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University of California Berkeley Regional Oral History Office University of California The Bancroft Library Berkeley, California Fiber Arts Oral History Series Kay Sekimachi THE WEAVER'S WEAVER: EXPLORATIONS IN MULTIPLE LAYERS AND THREE-DIMENSIONAL FIBER ART With an Introduction by Signe Mayfield Interviews Conducted by Harriet Nathan in 1993 Copyright 1996 by The Regents of the University of California Since 1954 the Regional Oral History Office has been interviewing leading participants in or well-placed witnesses to major events in the development of Northern California, the West, and the Nation. Oral history is a modern research technique involving an interviewee and an informed interviewer in spontaneous conversation. The taped record is transcribed, lightly edited for continuity and clarity, and reviewed by the interviewee. The resulting manuscript is typed in final form, indexed, bound with photographs and illustrative materials, and placed in The Bancroft Library at the University of California, Berkeley, and other research collections for scholarly use. Because it is primary material, oral history is not intended to present the final, verified, or complete narrative of events. It is a spoken account, offered by the interviewee in response to questioning, and as such it is reflective, partisan, deeply involved, and irreplaceable. ************************************ All uses of this manuscript are covered by a legal agreement between The Regents of the University of California and Kay Sekimachi dated April 16, 1995. The manuscript is thereby made available for research purposes. All literary rights in the manuscript, including the right to publish, are reserved to The Bancroft Library of the University of California, Berkeley. No part of the manuscript may be quoted for publication without the written permission of the Director of The Bancroft Library of the University of California, Berkeley. -
Dale Chihuly | Chronology
Dale Chihuly | Chronology 1941 Born September 20 in Tacoma, Washington, to George Chihuly and Viola Magnuson Chihuly. 1957 Older brother and only sibling, George, dies in a navy flight-training accident in Pensacola, Florida. 1958 His father suffers a fatal heart attack at age fifty-one, and his mother has to go to work. 1959 Graduates from high school in Tacoma. Enrolls at College of Puget Sound (now University of Puget Sound) in his hometown. 1960 Transfers to University of Washington in Seattle, where he studies interior design and architecture. 1961 Joins Delta Kappa Epsilon fraternity and becomes rush chairman. Learns to melt and fuse glass. 1962 Interrupts his studies and travels to Florence to focus on art. Frustrated by his inability to speak Italian, he moves on to the Middle East. 1963 Works on a kibbutz in Negev desert, Israel. Reinspired, returns to University of Washington and studies under Hope Foote and Warren Hill. In a weaving class with Doris Brockway, incorporates glass shards into woven tapestries. 1964 Returns to Europe, visiting Leningrad and making the first of many trips to Ireland. 1965 Receives BA in interior design from University of Washington. In his basement studio, blows his first glass bubble by melting stained glass and using a metal pipe. 1966 Earns money for graduate school as a commercial fisherman in Alaska. Enters University of Wisconsin at Madison on a full scholarship, to study glassblowing in the first glass program in the United States, taught by Harvey Littleton. 1967 After receiving MS in sculpture from University of Wisconsin, enrolls at Rhode Island School of Design (RISD) in Providence, where he begins exploration of environmental works using neon, argon, and blown glass. -
The Factory of Visual
