SNAG 2015 Boston Conference Program Book
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University of California Berkeley Regional Oral History Office University of California The Bancroft Library Berkeley, California Fiber Arts Oral History Series Kay Sekimachi THE WEAVER'S WEAVER: EXPLORATIONS IN MULTIPLE LAYERS AND THREE-DIMENSIONAL FIBER ART With an Introduction by Signe Mayfield Interviews Conducted by Harriet Nathan in 1993 Copyright 1996 by The Regents of the University of California Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the Nation. Oral history is a modern research technique involving an interviewee and an informed interviewer in spontaneous conversation. The taped record is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The resulting manuscript is typed in final form, indexed, bound with photographs and illustrative materials, and placed in The Bancroft Library at the University of California, Berkeley, and other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ************************************ All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and Kay Sekimachi dated April 16, 1995. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley. No part of the manuscript may be quoted for publication without the written permission of the Director of The Bancroft Library of the University of California, Berkeley. -
The Keep Eastern Illinois University
Eastern Illinois University The Keep 2005 Press Releases 4-5-2005 04/05/2005 - Eastern To Celebrate 50 Years Of Graduate Education.pdf University Marketing and Communications Follow this and additional works at: http://thekeep.eiu.edu/press_releases_2005 Recommended Citation University Marketing and Communications, "04/05/2005 - Eastern To Celebrate 50 Years Of Graduate Education.pdf" (2005). 2005. 78. http://thekeep.eiu.edu/press_releases_2005/78 This Article is brought to you for free and open access by the Press Releases at The Keep. It has been accepted for inclusion in 2005 by an authorized administrator of The Keep. For more information, please contact [email protected]. Eastern to Celebrate 50 Years of Graduate Education Apr-05-2005 Eastern Illinois University will celebrate 50 years of graduate education on April 14, 15 and 16 by welcoming 50 outstanding graduate alumni back to campus, where they will be recognized for their achievements. Eastern began its graduate education curriculum in 1951 with an initial enrollment of three students. The university currently enrolls more than 1,700 graduate students across all of its academic colleges, and confers approximately 500 graduate degrees each year. To acknowledge Eastern's 50-year achievement in Graduate Education, the Council on Graduate Studies asked that graduate programs identify 50 outstanding graduate alumni from the past five decades. These individuals will return to campus to be honored with a series of events in celebration of this milestone in the Graduate School 's history. Award recipients will be welcomed to campus by the Graduate Student Advisory Council. Recipients will be recognized informally during the annual Distinguished Graduate Students Award Ceremony at 4 p.m. -
Myth and Memory: the Legacy of the John Hancock House
MYTH AND MEMORY: THE LEGACY OF THE JOHN HANCOCK HOUSE by Rebecca J. Bertrand A thesis submitted to the Faculty of the University of Delaware in partial fulfillment of the requirements for the degree of Master of Arts in American Material Culture Spring 2010 Copyright 2010 Rebecca J. Bertrand All Rights Reserved MYTH AND MEMORY: THE LEGACY OF THE JOHN HANCOCK HOUSE by Rebecca J. Bertrand Approved: __________________________________________________________ Brock Jobe, M.A. Professor in charge of thesis on behalf of the Advisory Committee Approved: __________________________________________________________ J. Ritchie Garrison, Ph.D. Director of the Winterthur Program in American Material Culture Approved: __________________________________________________________ George H. Watson, Ph.D. Dean of the College of Arts and Sciences Approved: __________________________________________________________ Debra Hess Norris, M.S. Vice Provost for Graduate and Professional Education ACKNOWLEDGMENTS Every Massachusetts schoolchild walks Boston’s Freedom Trail and learns the story of the Hancock house. Its demolition served as a rallying cry for early preservationists and students of historic preservation study its importance. Having been both a Massachusetts schoolchild and student of historic preservation, this project has inspired and challenged me for the past nine months. To begin, I must thank those who came before me who studied the objects and legacy of the Hancock house. I am greatly indebted to the research efforts of Henry Ayling Phillips (1852- 1926) and Harriette Merrifield Forbes (1856-1951). Their research notes, at the American Antiquarian Society in Worcester, Massachusetts served as the launching point for this project. This thesis would not have been possible without the assistance and guidance of my thesis adviser, Brock Jobe. -
