DOCSLIB.ORG

The Hymns and Songs of the Church. with an Introd. by Edward Farr

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
The Hymns and Songs of the Church. with an Introd. by Edward Farr Presented to the LIBRARY of the UNIVERSITY OF TORONTO by NORAH DE PMCTER L,oe. this ts Jie whose in/antJ(^tls& beaann. (To Iram tbeWorld lieforej'ear&s stiili. H 'Thow/l ba slewbt&. o-conies to makehisH praise f Beagfauors or- opinion of the l\'mes, laue bmtTmore ~Ye$j&P byaooa men approu'd. None loud. ^ofvnseen^^o^tnertiUy' S.V.I. mentis . HYMNS AND SONGS OF THE CHURCH BY GEORGE WITHER. WITH AN INTRODUCTION BY EDWARD FARR. LONDON I REEVES & TURNER, 5, WELLINGTON STREET, STRAND, W.C. 1895. 1022296 INTRODUCTION. MONG the numerous poets of the six. teenth and seventeenth centuries there is scarcely a name more worthy of honour than that of George Wither. Some writers have, indeed pronounced Wither a fanatical rhymer and an intemperate Puritan. Such was the judgment of Ritson, Heylin, Dryden, Swift and Pope : all writers of undoubted talent, but whose criticism and taste must have " been governed by prejudice. In the neglected " leaves of Wither, Dr. Southey discerned "felicity of expression;" "tenderness of feeling;" and " " elevation of Sir mind ; and Egerton Brydges, Mr. Park, Mr. Willmott, and that truly Christian poet and critic, James Montgomery, have all borne testimony to Wither's merits. The cloud which obscured his merits as a poet, arose from his mingling in the political warfare of the turbulent period in which he lived. Sir Egerton Brydges in his Bestituta has thus given the pedigree of the poet. " Thomas Wither of the County of Lancaster, Esq., left three sons. b vi INTRODUCTION. " Bobert Wither, third son, came to Manydowne in Hampshire, and there lived, leaving issue. " Thomas Wither, of Manydowne, who married Joane, daughter and heir of Richard Mason of Lydmonton in Hampshire, and had three sons, John, Thomas, and Richard. " John, eldest son, of Manydowne who married Ann daughter of Ayliffe of Skeynes in Hamp shire, had three sons, John, Richard and George (which last married Avelyn, daughter of John Shank, and had Gilbert, Thomas, John and Regi the said Gilbert was father of nald ; and George, William, Reginald and Henry.) " Richard Wither, second son of John Wither and Ann Ayliffe, was of Manydowne, and married a daughter of William Poynter of Whitchurch in Hampshire, by whom he had four sons, John, George, (father of the poet) Otho and Ferdinando, " John Wither of Manydowne, eldest son, married Jane, daughter of John Love of Basing in Hampshire, and had five sons, William, Anthony, John, James, and Richard. William eldest son, was of Manydowne, and married Susan, daughter of Paul Risley of Chetwood in Buckinghamshire, and had issue, John, Paul, and Susan. 11 George Wither (second son of Richard Wither by the daughter of Poynter) had issue three sons, viz., George Wither the poet, James Wither, and Anthony Wither. In most of Wither's poems something of his private history may be collected. The date of his birth even is better substantiated by his verse than by the baptismal Register. Aubrey and Anthony Wood state that he was born in 1588 : others authors assert that the poet was born in INTRODUCTION. vii 1590. His verse settles the question in favour of Wood and Aubrey. In a pamphlet entitled ' ' Salt upon Salt," written and published in 1658 he writes : When I began to know the world and men, I made records of what I found it then. Continuing even since to take good heed How they stood still, went back, or did proceed: Till of my scale of time ascending heaven The round I stand in maketh ten times seven. " " Ten times seven or seventy years, fixes the date of his birth in 1588. The poet received his early education in the village of Colemore, under one John Greaves, a schoolmaster of some celebrity. The tutor evi dently gained the love of his pupil, for he is noticed in the poet's epigrams in this touching language : If ever I do wish 1 may be rich (As oft perhaps such idle breath I spend), I do it not for anything so much, to to friend As have wherewithal pay my ; For trust me there is nothing grieves me more Than this, that I should still much kindness take, And have a fortune to my mind so poor, That I would I cannot though amends make ; Yet to be still as thankful as I may, (Sith my estate no better means afford) What I indeed receive, I do repay In willingness, in thanks, and gentle words. The father of the poet appears to have enjoyed considerable affluence, for alluding to his juvenile years, Wither, in a poem entitled Britain's Kemembrancer, writes : When daily I on change of dainties fed, Lodged night by night upon an easy bed, In lordly chambers and had wherewithal! Attendants forwarder than I