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The Politics of Liberty in England and Revolutionary America
P1: IwX/KaD 0521827450agg.xml CY395B/Ward 0 521 82745 0 May 7, 2004 7:37 The Politics of Liberty in England and Revolutionary America LEE WARD Campion College University of Regina iii P1: IwX/KaD 0521827450agg.xml CY395B/Ward 0 521 82745 0 May 7, 2004 7:37 published by the press syndicate of the university of cambridge The Pitt Building, Trumpington Street, Cambridge, United Kingdom cambridge university press The Edinburgh Building, Cambridge cb2 2ru, uk 40 West 20th Street, New York, ny 10011-4211, usa 477 Williamstown Road, Port Melbourne, vic 3207, Australia Ruiz de Alarcon´ 13, 28014 Madrid, Spain Dock House, The Waterfront, Cape Town 8001, South Africa http://www.cambridge.org C Lee Ward 2004 This book is in copyright. Subject to statutory exception and to the provisions of relevant collective licensing agreements, no reproduction of any part may take place without the written permission of Cambridge University Press. First published 2004 Printed in the United States of America Typeface Sabon 10/12 pt. System LATEX 2ε [tb] A catalog record for this book is available from the British Library. Library of Congress Cataloging in Publication Data Ward, Lee, 1970– The politics of liberty in England and revolutionary America / Lee Ward p. cm. Includes bibliographical references (p. ) and index. isbn 0-521-82745-0 1. Political science – Great Britain – Philosophy – History – 17th century. 2. Political science – Great Britain – Philosophy – History – 18th century. 3. Political science – United States – Philosophy – History – 17th century. 4. Political science – United States – Philosophy – History – 18th century. 5. United States – History – Revolution, 1775–1783 – Causes. -
1 a Lincolnshire Boyhood 2 Cambridge
Notes 1 A LINCOLNSHIRE BOYHOOD 1. J. 0. Hoge, ed., 'Emily Tennyson's Narrative for her Sons', Texas Studies in Literature and Language XIV (1972), 96. 2. H. D. Rawnsley, Memories of the Tennysons (1900), p. 225. 3. See C. Tennyson and C. Ricks, 'Tennyson's "Mablethorpe"', Tennyson Research Bulletin II, iii (1974), 121-3 [hereafter TRB]. 4. A. Pollard, 'Three Horace Translations by Tennyson', TRB IV, i (1982), 16. 5. H. D. Paden, Tennyson in Egypt (1942), p. 103. 6. C. Tennyson and C. Ricks, 'Tennyson's "Mablethorpe"', p. 121. 7. This painting is still at Farringford. I am grateful to Dr Christopher Brown, Chief Curator of the National Gallery, for the attribution. 8. A. G. Weld, Glimpses of Tennyson (1903), p. 12. 9. J. Kolb, ed., The Letters of A. H. Hallam (1981), p. 457. 10. R. B. Martin, Tennyson: The Unquiet Heart (1980), p. 48. 11. E. A. Knies, ed., Tennyson at Aldworth: The Diary off. H. Mangles, (1984), p. 122. 2 CAMBRIDGE 1. C. Tennyson, Alfred Tennyson (1949), p. 55. 2. E. A. Knies, ed., Tennyson at Aldworth: The Diary of f. H. Mangles, p. 97. 3. S. T. Coleridge, Aids to Reflection, ed. D. Coleridge (7th edn, London, 1854), p. 155. 4. Arthur Hallam visited Coleridge at Highgate, but Tennyson, although invited, never went. Coleridge's rude remarks on Tennyson's han dling of metre would not have encouraged him. 5. Shelley's Adonais: A Critical Edition, ed. A. D. Knerr (New York, 1984), pp. 445-6. 6. H. B. Bryant, 'The African Genesis of Tennyson's "Timbuctoo"', TRB, III v (1981), 200. -
From the Rhetoric of Longinus to the Poetics of John Dennis the Role of Terror in the Theories of the Sublime in the 18Th Century
