checks are considered cash. ALL SALES President: Jimmy Roper ARE ABSOLUTE AND FINAL. If a problem Vice President: Chris Duke should arise, a CREDIT ONLY will be given toward Secretary/Treasurer: Cindy Arnold future sales. BFA Directors: All persons who attend this sale do so at their Andre Dohrn own risk. Sales management, Consignors, Owners, Tamara Reinhardt Employees, or any connected with this sale, assumes Becky Canaday NO LIABLITY, legal or otherwise. Terry Leach Buyer will be furnished current health, coggins, Leslie Willis and copy of papers at time of purchase. Original Cassie Ward papers and/or transfer will be mailed to AQHA, Rodney Glenn APHA, or ApHC in 21 working days following sale. ABSOLUTELY NO ORIGINAL papers will be given on sale day. Please Bring Sale Catalog As Supply Is Limited Going Big Time Sales Co., Inc. 20376 State Hwy 99 South • Ada, Ok. 74820 (580) 777-2877 • (580) 777-2878 Fax IMPORTANT FACTS FOR SELLERS YOUR PAPERWORK MUST BE IN ORDER: All registration papers, signed transfers, coggins and health papers must be in the Sale Office files AT LEAST 12 HOURS PRIOR TO SALE SESSION. If paperwork is not completed, the horse WILL NOT BE SOLD and the appropriate fees will be charged to the consignor. STALLS AND HIP NUMBERS are assigned by the Sale company and CANNOT BE CHANGED by the consignor. DO NOT REMOVE HIP NUMBERS from horses once they have been applied. CATALOG UPDATES must be turned in to the Sale Office THREE HOURS prior to Sale Time. ACTING AGENTS: Consignors must fill out a satisfactory “AGENTS AUTHORIZATION” form if you are using and Agent to act on your behalf. CRIBBERS, CRYPT ORCHIDS, “WIND SUCKERS”, and EYE, MOUTH OR WIND DEFECTS MUST BE ANNOUNCED. If such defect exists and is not reported on your horses’ catalog page, notify the Sale Office prior to sale time. YOU MUST BE THE LAST BIDDER TO REPURCHASE YOUR HORSE – buyers MAY NOT “pass out” the horse after the final bid. If you are uncertain about this, please inquire at the Sale office. NOTICE TO ALL BUYERS ALL ACCOUNTS must be paid IMMEDIATELY FOLLOWING the sale. All payments shall be in U.S. Currency and on U.S. Banks ONLY. Method of payment shall be CASH, CASHIER’S CHECK, PERSONAL CHECK (with proper Line of Credit), or TRAVELER’S CHECK. NO BANK DRAFTS. All Registration papers will be withheld until payments clear the bank. All returned checks will be immediately turned over to the County District Attorney’s office and charges will be filed!!!!! INSPECT HORSES PRIOR TO PURCHASING READ SALE CONDITIONS LEAVE HIP NUMBERS ON ALL HORSES AND LEAVE HORSES IN ORGINAL STALLS SPECIAL NOTICE READ CAREFULLY ALTHOUGH THIS SALE IS HELD IN CONJUNCTION WITH THE WORLD CHAMPIONSHIP BARREL RACING FUTURITY SHOW, PURCHASER HEREBY ACKNOWLEDGES THAT THE BARREL FUTURITIES OF AMERICAN AND THE GOING BIG TIME SALE CO, INC. ARE NOT RESPONSIBLE FOR THE WARRANTIES OF THE CONSIGNOR. CATALOG AND ANNOUNCEMENTS: THE ACCURACY OF ALL INFORMATION OF THE CATALOG PAGE(S) IS THE SOLE RESPONSIBILITY OF THE CONSIGNOR. Consignor shall have the affirmative duty to examine the catalog page(s) on which horses consigned by him appear, prior to sale and report any inaccuracies to the Sales management, so that they may make an appropriate announcement at time of sale. While certain information may have been procured by undersigned from third parties on behalf of consignor, it is nonetheless solely the responsibility of consignor to verify the accuracy of such information and to notify the undersigned of any corrections 3 hours prior to the beginning of sale. STAKES ENGAGEMENTS, PRODUCE RECORDS AND ALL OTHER INFORMATION SO LISTED ARE AS REPRESENTED BY THE CONSIGNOR, TO WHOM ONLY THE PURCHASER SHALL LOOK FOR REDRESS IN CASE OF ERRORS OR OMISSIONS. CARE OF HORSES AFTER SALE: Please be reminded that title passes at the fall of the hammer, at which time the purchaser assumes all risk and responsibility for the horse. ALL HORSES MUST BE MOVED FROM THE SALE PREMISES BY NOON OF THE DAY FOLLOWING THE SALE. Horses remaining after that time are left at the buyer’s risk and are the buyer’s responsibility. Any delays in shipment of horses must be approved by the Going Big Time Sales Co., Inc. Horses being removed from sale area must have Sale Hip Number still visible and a Paid Receipt from the Sale Office. BUYERS MUST REGISTER WITH CASHIERS AND OBTAIN A BUYERS NUMBER before sale time. YOU MUST HAVE A BUYERS NUMBER TO PURCHASE HORSES. Please print your name and address clearly since this document is used for the American Quarter Horses Assoc.
Recommended publications
  • Curtis Mayfield Super Fly Mp3, Flac, Wma