ì I PICTURE THE MOST COMPREHENSIVE LINE OF PRODUCTS AND SERVICES "bey FOR THE JEWELRY CRAFTS Carrying IN THE UNITED STATES A Torch For You AND YOU HAVE A GOOD PICTURE OF It's the "Little Torch", featuring the new controllable, méf » SINCE 1923 needle point flame. The Little Torch is a preci- sion engineered, highly versatile instrument capa- devest inc. * ble of doing seemingly impossible tasks with ease. This accurate performer welds an unlimited range of materials (from less than .001" copper to 16 gauge steel, to plastics and ceramics and glass) with incomparable precision. It solders (hard or soft) with amazing versatility, maneuvering easily in the tightest places. The Little Torch brazes even the tiniest components with unsurpassed accuracy, making it ideal for pre- cision bonding of high temp, alloys. It heats any mate- rial to extraordinary temperatures (up to 6300° F.*) and offers an unlimited array of flame settings and sizes. And the Little Torch is safe to use. It's the big answer to any small job. As specialists in the soldering field, Abbey Materials also carries a full line of the most popular hard and soft solders and fluxes. Available to the consumer at manufacturers' low prices. Like we said, Abbey's carrying a torch for you. Little Torch in HANDY KIT - —STARTER SET—$59.95 7 « '.JBv STARTER SET WITH Swest, Inc. (Formerly Southwest Smelting & Refining REGULATORS—$149.95 " | jfc, Co., Inc.) is a major supplier to the jewelry and jewelry PRECISION REGULATORS: crafts fields of tools, supplies and equipment for casting, OXYGEN — $49.50 ^J¡¡r »Br GAS — $49.50 electroplating, soldering, grinding, polishing, cleaning, Complete melting and engraving. -
Community Art Grade K – Chihuly-Inspired Macchia
Grade K – Chihuly-inspired Macchia Community Art What do you see? Macchia ceiling at the Chihuly Garden and Glass Museum in Seattle Artistic Focus: Community Art COMMUNITY ART is an artistic activity based in a community setting, emphasizing collaboration. Today’s objectives: 1. For each student, using colored markers and water, to create a “macchia” or spot of color reminiscent of Dale Chihuly’s colorful glass work. 2. To allow students to observe what happens when colors mix together. 3. To combine all of the students’ individual pieces into a larger work that will represent a kaleidoscope of colors. WA State Visual Arts Standard Engage in exploration and imaginative play with materials. (VA: Cr1.1.K) Macchia ceiling by Dale Chihuly Dale Chihuly • Local, Seattle artist • Born in 1941 in Tacoma, Washington • Learned how to melt and fuse glass in 1961 • Began glassblowing in 1965 • Chihuly's art can be found all around the world in private and public settings • Chihuly’s Garden and Glass museum stands right next to the Space Needle at Seattle Center Artwork Light shining through the macchia ceiling at the Chihuly Garden and Glass Museum in Seattle Artwork Three individual macchia pieces at the Chihuly Garden and Glass Museum in Seattle Artwork Macchia hung under the glass ceiling at the Chihuly Garden and Glass Museum in Seattle Materials Basket coffee filters, white Crayola markers, in any color except black or brown Paper towels Spray bottles for water Plastic cups for Optional: Starch, drying the macchia Rubber bands Example of Today’s Project Before You Begin • Write your name very small in pencil near the edge of your coffee filter. -
Vol. 23, No. 8 August 2019 You Can’T Buy It
ABSOLUTELY FREE Vol. 23, No. 8 August 2019 You Can’t Buy It As Above, So Below Artwork is by Diane Nations and is part of her exhibit Under the Influence of Jung on view at Artworks Gallery in Winston-Salem, North Carolina through August 31, 2019. See the article on Page 28. ARTICLE INDEX Advertising Directory This index has active links, just click on the Page number and it will take you to that page. Listed in order in which they appear in the paper. Page 1 - Cover - Artworks Gallery (Winston-Salem) - Diane Nations Page 3 - Ella Walton Richardson Fine Art Page 2 - Article Index, Advertising Directory, Contact Info, Links to blogs, and Carolina Arts site Page 5 - Wells Gallery at the Sanctuary & Halsey MCallum Studio Page 4 - Redux Contemporary Art Center & Charleston Artist Guild Page 6 - Thomas Dixon for Mayor & Jesse Williams District 6 Page 5 - Charleston Museum & Robert Lange Studios Page 7 - Emerge SC, Helena Fox Fine Art, Corrigan Gallery, Halsey-McCallum Studio, Page 6 - Robert Lange Studios cont., Ella Walton Richardson Fine Art & Rhett Thurman, Anglin Smith Fine Art, Halsey Institute of Contemporary Art, Lowcountry Artists Gallery The Wells Gallery at the Sanctuary & Saul Alexander Foundation Gallery Page 9 - Lowcountry Artists Gallery cont. & Halsey Institute / College of Charleston Page 8 - Halsey Institute / College of Charleston Page 10 - Halsey Institute / College of Charleston & Art League of Hilton Head Page 9 - Whimsy Joy Page 11 - Art League of Hilton Head cont. & Society of Bluffton Artists Page 10 - Halsey Institute -
