WORLD CRAFTS COUNCIL Finding Aid
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Textile Society of America Newsletter 23:2 •Fl Spring/Summer 2011
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Newsletters Textile Society of America Spring 2011 Textile Society of America Newsletter 23:2 — Spring/Summer 2011 Textile Society of America Follow this and additional works at: https://digitalcommons.unl.edu/tsanews Part of the Art and Design Commons Textile Society of America, "Textile Society of America Newsletter 23:2 — Spring/Summer 2011" (2011). Textile Society of America Newsletters. 61. https://digitalcommons.unl.edu/tsanews/61 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Newsletters by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Textile VOLUME 23 n NUMBER 2 n SPRING/SUMMER, 2011 Society of America Tinkuy de Tejedores by Marilyn Murphy CONTENTS accompanied with translations in English, Quechua, and Spanish. 1 Tinkuy de Tejedores Topics covering fiber and natu- 2 TSA News ral dyes, ancient and traditional 3 From the President weaving, and the recovery and commercialization of textiles 4 TSA Study Tours were crammed into two days. 5 TSA Member News Representatives from the commu- 8 Tinkuy de Tejedores, cont’d. nities spoke alongside the scholars and other invited guests. Q&A 9 Conference Reviews time followed each presentation. 10 Symposium 2010: Reports by For most of the first day, the TSA Award Recipients questions came from the English- 11 Textile Community News speaking participants. But slowly, 13 Book Reviews the indigenous women’s voices emerged. 14 Publication News GATHERING OF WEAVERS The Welcome Ceremony The richness of Tinkuy went 15 Featured Collection: American took place in the Sacred was led by an Andean priest, far beyond the speakers and their Swedish Institute A Valley of Peru Nov. -
CIBER Lesson Plans As of October 2020
CIBER Focus Interview Series Video Annotation Aid to Artisans Ghana Link: https://www.youtube.com/watch?v=qFvnKmcCE5M Length: 17:09 Production Date/Year: July 24, 2018 Keyword Topics: Artisan, Ghana, Crafts Guest Info: Bridget Kyerematen-Darko In an interview with Jimmy Bettcher, Bridget Kyerematen-Darko discusses her work with Aid to Artisans Ghana. Darko is the Executive Director of Aid to Artisans Ghana and Bettcher is a 2012 MBA candidate at the Indiana University Kelley School of Business. Darko, who has worked at Aid to Artisans (ATA) for seventeen years, discusses the organization's mission and core activities as well as its successes and failures, noting that the global recession has adversely affected market demand. Darko also discusses her own background and how she became involved with ATA Ghana. Darko describes how ATA Ghana has changed during the past seventeen years. She discusses her long term strategy for maintaining a sustainable organization and notes the importance of having good board governance and being mindful of organizational finance. ATA Ghana has been successful at leveraging its available funds for growth, and in bridging the gap between tradition and technology to help artisans' product development process. Darko describes the challenges facing the artisan craft industry in Ghana, including performing effective market research, balancing production capabilities with market needs, and analyzing competitors. Finally, Darko offers advice to American companies interested in partnering with ATA Ghana and reflects on her collaboration with MBA student consultants at Kelley. Video Summary/Synopsis: 0:45 - Darko explains what Aid to Artisans Ghana is and what it does. -
Haitian Handicraft Value Chain Analysis