to call, viii INTRODUCTION. Who me all needful when at hand brought things ; Hounds, hawks and horses were at my command, Then chose I did my walks on hills or valiies In groves, near springs, or in sweet garden allies, Reposing either in a natural shade Or in neat harbours which by hands were made, Where I might have required without denial, The lute, the organ or deepsounding viol, else beside To cheer my spirits ; with what Was pleasant, when my friends did thus provide Without my cost or labour. From the village school of Colemore Wither was sent to Magdalen College, Oxford, and it was here that his poetical talents were first developed. Be fore he left the school of Greaves he had become " " " acquainted with Lilly's Latin and Camden's Greek," but at the University he seems to have neglected classical learning, and to have devoted his powers to the Muses, until his kind old tutor, " by his good persuasion," again brought him to a love of what he had been taught. Then after " Cynthia had six times lost her borrowed light," " he again drank at Aristotle's well." It was while Wither was redevoting his attention to classical studies and when he had been at Oxford about two years, and was beginning to love a col lege life, that the change in his father's temporal circumstances seems to have taken place, for he was suddenly removed from the University and " taken home to hold the plough." He alludes " thus touchingly to this change in Abuses Whipt and Stript :"- But now ensues the worst I setting foot And thus digesting learning's bitter root, to taste the fruit I Rsady ; then when thought I should a calling in that place have sought, I found that I for other ends ordain' d Was from that course perforce to be constrain'd. INTRODUCTION. ix If the plough had a charm for Cincinnatus, not so had it for Wither. According to Aubrey he re " turned in discontent to the beechy shadows of Brentworth;" and his sojourn at home was more embittered by officious friends,who were constantly urging his relations to apprentice him to some trade. But the mind of Wither was not to be cast down. When only eighteen years of age he made his way to London of his own accord, there to seek his fortune. Shortly after his arrival in the metropolis, he entered himself of Lincoln's Inn, where he appears to have formed an acquaintance with the pastoral poet, William Brown, who be longed to the Inner Temple. This seems to have been the turning point in his history. Anthony Wood says that hanging after things more smooth and delightful than the law, he did at length make himself known to the world by certain specimens of his poetry, which being dispersed in several hands, he became shortly after a public author. The poetical works of George Wither are numer ous. Most of them are of a secular character, but interspersed throughout his writings are beautiful passages indicating the mind of a Christian. There is the fine gold of Christian thought even in " Abuses Stript and Whipt," a satire of the most in " Prince galling nature ; and Henry's Obse " " quies," Epithalamia," or Nuptial Poems," the "Shepherd's Hunting," the "Motto," "Fair Virtue," the "Remembrancer," and the "Em blems," there are lines on almost every page which reflect a hallowed light over much that is un worthy of a Christian poet. In his earlier years of authorship Wither x INTRODUCTION. appears to have obtained the semblance of court favour. But the favour of courts is proverbially fickle, and so Wither found. His expectations of preferment were not realised, and being un able to procure preferment, he applied himself to watching the vices of the times. These vices " were abundant, and in his Abuses Stript and Whipt," he exposed them unsparingly. Never did satirist write with more thrilling effect, but the chief result of his exertions to mend the public morals was his committal to the Marshal- sea prison. What sufferings he there endured he thus describes in the " Scholar's Pur " gatory : " All my apparent good intentions wore so mistaken by the aggravation of some ill affected towards my endeavours, that I was shut up from the society of mankind, and as one unworthy the compassion vouchsafed to thieves and murderers, was neither permitted the use of my pen, the access or sight of acquaintance, the allowances usually afforded other close prisoners, nor means to send for necessaries befitting my present con dition : by which means I was for many days compelled to feed on nothing but the coarsest bread, and sometimes locked up four-and-twenty hours together, without so much as a drop of water to cool my tongue : and being at the same time in one of the grossest extremities of dullness that was ever inflicted upon my body, the help both of physician and apothecary was uncivilly denied me.