Symposium ‘06 Makers : : Careers : : Concepts
Northwest Jewelry and Metals Symposium ‘06 Makers : : Careers : : Concepts NEWSLETTER :: September/October, 2006 Makers : : Careers : : Concepts On behalf of the Seattle Metals Guild we look forward to seeing you at our event this year entitled Makers :: Careers :: Concepts. The Symposium committee has sought diverse presentations about these three categories hoping to appeal to widely different tastes. Yet perhaps each one of us is a maker and also a conceptualist AND a career minded person, merging many tastes. Might not a collector of art jewelry, who happens to be a business executive, be engaged with our three categories just like a beginning metals student? Of course they are, for we are all brought together by that great cultural bonding agent, art and its creative process. Let us share our different tastes and celebrate our common passions as we gather for a day all about art! We are excited to be part of this grand adventure and pleased to have attracted not only our esteemed speakers but the following organizations, among others, who are contributing toward our programs: The Bellevue Arts Museum The Allied Arts Foundation The Pratt Fine Arts Center Northwest Designer Craftsmen Artist Trust The Northwest Bead Society Facere Jewelry Art Gallery Jewelry Resource and Supply Allcraft Denise Wallace (Chugach Aleut) and Samuel Wallace: Female Mask with Goggles pin/pendant. 1996 Newsletter cover image: Sterling silver and turquoise Belt buckle by Lee Yazzie, Navajo. 2004 2 www.seattlemetalsguild.org The Eleventh Annual Northwest Jewelry and Metals Symposium 2006 Makers : : Careers : : Concepts Mark your calendars for Saturday October 21, 2006, from 8:30am to 6:00pm, and join us at the Seattle Asian Art Museum in lovely Volunteer Park. -
The Influence of Lino Tagliapietra
FOR IMMEDIATE RELEASE CONTEMPORARY GLASS AT INAUGURAL SILICON VALLEY ART FAIR: THE INFLUENCE OF LINO TAGLIAPIETRA Media Inquiries: Thursday, April 10-Sunday, April 13, 2014 at Silicon Valley Contemporary Art Fair Kristin Carlson McEnery Convention Center in San Jose, California | Schantz Galleries Booth #410 Think All Day 505-501-2497 [email protected] SAN JOSE, CA—Schantz Galleries (Stockbridge, Massachusetts) is pleased to present new work by five top contemporary glass artists at the first annual Silicon Valley Contemporary Art Fair, April 10-13, 2014, Booth #410, McEnery Convention Center in San Jose, California. The work of Lino Tagliapietra, Dante Marioni, John Kiley, David Walters, and Giles Bettison demonstrates that the intersection between technology and art precedes the digital age; cutting-edge science and innovative expression have long been synthesized in the discipline of glassmaking. Each of these artists has mastered and pushed the boundaries of traditional techniques, and achieved important advances in this time-honored art form. Italian glass maestro Lino Tagliapietra is acknowledged worldwide as one of the most influential glassmakers of our time; the other four artists in this exhibition have each studied and worked with Tagliapietra, and the broad scope of his influence in the field of glass art is evident in the far-reaching facets of their careers. Lino Tagliapietra, Africa, 2013, blown glass, 10.25 x 19.25 x 19.25.” Photo by Russell Johnson. LINO TAGLIAPIETRA: MAESTRO. Celebrating his 80th birthday this year, Lino Tagliapietra is one of the world’s most accomplished artists working with glass today. Tagliapietra has been an independent glass artist since 1989, exhibiting in museums internationally, receiving countless honors, openly sharing his extensive knowledge of the medium and his skill as one of its finest practitioners, and helping to create a new renaissance in studio glassmaking. -
CHARON KRANSEN ARTS 817 WEST END AVENUE NEW YORK NY 10025 USA PHONE: 212 627 5073 FAX: 212 663 9026 EMAIL: [email protected]
