Huysmans and Maupassant Following Zola's Model Of
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Bachelors, Bastards, and Nomadic Masculinity: Illegitimacy in Guy De Maupassant and André Gide
Bachelors, Bastards, and Nomadic Masculinity: Illegitimacy in Guy de Maupassant and André Gide by Robert M. Fagley B.A., Slippery Rock University, 2000 M.A., University of Pittsburgh, 2002 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2009 UNIVERSITY OF PITTSBURGH College of Arts and Sciences This dissertation was presented by Robert M. Fagley It was defended on It wasMay defended 13, 2009 on and approved by Dr. Todd Reeser, Associate Professor, French and Italian Dr. Lina Insana, Assistant Professor, French and Italian Dr. Scott Kiesling, Associate Professor, Linguistics Dissertation Advisor: Dr. Giuseppina Mecchia, Associate Professor, French and Italian ii Copyright © by Robert M. Fagley 2009 iii Bachelors, Bastards, and Nomadic Masculinity: Illegitimacy in Guy de Maupassant and André Gide Robert M. Fagley, PhD University of Pittsburgh, 2009 This dissertation is a thematic exploration of bachelor figures and male bastards in literary works by Guy de Maupassant and André Gide. The coupling of Maupassant and Gide is appropriate for such an analysis, not only because of their mutual treatment of illegitimacy, but also because each writer represents a chronologically identifiable literary movement, Realism and Modernism, and each writes during contiguous moments of socio-legal changes particularly related to divorce law and women’s rights, which consequently have great influence on the legal destiny of illegitimate or “natural” children. Napoleon’s Civil Code of 1804 provides the legal (patriarchal) framework for the period of this study of illegitimacy, from about 1870 to 1925. The Civil Code saw numerous changes during this period. -
Guy De Maupassant and the World of the Norman Peasant
MAUPASSANT AND THE NOlli~AN PEASk~T GUY DE YiliUPASSANT AND THE WORLD OF THE NORMAN PEASANT by ALAN HEAP, B.A., (HULL UNIVERSITY) A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree .Master of Arts McMaster University November 1971 MASTER OF ARTS "(1971) McMASTER UNIVERSITY (Romance Languages) Hamilton, Ontario TITLE: GUy de Maupassant and the World of the Norman Peasant AUTHOR: Alan Heap, B.A., Hull University SUPERVISOR: Dr. B. S. Pocknell NUMBER OF PAGES: iv, 188 SCOPE AND CONTENTS: The thesis examines in detail the nature of the contes paysans written by Maupassant and the literary techniques which made this section the most successful in his work. The paper indicates and explains Maupassant's particular affection for the Norman peasant, then examines the different aspects of the peasant's character and the role he plays in the stories. An analysis is also made of other features of the peasant tales, such as the language, the decor, and the social events, while illustrating throughout the literary function of these elements. In the Conclusion, a comparison with other writers serves to demonstrate the reasons for the particular success of the contes paysans. ii -:.' ACKNOWLEDGEMENTS I would like to express my sincere gratitude and appreciation to Dr. B. S. Pocknell, whose constant guidance and attention both to the organisation and to the writing of this thesis were greatly appreciated. iii TAB LE o F CON TEN TS Page CHAPTER I - INTRODUCTION 1 CHAPTER II - CHARACTERISATION OF THE PEASANTS 39 CHAPTER III - THE DECOR AND ITS LITERARY VALUE 125 CHAPTER IV - CONCLUSION 157 BIBLIOGRAPHY 180 iv CHAPTER I INTRODUCTION Most of the critical works on Maupassant's short stories refer at some point to the success of his portrayal of the Norman peasant and to the artistic merits of the peasant contes themselves. -
La Bête Humaine
