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GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months. -
Philippines Arrests Kuwaiti Terror Suspect, Syrian Wife
‘Eagle Resolve’; Chelsea edge Kuwait, US hold towards title; military exercise4 Hazard45 shines Min 20º Max 32º FREE www.kuwaittimes.net NO: 17191 - Friday, April 7, 2017 Philippines arrests Kuwaiti terror suspect, Syrian wife Page 9 MANILA: Kuwaiti national (2nd left) and Syrian national (2nd right) are escorted by National Bureau of Investigation (NBI) personnel after a press conference in Manila yesterday. — AFP Local FRIDAY, APRIL 7, 2017 Local Spotlight Local VIEWPOINT No more licenses for expats A Make-up Society: Depression loneliness because they are just too scared to tell the directions at peak times. I also do not know By Sana Kalim truth. And the blinding truth is that: They can’t cope. By Muna Al-Fuzai the objective of enlarging roundabouts They are not strong. The sun doesn’t look like it has without traffic lights to organize traffic flow! [email protected] been lovingly crafted for them just to see them hap- If we want to reduce the number of vehi- py. Sure, there are times where their makeup cakes cles, we should have an alternative, such as off though; these are the times where they say “I do how to develop public transportation, con- [email protected] uwait, this oasis within the hostility of the not want to live”, or “I will say goodbye in a few trol taxis, and build a metro, because we all world, was thought to be the epitome of hap- moments.” Most of the time, these statements are know that taxi services are not fully effective piness. Sadly this is not the case. -
Idea Xxviii/2 2016
Rada Redakcyjna: Mira Czarnawska (Warszawa), Zbigniew Kaźmierczak (Białystok), Andrzej Kisielewski (Białystok), Jerzy Kopania (Białystok), Małgorzata Kowalska (Białystok), Dariusz Kubok (Katowice) Rada Naukowa: Adam Drozdek, PhD Associate Professor, Duquesne University, Pittsburgh, USA Anna Grzegorczyk, prof. dr hab., UAM w Poznaniu Vladimír Leško, Prof. PhDr., Uniwersytet Pavla Jozefa Šafárika w Koszycach, Słowacja Marek Maciejczak, prof. dr hab., Wydział Administracji i Nauk Społecznych, Politechnika Warszawska David Ost, Joseph DiGangi Professor of Political Science, Hobart and William Smith Colleges, Geneva, New York, USA Teresa Pękala, prof. dr hab., UMCS w Lublinie Tahir Uluç, PhD Associate Professor, Necmettin Erbakan Üniversitesi Ilahiyat Fakultesi (Wydział Teologii), Konya, Turcja Recenzenci: Vladimír Leško, Prof. PhDr. Andrzej Niemczuk, dr hab. Andrzej Noras, prof. dr hab. Tahir Uluç, PhD Associate Professor Redakcja: dr hab. Sławomir Raube (redaktor naczelny) dr Agata Rozumko, mgr Karol Więch (sekretarze) dr hab. Dariusz Kulesza, prof. UwB (redaktor językowy) dr Kirk Palmer (redaktor językowy, native speaker) Korekta: Zespół Projekt okładki i strony tytułowej: Tomasz Czarnawski Redakcja techniczna: Ewa Frymus-Dąbrowska ADRES REDAKCJI: Uniwersytet w Białymstoku Plac Uniwersytecki 1 15-420 Białystok e-mail: [email protected] http://filologia.uwb.edu.pl/idea/idea.htm ISSN 0860–4487 © Copyright by Uniwersytet w Białymstoku, Białystok 2016 Wydawnictwo Uniwersytetu w Białymstoku 15–097 Białystok, ul. Marii Skłodowskiej-Curie 14, tel. 857457120 http://wydawnictwo.uwb.edu.pl, e-mail: [email protected] Skład, druk i oprawa: Wydawnictwo PRYMAT, Mariusz Śliwowski, ul. Kolejowa 19, 15-701 Białystok, tel. 602 766 304, 881 766 304, e-mail: [email protected] SPIS TREŚCI WOJCIECH JÓZEF BURSZTA: Homo Barbarus w świecie algorytmów ................................................................................................. 5 ZBIGNIEW KAŹMIERCZAK: Demoniczność Boga jako założenie ekskluzywistycznego i inkluzywistycznego teizmu .................................. -
'Perfect Fit': Industrial Strategies, Textual Negotiations and Celebrity
‘Perfect Fit’: Industrial Strategies, Textual Negotiations and Celebrity Culture in Fashion Television Helen Warner Submitted for the degree of Doctor of Philosophy (PhD) University of East Anglia School of Film and Television Studies Submitted July 2010 ©This copy of the thesis has been supplied on condition that anyone who consults it is understood to recognise that its copyright rests with the author and that no quotation from the thesis, nor any information derived therefrom, may be published without the author's prior, written consent. Helen Warner P a g e | 2 ABSTRACT According to the head of the American Costume Designers‟ Guild, Deborah Nadoolman Landis, fashion is emphatically „not costume‟. However, if this is the case, how do we approach costume in a television show like Sex and the City (1998-2004), which we know (via press articles and various other extra-textual materials) to be comprised of designer clothes? Once onscreen, are the clothes in Sex and the City to be interpreted as „costume‟, rather than „fashion‟? To be sure, it is important to tease out precise definitions of key terms, but to position fashion as the antithesis of costume is reductive. Landis‟ claim is based on the assumption that the purpose of costume is to tell a story. She thereby neglects to acknowledge that the audience may read certain costumes as fashion - which exists in a framework of discourses that can be located beyond the text. This is particularly relevant with regard to contemporary US television which, according to press reports, has witnessed an emergence of „fashion programming‟ - fictional programming with a narrative focus on fashion. -
