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French 2nde (10th Grade FB) [4 periods per week] Mme. Christelle Joyeux Course Description The objective of this course is to make the students discover the French heritage through French literature. They work on reading diverse and rich French works written by the finest authors, that relate to topics prescribed by the French Ministry of Education. Every school year covers 4 to 6 topics. The texts the students work on are meant to be analyzed, both formally and grammatically. Paintings and movies could also be analyzed to enhance the understanding of students on the designated topic. In addition to literature, students will strengthen their writing and oral skills by working on grammar, vocabulary and spelling exercises. Skills: ● Reading comprehension ● Oral comprehension and expression ● Creative writing and essay writing ● Film and painting analysis ● Spelling ● Enhance their general knowledge of French culture Timeline August – October: Novels and short stories – Realism with Boule de suif, Guy de Maupassant, and a study of naturalism with Thérèse Raquin, from Émile Zola . Cursive reading: La peau de Chagrin, Honoré de Balzac. October – December: Poetry, 16th century: a collection of poems around the topic of woman’s image in the poetry of the 15th and 16th centuries and the literary form of the sonnet. Sonnets of Louise Labé, Sonnets pour Hélène, Pierre de Ronsard, Voiture. A study of baroque poetry. January – March: Theater with Molière and L’Ecole des Femmes + On ne badine pas avec l’amour, Alfred de Musset – Play analysis with filmed extracts March – End of the year: Press and polemic literature: how the writers express their opinions through literature. Candide from Voltaire. Le dernier jour d’un condamné, Victor Hugo, Émile Zola, contemporary authors published in newspapers. .

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Bachelors, Bastards, and Nomadic Masculinity: Illegitimacy in Guy De Maupassant and André Gide
Bachelors, Bastards, and Nomadic Masculinity: Illegitimacy in Guy de Maupassant and André Gide by Robert M. Fagley B.A., Slippery Rock University, 2000 M.A., University of Pittsburgh, 2002 Submitted to the Graduate Faculty of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2009 UNIVERSITY OF PITTSBURGH College of Arts and Sciences This dissertation was presented by Robert M. Fagley It was defended on It wasMay defended 13, 2009 on and approved by Dr. Todd Reeser, Associate Professor, French and Italian Dr. Lina Insana, Assistant Professor, French and Italian Dr. Scott Kiesling, Associate Professor, Linguistics Dissertation Advisor: Dr. Giuseppina Mecchia, Associate Professor, French and Italian ii Copyright © by Robert M. Fagley 2009 iii Bachelors, Bastards, and Nomadic Masculinity: Illegitimacy in Guy de Maupassant and André Gide Robert M. Fagley, PhD University of Pittsburgh, 2009 This dissertation is a thematic exploration of bachelor figures and male bastards in literary works by Guy de Maupassant and André Gide. The coupling of Maupassant and Gide is appropriate for such an analysis, not only because of their mutual treatment of illegitimacy, but also because each writer represents a chronologically identifiable literary movement, Realism and Modernism, and each writes during contiguous moments of socio-legal changes particularly related to divorce law and women’s rights, which consequently have great influence on the legal destiny of illegitimate or “natural” children. Napoleon’s Civil Code of 1804 provides the legal (patriarchal) framework for the period of this study of illegitimacy, from about 1870 to 1925. The Civil Code saw numerous changes during this period.
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The Necklace”Ishismost Freed Himtowritefulltime
MAKING MEANING About the Author The Necklace Concept Vocabulary You will encounter the following words as you read “The Necklace.” Before reading, note how familiar you are with each word. Then, rank the words in order from most familiar (1) to least familiar (6). A master of the short story, WORD YOUR RANKING Guy de Maupassant (1850–1893) wrote tales refinement that are both realistic and pessimistic and that suppleness frequently offer unforeseen endings. Following military exquisite service, Maupassant settled in Paris and joined a circle gallantries of writers led by novelist Emile Zola. With Zola’s resplendent encouragement, Maupassant published his first short story, homage “Ball of Fat,” which earned him immediate fame and After completing the first read, come back to the concept vocabulary and freed him to write full time. review your rankings. Mark changes to your original rankings as needed. “The Necklace” is his most widely read work. First Read FICTION Apply these strategies as you conduct your first read. You will have an opportunity to complete the close-read notes after your first read. Tool Kit First-Read Guide and Model Annotation NOTICE whom the story is ANNOTATE by marking about, what happens, where vocabulary and key passages and when it happens, and you want to revisit. why those involved react as they do. CONNECT ideas within RESPOND by completing the selection to what you the Comprehension Check and already know and what you by writing a brief summary of have already read. the selection. STANDARDS Reading Literature By the end of grade 10, read and All rights reserved.