HAITIAN HANDICRAFT VALUE CHAIN ANALYSIS microREPORT # 68 August 2006 This publication was produced for review by the United States Agency for International Development. It was prepared by Eric Derks of Action for Enterprise with Ted Barber, Olaf Kula and Elizabeth Dalziel of ACDI/VOCA under the Accelerated Microenterprise Advancement Project – Business Development ECUAServicesDOR ECOTOURISM (AMAP: INDUSTRY BDS). S TUDY i HAITIAN HANDICRAFT VALUE CHAIN ANALYSIS microREPORT # 68 DISCLAIMER The authors’ views expressed in this publication do not necessarily reflect the view of the United States Agency for International Development or the United States Government. CONTENTS LIST OF ACRONYMS i ACKNOWLEDGEMENTS ii EXECUTIVE SUMMARY 1 1. OBJECTIVES & METHODOLOGY 3 A. STUDY OBJECTIVES 3 B. APPROACH AND METHODOLOGY 3 II. VALUE CHAIN CHARACTERISTICS 5 A. OVERVIEW 5 B. END MARKET CHANNELS 7 C. BUSINESS ENABLING ENVIRONMENT 9 D. VALUE CHAIN PARTICIPANTS & INTER-FIRM LINKAGES 10 E. SUPPORT MARKETS 15 III. FINDINGS 18 A. THE PRIORITIZAITION PROCESS 18 B. CONSTRAINTS AND OPPORTUNITIES 18 IV. STAKEHOLDER WORKSHOP 23 V. RECOMMENDATIONS FOR NEXT STEPS 25 ANNEX 1: SCOPE OF WORK 26 ANNEX 2: FIELD ITINERARY 28 ANNEX 3: LIST OF INTERVIEWEES 31 ANNEX 4: CONSTRAINTS & OPPORTUNITY MATRIX 35 ANNEX 5: STAKEHOLDER WORKSHOP PARTICIPANTS 36 HAITIAN HANDICRAFT VALUE CHAIN ANALYSIS LIST OF ACRONYMS ADPAH Association des Producteurs d’Artisanat Haïtien AMAP BDS Accelerated Microenterprise Advancement Project – Business Development Services ATA Aid to Artisans ATO Alternative -
At Long Last Love Press Release
At Long Last Love: Fiber Sculpture Gets Its Due October 2014 It looks as if 2014 will be the year that contemporary fiber art finally gets the recognition and respect it deserves. For us, it kicked off at the Whitney Biennial in May which gave pride of place to Sheila Hicks’ massive cascade, Pillar of Inquiry/Supple Column. Last month saw the opening of the influential Thread Lines, at The Drawing Center in New York featuring work by 16 artists who sew, stitch and weave. Now at the Institute of Contemporary Art in Boston, the development of ab- straction and dimensionality in fiber art from the mid-twentieth centu- ry through to the present is examined in Fiber: Sculpture 1960–present from October 1st through January 4, 2015. The exhibition features 50 works by 34 artists, who crisscross generations, nationalities, processes and aesthetics. It is accompanied by an attractive companion volume, Fiber: Sculpture 1960-present available at browngrotta.com. There are some standout works in the exhibition — we were thrilled Fiber: Sculpture 1960 — present opening photo by Tom Grotta to see Naomi Kobayashi’s Ito wa Ito (1980) and Elsi Giauque’s Spatial Element (1989), on loan from European museums, in person after ad- miring them in photographs. Anne Wilson’s Blonde is exceptional and Ritzi Jacobi and Françoise Grossen are represented by strong works, too, White Exotica (1978, created with Peter Jacobi) and Inchworm, respectively. Fiber: Sculpture 1960–present aims to create a sculp- tural dialogue, an art dialogue — not one about craft, ICA Mannion Family Senior Curator Jenelle Porter explained in an opening-night conversation with Glenn Adamson, Director, Museum of Arts and Design. -
Library Author List 12:2020
SDCWG LIBRARY INVENTORY December 2020 SORTED BY AUTHOR Shelf Author Title Subject Location Abel, Isabel Multiple Harness Patterns Weaving Instruction Adelson, Laurie Weaving Tradition of Highland Bolivia Ethnic Textiles Adrosko, Rita Natural Dyes and Home Dyeing Dyeing Adrosko, Rita Natural Dyes in the United States Dyeing Ahnlund, Gunnila Vava Bilder (Swedish Tapestry) Ethnic Textiles Albers, Anni On Designing Design Albers, Anni On Weaving General Weaving Albers, Josef Interaction of Color Design Alderman, Sharon D. Handwoven, Tailormade Clothing Alderman, Sharon D. Handweaver's Notebook General Weaving Alderman, Sharon D. Mastering Weave Structures Weaving Patterns Alexander, Marthann Weaving Handcraft General Weaving Allard, Mary Rug Making Techniques and Design Rug Weaving Allen, Helen Louise American & European Hand Weaving General Weaving American Craft Museum Diane Itter: A retrospective Catalog American Tapestry American Tapestry Biennial I Tapestry Alliance American Tapestry American Tapestry Today Tapestry Alliance American Tapestry Panorama of Tapestry, Catalog Tapestry Alliance American-Scandinavian The Scandinavian Touch Ethnic Textiles Foundation Amos, Alden 101 Questions for Spinners Spinning 1 SDCWG LIBRARY INVENTORY December 2020 SORTED BY AUTHOR Shelf Author Title Subject Location Amsden, Charles A. Navaho Weaving Navajo Weaving Anderson, Clarita Weave Structures Used In North Am. Coverlets Weave Structures Anderson, Marilyn Guatemalan Textiles Today Ethnic Textiles Anderson, Sarah The Spinner’s Book of Yarn Designs -