Émile Zola La bête humaine BeQ Émile Zola 1840-1902 Les Rougon-Macquart La bête humaine roman La Bibliothèque électronique du Québec Collection À tous les vents Volume 90 : version 2.1 2 Les Rougon-Macquart Histoire naturelle et sociale d’une famille sous le Second Empire 1. La fortune des Rougon. 2. La curée. 3. Le ventre de Paris. 4. La conquête de Plassans. 5. La faute de l’abbé Mouret. 6. Son Excellence Eugène Rougon. 7. L’assommoir. 8. Une page d’amour. 9. Nana. 10. Pot-Bouille. 11. Au Bonheur des Dames. 12. La joie de vivre. 13. Germinal. 14. L’œuvre. 15. La terre. 16. Le rêve. 17. La bête humaine. 18. L’argent. 19. La débâcle. 20. Le docteur Pascal. 3 La bête humaine 4 I En entrant dans la chambre, Roubaud posa sur la table le pain d’une livre, le pâté et la bouteille de vin blanc. Mais, le matin, avant de descendre à son poste, la mère Victoire avait dû couvrir le feu de son poêle, d’un tel poussier, que la chaleur était suffocante. Et le sous-chef de gare, ayant ouvert une fenêtre, s’y accouda. C’était impasse d’Amsterdam, dans la dernière maison de droite, une haute maison où la Compagnie de l’Ouest logeait certains de ses employés. La fenêtre, au cinquième, à l’angle du toit mansardé qui faisait retour, donnait sur la gare, cette tranchée large trouant le quartier de l’Europe, tout un déroulement brusque de l’horizon, que semblait agrandir encore, cet après-midi-là, un ciel gris du milieu de février, d’un gris humide et tiède, traversé de soleil. -
Did Pearl Harbor Change Everything?: the Deadly Sins of Biographers,” Journal of Historical Biography 3 (Spring 2008): 88-113
REVIEW ESSAY Did Pearl Harbor Change Everything?: The Deadly Sins of Biographers Hans Renders Carl Rollyson. A Higher Form of Cannibalism?: Adventures in the Art and Politics of Biography. Chicago: Ivan R. Dee, 2005. pp. ix + 197; Carl Rollyson. Biography: An Annotated Bibliography. Backinprint.com, 2007. pp. 232; Nigel Hamilton. Biography: A Brief History. Cambridge, MA: Harvard University Press, 2007. pp. 345; Ann Jefferson. Biography and the Question of Literature in France. Oxford: Oxford University Press, 2007. pp. 448; Myriam Boucharenc. L’Écrivain-reporter au coeur des années trente. Villeneuve d’ascq Cédex: Presses Universitaires du Septentrion, 2004. pp. 243. NUMBER OF INTRIGUING THEORETICAL PUBLICATIONS on the biograph- A ical enterprise have recently been published, offering a new opportunity to chart changes in the genre since the mid-nineteenth century, some of which have been driven by developments in journalism. Another key area for exploration is the tension between fictionalised biography and the genre as approached by historians. While an artificial distinction is sometimes posited between those whose primary focus is literary on the one hand, and scholarly writers on the other, writing well is just as important to non-fiction Hans Renders, “Did Pearl Harbor Change Everything?: The Deadly Sins of Biographers,” Journal of Historical Biography 3 (Spring 2008): 88-113, www.ucfv.ca/jhb. © Journal of Historical Biography 2008. This work is licensed under a Creative Commons 3.0 License. DID PEARL HARBOR CHANGE EVERYTHING? 89 writers as it is to novelists. And work that is historically verifiable will almost certainly better stand the test of time in any genre. -
Ach Food Companies Inc. Athena Foods Atlantic Beverage Company
ACH FOOD COMPANIES INC. BOOTH # 184 Item # Description Unit MFG # Allowance QTY 31340 24/1 LB CORN STARCH (ARGO) Case 2001561 $0.50 40614 4/1 GL SYRUP CORN SYRUP RED NO HFCS (KARO) Case 2010736 $2.00 AJINOMOTO BOOTH # 186 Item # Description Unit MFG # Allowance QTY 70804 6/4 LB APTZR MOZZARELLA STICK BREADED (FRED'S) Case 205120 $0.50 71851 6/2 LB APTZR GOUDA SMK BACON BITE (FRED'S) Case 0142020 $0.50 71853 4/4 LB APTZR PICKLE SPEAR GRL&ONION (FRED'S) Case 2270120 $0.50 A1001 TOASTED ONION BATTERED GREEN BEAN Case 0275720 $0.50 A1002 6/2 LB PICKLE CHIP BATTERED Case 0274120 $0.50 A1003 CHEESE CURD BATTERED Case 0606420 $0.50 ATHENA FOODS BOOTH # 191 Item # Description Unit MFG # Allowance QTY 42570 4/8 LB DRSNG MEDITERRANEAN (SWT LORAIN) Case 12804NMD 42572 4/8 LB DRSNG GINGER SOY (SWT LORAIN) Case 12804NGSD 42574 4/8 LB DRSNG BALSAMIC VINIAGRETTE (SWT LORAIN) Case 12804NBSD 42576 4/8 LB DRSNG POPPYSEED (SWT LORAIN) Case 12804NPSD 42578 4/8 LB DRSNG CAESAR VEGAN (SWT LORAIN) Case 12804NVSD 42760 12/13 OZ DRSNG SHIELD'S RETAIL (SHIELDS) Case 1312NSD 73322 4/8 LB SAUCE CHEESE (SWT LORAIN) Case 12804NCS 73324 4/3 LB PESTO FROZEN (SWT LORAIN) Case 4804NSP 74340 18/12 ct QUICHE FRZ SPINACH ATHN (ATHENA FOO) Case 1218NSQ ATLANTIC BEVERAGE COMPANY BOOTH # 196 Item # Description Unit MFG # Allowance QTY 12001 6/#10 BEAN BLACK #10 (SUNFIELD) Case 700250 12018 6/#10 OLIVE BLACK SLICED SPANISH (ASSAGIO) Case 700890 13219 6/108 OZ PINEAPPLE TIDBIT #10 (SUNFIELD) Case 703076 33210 4/6 LB SEASONING LEMON PEPPER (ASSAGIO) Case 708200 40841 4/1 GL SAUCE HOT FRANK'S (FRENCHS) Case 05560 40844 4/1 GL SAUCE HOT BUFFALO WING FRANKS (FRENCHS) Case 74161 41509 1/2000 CT SWEETNER (SPLENDA) Case 822413 Tuesday, September 3, 2019 Page 1 of 18 41573 4/1 GL PEPPER PEPPERONCINI (CORCEL) Case 701280 42633 1/12 KG OLIVE KALAMATA X LARGE 201/23 (CORCEL) Pail 701120 BARILLA GROUP INC. -