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Realism in Paris: a Partnership Between Guy De Maupassant and Baron Georges Haussmann Julie M. Patterson a SENIOR THESIS For
Realism in Paris: A Partnership Between Guy de Maupassant and Baron Georges Haussmann by Julie M. Patterson A SENIOR THESIS for the UNIVERSITY HONORS COLLEGE Submitted to the University Honors College at Texas Tech University in partial fulfillment of the requirement for the degree designation of HIGHEST HONORS December 2001 Approved by: L2. - /~>- o I Dr."we~dell M·. KycocV ' Date Associate Dean, Graduate School 9 ;, ~~~ ~I Dr. Gary ~ell Date Dean, Uni rsity Honors College The author approves the photocopying of this document for educational purposes. %0^ P Teddle of Contents Acknowledgements 2 Notes on Text 3 Section I I. Introduction 5 II. Baron Georges Haussmann And His Public Works Progreuns For Paris 7 A. ^^Les Reseaiix" 10 B. Haussmann, Realism, and Nineteenth-Century Paris...l3 Section II. Discussion of Short Stories I. Guy de Maupassant 17 II. Haussmannization and Maupassant's Female Characters...21 III. Cemeteries and Parisians 29 IV. Women's Roles and Haussmannization. 36 V. Tradi t ion v. Haus smanni z at ion 41 Conclusion 52 Bibliography 54 Acknowledgements I would like to extend my deepest appreciation to several individuals who have helped me with this project. Dr. Wendell Aycock acted as my mentor professor for this project. He helped me formulate many of my ideas, potential research avenues, and acted as my main editor. He introduced me to Guy de Maupassant and lent me anything I needed out of his own resource materials for this project. Dr. Jill Patterson acted as my reviewing professor and did wonders with the editing process. I would also like to thank the Texas Tech Honors College for giving me the opportunity to undergo this kind of project at the undergraduate level.
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The Necklace by Guy De Maupassant
A Critical Analysis An eminent French writer of short stories, novels, and poetry Also Known As: Henri René Albert Guy de Maupassant, Guy de Valmont, Joseph Prunier, Maufrigneuse Born: August 5, 1850 in Tourville-sur-Arques, France Parents: Laure Le Poittevin, Gustave de Maupassant Died: July 6, 1893 in Passy, Paris, France Education: Institution Leroy-Petit, in Rouen, Lycée Pierre-Corneille in Rouen Published Works: Boule de Suif, La Maison Tellier, The Necklace, A Piece of String, Mademoiselle Fifi, Miss Harriet, My Uncle Jules, Found on a Drowned Man, The Wreck, Une Vie, Bel-Ami, Pierre et Jean Illusions and Superficialities The reality of Mathilde’s situation is that she is neither wealthy nor part of the social class of which she feels she is a deserving member, but Mathilde does everything in her power to make her life appear different from how it is. She lives in an illusory world where her actual life does not match the ideal life she has in her head—she believes that her beauty and charm make her worthy of greater things. The party is a triumph because for the first time, her appearance matches the reality of her life. She is prettier than the other women, sought after by the men, and generally admired and flattered by all. Her life, in the few short hours of the party, is as she feels it should be. However, beneath this rightness and seeming match of appearances and reality is the truth that her appearance took a great deal of scheming and work. The bliss of her evening was not achieved without angst, and the reality of her appearance is much different than it seems.
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CAS LF 343 La France À Paris : Paris in Literature Credits: 4 Professor
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Bel-Ami” Is a Novel in Which the Reader Is Drawn by the Visual Appeal of the Colourful Descriptions
Abstract Published in 1885, Maupassant’s “Bel-ami” is a novel in which the reader is drawn by the visual appeal of the colourful descriptions. Although the novel can be read as the story about the advance of a mediocre man to social and political prominence, this article will show that Maupassant uses a dual-voiced discourse and juxtaposes a recognizable 19th century Paris and his protagonist’s sexual exploits in order to call our attention to the duplicity of the Parisian th society during Belle-époque. In spite of his 19 century Paris: carefully assumed impartiality, we shall see that Shifting Norms and Ironic Maupassant’s style is marked by ironical Storytelling in Maupassant’s comments where apparently insignificant remarks reveal their implications as the “Bel-ami” narrative unfolds. Copyright © Marie-Anne Visoi In “Bel-ami”, Maupassant challenges the modern reader to reconstruct various aspects of 19th century Paris as they are revealed through descriptive scenes. As I propose to show, the consistent shift between an ironic narrator and the represented speech of the main character in this novel creates a dual-voiced discourse that enables us to have a clear view of the Parisian society of Maupassant’s time. The uniform simplicity and clarity of Maupassant’s style succeed in conveying his protagonist’s thoughts and feelings without breaking the illusion of fiction. As the reader gradually finds out through carefully sequenced descriptive detail, Duroy’s seductive power and provocative sensuality will enable him to change his destiny from a modest clerk working at Northern Railway to a millionaire who has learnt how to manipulate women in order to climb the social ladder.