Ontario Crafts Council Periodical Listing Compiled By: Caoimhe Morgan-Feir and Amy C
OCC Periodical Listing Compiled by: Caoimhe Morgan-Feir Amy C. Wallace Ontario Crafts Council Periodical Listing Compiled by: Caoimhe Morgan-Feir and Amy C. Wallace Compiled in: June to August 2010 Last Updated: 17-Aug-10 Periodical Year Season Vo. No. Article Title Author Last Author First Pages Keywords Abstract Craftsman 1976 April 1 1 In Celebration of pp. 1-10 Official opening, OCC headquarters, This article is a series of photographs and the Ontario Crafts Crossroads, Joan Chalmers, Thoma Ewen, blurbs detailing the official opening of the Council Tamara Jaworska, Dora de Pedery, Judith OCC, the Crossroads exhibition, and some Almond-Best, Stan Wellington, David behind the scenes with the Council. Reid, Karl Schantz, Sandra Dunn. Craftsman 1976 April 1 1 Hi Fibres '76 p. 12 Exhibition, sculptural works, textile forms, This article details Hi Fibres '76, an OCC Gallery, Deirdre Spencer, Handcraft exhibition of sculptural works and textile House, Lynda Gammon, Madeleine forms in the gallery of the Ontario Crafts Chisholm, Charlotte Trende, Setsuko Council throughout February. Piroche, Bob Polinsky, Evelyn Roth, Charlotte Schneider, Phyllis gerhardt, Dianne Jillings, Joyce Cosgrove, Sue Proom, Margery Powel, Miriam McCarrell, Robert Held. Craftsman 1976 April 1 2 Communications pp. 1-6 First conference, structures and This article discusses the initial Weekend programs, Alan Gregson, delegates. conference of the OCC, in which the structure of the organization, the programs, and the affiliates benefits were discussed. Page 1 of 153 OCC Periodical Listing Compiled by: Caoimhe Morgan-Feir Amy C. Wallace Periodical Year Season Vo. No. Article Title Author Last Author First Pages Keywords Abstract Craftsman 1976 April 1 2 The Affiliates of pp. -
AEAH 4840 TOPICS, CRAFT 4840. Topics in the History of Crafts. 3
Instructor: Professor Way Term: Spring 2017 Office: Art Building 212 Class time: Monday 5:00-7:50pm Office Hours: please schedule in advance through email Meeting Place: Art 226 Monday, 4:00-5:00, Tuesday 4:00-5:00, Thursday 4:00-5:00 Email: [email protected] – best way to reach me AEAH 4840 TOPICS, CRAFT 4840. Topics in the History of Crafts. 3 hours. Selected topics in the history of crafts. Prerequisite(s): ART 1200 or 1301, 2350 and 2360, or consent of instructor. TOPIC – CRITICAL HISTORIES OF CRAFT AND ART HISTORY This course explores how history of art survey texts represent and tell us about craft—what do they have to say about craft, and how do they say it? We are equally interested in where and how these art history survey texts neglect craft. What is missing when histories of art do not include craft? Additionally, we want to think about history of craft texts. Should they include the same agents and situations we find in histories of art, such as famous makers and collectors, the rich and the royal, politics at the highest level, and economics, power, and desire? Also, is it possible to trace influence in craft as we expect to find it discussed in histories of art? What would influence explain about craft? Should a history of craft include features we don’t expect to find in histories of art? Overall, what scholarship and methods make a history of craft? These types of questions ask us to notice standards and expectations shaping knowledge in academic fields, such as art history and the history of craft. -
Potamkin Blackmore Bolton Dweck Press