    Curtis Mayfield Super Fly Mp3, Flac, Wma

    Curtis Mayfield Super Fly mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Super Fly Country: Germany Released: 2014 Style: Soul MP3 version RAR size: 1278 mb FLAC version RAR size: 1823 mb WMA version RAR size: 1462 mb Rating: 4.3 Votes: 598 Other Formats: MIDI AU MP2 MP4 ASF DMF VOC Tracklist Superfly Original Soundtrack A1 Little Child Runnin' Wild 5:28 A2 Pusherman 5:07 A3 Freddie's Dead 5:31 A4 Junkie Chase (Instrumental) 1:42 A5 Give Me Your Love (Love Song) 4:21 B1 Eddie You Should Know Better 2:21 B2 No Thing On Me (Cocaine Song) 4:59 B3 Think (Instrumental) 3:49 B4 Superfly 3:56 Bonus Tracks (previously unrealeased on vinyl) B5 Ghetto Child (Little Child Runnin' Wild Demo) 3:21 B6 Militant March 0:56 B7 Radio Spot #1 0:29 C1 Pusherman (Alt. Mix With Horns) 6:12 C2 Freddie's Dead (Instrumental) 4:50 C3 Junkie Chase (Full Length Instrumental) 4:19 C4 Eddie You Should Know Better (Instrumental) 2:18 C5 The Natural Four - Eddie You Should Know Better 2:22 D1 Superfly (Single Mix) 3:12 D2 No Thing On Me (Cocaine Song) (Instrumental) 4:39 D3 Freddie's Dead (Single Mix) 3:21 D4 The Underground (Demo) 3:14 D5 Check Out Your Mind 4:08 D6 Radio Spot #2 0:24 Notes This release is the first to also include the bonus tracks on vinyl. Comes bundled with a CD in a cardboard sleeve - not to be sold seperately - containing the original album (tracks A1-B4) Barcode and Other Identifiers Barcode: 803415812813 Other versions Category Artist Title (Format) Label Category Country Year Super Fly (The Original Curtis Motion Picture
  • Dena Derose, Vocals and Piano Martin Wind, Bass • Matt Wilson, Drums with Sheila Jordan, Vocal • Jeremy Pelt, Trumpet Houston Person, Tenor Saxophone

    Dena Derose, Vocals and Piano Martin Wind, Bass • Matt Wilson, Drums with Sheila Jordan, Vocal • Jeremy Pelt, Trumpet Houston Person, Tenor Saxophone

