Curtis Mayfield Super Fly Mp3, Flac, Wma

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Curtis Mayfield Super Fly mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul / Stage & Screen Album: Super Fly Country: UK Released: 1999 Style: Soul, Soundtrack, Funk MP3 version RAR size: 1767 mb FLAC version RAR size: 1777 mb WMA version RAR size: 1472 mb Rating: 4.1 Votes: 833 Other Formats: ADX FLAC WAV XM AHX AIFF AC3 Tracklist A1 Little Child Runnin' Wild 5:22 A2 Pusherman 4:50 A3 Freddie's Dead 5:26 A4 Junkie Chase (Instrumental) 1:52 B1 Give Me Your Love (Love Song) 4:15 B2 Eddie You Should Know Better 2:14 B3 No Thing On Me (Cocaine Song) 4:52 B4 Think (Instrumental) 3:44 B5 Superfly 3:51 Companies, etc. Licensed From – Curtom Classics Inc. Record Company – Castle Music Ltd. Published By – Warner Chappell Music Ltd. Phonographic Copyright (p) – Curtom Copyright (c) – Sequel Records Recorded At – RCA Studios, Chicago Recorded At – Bell Sound Studios Credits Arranged By – Johnny Pate Art Direction – Glen Christensen Artwork [Reissue] – MC80 Graphic Design Contractor – Marv Heiman* Engineer – Roger Anfinsen (tracks: A1, A3 to B5) Producer, Written-By – Curtis Mayfield Sleeve [Original Packaging] – Milton Sincoff Notes Sticker on Front "Remastered collectors' edition 180g heavyweight vinyl. Original luxury gatefold packaging". Some copies wears a "Promotional copy only not for resale" sticker on the inner of the gatefold- gimmick. Originally released in 1972 on Curtom CRS 8014 ST. Recorded at RCA Studios in Chicago, Illinois - except for 'Pusherman' which was recorded at Bell Sound Studios in New York. Barcode and Other Identifiers Barcode: 5 023224 096418 Matrix / Runout (Side A runout stamped): NEMLP 964 A-1-1- Matrix / Runout (Side B runout stamped): NEMLP 964 B-1-1- Other versions Category Artist Title (Format) Label Category Country Year Super Fly (The Original Curtis Motion Picture CRS-8014-ST Curtom CRS-8014-ST US 1972 Mayfield Soundtrack) (LP, Album, Mon) Superfly (The Original Curtis Motion Picture Charly CHARLY L 245 CHARLY L 245 UK 2016 Mayfield Soundtrack) (2xLP, Records Album, Ltd, RE, Ora) Curtis CUR 9503 CS Super Fly (Cass) Curtom CUR 9503 CS US 1972 Mayfield Rhino Curtis Superfly (LP, Ltd, RE, R1 524044 Records , R1 524044 US 2016 Mayfield Die) Curtom Curtis Buddah 2318 065 Super Fly (LP, Album) 2318 065 Australia 1972 Mayfield Records Related Music albums to Super Fly by Curtis Mayfield Curtis Mayfield - Freddie's Dead (Theme From Superfly) Curtis Mayfield - Curtis - The Very Best Of Curtis Mayfield Curtis Mayfield - Live In Europe Curtis Mayfield - Curtis In Chicago - Recorded Live Curtis - Roots Curtis Mayfield - Curtis / Live! Curtis Mayfield - Something To Believe In Curtis Mayfield - Superfly Curtis Mayfield - Freddie's Dead (Theme From "Superfly") Curtis Mayfield - Give, Get, Take And Have.