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The Necklace
33171 05 0060-0067.ps 4/26/06 12:42 PM Page 60 GUY DE MAUPASSANT [1850–1893] The Necklace TRANSLATED BY MARJORIE LAURIE, 1934 Born in Normandy, France, Guy de Maupassant (1850–1893) expe- rienced trouble at home, particularly with his stockbroker father, and at school. After serving in the army during the Franco-Prussian War (1870–1871), he studied with Gustave Flaubert for seven years and made writing his career. Although he also wrote poems, travel books, and several novel-length stories, Maupassant is primarily remembered for his more than 300 short stories, written in slightly more than ten years. His naturalistic and ironic treatment of human weaknesses in tightly structured stories won him a lasting place in literature. Mau- passant died of syphilis at age forty-three. She was one of those pretty and charming girls who are sometimes, as if by a mistake of destiny, born in a family of clerks. She had no dowry, no expectations, no means of being known, understood, loved, wedded by any rich and distinguished man; and she let herself be married to a little clerk at the Ministry of Public Instructions. She dressed plainly because she could not dress well, but she was as unhappy as though she had really fallen from her proper station, since with women there is neither caste nor rank: and beauty, grace, and charm act instead of family and birth. Natural ﬁneness, instinct for what is elegant, suppleness of wit, are the sole hierarchy, and make from women of the people the equals of the very greatest ladies.
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PDF / Useless Beauty ~ Read
Useless Beauty < eBook // LVG110W5Y1 Useless Beauty By Guy de Maupassant Createspace, United States, 2014. Paperback. Book Condition: New. 198 x 129 mm. Language: English . Brand New Book ***** Print on Demand *****. Useless Beauty is a short story by Guy de Maupassant. Henri Rene Albert Guy de Maupassant (5 August 1850 - 6 July 1893) was a popular 19th-century French writer, considered one of the fathers of the modern short story and one of the form s finest exponents. A protege of Flaubert, Maupassant s stories are characterized by their economy of style and efficient, effortless denouements. Many of the stories are set during the Franco-Prussian War of the 1870s and several describe the futility of war and the innocent civilians who, caught in the conflict, emerge changed. He authored some 300 short stories, six novels, three travel books, and one volume of verse. His first published story Boule de Suif ( Ball of Fat, 1880) is often considered his masterpiece. He delighted in clever plotting, and served as a model for Somerset Maugham and O. Henry in this respect. His stories about expensive jewellery ( The Necklace, La parure ) are imitated with a twist by Maugham ( Mr Know-All, A String of Beads ) and Henry James... READ ONLINE [ 7.04 MB ] Reviews Without doubt, this is actually the best operate by any article writer. Indeed, it can be perform, nonetheless an interesting and amazing literature. Its been written in an exceedingly straightforward way in fact it is only soon aer i finished reading through this book through which in fact changed me, modify the way in my opinion.
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Boule De Suif Pdf Download
Boule De Suif Pdf By Guy de Maupassant This version of pdf is Re-designed by Pdfcorner.com © Copyright Reserved 2018 Boule de Suif Guy de Maupassant Author’s biography Henri Rene` Albert Guy de Maupassant was born on the 5 August 1850 in Tourville sur Arques. It is believed that Maupassant was born at Chateau de Miromesniel, although it is speculated that his parents moved from their humble house in Fe`camp to the imposing Miromeniel mansion to give their first-born child a high-sounding birth place. His parents separated when he was eleven years old, and he lived all of his early years in his native Normandy. Maupassant was born with the gift of a photographic memory, and this innate talent helped him to remember the nuances of Norman people that later made his stories so descriptive. In 1869, Maupassant moved to Paris to study Law, but by the age of twenty he volunteered to serve in the army during the Franco-Prussian War. After the war he joined the literary circle headed by Gustave Flaubert. The famous writer was a friend of Maupassant’s mother. Flaubert introduced his new protégé to other writers, including Emile Zola, Ivan Turgenev, and Henry James. Flaubert was wholly impressed with Maupassant and became obsessed with teaching the young Maupassant the art of seeing although the young author was grateful for Flaubert’s instruction and doting, he was much more lighthearted and cynical than his mentor. An Anthology of Short Stories : Boule de Suif During the Franco-Prussian War Maupassant worked in the Intendence or military supply corps at Le Havre.
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Exploring French Short Stories: Guy De Maupassant's Writing Style and Social Justice
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Boule De Suif and Other Stories the Works of Guy De Maupassant Volume I
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Ivan Bunin and Guy De Maupassant: Ties Across Creative Writing
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