    19 juin, 2020. June 19, 2020. MAN MAN DREAM HUNTING IN THE VALLEY OF THE IN-BETWEEN CD / 2XLP / CS / DIGITAL SP 1350 RELEASE DATE: MAY IST, 2020 TRACKLISTING: 1. Dreamers 2. Cloud Nein 3. On the Mend 4. Lonely Beuys 5. Future Peg 6. Goat 7. Inner Iggy 8. Hunters 9. Oyster Point 10. The Prettiest Song in the World 11. Animal Attraction 12. Sheela 13. Unsweet Meat 14. Swan 15. Powder My Wig 16. If Only 17. In the Valley of the In-Between GENRE: Alternative Rock Honus Honus (aka Ryan Kattner) has devoted his career to exploring the uncertainty between life’s extremes, beauty, and ugliness, order and chaos. The songs on Dream Hunting in the Valley of the In-Between, Man Man’s first album in over six years and their Sub Pop debut, are as intimate, soulful, and timeless as they are audaciously inventive and daring, resulting in his best Man Man album to date. 0 9 8 7 8 7 1 3 5 0 2 209 8 7 8 7 1 3 5 0 1 5 CD Packaging: Digipack 2xLP Packaging: Gatefold jacket w/ custom The 17-track effort, featuring “Cloud Nein,” “Future Peg,” “On the with poster insert dust sleeves and etching on side D Includes mp3 coupon Mend” “Sheela,” and “Animal Attraction,” was produced by Cyrus NON-RETURNABLE Ghahremani, mixed by S. Husky Höskulds (Norah Jones, Tom Waits, Mike Patton, Solomon Burke, Bettye LaVette, Allen Toussaint), and mastered by Dave Cooley (Blood Orange, M83, DIIV, Paramore, Snail Mail, clipping). Dream Hunting...also includes guest vocals from Steady Holiday’s Dre Babinski on “Future Peg” and “If Only,” and Rebecca Black (singer of the viral pop hit, “Friday”) on “On The Mend” and “Lonely Beuys.” The album follows the release of “Beached” and “Witch,“ Man Man’s contributions to Vol.
  • Perubahan Identitas Diri Dan Gaya Hidup Di Kalangan Komunitas

    Perubahan Identitas Diri Dan Gaya Hidup Di Kalangan Komunitas

    Tugas Akhir - 2013 PERUBAHAN IDENTITAS DIRI DAN GAYA HIDUP DI KALANGAN KOMUNITAS ELF BANDUNG (STUDI FENOMENOLOGI MENGENAI PERUBAHAN IDENTITAS DIRI DAN GAYA HIDUP DI KALANGAN KOMUNITAS PENGGEMAR BOYBAND SUPER JUNIOR (ELF) BANDUNG) Selma N Ramadhiane¹, Hadi Purnama M.², Drs. M.si³ ¹Ilmu Komunikasi, Fakultas Komunikasi Dan Bisnis, Universitas Telkom Abstrak Bandung yang merupakan salah satu kota besar di Jawa Barat dikenal sebagai kota kreatif di Indonesia yang memiliki banyak komunitas. Salah satunya adalah adanya komunitas ELF Bandung yang terbentuk akibat dari fenomena Korean wave yang terjadi di Indonesia. Komunitas tersebut merupakan perkumpulan dengan para anggota yang menggemari boyband dari Korea Selatan, Super Junior. Dengan adanya komunitas tersebut, tentunya para penggemar Super Junior di Bandung yang disebut ELF Bandung memiliki pengalaman sebelum hingga setelah menjadi ELF. Penelitian kualitatif ini menggunakan jenis pendekatan fenomenologi dengan paradigma konstruktivisme didukung teori interaksionisme simbolik. Teknik pengumpulan data yang dilakukan berupa wawancara mendalam tak terstruktur, observasi partisipatif moderat, serta analisis dokumen. Teknik analisis data dilakukan dengan menggunakan tahap-tahap reduksi fenomenologi menurut Creswell. Dengan adanya enam orang dari komunitas ELF Bandung yang bersedia menjadi informan, akhirnya penelitian ini berjalan dengan baik. Hasil penelitian yang diperoleh adalah keenam informan mencapai status identitas berupa achievement dimana mereka mengeksplor serta berkomitmen menggemari Super Junior dengan cara menjalin pertemanan dengan sesama ELF, membeli pernak-pernik, serta mengisi waktu luang dengan kegiatan yang berhubungan dengan Super Junior. Kesimpulan yang didapat dari hasil penelitian ini adalah adanya perubahan yang terjadi terhadap informan dari sebelum menggemari Super Junior hingga setelah menjadi ELF seperti mereka lebih loyal dalam membelanjakan uangnya dan meluangkan waktunya,sebagai ELF untuk Super Junior, faktor pendorong seperti bias di Super Junior, orangtua, serta komunitas ELF Bandung.
  • The Globalization of K-Pop: the Interplay of External and Internal Forces