Load more

Recommended publications
  • The Spanish Match and Jacobean Political Thought, 1618-1624
    Opposition in a pre-Republican Age? The Spanish Match and Jacobean Political Thought, 1618-1624 Kimberley Jayne Hackett Ph.D University of York History Department July 2009 Abstract Seventeenth-century English political thought was once viewed as insular and bound by a common law mentality. Significant work has been done to revise this picture and highlight the role played by continental religious resistance theory and what has been termed 'classical republicanism'. In addition to identifying these wider influences, recent work has focused upon the development of a public sphere that reveals a more socially diverse engagement with politics, authority and opposition than has hitherto been acknowledged. Yet for the period before the Civil War our understanding of the way that several intellectual influences were interacting to inform a politically alert 'public' is unclear, and expressions of political opposition are often tied to a pre-determined category of religious affiliation. As religious tension erupted into conflict on the continent, James I's pursuit ofa Spanish bride for Prince Charles and determination to follow a diplomatic solution to the war put his policy direction at odds with a dominant swathe of public opinion. During the last years of his reign, therefore, James experienced an unprecedented amount of opposition to his government of England. This opposition was articulated through a variety of media, and began to raise questions beyond the conduct of policy in addressing fundamental issues of political authority. By examining the deployment of political ideas during the domestic crisis of the early 1620s, this thesis seeks to uncover the varied ways in which differing discourses upon authority and obedience were being articulated against royal government.
    [Show full text]
  • The Elizabethan Protestant Press: a Study of the Printing and Publishing of Protestant Literature in English
    THE ELIZABETHAN PROTESTANT PRESS: A STUDY OF THE PRINTING AND PUBLISHING OF PROTESTANT RELIGIOUS LITERATURE IN ENGLISH, EXCLUDING BIBLES AND LITURGIES, 1558-1603. By WILLIAN CALDERWOOD, M.A., B.D. Submitted for the Ph.D. degree, University College. (c\ (LONBI 2 ABSTRACT Uninterrupted for forty-five years, from 1558 to 1603, Protestants in England were able to use the printing press to disseminate Protestant ideology. It was a period long enough for Protestantism to root itself deeply in the life of the nation and to accumulate its own distinctive literature. English Protestantism, like an inf ant vulnerable to the whim of a parent under King Henry VIII, like a headstrong and erratic child in Edward's reign, and like a sulking, chastised youth in the Marian years, had come of age by the end of the Elizabethan period. At the outset of Elizabeth's reign the most pressing religious need was a clear, well-reasoned defence of the Church of England. The publication of Bishop Jewel's Apologia Ecclesiae Anglicanae in 1562 was a response to that need and set the tone of literary polemics for the rest of the period. It was a time of muscle- flexing for the Elizabethan Church, and especially in the opening decades, a time when anti-Catholicism was particularly vehement. Consistently throughout the period, when Queen and country were threatened by Catholic intrigues and conspiracies, literature of exceptional virulence was published against Catholicism. But just as the press became an effective tool for defenders and apologists of the Church of England, it soon was being used as an instrument to advance the cause of further reform by more radical Protestants.
    [Show full text]
  • University Microfilms, Inc., Ann Arbor, Michigan @ Copyright By
    This dissertation has been microfilmed exactly as received 6 7-245 7 HINELY, Jan Lawson, 1936- THE SONNET SEQUENCE IN ELIZABETHAN POETRY. The Ohio State U niversity, Ph.D ., 1966 Language and Literature, general University Microfilms, Inc., Ann Arbor, Michigan @ Copyright by Jan Lawson Hinely 1967 THE SONNET SEQUENCE IN ELIZABETHAN POETRY DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University Ely Jan Lawson Hinely B.A., Midwestern University, 1957 M.A., The Ohio State University, 1958 The Ohio State University 1966 Approved by Adviser Department of Engl' PREFACE This dissertation should properly be dedicated to four people: to my parents, who encouraged, to Saralyn, who per servered, and to Bruce, who endured. I owe more than I can express to the unfailing courtesy, wide scholarship, and sound critical judgment of my adviser, Harold R. Walley, and wish as well to pay inadequate tribute to the inspiration and guidance, over several years, of Richard Altick, Ruth Hughey, James Logan, Francis Utley, and Harold Wilson. They have a part, always, in whatever scholarly excellence I may achieve. Finally, I wish to thank Mrs. John Kempt on, whose aid in preparing the manuscript was invaluable. VITA January 19. 1936 Bom - Philipsburg, Missouri 1957 .......... B.A., Midwestern University, Wichita Falls, Texas 1957-1961 .... Graduate Assistant, Department of English The Ohio State University, Columbus, Ohio 1958 .......... M.A., The Ohio State University, Columbus, Ohio 1961-1962 .... University Fellow, The Ohio State University, Columbus, Ohio 1962-I963 .... Instructor, Division of Comparative Literature The Ohio State University, Columbus, Ohio 1963-1966 ...