The Necklace”Ishismost Freed Himtowritefulltime
MAKING MEANING About the Author The Necklace Concept Vocabulary You will encounter the following words as you read “The Necklace.” Before reading, note how familiar you are with each word. Then, rank the words in order from most familiar (1) to least familiar (6). A master of the short story, WORD YOUR RANKING Guy de Maupassant (1850–1893) wrote tales refinement that are both realistic and pessimistic and that suppleness frequently offer unforeseen endings. Following military exquisite service, Maupassant settled in Paris and joined a circle gallantries of writers led by novelist Emile Zola. With Zola’s resplendent encouragement, Maupassant published his first short story, homage “Ball of Fat,” which earned him immediate fame and After completing the first read, come back to the concept vocabulary and freed him to write full time. review your rankings. Mark changes to your original rankings as needed. “The Necklace” is his most widely read work. First Read FICTION Apply these strategies as you conduct your first read. You will have an opportunity to complete the close-read notes after your first read. Tool Kit First-Read Guide and Model Annotation NOTICE whom the story is ANNOTATE by marking about, what happens, where vocabulary and key passages and when it happens, and you want to revisit. why those involved react as they do. CONNECT ideas within RESPOND by completing the selection to what you the Comprehension Check and already know and what you by writing a brief summary of have already read. the selection. STANDARDS Reading Literature By the end of grade 10, read and All rights reserved. -
Tolstoy and Zola: Trains and Missed Connections
Tolstoy and Zola: Trains and Missed Connections Nina Lee Bond Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences COLUMBIA UNIVERSITY 2011 © 2011 Nina Lee Bond All rights reserved ABSTRACT Tolstoy and Zola: Trains and Missed Connections Nina Lee Bond ŖTolstoy and Zolaŗ juxtaposes the two writers to examine the evolution of the novel during the late nineteenth century. The juxtaposition is justified by the literary critical debates that were taking place in Russian and French journals during the 1870s and 1880s, concerning Tolstoy and Zola. In both France and Russia, heated arguments arose over the future of realism, and opposing factions held up either Tolstoyřs brand of realism or Zolařs naturalism as more promising. This dissertation uses the differences between Tolstoy and Zola to make more prominent a commonality in their respective novels Anna Karenina (1877) and La Bête humaine (1890): the railways. But rather than interpret the railways in these two novels as a symbol of modernity or as an engine for narrative, I concentrate on one particular aspect of the railway experience, known as motion parallax, which is a depth cue that enables a person to detect depth while in motion. Stationary objects close to a travelling train appear to be moving faster than objects in the distance, such as a mountain range, and moreover they appear to be moving backward. By examining motion parallax in both novels, as well as in some of Tolstoyřs other works, The Kreutzer Sonata (1889) and The Death of Ivan Il'ich (1886), this dissertation attempts to address an intriguing question: what, if any, is the relationship between the advent of trains and the evolution of the novel during the late nineteenth century? Motion parallax triggers in a traveler the sensation of going backward even though one is travelling forward. -
Circulation and Permanence of French Naturalist Literature in Brazil