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Curtis Mayfield Super Fly Mp3, Flac, Wma
Curtis Mayfield Super Fly mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Super Fly Country: Germany Released: 2014 Style: Soul MP3 version RAR size: 1278 mb FLAC version RAR size: 1823 mb WMA version RAR size: 1462 mb Rating: 4.3 Votes: 598 Other Formats: MIDI AU MP2 MP4 ASF DMF VOC Tracklist Superfly Original Soundtrack A1 Little Child Runnin' Wild 5:28 A2 Pusherman 5:07 A3 Freddie's Dead 5:31 A4 Junkie Chase (Instrumental) 1:42 A5 Give Me Your Love (Love Song) 4:21 B1 Eddie You Should Know Better 2:21 B2 No Thing On Me (Cocaine Song) 4:59 B3 Think (Instrumental) 3:49 B4 Superfly 3:56 Bonus Tracks (previously unrealeased on vinyl) B5 Ghetto Child (Little Child Runnin' Wild Demo) 3:21 B6 Militant March 0:56 B7 Radio Spot #1 0:29 C1 Pusherman (Alt. Mix With Horns) 6:12 C2 Freddie's Dead (Instrumental) 4:50 C3 Junkie Chase (Full Length Instrumental) 4:19 C4 Eddie You Should Know Better (Instrumental) 2:18 C5 The Natural Four - Eddie You Should Know Better 2:22 D1 Superfly (Single Mix) 3:12 D2 No Thing On Me (Cocaine Song) (Instrumental) 4:39 D3 Freddie's Dead (Single Mix) 3:21 D4 The Underground (Demo) 3:14 D5 Check Out Your Mind 4:08 D6 Radio Spot #2 0:24 Notes This release is the first to also include the bonus tracks on vinyl. Comes bundled with a CD in a cardboard sleeve - not to be sold seperately - containing the original album (tracks A1-B4) Barcode and Other Identifiers Barcode: 803415812813 Other versions Category Artist Title (Format) Label Category Country Year Super Fly (The Original Curtis Motion Picture
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Curtis Mayfield Diamond in the Back Free Download Youtube-Download.Sk
curtis mayfield diamond in the back free download YouTube-Download.sk. Download "Curtis Mayfield - Diamond in the Back" Stiahnite si video "Curtis Mayfield - Diamond in the Back" priamo z youtube. Stačí zvoliť požadovaný formát a po kliknutí na tlačidlo "Download" bude vygenerovaný odkaz na stiahnutie videa "Curtis Mayfield - Diamond in the Back" . Chcete stiahnúť len zvuk z videa vo formáte mp3? Pre stiahnutie zvuku z videa "Curtis Mayfield - Diamond in the Back" vo formáte MP3 jednoducho zvoľte formát MP3 a počkajte, kým sa vygeneruje odkaz. Diamond In The Back Lyrics. Curtis Mayfield – Diamond In The Back Lyrics. Though you may not drive a great big Cadillac Gangsta whitewalls TV antennas in the back You may not have a car at all But remember brothers and sisters You can still stand tall Just be thankful for what you've got Though you may not drive a great big Cadillac Diamond in the back, sunroof top, diggin' the scene with a gangsta lean Gangsta whitewalls, TV antennas in the back. You may not have a car at all But remember, brothers and sisters You can still stand tall Just be thankful, for what you've got Diamond in the back, sunroof top, diggin' the scene with a gangsta lean woo Hoo ooh (x3) Though you may not drive a great big Cadillac Gangsta whitewalls, TV antennas in the back You may not have a car at all But remember brothers and sisters You can still stand tall Just be thankful, for what you've got Diamond in the back, sunroof top, diggin' the scene with a gangsta lean.
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Dena Derose, Vocals and Piano Martin Wind, Bass • Matt Wilson, Drums with Sheila Jordan, Vocal • Jeremy Pelt, Trumpet Houston Person, Tenor Saxophone
19 juin, 2020. June 19, 2020. MAN MAN DREAM HUNTING IN THE VALLEY OF THE IN-BETWEEN CD / 2XLP / CS / DIGITAL SP 1350 RELEASE DATE: MAY IST, 2020 TRACKLISTING: 1. Dreamers 2. Cloud Nein 3. On the Mend 4. Lonely Beuys 5. Future Peg 6. Goat 7. Inner Iggy 8. Hunters 9. Oyster Point 10. The Prettiest Song in the World 11. Animal Attraction 12. Sheela 13. Unsweet Meat 14. Swan 15. Powder My Wig 16. If Only 17. In the Valley of the In-Between GENRE: Alternative Rock Honus Honus (aka Ryan Kattner) has devoted his career to exploring the uncertainty between life’s extremes, beauty, and ugliness, order and chaos. The songs on Dream Hunting in the Valley of the In-Between, Man Man’s first album in over six years and their Sub Pop debut, are as intimate, soulful, and timeless as they are audaciously inventive and daring, resulting in his best Man Man album to date. 0 9 8 7 8 7 1 3 5 0 2 209 8 7 8 7 1 3 5 0 1 5 CD Packaging: Digipack 2xLP Packaging: Gatefold jacket w/ custom The 17-track effort, featuring “Cloud Nein,” “Future Peg,” “On the with poster insert dust sleeves and etching on side D Includes mp3 coupon Mend” “Sheela,” and “Animal Attraction,” was produced by Cyrus NON-RETURNABLE Ghahremani, mixed by S. Husky Höskulds (Norah Jones, Tom Waits, Mike Patton, Solomon Burke, Bettye LaVette, Allen Toussaint), and mastered by Dave Cooley (Blood Orange, M83, DIIV, Paramore, Snail Mail, clipping). Dream Hunting...also includes guest vocals from Steady Holiday’s Dre Babinski on “Future Peg” and “If Only,” and Rebecca Black (singer of the viral pop hit, “Friday”) on “On The Mend” and “Lonely Beuys.” The album follows the release of “Beached” and “Witch,“ Man Man’s contributions to Vol.