The Factory of Visual
ì I PICTURE THE MOST COMPREHENSIVE LINE OF PRODUCTS AND SERVICES "bey FOR THE JEWELRY CRAFTS Carrying IN THE UNITED STATES A Torch For You AND YOU HAVE A GOOD PICTURE OF It's the "Little Torch", featuring the new controllable, méf » SINCE 1923 needle point flame. The Little Torch is a preci- sion engineered, highly versatile instrument capa- devest inc. * ble of doing seemingly impossible tasks with ease. This accurate performer welds an unlimited range of materials (from less than .001" copper to 16 gauge steel, to plastics and ceramics and glass) with incomparable precision. It solders (hard or soft) with amazing versatility, maneuvering easily in the tightest places. The Little Torch brazes even the tiniest components with unsurpassed accuracy, making it ideal for pre- cision bonding of high temp, alloys. It heats any mate- rial to extraordinary temperatures (up to 6300° F.*) and offers an unlimited array of flame settings and sizes. And the Little Torch is safe to use. It's the big answer to any small job. As specialists in the soldering field, Abbey Materials also carries a full line of the most popular hard and soft solders and fluxes. Available to the consumer at manufacturers' low prices. Like we said, Abbey's carrying a torch for you. Little Torch in HANDY KIT - —STARTER SET—$59.95 7 « '.JBv STARTER SET WITH Swest, Inc. (Formerly Southwest Smelting & Refining REGULATORS—$149.95 " | jfc, Co., Inc.) is a major supplier to the jewelry and jewelry PRECISION REGULATORS: crafts fields of tools, supplies and equipment for casting, OXYGEN — $49.50 ^J¡¡r »Br GAS — $49.50 electroplating, soldering, grinding, polishing, cleaning, Complete melting and engraving. -
Textile Society of America Newsletter 23:2 •Fl Spring/Summer 2011
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Newsletters Textile Society of America Spring 2011 Textile Society of America Newsletter 23:2 — Spring/Summer 2011 Textile Society of America Follow this and additional works at: https://digitalcommons.unl.edu/tsanews Part of the Art and Design Commons Textile Society of America, "Textile Society of America Newsletter 23:2 — Spring/Summer 2011" (2011). Textile Society of America Newsletters. 61. https://digitalcommons.unl.edu/tsanews/61 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Newsletters by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Textile VOLUME 23 n NUMBER 2 n SPRING/SUMMER, 2011 Society of America Tinkuy de Tejedores by Marilyn Murphy CONTENTS accompanied with translations in English, Quechua, and Spanish. 1 Tinkuy de Tejedores Topics covering fiber and natu- 2 TSA News ral dyes, ancient and traditional 3 From the President weaving, and the recovery and commercialization of textiles 4 TSA Study Tours were crammed into two days. 5 TSA Member News Representatives from the commu- 8 Tinkuy de Tejedores, cont’d. nities spoke alongside the scholars and other invited guests. Q&A 9 Conference Reviews time followed each presentation. 10 Symposium 2010: Reports by For most of the first day, the TSA Award Recipients questions came from the English- 11 Textile Community News speaking participants. But slowly, 13 Book Reviews the indigenous women’s voices emerged. 14 Publication News GATHERING OF WEAVERS The Welcome Ceremony The richness of Tinkuy went 15 Featured Collection: American took place in the Sacred was led by an Andean priest, far beyond the speakers and their Swedish Institute A Valley of Peru Nov. -
NBAF Final Environmental Impact Statement
NATIONAL BIO AND AGRO-DEFENSE FACILITY FINAL ENVIRONMENTAL IMPACT STATEMENT APPENDIX H COMMENT RESPONSE DOCUMENT DECEMBER 2008 U.S. DEPARTMENT OF HOMELAND SECURITY Chapter 1 – Comment Response Document NBAF Final Environmental Impact Statement Comment Response Document, Chapter 1 PUBLIC COMMENT PROCESS This chapter of the Comment Response Document describes the public comment process for the National Bio and Agro-Defense Facility (NBAF) Draft Environmental Impact Statement (EIS) and the procedures used in responding to those comments. Section 1.1 describes the various means through which comments were acquired. Section 1.2 discusses the public meeting format used to gather comments from the public. Section 1.3 describes the organization of this document and explains how the comments were categorized, addressed, and documented. Section 1.4 provides guidance to assist readers in locating comments and DHS responses. Section 1.5 presents the major issues raised in a majority of comments. In Section 1.6, the chapter concludes with a list of significant changes to the EIS resulting from public comments. 1.1 INTRODUCTION In June 2008, the U.S. Department of Homeland Security (DHS) published the National Bio and Agro-Defense Facility (NBAF) Draft Environmental Impact Statement (EIS), which analyzed six action alternatives as well as a No Action Alternative. The action alternatives include construction and operation of the proposed NBAF at one of the following site alternatives: (1) South Milledge Avenue Site, Athens, Georgia; (2) Manhattan Campus Site, Manhattan, Kansas; (3) Flora Industrial Park Site, Flora, Mississippi; (4) Plum Island Site, Plum Island, New York; (5) Umstead Research Farm Site, Butner, North Carolina; and (6) Texas Research Park Site, San Antonio, Texas. -