MUSEUM OF ARTS AND DESIGN ANNOUNCES NEW TRUSTEES AND TREASURER Andi Potamkin Blackmore and Simon Bolton Elected New Trustees Michael Dweck Named Treasurer NEW YORK, NY (January 13, 2017) – The Museum of Arts and Design (MAD) announced today the appointment of two new Trustees: Andi Potamkin Blackmore and Simon Bolton. The Board of Trustees also named current Finance Committee Chair Michael Dweck Treasurer. The election took place at the December 8, 2016, board meeting. “The Board is thrilled to welcome new Trustees Andi Potamkin Blackmore and Simon Bolton, both of whom have made MAD a philanthropic priority,” said Michele Cohen, Chair of the Board. “Their demonstrated commitment to the fields of art and design and their audiences will support the Museum’s mission and visibility efforts.” In Dweck’s expanded role as Treasurer, “his financial expertise, leadership skills, and strategic acumen will serve him well in guiding the Museum in the next phase of its growth,” said Cohen. “We look forward to working with all three in their new roles.” Andi Potamkin Blackmore was elected Trustee in December 2016. A passionate champion of the arts, Potamkin Blackmore is the founder of Le Mise, a Brooklyn-based art and design advisory firm, as well as Three Squares Studio, a hair salon and art gallery in Manhattan, where she currently serves as Creative Director. She also works for the Potamkin Automotive Group, founded by her grandfather, Victor Potamkin, in 1954. Previously, she was the Potamkin in Kasher|Potamkin, a gallery and boutique in Chelsea. Potamkin Blackmore writes about art, design, well- being, and philosophy for publications including L’Oeil de la Photographie and 1stdibs and publishers including Glitterati Incorporated. -
The Forming of the Metal Arts Guild, San Francisco (1929-1964)
Metal Rising: The Forming of the Metal Arts Guild, San Francisco (1929-1964) Jennifer Shaifer Submitted in partial fulfillment of the requirements for the degree Master’s of Arts in the History of Decorative Arts. The Smithsonian Associates and Corcoran College of Art + Design 2011 © 2011 Jennifer Shaifer All Rights Reserved ACKNOWLEDGEMENTS This thesis is a project I hold dear to my heart. A milestone in my life in which I will never forget. My research started as a journey across the United States to tell a story about the formation of the Metal Arts Guild, but has ended with a discovery about the strength of the human spirit. I was not fortunate to meet many of the founding members of the Metal Arts Guild, but my research into the lives and careers of Margaret De Patta, Irena Brynner, and Peter Macchiarini has provided me with invaluable inspiration. Despite the adversity these artists faced, their strength still reverberates through the trails of history they left behind for an emerging scholar like me. Throughout this project, I have received so much support. I would like to thank Heidi Nasstrom Evans, my thesis advisor, for her encouragement and patience during the thesis writing process. It was during her Spring 2007 class on modernism, that I was introduced to a whole new world of art history. I also want to thank Cynthia Williams and Peggy Newman for their constant source of support. A huge thank you to Alison Antleman and Rebecca Deans for giving me access to MAG’s archives and allowing me to tell their organization’s story. -
Aid to Artisans Aid to Artisans
Aid to Artisans Aid to Artisans Summer 2016 ATA Celebrates its 40th anniversary @ NY NOW Meet the MRP Class of 2016 Canvas Home Small Grants Bring Big Hope Across the Globe Support our Artisans and Partners in Haiti 1 NY NOW August 2016 marked a significant moment for ATA as we celebrated our 40th Anniversary. Our familiar orange booth was filled with crafts from Mexico, Haiti, Nepal, Tur- key, Myanmar, Tibet, and Syrian Refugees living in Turkey. With its colorful dolls and toys, the product collection from Tibet was our bestseller. 