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Funk Is Its Own Reward": an Analysis of Selected Lyrics In
ABSTRACT AFRICAN-AMERICAN STUDIES LACY, TRAVIS K. B.A. CALIFORNIA STATE UNIVERSITY DOMINGUEZ HILLS, 2000 "FUNK IS ITS OWN REWARD": AN ANALYSIS OF SELECTED LYRICS IN POPULAR FUNK MUSIC OF THE 1970s Advisor: Professor Daniel 0. Black Thesis dated July 2008 This research examined popular funk music as the social and political voice of African Americans during the era of the seventies. The objective of this research was to reveal the messages found in the lyrics as they commented on the climate of the times for African Americans of that era. A content analysis method was used to study the lyrics of popular funk music. This method allowed the researcher to scrutinize the lyrics in the context of their creation. When theories on the black vernacular and its historical roles found in African-American literature and music respectively were used in tandem with content analysis, it brought to light the voice of popular funk music of the seventies. This research will be useful in terms of using popular funk music as a tool to research the history of African Americans from the seventies to the present. The research herein concludes that popular funk music lyrics espoused the sentiments of the African-American community as it utilized a culturally familiar vernacular and prose to express the evolving sociopolitical themes amid the changing conditions of the seventies era. "FUNK IS ITS OWN REWARD": AN ANALYSIS OF SELECTED LYRICS IN POPULAR FUNK MUSIC OF THE 1970s A THESIS SUBMITTED TO THE FACULTY OF CLARK ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THEDEGREEOFMASTEROFARTS BY TRAVIS K.
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The Sounds of Liberation: Resistance, Cultural Retention, and Progressive Traditions for Social Justice in African American Music
THE SOUNDS OF LIBERATION: RESISTANCE, CULTURAL RETENTION, AND PROGRESSIVE TRADITIONS FOR SOCIAL JUSTICE IN AFRICAN AMERICAN MUSIC A Thesis Presented to the Faculty of the Graduate School of Cornell University in Partial Fulfillment of the Requirements for the Degree of Master of Professional Studies by Luqman Muhammad Abdullah May 2009 © 2009 Luqman Muhammad Abdullah ABSTRACT The cultural production of music in the Black community has traditionally operated as much more than a source of entertainment. In fact, my thesis illustrates how progressive traditions for social justice in Black music have acted as a source of agency and a tool for resistance against oppression. This study also explains how the music of African Americans has served as a primary mechanism for disseminating their cultural legacy. I have selected four Black artists who exhibit the aforementioned principles in their musical production. Bernice Johnson Reagon, John Coltrane, Curtis Mayfield and Gil Scott-Heron comprise the talented cadre of musicians that exemplify the progressive Black musical tradition for social justice in their respective genres of gospel, jazz, soul and spoken word. The methods utilized for my study include a socio-historical account of the origins of Black music, an overview of the artists’ careers, and a lyrical analysis of selected songs created by each of the artists. This study will contribute to the body of literature surrounding the progressive roles, functions and utilities of African American music. BIOGRAPHICAL SKETCH My mother garners the nickname “gypsy” from her siblings due to the fact that she is always moving and relocating to new and different places.