Circulation and Permanence of French Naturalist Literature in Brazil Pedro Paulo GARCIA FERREIRA CATHARINA Federal University of Rio de Janeiro RÉSUMÉ Cet article se propose de retracer la présence de la littérature naturaliste française au Brésil à partir de la seconde moitié du XIXe siècle jusqu’en 1914, en mettant en relief son importance et sa diversité dans le champ littéraire brésilien ainsi que sa permanence à travers l’association avec d’autres formes d’art, notamment le théâtre et le cinéma. À l’appui, il présente des données qui témoignent de la circulation dans le pays des œuvres des principaux écrivains naturalistes français le long de cette période et de l’existence d’un public varié de lecteurs. Enfin, il montre comment ces écrivains naturalistes devenus des célébrités ont pu exercer leur emprise au- delà de la sphère littéraire proprement dite, surtout sur la mode et les coutumes The reader, who on 10 January 1884 thumbed through a copy of the newspaper Gazeta de notícias from Rio de Janeiro, could find on page two an announcement about a curious fashion item – the literary bracelet. The object that was “to cause an uproar among wealthy women” comprised twelve gold coins inserted into two chains containing, on the back, the name of the owner’s favourite authors. The decorative item was a “kind of confession” of the wearer’s literary preferences: […] For example, the ladies who favour naturalist literature will carry the names of Zola, Goncourt, Maupassant, Eça de Queirós, Aluísio Azevedo, etc. The ladies who are more inclined to the romantic school will adopt on their bracelets the names of Rousseau, Byron, Musset, Garret, Macedo, etc. -
Artists at Play Natalia Erenburg, Iakov Tugendkhold, and the Exhibition of Russian Folk Art at the “Salon D’Automne” of 1913
Experiment 25 (2019) 328-345 brill.com/expt Artists at Play Natalia Erenburg, Iakov Tugendkhold, and the Exhibition of Russian Folk Art at the “Salon d’Automne” of 1913 Anna Winestein Executive Director, Ballets Russes Arts Initiative, and Associate, Davis Center at Harvard University and Center for the Study of Europe at Boston University [email protected] Abstract The exhibition of Russian folk art at the Paris “Salon d’Automne” of 1913 has been gen- erally overlooked in scholarship on folk art, overshadowed by the “All-Russian Kustar Exhibitions” and the Moscow avant-garde gallery shows of the same year. This article examines the contributions of its curator, Natalia Erenburg, and the project’s instiga- tor, Iakov Tugendkhold, who wrote the catalogue essay and headed the committee— both of whom were artists who became critics, historians, and collectors. The article elucidates the show’s rationale and selection of exhibits, the critical response to it and its legacy. It also discusses the artistic circles of Russian Paris in which the project origi- nated, particularly the Académie russe. Finally, it examines the project in the context of earlier efforts to present Russian folk art in Paris, and shows how it—and Russian folk art as a source and object of collecting and display—brought together artists, collec- tors, and scholars from the ranks of the Mir iskusstva [World of Art] group, as well as the younger avant-gardists, and allowed them to engage Parisian and European audi- ences with their own ideas and artworks. Keywords “Salon d’Automne” – Natalia Erenburg – Iakov Tugendkhold – Russian folk art – Paris – Mir iskusstva – Mikhail Larionov – Academie russe Overshadowed by both the “All-Russian Kustar Exhibitions” of 1902 and 1913 in St. -
Le Naturalisme, Le Déterminisme Et L‟Étude Du Milieu Dans Germinal D‟Émile Zola Et Sub Terra De Baldomero Lillo
Le Naturalisme, le Déterminisme et l‟Étude du Milieu dans Germinal d‟Émile Zola et Sub Terra de Baldomero Lillo by Marie-Anne Valente A Thesis Presented in Partial Fulfillment of the Requirements for the Degree Master of Arts Approved April 2012 by the Graduate Supervisory Committee: Frédéric Canovas, Chair Markus Cruse David Foster ARIZONA STATE UNIVERSITY May 2012 ABSTRACT Émile Zola is considered one of the fathers of 19th century French Naturalist literature. He is famous for his eloquence, sarcasm and is well known for being a provocateur. He wants to follow the principles of science: observation of his characters in their living environment (or milieu). He holds that individuals inherit physical and personality traits from their ancestors, such as atavism, which can be passed from grandfather to father and father to son. This assumption leads to Social Darwinism and impacted Zola like many other European intellectuals who believed in the new social sciences. Religion was going extinct on the old continent and the trend was to apply these theories to literature