FROM THE RHETORIC OF LONGINUS TO THE POETICS OF JOHN DENNIS THE ROLE OF TERROR IN THE THEORIES OF THE SUBLIME IN THE 18TH CENTURY ZOLTÁN CORA Within the huge literary and artistic tradition of the sublime in Western culture, map- ping, analysing and interpreting the relations of literary and visual sublime is a highly complex issue.1 The affective qualities within the sublime are usually connected to the aesthetic categories of greatness, infinity and terror as well as to philosophical con- cepts of the transcendental. This paper endeavours to interpret the sublime as a possi- ble aesthetic form of an ontological insight that is not gained through conventional syllogisms.2 Additionally, the paper also investigates the role of terror in the rhetorical 1 I will dwell on art theory and art history only where it seems necessary for the coherence of the ar- gumentation, and due to the limits of this study, this restriction will be applied to the theological impli- cations of the sublime as well. 2 Though this statement has been pre-eminently valid since the Kantian discussion of the sublime, still with regard to classical philosophy, it is plausible to argue for a similar meaning already in Greek philosophy, especially Neoplatonism and the tradition of Hermes Trismegistos, and thereby Alexandrian Hermetism. See Nicholas Goodrick-Clarke, The Western Esoteric Traditions: A Historical Introduction Et al. — Critical Theory Online, www.etal.hu 1 Terror(ism) and Aesthetics (2014), eds. György Fogarasi, Zoltán Cora, and Ervin Török Et al. ZOLTÁN CORA 2 and poetical theories of the sublime which are based on aesthetic qualities which are not built upon cognition. -
Parliamentary Immunity
Parliamentary Immunity A Comprehensive Study of the Systems of Parliamentary Immunity of the United Kingdom, France, and the Netherlands in a European Context Parliamentary Immunity A Comprehensive Study of the Systems of Parliamentary Immunity of the United Kingdom, France, and the Netherlands in a European Context DISSERTATION to obtain the degree of Doctor at the Maastricht University, on the authority of the Rector Magnificus, Prof. dr. L.L.G. Soete in accordance with the decision of the Board of Deans, to be defended in public on Thursday 26 September 2013, at 16.00 hours by Sascha Hardt Supervisor: Prof. mr. L.F.M. Verhey (Leiden University, formerly Maastricht University) Co-Supervisor: Dr. Ph. Kiiver Assessment Committee: Prof. dr. J.Th.J. van den Berg Prof. dr. M. Claes (Chair) Prof. dr. C. Guérin-Bargues (Université d’Orléans) Prof. mr. A.W. Heringa Prof. D. Oliver, MA, PhD, LLD Barrister, FBA (Univeristy College London) Cover photograph © Andreas Altenburger - Dreamstime.com Layout by Marina Jodogne. A commercial edition of this PhD-thesis will be published by Intersentia in the Ius Commune Europaeum Series, No. 119 under ISBN 978-1-78068-191-7. Für Danielle ACKNOWLEDGEMENTS As I have been told, the idea that I could write a doctoral dissertation first occurred to Philipp Kiiver when he was supervising my bachelor thesis in 2007. At that time, I may well have dreamed of a PhD position, but I was far from having any actual plans, let alone actively pursuing them. Yet, not a year later, Luc Verhey and Philipp Kiiver asked me whether I was interested to join the newly founded Montesquieu Institute Maastricht as a PhD researcher. -
Front Matter
Cambridge University Press 978-0-521-86240-0 - Macbeth, Second Edition William Shakespeare Frontmatter More information THE NEW CAMBRIDGE SHAKESPEARE general editor: Brian Gibbons, University of M¨unster associate general editor: A. R. Braunmuller, University of California, Los Angeles From the publication of the first volumes in 1984 the General Editor of the New Cambridge Shakespeare was Philip Brockbank and the Associate General Editors were Brian Gibbons and Robin Hood. From 1990 to 1994 the General Editor was Brian Gibbons and the Associate General Editors were A. R. Braunmuller and Robin Hood. MACBETH This is the most extensively annotated edition of Macbeth currently available, offering a thor- ough reconsideration of one of Shakespeare’s most popular plays. A full and accessible updated introduction studies the immediate theatrical and political contexts of Macbeth’s composition, especially the Gunpowder Plot and the contemporary account of an early performance at the Globe. It treats such issues as whether the Witches compel Macbeth to murder; whether Lady Macbeth is herself in some sense a witch; whether Banquo is Macbeth’s accomplice in crime; and what criticism is levelled against