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Dr. Todd Boyd
Dr. Todd Boyd CTCS 564 – The Blaxploitation Era (Fall 2019) Wednesdays 1-3:50 PM (SCA 216) / 4-6:50 PM (Screening in SCA 112) Dr. Boyd ([email protected]) Office Hours: Wednesday/Thursday 12:00-12:45 (Office hours appointments are to be made through the Cinema and Media Studies office: [email protected]/213-740-3334) COURSE DESCRIPTION: This course will explore the often misunderstood, highly contested, yet no doubt compelling and influential urban film movement from the 1970s commonly known as Blaxploitation (“Black Exploitation”). Beginning in the late 1960s, focusing on the historic success of iconic actor Sidney Poitier and the emergence of the ideology often referred to as “black power,” the course will chart the changes taking place in Hollywood and in American society that eventually lead to the birth of a new style of black cinema in the 1970s. From here, the course will focus on a number of significant films that come to define the genre in question during the period immediately following the landmark Civil Rights movement of the 1960s. The course will study the films in question as an opportunity to gain a broader understanding of the historical, political, social, cultural, and stylistic issues that defined America during a significant transitional period, roughly from the late 1960s through the late 1970s. In addition, the course will connect the films to other examples of 1970s popular culture (music, sports, television, comedy) in the interest of defining the period as an overall era. Finally, the course will analyze the resurgence of Blaxploitation beginning in the late 1980s and its influence on contemporary popular culture.
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Rock Album Discography Last Up-Date: September 27Th, 2021
Rock Album Discography Last up-date: September 27th, 2021 Rock Album Discography “Music was my first love, and it will be my last” was the first line of the virteous song “Music” on the album “Rebel”, which was produced by Alan Parson, sung by John Miles, and released I n 1976. From my point of view, there is no other citation, which more properly expresses the emotional impact of music to human beings. People come and go, but music remains forever, since acoustic waves are not bound to matter like monuments, paintings, or sculptures. In contrast, music as sound in general is transmitted by matter vibrations and can be reproduced independent of space and time. In this way, music is able to connect humans from the earliest high cultures to people of our present societies all over the world. Music is indeed a universal language and likely not restricted to our planetary society. The importance of music to the human society is also underlined by the Voyager mission: Both Voyager spacecrafts, which were launched at August 20th and September 05th, 1977, are bound for the stars, now, after their visits to the outer planets of our solar system (mission status: https://voyager.jpl.nasa.gov/mission/status/). They carry a gold- plated copper phonograph record, which comprises 90 minutes of music selected from all cultures next to sounds, spoken messages, and images from our planet Earth. There is rather little hope that any extraterrestrial form of life will ever come along the Voyager spacecrafts. But if this is yet going to happen they are likely able to understand the sound of music from these records at least.
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“Superfly”—Curtis Mayfield (1972) Added to the National Registry: 2018 Essay by Josiah Howard (Guest Post)*
“Superfly”—Curtis Mayfield (1972) Added to the National Registry: 2018 Essay by Josiah Howard (guest post)* Album cover Label Mayfield What is there left to say about Curtis Mayfield’s seminal work “Superfly,” his soundtrack album for the 1972 Warner Bros. Pictures film? One might start by stating the facts. “Superfly,” a collection of nine songs written, produced and performed by Mayfield, is one of the most critically praised, politically aware, and financially successful blaxploitation cinema soundtrack albums ever made. And it’s no wonder: the album spawned two million-selling Top Ten pop and R&B hits-- “Superfly” and “Freddie’s Dead”--continued the tradition of social commentary in popular black music and served as a subversive dissonant--a counter story to the story being played out on the screen. “I was very influenced by Marvin [Gaye’s] ‘What’s Going On’ album,” Mayfield remembered years later (Gaye’s album was released the year before). “When they asked me to do ‘Superfly,’ I was worried because I thought Marvin had already covered all the social commentary and soul music bases.” He needn’t have worried. It was true that Gaye’s album was a touchstone--even broaching the topic of the environment; “Mercy, Mercy Me (The Ecology).” But it was also true that Mayfield, not Gaye, first introduced and was first credited with afro-centric, black power, “brother” songs that, as it turned out, served as the soundtrack for the Civil Rights movement. Curtis Lee Mayfield was born in Chicago, Illinois, on June 3, 1942. He grew up in the hard knocks Cabrini-Green housing projects--the incendiary backdrop for the blaxploitation favorite “Cooley High” and the African-American TV series “Good Times.” One of five children, his mother encouraged his innate musicality.