and humanities. The author also captures the political and social unrest of a struggling working class in his novel Germinal, where starving miners rebel against the bourgeois class that exploits them. Baldomero Lillo is a Chilean naturalist follower of Émile Zola who found inspiration in Germinal to write Sub Terra–short stories depicting the grim life of the coal miners. The author knows them well since he shared his existence with the miners in Lota, in the southern region of Santiago. Unlike Zola, Lillo, who was less educated and less inclined to trust science, opts for a compassionate Naturalism which relates more to his culture and personal inclinations. -
La Terre 42Nd Annual Nineteenth-Century French Studies Colloquium
La Terre 42nd Annual Nineteenth-Century French Studies Colloquium All sessions will take place at the conference hotel: The Providence Biltmore Thursday, October 27, 2016 Session I: 12:00pm - 1:30pm Panel I.A: Landscape Painting (State Suite A, 2nd floor) Chair: Britany Salsbury (Rhode Island School of Design) 1. Nicole Georgopulos (Stony Brook University), “‘The Cradle of Things’: Origins and Ontogenesis in Late Landscapes of Gustave Courbet” 2. Érika Wicky (Université de Liège), “L’art du paysage à l'ère de la photographie” 3. Therese Dolan (Temple University), “Terre-atorialism in the Art of the Pennsylvania Impressionist Painters” Panel I.B: Women Exploring Unfamiliar Territories (WIF) (Salon 2, 17th floor) Chair: Cecilia Beach (Alfred University) 1. Meera Jagannathan (University of Houston), “Trauma of Deracination in Flora Tristan: The Pariah as Traveling Metaphor” 2. Cecilia Beach (Alfred University), “André Léo’s Italian Novels: An Ecocritique” 3. Catherine Schmitz (Wofford College), “‘Lettres sur l’exposition, À vol d’oiseau’ : Madame de Rute et l’exposition universelle de 1889” 4. Arline Cravens (Saint Louis University), “Landscaping the feminine in Sand’s Laura ou le voyage dans le cristal” Panel I.C : Le Culte de la Terre (State Suite C, 2nd floor) Chair: Sophie Brunau-Zaragoza (Brown University) 1. Maxime Foerster (Southern Methodist University), “Aux racines du fascisme français : l'importance de la terre chez Gobineau, Drumont et Barrès” 2. Leila Ennaili (Central Michigan University), “Région et nation : la pensée de la terre chez Maurice Barrès au lendemain de la guerre franco-prussienne” 3. Brigitte Krulic (Université Paris Ouest Nanterre), “Maurice Barrès : Refonder le peuple français par les injonctions de la Terre et des Morts” 4. -
Realism in Paris: a Partnership Between Guy De Maupassant and Baron Georges Haussmann Julie M. Patterson a SENIOR THESIS For
Realism in Paris: A Partnership Between Guy de Maupassant and Baron Georges Haussmann by Julie M. Patterson A SENIOR THESIS for the UNIVERSITY HONORS COLLEGE Submitted to the University Honors College at Texas Tech University in partial fulfillment of the requirement for the degree designation of HIGHEST HONORS December 2001 Approved by: L2. - /~>- o I Dr."we~dell M·. KycocV ' Date Associate Dean, Graduate School 9 ;, ~~~ ~I Dr. Gary ~ell Date Dean, Uni rsity Honors College The author approves the photocopying of this document for educational purposes. %0^ P Teddle of Contents Acknowledgements 2 Notes on Text 3 Section I I. Introduction 5 II. Baron Georges Haussmann And His Public Works Progreuns For Paris 7 A. ^^Les Reseaiix" 10 B. Haussmann, Realism, and Nineteenth-Century Paris...l3 Section II. Discussion of Short Stories I. Guy de Maupassant 17 II. Haussmannization and Maupassant's Female Characters...21 III. Cemeteries and Parisians 29 IV. Women's Roles and Haussmannization. 36 V. Tradi t ion v. Haus smanni z at ion 41 Conclusion 52 Bibliography 54 Acknowledgements I would like to extend my deepest appreciation to several individuals who have helped me with this project. Dr. Wendell Aycock acted as my mentor professor for this project. He helped me formulate many of my ideas, potential research avenues, and acted as my main editor. He introduced me to Guy de Maupassant and lent me anything I needed out of his own resource materials for this project. Dr. Jill Patterson acted as my reviewing professor and did wonders with the editing process. I would also like to thank the Texas Tech Honors College for giving me the opportunity to undergo this kind of project at the undergraduate level.