CHARON KRANSEN ARTS 817 WEST END AVENUE NEW YORK NY 10025 USA PHONE: 212 627 5073 FAX: 212 663 9026 EMAIL: [email protected] www.charonkransenarts.com AUGUST. 2020 A JEWELER’S GUIDE TO APPRENTICESHIPS: HOW TO CREATE EFFECTIVE PROGRAMS suitable for shop owners, students as well as instructors, the 208 page volume provides detailed, proven approaches for finding , training and retaining valuable employees. it features insights into all aspects of setting up an apprenticeship program, from preparing a shop and choosing the best candidates to training the apprentice in a variety of common shop procedures. an mjsa publication. $ 29.50 ABSOLUTE BEAUTY – 2007catalog of the silver competition in legnica poland, with international participants. the gallery has specialized for 30 years in promoting contemporary jewelry. 118 pages. full color. in english. $ 30.00 ADDENDA 2 1999- catalog of the international art symposium in norway in 1999 in which invited international jewelers worked with jewelry as an art object related to the body. in english. 58 pages. full color. $ 20.00 ADORN – NEW JEWELLERY - this showcase of new jewelry offers a global view of exciting work from nearly 200 cutting-edge jewelry designers. it highlights the diverse forms that contemporary jewelry takes, from simple rings to elaborate body jewelry that blurs the boundaries between art and adornment. 460 color illustrations. 272 pages. in english. $ 35.00 ADORNED – TRADITIONAL JEWELRY AND BODY DECORATION FROM AUSTRALIA AND THE PACIFIC adorned draws on the internationally recognised ethnographic collection of the macleay museum at the university of sidney and the collections of individual members of the oceanic art society of australia. -
Press Release, P
1 Contacts: Karen Frascona Amelia Kantrovitz 617.369.3442 617.369.3447 [email protected] [email protected] MUSEUM OF FINE ARTS, BOSTON, ANNOUNCES MAJOR GIFT OF CONTEMPORARY CRAFT FROM DAPHNE FARAGO COLLECTION BOSTON, MA (January 18, 2013)— The Museum of Fine Arts, Boston (MFA), announces a gift of 161 works from longtime supporter Daphne Farago — the Museum’s largest-ever gift of contemporary craft across a range of media. These 20th- and 21st-century works are among the finest examples of studio craft and represent objects by notable artists, such as fiber artists Anni Albers and Sheila Hicks, sculptor Robert Arneson, glass artist Dale Chihuly, and furniture maker John Cederquist. The gift includes works of fiber (94), ceramics (24), glass (19), turned wood/carvings (11), metal (5), furniture (4), jewelry (2), Structure No. 18: Theory of Lift, basketry (1), and folk art (1). The largest donor of contemporary craft in the Jeanette Marie Ahlgren, 1994 Museum’s history, Mrs. Farago has transformed the MFA’s collection with gifts totaling nearly 950 objects to the Museum in her lifetime. Other significant donations to the MFA by Mrs. Farago include the 2006 gift of more than 650 pieces of contemporary jewelry and the 2004 gift of more than 80 works of contemporary fiber art created by the late Edward Rossbach and Katherine Westphal. "These works illustrate Daphne Farago's vision as a collector — they are part of her personal collection and represent some of the finest, most intellectually and technically ambitious creations in these areas," said Malcolm Rogers, Ann and Graham Gund Director of the MFA. -
Download New Glass Review 15
eview 15 The Corning Museum of Glass NewGlass Review 15 The Corning Museum of Glass Corning, New York 1994 Objects reproduced in this annual review Objekte, die in dieser jahrlich erscheinenden were chosen with the understanding Zeitschrift veroffentlicht werden, wurden unter that they were designed and made within der Voraussetzung ausgewahlt, daB sie inner- the 1993 calendar year. halb des Kalenderjahres 1993 entworfen und gefertigt wurden. For additional copies of New Glass Review, Zusatzliche Exemplare der New Glass Review please contact: konnen angefordert werden bei: The Corning Museum of Glass Sales Department One Museum Way Corning, New York 14830-2253 Telephone: (607) 937-5371 Fax: (607) 937-3352 All rights reserved, 1994 Alle Rechte vorbehalten, 1994 The Corning Museum of Glass The Corning Museum of Glass Corning, New York 14830-2253 Corning, New York 14830-2253 Printed in Frechen, Germany Gedruckt in Frechen, Bundesrepublik Deutschland Standard Book Number 0-87290-133-5 ISSN: 0275-469X Library of Congress Catalog Card Number Aufgefuhrt im Katalog der Library of Congress 81-641214 unter der Nummer 81 -641214 Table of Contents/lnhalt Page/Seite Jury Statements/Statements der Jury 4 Artists and Objects/Kunstlerlnnen und Objekte 10 Bibliography/Bibliographie 30 A Selective Index of Proper Names and Places/ Ausgewahltes Register von Eigennamen und Orten 58 etztes Jahr an dieser Stelle beklagte ich, daB sehr viele Glaskunst- Jury Statements Ller aufgehort haben, uns Dias zu schicken - odervon vorneherein nie Zeit gefunden haben, welche zu schicken. Ich erklarte, daB auch wenn die Juroren ein bestimmtes Dia nicht fur die Veroffentlichung auswahlen, alle Dias sorgfaltig katalogisiert werden und ihnen ein fester Platz in der Forschungsbibliothek des Museums zugewiesen ast year in this space, I complained that a large number of glass wird. -