    The Globalization of K-Pop: the Interplay of External and Internal Forces

    THE GLOBALIZATION OF K-POP: THE INTERPLAY OF EXTERNAL AND INTERNAL FORCES Master Thesis presented by Hiu Yan Kong Furtwangen University MBA WS14/16 Matriculation Number 249536 May, 2016 Sworn Statement I hereby solemnly declare on my oath that the work presented has been carried out by me alone without any form of illicit assistance. All sources used have been fully quoted. (Signature, Date) Abstract This thesis aims to provide a comprehensive and systematic analysis about the growing popularity of Korean pop music (K-pop) worldwide in recent years. On one hand, the international expansion of K-pop can be understood as a result of the strategic planning and business execution that are created and carried out by the entertainment agencies. On the other hand, external circumstances such as the rise of social media also create a wide array of opportunities for K-pop to broaden its global appeal. The research explores the ways how the interplay between external circumstances and organizational strategies has jointly contributed to the global circulation of K-pop. The research starts with providing a general descriptive overview of K-pop. Following that, quantitative methods are applied to measure and assess the international recognition and global spread of K-pop. Next, a systematic approach is used to identify and analyze factors and forces that have important influences and implications on K-pop’s globalization. The analysis is carried out based on three levels of business environment which are macro, operating, and internal level. PEST analysis is applied to identify critical macro-environmental factors including political, economic, socio-cultural, and technological.
  • Funk Is Its Own Reward": an Analysis of Selected Lyrics In

    Funk Is Its Own Reward": an Analysis of Selected Lyrics In

    ABSTRACT AFRICAN-AMERICAN STUDIES LACY, TRAVIS K. B.A. CALIFORNIA STATE UNIVERSITY DOMINGUEZ HILLS, 2000 "FUNK IS ITS OWN REWARD": AN ANALYSIS OF SELECTED LYRICS IN POPULAR FUNK MUSIC OF THE 1970s Advisor: Professor Daniel 0. Black Thesis dated July 2008 This research examined popular funk music as the social and political voice of African Americans during the era of the seventies. The objective of this research was to reveal the messages found in the lyrics as they commented on the climate of the times for African Americans of that era. A content analysis method was used to study the lyrics of popular funk music. This method allowed the researcher to scrutinize the lyrics in the context of their creation. When theories on the black vernacular and its historical roles found in African-American literature and music respectively were used in tandem with content analysis, it brought to light the voice of popular funk music of the seventies. This research will be useful in terms of using popular funk music as a tool to research the history of African Americans from the seventies to the present. The research herein concludes that popular funk music lyrics espoused the sentiments of the African-American community as it utilized a culturally familiar vernacular and prose to express the evolving sociopolitical themes amid the changing conditions of the seventies era. "FUNK IS ITS OWN REWARD": AN ANALYSIS OF SELECTED LYRICS IN POPULAR FUNK MUSIC OF THE 1970s A THESIS SUBMITTED TO THE FACULTY OF CLARK ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THEDEGREEOFMASTEROFARTS BY TRAVIS K.
  • Super Junior

    Super Junior

    Super Junior Super Junior ((hangulhangul: )?, también conocido co- momo SuJu o o SJ SJ, es unauna boy boy band, proveniente dede Corea Corea del Sur. Formada en el 2005 porpor SM SM Entertainment,, Suju consconstabataba orioriginaginalmelmentente de 12 miemiembrmbros,os, espespe-e- cializados en el ámbito del entretenimiento musical y actoral. Los miembros originales eran:eran: Leeteuk Leeteuk (el lí- der),der), Heechul,, Yesung Yesung,, Shindong,, Kang-in Kang-in,, Sungmin Sungmin,, Eunhyuk,, Donghae Donghae,, Siwon Siwon,, Kibum Kibum,, Ryeowook Ryeowook yy Han Geng. Luego se agregó un decimotercer miembmiembroro llama- dodo Kyuhyun Kyuhyun en el 2006. Super Junior ha realizado siete álbumes de estudio y unun sencillo sencillo desde el 2005, alcanzando el reconocimien- to internacional tras el lanzamiento de su álbum “Sorry, Seúl, ciudad donde se formó Super Junior. Sorry” en el 2009. Además de su éxito comercial, Super Junior ha ganado trece premios en los Mnet Asia Music Awards, dieciséis en los Golden Disk Awards, once pre- 1.1 20002000–200–2005:5: ForFormacmaciónión y DDebebutut popularidadmios en los Seoul de Golden Music Disk Awards Awards, además los años del 2009,premio 2010 a la y 2011. En 2002000,0, SM SM Entertainment tuvo su primer casting En el 2012, fueron nominados como “Mejor Acto Asiá- en el extranjero enen Pekín Pekín,, China China, y descubrió aa Han tico” en loslos MTV MTV Europe Music Awards, mostrando una Geng, quien se presentó a la audición junto con otros vez más su popularidapopularidadd en el mundo. 3.000 participantes. Ese mismo año,año, Leeteuk Leeteuk,, Yesung Yesung yy Eunhyuk Eunhyuk fueron seleccionados después de audicionar Kibum, está como miembro inactivo para seguir con su para la compañía en un sistema de casting anual enen Seúl Seúl.
  • 1 BAB I PENDAHULUAN 1.1 Latar Belakang Masalah Kemajuan