Motion Picture License List of MPL Participating Theatrical Distributors & Producers
Motion Picture License List of MPL Participating Theatrical Distributors & Producers MAJOR HOLLYWOOD STUDIOS & AFFILIATED LABELS 20th Century Studios Paramount Pictures (f/k/a Twentieth Century Fox Film Corp.) Paramount Vantage Buena Vista Pictures Picturehouse Cannon Pictures Pixar Animation Studios Columbia Pictures Polygram Filmed Entertainment Dreamworks Animation SKG Republic Pictures Dreamworks Pictures RKO Pictures (Releases 2011 to present) Screen Gems PLEASE CHOOSE Dreamworks Pictures CATEGORY: (Releases prior to 2011) Searchlight Pictures (f/ka/a Fox Searchlight Pictures) Fine Line Features Sony Pictures Entertainment Focus Features Major Hollywood Studios STX Entertainment & Affiliated Labels Fox - Walden Touchstone Pictures Fox 2000 Films TV Tristar Pictures Fox Look Triumph Films Independent Hanna-Barbera United Artists Pictures Hollywood Pictures Faith-Based Universal Pictures Lionsgate Entertainment USA Films Lorimar Telepictures Children’s Walt Disney Pictures Metro-Goldwyn-Mayer (MGM) Studios Warner Bros. Pictures Spanish Language New Line Cinema Warner Bros. Television Nickelodeon Movies Foreign & International Warner Horizon Television Orion Pictures Warner Independent Pictures Paramount Classics TV 41 Entertaiment LLC Ditial Lifestyle Studios A&E Networks Productions DIY Netowrk Productions Abso Lutely Productions East West Documentaries Ltd Agatha Christie Productions Elle Driver Al Dakheel Inc Emporium Productions Alcon Television Endor Productions All-In-Production Gmbh Fabrik Entertainment Ambi Exclusive Acquisitions -
What's New on Star on Disney+ Parental Controls
March NEWSLETTER Disney+ is the dedicated streaming home for TV series and movies from Disney, Pixar, Marvel, Star Wars, National Geographic and new general entertainment brand Star, including exclusive Disney+ and Star Originals. This newsletter provides regular updates on upcoming Disney+ and Star Originals, brand-new episodes, and the latest blockbuster movies joining the service in the UK. Please note, movie & series availability can vary by country and is subject to change. The below is correct at time of issuing. For general media inquiries, please contact Disney+ UK Press Office Did you know... Robust parental controls will be introduced from 23rd February to ensure that Disney+ remains a suitable viewing experience for everyone in the family. Celebrating one year of Disney+ in Europe - the 24th of March marks one year since we launched in the UK and Ireland! The fifth anniversary of Zootropolis: Revisit this Oscar-winning animation on Disney+ as it turns five this year! Parental Controls: protection + peace of mind Disney+ will remain suitable for audiences of all ages, thanks to the new robust parental controls. From the 23rd February, the app will include easy-to-use parental controls enabling the family-friendly experience to continue. You will be able to set content ratings for individual profiles to restrict access for your younger viewers at home, and set a Profile PIN to keep the kids protected and give parents peace of mind. What’s new on Star on Disney+ Star is the sixth brand to launch on Disney+, joining entertainment favourites Disney, Pixar, Marvel, Star Wars and National Geographic from 23rd February 2021. -
Dragon Con Progress Report 2021 | Published by Dragon Con All Material, Unless Otherwise Noted, Is © 2021 Dragon Con, Inc