Dale Chihuly
Dale Chihuly Born September 20, 1941, Tacoma, WA EDUCATION 1968 M.F.A., Rhode Island School of Design, Providence, RI 1967 M.S., University of Wisconsin, Madison, WI SELECTED SOLO EXHIBITIONS 2016 Chihuly in the Garden, Atlanta Botanical Garden, Atlanta, GA Chihuly Drawings, Wichita Art Museum, Wichita, KS Chihuly, Royal Ontario Museum, Toronto, Ontario, Canada 2015 Chihuly Drawings, Museum of Glass, Tacoma, WA Chihuly in the Garden, Chrysler Museum of Art, Norfolk, VA Glass Art Garden, Toyama Glass Art Museum, Toyama, Toyama, Japan Ulysses Cylinders, Vassar College, Dutchess County, NY 2014 Chihuly, Arthur Roger Gallery, New Orleans, LA Chihuly, Clinton Presidential Center, Little Rock, AR Chihuly, Denver Botanic Gardens, Denver, CO Ulysses Cylinders, Dublin Castle, Dublin, Ireland Chihuly at Fairchild, Fairchild Tropical Botanic Garden, Coral Gables, FL 2013 Chihuly Venetians: From the George R. Stroemple Collection, Paine Art Center and Gardens, Oshkosh, WI Chihuly: Tradition and Transformation, Jundt Art Museum, Gonzaga University, Spokane, WA Chihuly, Montreal Museum of Fine Arts, Montreal, Quebec, Canada Irish Cylinders, Museum of Glass, Tacoma, WA Chihuly in the Garden, Desert Botanical Garden, Phoenix, AZ 2012 Chihuly Venetians: From the George R. Stroemple Collection, Foothills Art Center, Golden, CO Chihuly at the Dallas Arboretum, Dallas Arboretum and Botanical Garden, Dallas, TX Origins: Early Works by Dale Chihuly, Museum of Glass, Tacoma, WA Chihuly Garden and Glass, Chihuly Garden and Glass, Seattle, WA Chihuly Venetians: From the George R. Stroemple Collection, Kimball Art Center, Park City, UT Chihuly at the VMFA, Virginia Museum of Fine Arts, Richmond, VA 2011 White, Arthur Roger Gallery, New Orleans, LA Dale Chihuly’s Northwest, Tacoma Art Museum, Tacoma, WA Chihuly: Through the Looking Glass, Museum of Fine Arts Boston, Boston, MA Chihuly Venetians: From the George R. -
Playing with Fire: 50 Years of Contemporary Glass November 6, 2012 to April 7, 2013
TEACHER RESOURCE PACKET Playing with Fire: 50 years of Contemporary Glass November 6, 2012 to April 7, 2013 Sandy Skoglund Breathing Glass, 2000 Cibachrome photograph 44 3/4 x 57 5/8 in. (113.7 x 146.4 cm) Gift of the artist, 2004 WELCOME Dear Educator, We are delighted that you have scheduled a visit to Playing With Fire, 50 Years of Contemporary Glass. When you and your students visit the Museum of Arts and Design, you will be given an informative tour of the exhibition with a museum educator, followed by an inspiring hands- on project that students can take home with them. To make your museum experience more enriching and meaningful, we strongly encourage you to use this packet as a resource, and work with your students in the classroom before and after your museum visit. This packet includes topics for discussion and activities intended to introduce the key themes and concepts of the exhibition. We have suggested writing, storytelling, and art projects so that you can explore ideas from the exhibition in ways that relate directly to your students’ lives and experiences. Please feel free to adapt and build on these materials and to use this packet in any way that you wish. We look forward to welcoming you and your students to the Museum of Arts and Design. Sincerely, Cathleen Lewis Manager of School, Youth and Family Programs [email protected] Lessons written by Swati Khurana and Natalia Nakazawa, Museum Educators, in collaboration with the Museum of Arts and Design Education Department. 1 TABLE OF CONTENTS WELCOME 1 THE MUSEUM OF ARTS AND DESIGN 3 HELPFUL HINTS FOR YOUR MUSEUM VISIT 4 Playing With Fire 50 years of Contemporary Art INTRODUCTION 5 THEMES FOR DISCUSSION / RECURRING QUESTIONS 7 LIGHT AND LIGHTNESS ICONS AND STORYTELLING FIGURE AND SHAPES FORM AND FUNCTION GLOSSARY 22 WEBOGRAPHY 23 2 THE MUSEUM OF ARTS AND DESIGN has been functioning as an international resource center for craft, arts, and design since 1956.