    1 BAB I PENDAHULUAN 1.1 Latar Belakang Masalah Kemajuan

    BAB I PENDAHULUAN 1.1 Latar Belakang Masalah Kemajuan teknologi yang semakin berkembang membuat masyarakat dapat dengan mudah mengakses berita-berita terbaru dari seluruh lapisan dunia. Pertukaran berita, budaya, hingga ide-ide kreatif dapat terjadi dengan cepat dan mudah. Sudah cukup banyak kreatifitas budaya dan seni yang mendunia seperti dari Amerika dan Jepang, tetapi pada masa sekarang ini, budaya Korea Selatan yang sedang menjadi lokomotif utama budaya kaum muda di seluruh kawasan lingkaran pasifik. Hampir seluruh masyarakat dunia merasakan “demam” Korea Selatan yang sedang mewabah ini. “Demam” Korea ini disebut dengan Korean Wave. Korean Wave adalah istilah yang dibuat oleh warga China sebagai arti kemajuan dari budaya Korea Selatan di dunia. Pada awalnya Korea Selatan terkenal dengan dunia film dan drama, namun sejak mewabahnya lagu “Gangnam Style” di tahun 2011, bidang musik Korea Selatan mulai menjadi pusat perhatian masyarakat dunia. Istilah musik populer asal Korea Selatan disebut dengan Korean Pop atau K-Pop. Jenis musik yang menarik ditambah dengan fisik artis-artis Korea Selatan yang tampan dan cantik membuat K-Pop sangat digemari. Begitu banyak jenis girls group dan boyband K-Pop berbakat yang muncul dengan berbagai kemampuan, jenis lagu, dan tarian. Dengan demikian, sulit untuk mengetahui 1 Universitas Kristen Maranatha 2 kelompok musik seperti apa yang menjadi idola. Beragam acara penghargaan dilakukan untuk memilih kelompok musik yang terbaik. Pada Agustus 2015, penghargaan Internasional The Teen Choice Award yang dilakukan di Los Angeles memberikan penghargaan kepada boyband asal Korea Selatan Super Junior sebagai Best International Artist. Situs SBS menambahkan, Super Junior bahkan mengalahkan boyband asal inggris yaitu One Direction. Kemenangan Super Junior membuktikan bahwa mereka behasil menjadi kelompok musik terbaik dari berbagai kelompok musik berbakat di Korea Selatan bahkan di dunia.
  • The Sounds of Liberation: Resistance, Cultural Retention, and Progressive Traditions for Social Justice in African American Music

    The Sounds of Liberation: Resistance, Cultural Retention, and Progressive Traditions for Social Justice in African American Music