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Dj Khaled Dunk Ryders Git Fresh Grind Mode Smitty
WELCOME TO MIAMI DJ KHALED DUNK RYDERS 2 PISTOLS GIT FRESH 21 REESE GRIND MODE BALLGREEZY SMITTY BIZZLE TORO BRISCO & MORE WELCOME TO MIAMI DJ KHALED 2 PISTOLS 21 REESE ACE HOOD BALL GREEZY BIZZLE BRISCO DUNK RYDERS GIT FRESH GRIND MODE SMITTY TORO & MORE | OZONE PUBLISHER: Julia Beverly SECTION A 10 Editorial GUEST EDITOR: 11 Miami Map Jen McKinnon a.k.a. 12-13 EVENT LISTING Ms. Rivercity 16-17 CLUB LISTING 18-19 2 PISTOLS GRAPHIC DESIGNER: 20-21 BALLGREEZY 22-23 SMITTY Decap 30-31 TORO 32-33 GIT FRESH CONTRIBUTORS: J-Lash 26-28 ACE HOOD Quinton Hatfield Tanya James Tony Wilson Wuz Good SECTION B PROMOTIONS DIRECTOR: 8-9 SAM SNEAK Malik Abdul 10-11 DJ DEF 12-13 DUNK RYDERS Distributors: 14-15 BRISCO Big Mouth Marketing & 16-17 21 REESE Promotions 18-19 SUPA CINDY Lex Promotions 26-27 BIZZLE On Point Entertainment 28-29 GRIND MODE Strictly Streets 30-31 UNDA SURVEILLANCE 32-33 BEACH 2 DA BEANS SUBSCRIPTIONS: To subscribe, send check or 22-25 DJ KHALED money order for $11 to: Ozone Magazine 644 Antone St. Suite 6 Atlanta, GA 30318 Phone: 404-350-3887 Fax: 404-350-2497 Web: www.ozonemag.com COVER CREDITS: Ace Hood photos by Wuz Good; DJ Khaled photos by J Lash. DISCLAIMER: OZONE does not take responsi- bility for unsolicited materials, misinformation, typographi- cal errors, or misprints. The views contained herein do not necessarily reflect those of the publisher or its advertisers. Ads appearing in this magazine are not an endorsement or validation by OZONE Magazine for products or services offered.
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Guide to the Sue Cassidy Clark Collection
Columbia College Chicago Digital Commons @ Columbia College Chicago CBMR Collection Guides / Finding Aids Center for Black Music Research 2020 Guide to the Sue Cassidy Clark Collection Columbia College Chicago Follow this and additional works at: https://digitalcommons.colum.edu/cmbr_guides Part of the History Commons, and the Music Commons Columbia COL L EGE CHICAG, 0 CENTER FOR BLACK MUSIC RESEARCH COLLECTION The Sue Cassidy Clark Collection, 1948-1999 EXTENT Papers: 36 boxes, 25.5 linear feet COLLECTION SUMMARY Sue Cassidy Clark was a music journalist and photographer who specialized in soul, gospel, and rock music in the late 1960s and early 1970s. The Sue Cassidy Clark papers include Clark's recorded interviews, interview transcripts, photographs, published articles, correspondence, handwritten notes, clippings, promotional print material, and commercial sound recordings. PROCESSING INFORMATION Processed by CLIR funded Black Metropolis Research Consortium “Color Curtain Processing Project.” By T.J. Szafranski and Dominique Fuqua, September 26, 2012 BIOGRAPHICAL NOTE Sue Cassidy Clark was a music journalist and photographer who specialized in soul, gospel, and rock music in the late 1960s and early 1970s. She authored the books Rock: A World Bold as Love (Cowles, 1970) and The Superstars: In Their Own Words (Music Sales, 1972), and she contributed articles and record reviews to several periodicals, including Billboard, Black Stars, Creem, Hit Parader, Rolling Stone, Rock, Soul Illustrated, and Soul Sounds. SCOPE & CONTENT/COLLECTION DESCRIPTION The collection includes recorded interviews that Clark conducted with significant and influential African-American musicians, typed transcriptions of many of these interviews, copies of published articles, photographs, many of which were taken by Clark, correspondence, handwritten notes, research material (including clippings and promotional print material), and her collection of recordings.