WWW.DRAGONCON.ORG INSIDE SEPT. 2 - 6, 2021 • ATLANTA, GEORGIA • WWW.DRAGONCON.ORG Announcements .......................................................................... 2 Guests ................................................................................... 4 Featured Guests .......................................................................... 4 4 FEATURED GUESTS Places to go, things to do, and Attending Pros ......................................................................... 26 people to see! Vendors ....................................................................................... 28 Special 35th Anniversary Insert .......................................... 31 Fan Tracks .................................................................................. 36 Special Events & Contests ............................................... 46 36 FAN TRACKS Art Show ................................................................................... 46 Choose your own adventure with one (or all) of our fan-run tracks. Blood Drive ................................................................................47 Comic & Pop Artist Alley ....................................................... 47 Friday Night Costume Contest ........................................... 48 Hallway Costume Contest .................................................. 48 Puppet Slam ............................................................................ 48 46 SPECIAL EVENTS Moments you won’t want to miss Masquerade Costume Contest ........................................ -
Functional Studies on the MRP1 Multidrug Transporter: Characterization of ABC-Signature Mutant Variants
ANTICANCER RESEARCH 24: 449-456 (2004) Functional Studies on the MRP1 Multidrug Transporter: Characterization of ABC-signature Mutant Variants ZS. SZENTPÉTERY1,2, B. SARKADI1, É. BAKOS2 and A. VÁRADI2 1National Medical Center, Institute of Haematology and Immunology, Membrane Research Group of the Hungarian Academy of Sciences, Budapest; 2Institute of Enzymology, Biological Research Center, Hungarian Academy of Sciences, Budapest, Hungary Abstract. Background: MRP1 is a key multidrug resistance these agents below the cell-killing threshold, thus conferring ATP-binding Cassette (ABC) transporter in tumor cells. A resistance to many structurally dissimilar anticancer drugs. functionally important signature motif is conserved within all One of the proteins causing this phenotype is the human ABC domains. Our current studies aimed to elucidate the role Multidrug Resistance Protein (MRP1), which confers of these motifs in the cooperation of MRP1 ABC domains. resistance to a wide variety of anticancer drugs (1), but has Materials and Methods: We designed human MRP1 mutants also been shown to be a high affinity primary active based on a bacterial ABC structure. Conserved leucines (Leu) transporter for glutathione (GS)-conjugates (e.g. LTC4 – see were replaced by arginines (Arg), while glycines (Gly) were 2, 3). MRP1 transports large hydrophobic drugs, playing an substituted for aspartic acids (Asp). The activity of these important role in the chemotherapy resistance of several mutants was assayed by measuring ATPase activity and types of cancer cells, and cellular GS seem to be an vesicular transport. ATP-binding and transition-state formation important modulator in these transport functions (2, 4-9). were studied by a photoreactive ATP analog. -
Desperate Housewives a Lot Goes on in the Strange Neighborhood of Wisteria Lane
Desperate Housewives A lot goes on in the strange neighborhood of Wisteria Lane. Sneak into the lives of five women: Susan, a single mother; Lynette, a woman desperately trying to b alance family and career; Gabrielle, an exmodel who has everything but a good m arriage; Bree, a perfect housewife with an imperfect relationship and Edie Britt , a real estate agent with a rocking love life. These are the famous five of Des perate Housewives, a primetime TV show. Get an insight into these popular charac ters with these Desperate Housewives quotes. Susan Yeah, well, my heart wants to hurt you, but I'm able to control myself! How would you feel if I used your child support payments for plastic surgery? Every time we went out for pizza you could have said, "Hey, I once killed a man. " Okay, yes I am closer to your father than I have been in the past, the bitter ha tred has now settled to a respectful disgust. Lynette Please hear me out this is important. Today I have a chance to join the human rac e for a few hours there are actual adults waiting for me with margaritas. Loo k, I'm in a dress, I have makeup on. We didn't exactly forget. It's just usually when the hostess dies, the party is off. And I love you because you find ways to compliment me when you could just say, " I told you so." Gabrielle I want a sexy little convertible! And I want to buy one, right now! Why are all rich men such jerks? The way I see it is that good friends support each other after something bad has happened, great friends act as if nothing has happened. -
Peter Rice Chairman, Walt Disney Television, and Co-Chair, Disney Media Networks the Walt Disney Company Peter Rice Is Chairman