    THE SOUNDS OF LIBERATION: RESISTANCE, CULTURAL RETENTION, AND PROGRESSIVE TRADITIONS FOR SOCIAL JUSTICE IN AFRICAN AMERICAN MUSIC A Thesis Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Master of Professional Studies by Luqman Muhammad Abdullah May 2009 © 2009 Luqman Muhammad Abdullah ABSTRACT The cultural production of music in the Black community has traditionally operated as much more than a source of entertainment. In fact, my thesis illustrates how progressive traditions for social justice in Black music have acted as a source of agency and a tool for resistance against oppression. This study also explains how the music of African Americans has served as a primary mechanism for disseminating their cultural legacy. I have selected four Black artists who exhibit the aforementioned principles in their musical production. Bernice Johnson Reagon, John Coltrane, Curtis Mayfield and Gil Scott-Heron comprise the talented cadre of musicians that exemplify the progressive Black musical tradition for social justice in their respective genres of gospel, jazz, soul and spoken word. The methods utilized for my study include a socio-historical account of the origins of Black music, an overview of the artists’ careers, and a lyrical analysis of selected songs created by each of the artists. This study will contribute to the body of literature surrounding the progressive roles, functions and utilities of African American music. BIOGRAPHICAL SKETCH My mother garners the nickname “gypsy” from her siblings due to the fact that she is always moving and relocating to new and different places.
  • Media Relation Multimedia Proposal Creator Personal Background Name : Helmi Sugara! Born : Dec 19, 1976!

    Media Relation Multimedia Proposal Creator Personal Background Name : Helmi Sugara! Born : Dec 19, 1976!

    Helmi Sugara! Promotions" Create the Buzz!! Credential www.helmisugarapromotions.com Event promotions PR & Media relation Multimedia Proposal Creator Personal Background" Name : Helmi Sugara! Born : Dec 19, 1976! Professional experience:! •Warner Music Indonesia 1999 – 2003! International label promotion! •Nepathya int’l Promoter 2003 – 2004! Media Relation! •Java Festival Production 2004 – 2006! Media Relation! •Activate Media Nusantara 2006 – 2010! Media Relation, line producer, Chief of Creative! •Various Event Promotion, PR and! Media Relation (Media specialist) 2006 - Present! PR & Media Relation Coordinator! •Event’s proposal creator 2009 – present! Multimedia Creative proposal & sponsorship organizer! Various International event" 1. JAKARTA MOVEMENT 2003 – as Media Relation/promotion! 2. LINKIN PARK- METEORA WORLD TOUR 2004 as Media Relation/ promotion! 3. JAKARTA MOVEMENT 2004 – as Media Relation/promotion! 4. JAKARTA MOVEMENT 2005 – as Media Relation/promotion! 5. JAKARTA MOVEMENT 2006 – as Media Relation/promotion! 6. JIFFEST 2006 – as Media Relation/ promotion & Sponsorship agency! 7. JAKARTA INTERNATIONAL JAVA JAZZ FESTIVAL 2005 – Media Relation & Promotion! 8. JAKARTA INTERNATIONAL JAVA JAZZ FESTIVAL 2006 – Media Relation & Promotion! 9. JAKARTA INTERNATIONAL JAVA JAZZ FESTIVAL 2007 – Sponsorship agency! 10. JAKARTA INTERNATIONAL JAVA JAZZ FESTIVAL 2008 - Sponsorship agency! 11. TIESTO IN SEACH OF SUNRISE WORLD TOUR 2006 as Media Relation / PR & Promotion! 12. JADE 2007 – as Media Relation /PR & Promotion! 13. EMBASSY PLAYGROUND 2007 as Media Relation / PR & promotion! 14. TIESTO ELEMENTS OF LIFE TOUR 2008 as Media Relation & promotion! 15. JADE 2008 – as Media Relation/ PR & promotion! 16. EMBASSY PLAYGROUND 2008 / as Media Relation / PR & promotion! 17. BEYONCE EXPERIENCE TOUR 2007 / as Media Relation & Promotion! 18. DURAN – DURAN WORLD TOUR 2008 as Media Relation & Promotion! 19.
  • Hallyu Proceedings Draft1b 2014-Sept