Macduff. Several possible new sources are suggested, and the presence of Thomas Middleton’s writing in the play is proposed. An extensive, well-illustrated account of the play in perfomance examines several cinematic versions, such as those by Kurosawa and Roman Polanski, and a brand-new introductory section on recent performances and adap- tations brings the edition completely up to date. © in this web service Cambridge University Press www.cambridge.org Cambridge University Press 978-0-521-86240-0 - Macbeth, Second Edition William Shakespeare Frontmatter More information THE NEW CAMBRIDGE SHAKESPEARE All’s Well That Ends Well, edited by Russell Fraser Antony and Cleopatra, edited by David Bevington As You Like It, edited by Michael Hattaway The Comedy of Errors, edited by T. -
Report of Proceedings of Tynwald Court
REPORT OF PROCEEDINGS OF TYNWALD COURT Douglas, Tuesday, February 17, 1976 Present: The Governor (Sir John ing Bill; Social Security Legislation Paul,- G.C.M.G., O.B.E., M .C.), In the (Application) (Amendment) Bill; and Council: the Lord Bishop (the Rt. Rev. the Animal Offences Bill. If the Court Vernon Nicholls), the Attorney General concurs we will continue with our ('Mr. J. W. Corrin), Messrs. J. B. •business while these are being signed. Bolton, O.B.E., G. T. Crellin, E. N. It was agreed. Crowe, O.B.E., R. E. S. Kerruish, G. V. H. Kneale, J. C. ¡Nivison, W. E. Quayle, A. H. Sim'cocks, M.B.E., with PAPERS LAID (BEFORE THE COURT Mr. P. J. Hulme, Clerk oi the Council. The Governor: Item 3, I call upon In the Keys : The Speaker (Mr. H. C. the Clerk to lay papers. Kerruish, O.B.E.), Messrs. R. J. G. The Clerk: I lay before the C ourt:— Anderson, H. D. C. MacLeod, G. M. Kermeen, J. C. Clucas, P. Radcliffe, Governor’s Duties and Powers — J. R. Creer, E. Ranson, P. A. Spittall, Third Interim. Report o f the Select T. C. Faragher, N. Q. Cringle, E. G. Committee of Tynwald. Lowey, Mrs. E. C. Quayle, Messrs. W- Cremation Act 1957 — Cremation A. Moore, J.J. Bell, E. M. Ward, B.E.M., Regulations 1976. E. C. Irving, Miss K. E. Cowin, Mr. Value Added Tax — Value Added G. A. Devereau, Mrs. B. Q. Hanson, Tax (Isle of Man) (Fuel and Power) Messrs. R. MacDonald, P. -
The Anglo-Saxon Period of English Law
THE ANGLO-SAXON PERIOD OF ENGLISH LAW We find the proper starting point for the history of English law in what are known as Anglo-Saxon times. Not only does there seem to be no proof, or evidence of the existence of any Celtic element in any appreciable measure in our law, but also, notwithstanding the fact that the Roman occupation of Britain had lasted some four hundred years when it terminated in A. D. 410, the last word of scholarship does not bring to light any trace of the law of Imperial Rome, as distinct from the precepts and traditions of the Roman Church, in the earliest Anglo- Saxon documents. That the written dooms of our kings are the purest specimen of pure Germanic law, has been the verdict of one scholar after another. Professor Maitland tells us that: "The Anglo-Saxon laws that have come down to us (and we have no reason to fear the loss of much beyond some dooms of the Mercian Offa) are best studied as members of a large Teutonic family. Those that proceed from the Kent and Wessex of the seventh century are closely related to the Continental folk-laws. Their next of kin seem to be the Lex Saxonum and the laws of the Lom- bards."1 Whatever is Roman in them is ecclesiastical, the system which in course of time was organized as the Canon law. Nor are there in England any traces of any Romani who are being suffered to live under their own law by their Teutonic rulers. -
Church Historical Writing in the English Transatlantic World During the Age of Enlightenment1