    [Show full text]
  • Actes Des Congrès De La Société Française Shakespeare
    Actes des congrès de la Société française Shakespeare 38 | 2020 Shakespeare et le monde animal Hybrid Creatures in Context: Centaurs, Hobby- horses and Sexualised Women (Hamlet, King Lear, The Two Noble Kinsmen) Natália Pikli Electronic version URL: http://journals.openedition.org/shakespeare/5055 DOI: 10.4000/shakespeare.5055 ISSN: 2271-6424 Publisher Société Française Shakespeare Electronic reference Natália Pikli, « Hybrid Creatures in Context: Centaurs, Hobby-horses and Sexualised Women (Hamlet, King Lear, The Two Noble Kinsmen) », Actes des congrès de la Société française Shakespeare [Online], 38 | 2020, Online since 10 January 2020, connection on 21 July 2020. URL : http:// journals.openedition.org/shakespeare/5055 ; DOI : https://doi.org/10.4000/shakespeare.5055 This text was automatically generated on 21 July 2020. © SFS Hybrid Creatures in Context: Centaurs, Hobby-horses and Sexualised Women (Ham... 1 Hybrid Creatures in Context: Centaurs, Hobby-horses and Sexualised Women (Hamlet, King Lear, The Two Noble Kinsmen) Natália Pikli 1 “Think when we talk of horses, that you see them”, says the Chorus in Henry V, 1 alluding to the fact that Shakespeare’s and his contemporaries’ works teem with horses the audience had to imagine, since bringing a live horse onto the stage was rarely a viable option. Besides the war horses of historical battles, early modern playtexts featured other horses or horse-like creatures, belonging to different cultural discourses. Besides the “elite” centaur of humanist education, the hobby-horse of the morris dance, the wickerwork costume of the dancing, prancing, lascivious and merry character (Figure 1) enjoyed heightened popularity in the decades between 1580 and 1642, appearing in numerous texts of different status,2 being the most remembered when it was so famously “forgotten” (cf.
    [Show full text]
  • English Pastorals Selected and with an Introduction
    English Pastorals English Pastorals SELECTED AND WITH AN INTRODUCTION BY EDMUND K. CHAMBERS C.B., B.A., D.Litt. BLACKIE AND SON LIMITED 50 OLD BAILEY, LONDON; GLASGOW, BOMBAY There were kills which garnished their proud heights with stately trees; humble valleys, whose base estate seemed comforted with the refreshing of silver rivers; meadows enamelled with all sorts of eye-pleasing flowers; thickets, which being lined with most pleasant shade, were witnessed so too by the cheerful disposition of many well-tuned birds; each pasture stored with sheep, feeding with sober security, while the pretty lambs with bleating outcry craved the dam's comfort; here a shepherd's boy piping as though he should never be old; there a young shepherdess knitting, and withal singing; and it seemed that her voice comforted her hands to work, and her hands kept time to h> voice-music. SIDNEY : Description of Arcadia. Printed in Great Britain by BJackie & Son, Limited, Glasgow PUBLISHERS' NOTE This volume was originally issued as the first volume " " of The Warwick Library under the general editorship of Professor C. H. Herford. The series consisted of: English Literary Criticism. Introduction by C. E. Vaughan. * English Tales in Verse. Introduction by C. H. Herford. * English Essays. Introduction by J. H. Lobban. * English Masques. Introduction by Henry A. Evans. * English Historians. Introduction by A. J. Grant. * English Lyric Poetry. Introduction by Frederic Ives Carpenter. "English Satires. Introduction by Oliphant Wilson. * English Pastorals. Introduction by E. K. Chambers. The volumes marked with an asterisk are now re-issued in the present series of "Standard English Classics".