Symposium ‘06 Makers : : Careers : : Concepts
Northwest Jewelry and Metals Symposium ‘06 Makers : : Careers : : Concepts NEWSLETTER :: September/October, 2006 Makers : : Careers : : Concepts On behalf of the Seattle Metals Guild we look forward to seeing you at our event this year entitled Makers :: Careers :: Concepts. The Symposium committee has sought diverse presentations about these three categories hoping to appeal to widely different tastes. Yet perhaps each one of us is a maker and also a conceptualist AND a career minded person, merging many tastes. Might not a collector of art jewelry, who happens to be a business executive, be engaged with our three categories just like a beginning metals student? Of course they are, for we are all brought together by that great cultural bonding agent, art and its creative process. Let us share our different tastes and celebrate our common passions as we gather for a day all about art! We are excited to be part of this grand adventure and pleased to have attracted not only our esteemed speakers but the following organizations, among others, who are contributing toward our programs: The Bellevue Arts Museum The Allied Arts Foundation The Pratt Fine Arts Center Northwest Designer Craftsmen Artist Trust The Northwest Bead Society Facere Jewelry Art Gallery Jewelry Resource and Supply Allcraft Denise Wallace (Chugach Aleut) and Samuel Wallace: Female Mask with Goggles pin/pendant. 1996 Newsletter cover image: Sterling silver and turquoise Belt buckle by Lee Yazzie, Navajo. 2004 2 www.seattlemetalsguild.org The Eleventh Annual Northwest Jewelry and Metals Symposium 2006 Makers : : Careers : : Concepts Mark your calendars for Saturday October 21, 2006, from 8:30am to 6:00pm, and join us at the Seattle Asian Art Museum in lovely Volunteer Park. -
CHARON KRANSEN ARTS 817 WEST END AVENUE NEW YORK NY 10025 USA PHONE: 212 627 5073 FAX: 212 663 9026 EMAIL: [email protected]
CHARON KRANSEN ARTS 817 WEST END AVENUE NEW YORK NY 10025 USA PHONE: 212 627 5073 FAX: 212 663 9026 EMAIL: [email protected] www.charonkransenarts.com AUGUST. 2020 A JEWELER’S GUIDE TO APPRENTICESHIPS: HOW TO CREATE EFFECTIVE PROGRAMS suitable for shop owners, students as well as instructors, the 208 page volume provides detailed, proven approaches for finding , training and retaining valuable employees. it features insights into all aspects of setting up an apprenticeship program, from preparing a shop and choosing the best candidates to training the apprentice in a variety of common shop procedures. an mjsa publication. $ 29.50 ABSOLUTE BEAUTY – 2007catalog of the silver competition in legnica poland, with international participants. the gallery has specialized for 30 years in promoting contemporary jewelry. 118 pages. full color. in english. $ 30.00 ADDENDA 2 1999- catalog of the international art symposium in norway in 1999 in which invited international jewelers worked with jewelry as an art object related to the body. in english. 58 pages. full color. $ 20.00 ADORN – NEW JEWELLERY - this showcase of new jewelry offers a global view of exciting work from nearly 200 cutting-edge jewelry designers. it highlights the diverse forms that contemporary jewelry takes, from simple rings to elaborate body jewelry that blurs the boundaries between art and adornment. 460 color illustrations. 272 pages. in english. $ 35.00 ADORNED – TRADITIONAL JEWELRY AND BODY DECORATION FROM AUSTRALIA AND THE PACIFIC adorned draws on the internationally recognised ethnographic collection of the macleay museum at the university of sidney and the collections of individual members of the oceanic art society of australia. -
Library Author List 12:2020
SDCWG LIBRARY INVENTORY December 2020 SORTED BY AUTHOR Shelf Author Title Subject Location Abel, Isabel Multiple Harness Patterns Weaving Instruction Adelson, Laurie Weaving Tradition of Highland Bolivia Ethnic Textiles Adrosko, Rita Natural Dyes and Home Dyeing Dyeing Adrosko, Rita Natural Dyes in the United States Dyeing Ahnlund, Gunnila Vava Bilder (Swedish Tapestry) Ethnic Textiles Albers, Anni On Designing Design Albers, Anni On Weaving General Weaving Albers, Josef Interaction of Color Design Alderman, Sharon D. Handwoven, Tailormade Clothing Alderman, Sharon D. Handweaver's Notebook General Weaving Alderman, Sharon D. Mastering Weave Structures Weaving Patterns Alexander, Marthann Weaving Handcraft General Weaving Allard, Mary Rug Making Techniques and Design Rug Weaving Allen, Helen Louise American & European Hand Weaving General Weaving American Craft Museum Diane Itter: A retrospective Catalog American Tapestry American Tapestry Biennial I Tapestry Alliance American Tapestry American Tapestry Today Tapestry Alliance American Tapestry Panorama of Tapestry, Catalog Tapestry Alliance American-Scandinavian The Scandinavian Touch Ethnic Textiles Foundation Amos, Alden 101 Questions for Spinners Spinning 1 SDCWG LIBRARY INVENTORY December 2020 SORTED BY AUTHOR Shelf Author Title Subject Location Amsden, Charles A. Navaho Weaving Navajo Weaving Anderson, Clarita Weave Structures Used In North Am. Coverlets Weave Structures Anderson, Marilyn Guatemalan Textiles Today Ethnic Textiles Anderson, Sarah The Spinner’s Book of Yarn Designs -