Peter Rice Chairman, Walt Disney Television, and Co-Chair, Disney Media Networks The Walt Disney Company Peter Rice is chairman of Walt Disney Television and co-chair of Disney Media Networks. He oversees The Walt Disney Company’s entertainment and news television properties. This includes ABC, Disney Channels, Freeform, FX and National Geographic networks; ABC Signature, 20th Television and Touchstone Television; and the ABC Owned Television Stations. Rice also oversees The Walt Disney Company’s equity interest in A+E Networks. He reports to Bob Chapek, chairman and CEO, The Walt Disney Company. Prior to his current role, Rice served as president of 21st Century Fox, and chairman and CEO of Fox Networks Group (FNG), where he was instrumental in driving the growth of FNG’s television business across linear and digital platforms. During his tenure, FNG’s revenue doubled as its portfolio was reorganized and aligned around four key brands reaching more than 2 billion subscribers worldwide. At FNG, Rice oversaw long-term sports rights deals with the NFL, MLB, the UFC, FIFA, WWE and dozens of professional sports leagues and teams. He was a driving force in the formation of National Geographic Partners and the launch of FS1 and FS2. He was responsible for realigning its international channels business in Europe, Asia and Latin America, and integrating the company’s advertising divisions into a single, data-driven enterprise. He oversaw the launch of its Digital Consumer Group; its participation in Hulu, where he serves on the board; and the establishment of FoxNext Games. Under Rice’s leadership, FNG was home to shows including “The Simpsons,” “American Idol,” “Glee,” “The Americans,” “Genius,” “Modern Family,” “Homeland,” “This Is Us” and “Empire,” the World Series, the World Cup and the Super Bowl. -
Netanyahu Formally Denies Charges in Court
WWW.JPOST.COM THE Volume LXXXIX, Number 26922 JERUSALEFOUNDED IN 1932 M POSTNIS 13.00 (EILAT NIS 11.00) TUESDAY, FEBRUARY 9, 2021 27 SHVAT, 5781 Eye in the sky A joint goal Feminist religious art IAI unveils aerial Amos Yadlin on the need to When God, Jesus surveillance system 6 work with Biden to stop Iran and Allah were women Page 6 Page 9 Page 16 How did we miss Netanyahu formally denies charges in court Judges hint witnesses to be called only after election • PM leaves hearing early the exit • By YONAH JEREMY BOB two to three weeks to review these documents before wit- Prime Minister Benjamin nesses are called, that would ramp? Netanyahu’s defense team easily move the first witness fought with the prosecution beyond March 23. ANALYSIS on Monday at the Jerusalem Judge Rivkah Friedman Feld- • By YONAH JEREMY BOB District Court over calling man echoed the prosecution’s witnesses in his public cor- arguments that the defense A lifetime ago when living ruption trial before the March had between one to two years in northern New Jersey, I 23 election. to prepare for witnesses. But often drove further north for It seemed that the judges ultimately the judges did not work. were leaning toward calling seem anxious to call the first Sometimes the correct exit the first witness in late March witness before March 23. was small and easy to miss. or early April, which they A parallel fight between the But there were around five would present as a compro- sides was the prosecution’s or so exits I could use to avoid mise between the sides. -
The US Film Industry
Jono Polansky, Onbeyond LLC August 2020 _____________________________________________________________________________________________ This SFM guide to who owns what in the US screen entertainment industry — movies, broadcast, cable and streaming — has been updated to reflect developments in tobacco content and changes in corporate ownership. We put this map together so public health experts, parents, young people and policy makers can identify who decides if smoking shows up in entertainment accessible to kids. The US film industry MAJOR STUDIOS | The US feature film industry is dominated by five “major studio” distributors. In 2019, their top-grossing films accounted for 81 percent of all youth-rated tobacco impressions delivered to domestic theater audiences. The studios develop, finance, and market film projects domestically and worldwide. Almost all films with production budgets greater than $50 million are major studio films. Studios may not break even on theatrical showings of a film, but a film’s box office, split roughly 50-50 with the theaters, strongly predicts the revenue the studio keeps to itself when the film is later released on DVD and licensed to on-demand, cable, and broadcast services. Most studio revenue comes from those “long tail” after-markets. In addition, 70 percent of US studios’ theatrical revenue now comes from outside the United States, which helps explain why easy-to-sell “franchise” films are prized by major studios. The major studios are represented by a trade group, the Motion Picture Association (MPA), dominate its board of directors. The MPA owns and administers the movie ratings (G/PG/PG-13/R,NC-17), with a nod to the National Association of Theatre Owners (NATO), which plays a role in enforcing age restrictions.