CSCH President’s Address 2012 Church Historical Writing in the English Transatlantic World during the Age of Enlightenment1 DARREN W. SCHMIDT The King’s University College My research stemming from doctoral studies is focused on English- speaking evangelical use, interpretation, and production of church history in the eighteenth century, during which religious revivals on both sides of the North Atlantic signalled new developments on many fronts. Church history was of vital importance for early evangelicals, in ways similar to earlier generations of Protestants beginning with the Reformation itself. In the eighteenth century nerves were still sensitive from the religious and political intrigues, polemic, and outright violence in the seventeenth- century British Isles and American colonies; terms such as “Puritan” and “enthusiast” maintained the baggage of suspicion. Presumed to be guilty by association, evangelical leaders were compelled to demonstrate that the perceived “surprising work of God” in their midst had a pedigree: they accordingly construed their experience as part of a long narrative of religious ebb and flow, declension and revival. Time and time again, eighteenth-century evangelicals turned to the pages of the past to vindicate and to validate their religious identity.2 Browsing through historiographical studies, one is hard-pressed to find discussion of eighteenth-century church historical writing. There is general scholarly agreement that the Protestant Reformation gave rise to a new historical interest. In answer to Catholic charges of novelty, Historical Papers 2012: Canadian Society of Church History 188 Church Historical Writing in the English Transatlantic World Protestants critiqued aspects of medieval Catholicism and sought to show their continuity with early Christianity. -
Studies in the Work of Colley Cibber
BULLETIN OF THE UNIVERSITY OF KANSAS HUMANISTIC STUDIES Vol. 1 October 1, 1912 No. 1 STUDIES IN THE WORK OF COLLEY CIBBER BY DE WITT C.:'CROISSANT, PH.D. A ssistant Professor of English Language in the University of Kansas LAWRENCE, OCTOBER. 1912 PUBLISHED BY THE UNIVERSITY CONTENTS I Notes on Cibber's Plays II Cibber and the Development of Sentimental Comedy Bibliography PREFACE The following studies are extracts from a longer paper on the life and work of Cibber. No extended investigation concerning the life or the literary activity of Cibber has recently appeared, and certain misconceptions concerning his personal character, as well as his importance in the development of English literature and the literary merit of his plays, have been becoming more and more firmly fixed in the minds of students. Cibber was neither so much of a fool nor so great a knave as is generally supposed. The estimate and the judgment of two of his contemporaries, Pope and Dennis, have been far too widely accepted. The only one of the above topics that this paper deals with, otherwise than incidentally, is his place in the development of a literary mode. While Cibber was the most prominent and influential of the innovators among the writers of comedy of his time, he was not the only one who indicated the change toward sentimental comedy in his work. This subject, too, needs fuller investigation. I hope, at some future time, to continue my studies in this field. This work was suggested as a subject for a doctor's thesis, by Professor John Matthews Manly, while I was a graduate student at the University of Chicago a number of years ago, and was con• tinued later under the direction of Professor Thomas Marc Par- rott at Princeton. -
Garofalo Book
Chapter 1 Introduction Fantasies of National Virility and William Wordsworth’s Poet Leader Violent Warriors and Benevolent Leaders: Masculinity in the Early Nineteenth-Century n 1822 British women committed a public act against propriety. They I commissioned a statue in honor of Lord Wellington, whose prowess was represented by Achilles, shield held aloft, nude in full muscular glory. Known as the “Ladies’ ‘Fancy Man,’” however, the statue shocked men on the statue committee who demanded a fig leaf to protect the public’s out- raged sensibilities.1 Linda Colley points to this comical moment in postwar British history as a sign of “the often blatantly sexual fantasies that gathered around warriors such as Nelson and Wellington.”2 