2 Once more, Tibet’s Dropenling collection stood out by the vivid colors reflected in the handmade dolls and stuffed toys created by artisans providing sustainable, long-term solutions to the promotion and preservation of Tibetan culture. Chin-Chili’s product collection from Myanmar represented the second best seller for this edition of NY NOW. Their woven textiles, pillows, table runners, and bags were a wonderful addition to the booth. Our walls were decorated by wonderful paintings and printed stuffed toys made by women artisans from the Janakpur Wom- en Development center in Nepal. This organization was built to create sustainable solutions to support artisans, from Maithil culture. The toy collection and clutches created by Soma artisans based in Turkey gave a wonderful touch to the booth. Re- siding in the mining town of Soma, Manisa, Turkey, the Soma Artisans initiative, provides economic opportunities for women 3 in that region. Making their first appearance at NY NOW, Amal (Hope in Arabic), a newly created organization of Syrian women refugees liv- ing in Fatih, Turkey, brought beautiful and colorful embroidered jewelry and clutches inspired by memories of Syria. -
Additional Information About the U.S. Economy, Top U.S. Imports, Sector Websites, and Consumer Good Marketing
Additional Information about the U.S. Economy, Top U.S. Imports, Sector Websites, and Consumer Good Marketing 1.) U.S. Economy (2007) • GDP - $13.78 Trillion • Population – 304 million • GDP – per capita - $45,800 people • GDP – composition by sector • Labor Force – 153.1 million o Services – 79% (including unemployed) o Agriculture – 1.2% • Exports - $1.148 trillion o Industry – 19.8% • Imports $1.968 trillion 2.) Top U.S. Imports (2007) Product Share (by %) 1) Mineral fuel, oil, etc. 18.7 14) Iron/Steel Products 1.62 2) Machinery 12.8 15) Toys And Sports Equipment 1.59 3) Electrical machinery 12.7 16) Iron And Steel 1.31 4) Auto, bus & truck vehicles 11.0 17) Aircraft, Spacecraft 1.12 5) Computers & telephones 2.75 18) Salvaged & recycled goods 1.08 6) Pharmaceutical products 2.50 19) Footwear 0.99 7) Precious stones, metals 2.43 20) Rubber 0.96 8) Organic chemicals 2.31 TOTAL 100.0 9) Furniture and bedding 2.09 10) Auto parts 2.01 Source: U.S. Department of 11) Knit Apparel 1.94 Commerce, Bureau of Census 12) Woven Apparel 1.92 13) Plastic 1.76 3.) Sector-Specific Contact Information for Standards and Regulations a. Textiles and Apparel http://web.ita.doc.gov/tacgi/labeling2.nsf/ http://web.ita.doc.gov/tacgi/eamain.nsf/6e1600e39721316c852570ab0056f719/448cd661f6 48520c8525739a005a725a?OpenDocument b. Mining/Marble: National Mining Association: http://www.nma.org/ Contacts: Moya Phelleps Senior Vice President, Member Services Emily Schlect International Policy Analyst c. Jewelry: http://www.ita.doc.gov/td/ocg/jewelry.htm 1 d. -
Exuberance of Color V3.Indd
TANSEY CONTEMPORARY Presents AN EXUBERANCE OF COLOR In Studio Jewelry Curated by Gail M. Brown www.tanseycontemporary.com 1 Contents AN EXUBERANCE OF COLOR In Studio Jewelry curated by Gail M.Brown Contents Julia Barello ..................................................................................................................................... 4 Harriete Estel Berman...................................................................................................................... 9 Jessica Calderwood........................................................................................................................ 12 Arline Fisch ....................................................................................................................................... 16 Donald Friedlich............................................................................................................................... 20 Rebekah Laskin................................................................................................................................ 26 Amy Lemaire.................................................................................................................................... 30 Karen Thuesen Massaro................................................................................................................... 36 Bruce Metcalf................................................................................................................................... 40 Mike & Maaike.................................................................................................................................