    Hallyu Proceedings Draft1b 2014-Sept

    i This proceedings is a collection of papers presented at the 1st AIKS Conference on Korean Studies: ―Hallyu Mosaic in the Philippines: Framing Perceptions and Praxis‖ held on June 19, 2014 at Escaler Hall, Ateneo de Manila University, Katipunan Ave. Loyola Heights, Quezon City, Philippines. This event was organized by the Ateneo Initiative for Korean Studies (AIKS), in partnership with the Department of Communication and the Department of Modern Languages, Ateneo de Manila University, through the support of the Academy of Korean Studies (Conference Grant AKS-2014-C03). Copyright © 2014 Ateneo de Manila University ALL RIGHTS RESERVED ISSN XXX-XXXX (Printed Publication) ISSN XXX-XXXX (Online/Electronic Publication) 2014 AIKS Conference Organizing Team Patrick Michael Capili Department of Modern Languages, School of Humanities Alona U. Guevarra Department of English, School of Humanities/Ateneo Initiative for Korean Studies (AIKS) Sarah Domingo Lipura Department of Modern Languages, School of Humanities /Ateneo Initiative for Korean Studies (AIKS) Jose Angelo Supangco Department of Communication, School of Social Sciences Publication Team General Editor: Alona U. Guevarra Associate Editor: Sarah Domingo Lipura Book Cover & Logo: Anna Chavez ii CONTENTS MESSAGES Dr. John Paul Vergara vi Vice President for the Loyola Schools Ateneo de Manila University H.E. Hyuk Lee viii Ambassador Extraordinary and Plenipotentiary of the Republic of Korea to the Republic of the Philippines Prof. Jaime Manuel Flores x Department of Communication KEYNOTE PRESENTATION The Globalization of K-pop: Korea‘s 1 Place in the Global Music Industry Oh Ingyu PANELS Panel I: Dissecting the Filipino Content in Hallyu Fandom Formation, Purpose and Gains: An Exploratory study of 25 Hallyu Fanclubs in the Philippines Catherine Deen Painting the Scenario of Filipino Kpop Fan Culture 35 Patrick Michael L.
  • BBR 2017 Stallion Guide Online FULL2.Pdf

    BBR 2017 Stallion Guide Online FULL2.Pdf

    Offi cial Forage Sponsor of: TJ_BBR_Stallion_Guide.indd 1 1/18/2017 11:25:55 AM Stallion participation is annual, January 1 thru December 31 the following participation fees: Aged Stallions $1500 Young Gun Stallions $500 + 50% of Advertised Stud Fee ($250 minimum / $1000 maximum) Participation deadline: BBR Select Stallion Stakes NOVEMBER 1, 2015 Progeny Enrollment Enclose check or pay by Credit Card (Circle One) Visa MC AmExp Discover Amount $__________________________________ B.B.R. Select Stallion Stakes Enrollment Application Horse Registered Name:__________________________________________ Card #_____________________________________ Copy of registration papers must accompany enrollment application Security Code #_____________________________ Registered Name: ______________________________Young Gun____ (Copy of Registration Papers Must Accompany Enrollment Application) Expiration Date _____________________________ By submitting enrollment and amking payment into the BBR Select Stallion Billing Address: By submitting enrollment form and making payment into the B.B.R. Select StalliStakeson Stakes program, I agree I toagreecomply towith comply and be bound with by and be bound by the rules set forth for ___________________________________________ the rules setthis for forth program for this program. ___________________________________________ *there will be a 5% convenience fee charged each time your credit card is billed. Stallion Owner:Horse _____________________________________________ Owner:___________________________________________________
  • Chocolate, Mustard and a Fox a and Mustard Chocolate, Rånes Nebb Christer Brian

    Chocolate, Mustard and a Fox a and Mustard Chocolate, Rånes Nebb Christer Brian

    Chocolate, Mustard and a Fox a and Mustard Chocolate, Rånes Nebb Christer Brian NTNU Norwegian University of Science and Technology Master’s thesis Faculty of Humanities Department of Music Performance and ItsProduction K-Pop, Norwegian andaFox Mustard Chocolate, NebbRånes Brian Christer Trondheim, autumn2014 Trondheim, thesis Master’s in Musicology Brian Christer Nebb Rånes Chocolate, Mustard and a Fox Norwegian K-Pop, Its Production and Performance Master’s Thesis in Musicology Trondheim, November 2014 Norwegian University of Science and Technology Faculty of Humanities Department of Music CONTENTS Contents .......................................................................................................... iii Abstract ............................................................................................................ v Acknowledgements ..................................................................................... vii Introduction ................................................................................................... xi Chapter One: A Deliberate Globalization Strategy ................................ 1 Cultural Technology, Hybridization and the Creation of a “World Culture” ........................... 1 Chapter Two: Catering to the Global Market ........................................ 23 Globalization of Content in Crayon Pop’s “Bar Bar Bar” ........................................................ 23 “The Fox Say ‘Bar Bar Bar’” .....................................................................................................