However, the statue in its imitation of a classical aesthetic necessarily recalled not only the thrilling glory of Great Britain’s military might, but also the appeal of the defeated but still fascinating Napoleon. After all, the classical aesthetic was central to the public representation of the Revolutionary and Napoleonic regimes. If a classical statue was supposed to apotheosize Wellington, it also inevitably spoke to a revolutionary and mar- tial manhood associated with the recently defeated enemy. Napoleon him- self had commissioned a nude classical statue from Canova that Marie Busco speculates “would have been known” to Sir Richard Westmacott, who cast the bronze Achilles. In fact Canova’s Napoleon was conveniently located in the stairwell of Apsley House after Louis XVIII presented it to the Duke of Wellington.3 These associations with Napoleon might simply have underscored the British superiority the Wellington statue suggested. -
'A Chief Standard Work': the Rise and Fall of David Hume's' History of England'. 1754-C. 1900
’A CHIEF STANDARD WORK’: THE RISE AND FALL OF DAVID HUME’S HISTORY OF ENGLAND. 1754-C.1900. UNIVERSITY OF LONDON PhD THESIS JAMES ANDREW GEORGE BAVERSTOCK UNIVERSITY COLLEGE [LONOIK. ProQuest Number: 10018558 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest. ProQuest 10018558 Published by ProQuest LLC(2016). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. Microform Edition © ProQuest LLC. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 Abstract. This thesis examines the influence of David Hume’s History of England during the century of its greatest popularity. It explores how far the long-term fortunes of Hume’s text matched his original aims for the work. Hume’s success in creating a classic popular narrative is demonstrated, but is contrasted with the History's failure to promote the polite ’coalition of parties’ he wished for. Whilst showing that Hume’s popularity contributed to tempering some of the teleological excesses of the ’whig version’ of English history, it is stressed that his work signally failed in dampening ’Whig’/ ’Tory’ conflict. Rather than provide a new frame of reference for British politics, as Hume had intended, the History was absorbed into national political culture as a ’Tory’ text - with important consequences for Hume’s general reputation as a thinker. -
The Jasper Allen Documents
Worle History Society Jasper Allen Documents Worle History Society The Jasper Allen Documents A collection of documents relating to the holdings of the Smyth-Pigott family in the Worle area 1 Worle History Society Jasper Allen Documents The Allen Documents Introduction In 2013 Worle History Society was extremely fortunate to be offered the loan of a collection of documents relating to the historical property holdings of the Smyth-Pigott family. The loan was kindly made by Jasper Allen, a descendant of the family. Jasper’s mother was Anne Mary Cecilia Smyth-Pigott, daughter of Joseph Ruscombe Wadham Smyth-Pigott, and wife of Wing/Co Hubert R. Allen. The documents were chosen from a wider collection as having particular interest for the Society in its enquiries into the history of our parish. A working group of members was set up to discuss how best to investigate and record the documents. While a full-scale exercise to photograph the documents might have been desirable it was considered to be beyond our means in terms of both expertise and resources. It also seemed to be at least as important to actually come to grips with the contents of the documents and to find some way of recording the information. Accordingly, a record sheet was devised which aimed to capture the main details such as names of individuals, place names, field names and any additional features that might occur. We are presenting the information in the form of a PDF document. We felt that a printed document would be cumbersome and hard to access whereas this format will allow researchers to search for specific names and follow any leads that might result.