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Colorblindness, a Life: Race, Film and the Articulation of an Ideology by Justin Daniel Gomer a Dissertation Submitted in Parti
Colorblindness, A Life: Race, Film and the Articulation of an Ideology By Justin Daniel Gomer A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in African American Studies in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Leigh Raiford, Chair Professor Ula Y. Taylor Professor Darieck Scott Professor Scott Saul Spring 2014 © 2014 by Justin Daniel Gomer All Rights Reserved Abstract Colorblindness, A Life: Race, Film, and the Articulation of an Ideology by Justin Daniel Gomer Doctor of Philosophy in African American Studies University of California, Berkeley Professor Leigh Raiford, Chair My dissertation, entitled, “Colorblindness, A Life: Race, Film, and the Articulation of an Ideology,” offers a political and cultural biography of the racial ideology of colorblindness from its emergence as a coherent racial ideology in the years after the civil rights movement to its dominant influence in social policy in the 1990s. Most importantly, the project reveals the manner in which colorblindness became the racial project of neoliberalism. This elaboration of colorblindness as an ideology and cultural form is best understood through an examination of film during the period of my study. Beginning in the second-half of the 1970s, Hollywood developed its own set of filmic aesthetics, narratives, and tropes that advocated colorblindness. Moreover, Hollywood was not only central to the articulation of the ideology, it also depended upon colorblindness in the New Hollywood era. In the post-civil rights era, then, colorblindness, neoliberalism, and film are constitutive of and inextricable from one another. The project illustrates three key themes.
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Curtis Roots Mp3, Flac, Wma
Curtis Roots mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Roots Country: Netherlands Released: 1971 Style: Soul MP3 version RAR size: 1899 mb FLAC version RAR size: 1655 mb WMA version RAR size: 1487 mb Rating: 4.7 Votes: 467 Other Formats: AC3 FLAC APE MP1 VOX MP3 MP4 Tracklist A1 Get Down 5:45 A2 Keep On Keeping On 5:08 A3 Underground 5:15 A4 We Got To Have Peace 4:44 B1 Beautiful Brother Of Mine 7:23 B2 Now You're Gone 6:50 B3 Love To Keep You In My Mind 3:48 Companies, etc. Distributed By – Buddah Records Recorded At – RCA Studios, Chicago Credits Arranged By – John Pate*, Riley Hampton Backing Vocals – Leroy Hutson, Michael Hawkins Bass – Lucky Drums – Tyrone* Guitar – Craig* Mastered By [Master Engineer] – Roger Anfinsen Percussion – Henry* Producer – Curtis Mayfield Written-By – Curtis Mayfield, Joseph Scott (tracks: B2) Notes Recorded at RCA Studios, Chicago, Illinois Distributed by Buddah Records Main artist on labels: Curtis Mayfield Barcode and Other Identifiers Matrix / Runout (Side 1 Label): 583 008 A Matrix / Runout (Side 2 Label): 583 008 B Rights Society: STEMRA Other versions Category Artist Title (Format) Label Category Country Year CRS 8009 Curtis Mayfield Roots (LP, Album) Curtom CRS 8009 US 1971 CRS 8009 Curtis Mayfield Roots (LP, Album, Gat) Curtom CRS 8009 US 1971 2318 045 Curtis Mayfield Roots (LP, Album) Buddah Records 2318 045 Brazil 1972 CPCD 8037 Curtis* Roots (CD, Album, RE) Charly Records CPCD 8037 UK 1996 CRS 8009 Curtis Mayfield Roots (LP, Album, Gat) Curtom CRS 8009 US 1971 Related Music albums to Roots by Curtis Curtis Mayfield - Get Down / We're A Winner Curtis Mayfield - The Ultimate Curtis Mayfield Curtis Mayfield - Curtis In Chicago - Recorded Live Curtis Mayfield - Freddie's Dead (Theme From Superfly) Curtis Mayfield - Curtis Live! Curtis Mayfield - Honesty Curtis Mayfield - Roots Curtis Mayfield - Mother's Son / Love Me (Right In The Pocket).
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