Freedom Trail N W E S
Welcome to Boston’s Freedom Trail N W E S Each number on the map is associated with a stop along the Freedom Trail. Read the summary with each number for a brief history of the landmark. 15 Bunker Hill Charlestown Cambridge 16 Musuem of Science Leonard P Zakim Bunker Hill Bridge Boston Harbor Charlestown Bridge Hatch Shell 14 TD Banknorth Garden/North Station 13 North End 12 Government Center Beacon Hill City Hall Cheers 2 4 5 11 3 6 Frog Pond 7 10 Rowes Wharf 9 1 Fanueil Hall 8 New England Downtown Crossing Aquarium 1. BOSTON COMMON - bound by Tremont, Beacon, Charles and Boylston Streets Initially used for grazing cattle, today the Common is a public park used for recreation, relaxing and public events. 2. STATE HOUSE - Corner of Beacon and Park Streets Adjacent to Boston Common, the Massachusetts State House is the seat of state government. Built between 1795 and 1798, the dome was originally constructed of wood shingles, and later replaced with a copper coating. Today, the dome gleams in the sun, thanks to a covering of 23-karat gold leaf. 3. PARK STREET CHURCH - One Park Street, Boston MA 02108 church has been active in many social issues of the day, including anti-slavery and, more recently, gay marriage. 4. GRANARY BURIAL GROUND - Park Street, next to Park Street Church Paul Revere, John Hancock, Samuel Adams, and the victims of the Boston Massacre. 5. KINGS CHAPEL - 58 Tremont St., Boston MA, corner of Tremont and School Streets ground is the oldest in Boston, and includes the tomb of John Winthrop, the first governor of the Massachusetts Bay Colony. -
Pam Post-Gazette 4-1-16.Indd
VOL. 120 - NO. 14 BOSTON, MASSACHUSETTS, APRIL 1, 2016 $.35 A COPY When Should the It Ain’t Necessarily So High School Day Start? by David Trumbull “The problem with quotes on the internet is that you can never by Sal Giarratani be sure they’re authentic.” “The research is clear on this topic that later start times best sup- — Abraham Lincoln port the social and emotional needs of our high school students.” — Statement of the Middlesex League Superintendents As I write this column to be in style, he was fl owery even while Fox News existed in 1998, published on April Fool’s Day, for his age. Had Washington it had been around for just over According to a group of Bos- If you ask parents, most I am thinking of my friends on ever expressed the sentiments a year and wasn’t even available ton area superintendents from would say the school day is social media, most of whom, above (which I somewhat doubt in all parts of the country. It was the Middlesex League Superin- already too short. What ever in the frenzy of the current in view of his role in suppress- hardly, in 1998, the massive tendents, the idea of later time happened to making sure stu- presidential nomination media ing the Whiskey Rebellion), he voter infl uencer that the meme starts for high school students dents get to sleep by at least circus, seem to have lost all would likely have done so in suggests. is now gaining support in the 9:00 pm. -
The Forming of the Metal Arts Guild, San Francisco (1929-1964)
Metal Rising: The Forming of the Metal Arts Guild, San Francisco (1929-1964) Jennifer Shaifer Submitted in partial fulfillment of the requirements for the degree Master’s of Arts in the History of Decorative Arts. The Smithsonian Associates and Corcoran College of Art + Design 2011 © 2011 Jennifer Shaifer All Rights Reserved ACKNOWLEDGEMENTS This thesis is a project I hold dear to my heart. A milestone in my life in which I will never forget. My research started as a journey across the United States to tell a story about the formation of the Metal Arts Guild, but has ended with a discovery about the strength of the human spirit. I was not fortunate to meet many of the founding members of the Metal Arts Guild, but my research into the lives and careers of Margaret De Patta, Irena Brynner, and Peter Macchiarini has provided me with invaluable inspiration. Despite the adversity these artists faced, their strength still reverberates through the trails of history they left behind for an emerging scholar like me. Throughout this project, I have received so much support. I would like to thank Heidi Nasstrom Evans, my thesis advisor, for her encouragement and patience during the thesis writing process. It was during her Spring 2007 class on modernism, that I was introduced to a whole new world of art history. I also want to thank Cynthia Williams and Peggy Newman for their constant source of support. A huge thank you to Alison Antleman and Rebecca Deans for giving me access to MAG’s archives and allowing me to tell their organization’s story.