    [Show full text]
  • Why Shakespeare? Irony and Liberalism in Canonization
    Why Shakespeare? Irony and Liberalism in Canonization Jeffrey R. Wilson Abstract When scholars consider Shakespeare’s rise and lasting popularity in modern culture, they usually tell us how he assumed his position at the head of the canon but not why.This essay contends that Shakespeare’s elevation in the early nineteenth century resulted from the confluence of his strategy as an author and the political commitments of his canonizers. Specifically, Shakespeare’s ironic mode made his drama uniquely appealing to the political liberals at the forefront of English culture. In their own ways, Shakespeare and his proponents were antiauthoritarian: the literary antiauthoritarianism in his drama (the irony granting audiences the freedom of interpretation) perfectly matched the political antiauthoritarianism (liberalism) advocated by the likes of Adam Smith and John Stuart Mill. Thus it is possible to speak of bardolatry as an allegorical intertext for liberal politics. Keywords canonicity, bardolatry, irony, ambiguity, liberalism aisters Gower, Chaucer and Lydgate” were dubbed the “primier M poets of this nacion” as early as 1475 (Ashby 1899: 13). Early sixteenth-century poets like Stephen Hawes (1504, 1554) and John Skelton (1523, 1545) repeated this roll call, writing themselves in. The Elizabethans elevated Chaucer above Gower and Lydgate while adding one of their own, Spenser.1 Then the remarkable ongoing output of the 1 George Puttenham (1598: 49) ranked Chaucer first, followed by Gower, Lydgate, and John Harding. Thomas Nashe (1592: G3) called “Chaucer and Spenser the Homer and Virgil of England.” I would like to thank Jacob Betz, Marshall Brown, Ambereen Dadabhoy, Gabriella Edelstein, Ewan Fernie, Julia Reinhard Lupton, Victoria Silver, Robin Stewart, the participants in the “Intertextual Shakespeare” seminar at the British Shakespeare Association conference at the University of Hull in September 2016, and students in the Why Shakespeare? class at Harvard University for comments and conversations about the ideas presented in this essay.
    [Show full text]
  • The Daily Religious Life in England of the Early 17Th. Century by W. H
    The daily religious life in England of the early 17th century Item Type text; Thesis-Reproduction (electronic) Authors Snyder, William Henry, 1911- Publisher The University of Arizona. Rights Copyright © is held by the author. Digital access to this material is made possible by the University Libraries, University of Arizona. Further transmission, reproduction or presentation (such as public display or performance) of protected items is prohibited except with permission of the author. Download date 06/10/2021 11:59:23 Link to Item http://hdl.handle.net/10150/553244 The Daily Religious Life in England of the Early 17th. Century by W. H. Snyder Submitted in partial fulfillment of the requirements for the degree of Vaster of Arts in the Graduate College, o ' the University of Arizona 1 9 3 5 Approved: ' £??<?/ *93 5“ 39 2~~ TABLE OF CONTSTTFS CHAPTER PACK I. INTRODUCTION .......... ........ 1 Purpose. Sects. Religion and politics. II. OP CHURCHES AND THEIR ADMINISTRATION .... 15 Exterior of churches. Interior of churches. Form of government. III. OP CLERGYMEN.............................. 26 Characterizations. Intellectual and cultural life. Duties and faults. Private chaplains. IV. OP SERMONS........... 38 Subjects. Construction. Delivery. V. OP CONGREGATIONS ......................... 46 Dress. Character. The church service. 99506 VI, OF "THE DAILY ROUKQT, ............. 62 Prevalence of faadly worship. Family services. • General theological Interest. VI!. CONCLUSION . ... 74 BIBLIOGRAPHY . ... .... 76 I INTRODUCTION The religious struggles in early 17th century England, culminating in the Civil War, were just as complex as those leading to the French Revolution. -Even ^arlyle made the grave error— grave because of his tremendous influence on later students of the period— of interpreting the Whole movement from a moral standpoint'.
    [Show full text]
  • The Library of Robert Ball Part I
    The library Of Robert Ball Part I BERNARD QUARITCH LTD. BERNARD QUARITCH LTD. 40 SOUTH AUDLEY ST, LONDON W1K 2PR Tel: +44 (0)20-7297 4888 Fax: +44 (0)20-7297 4866 e-mail: [email protected] web site: www.quaritch.com Bankers: Barclays Bank plc, 50 Pall Mall, P.O. Box 15162, London SW1A 1QB Sort code: 20-65-82 Swift code: BARCGB22 Sterling account: IBAN: GB98 BARC 206582 10511722 Euro account: IBAN: GB30 BARC 206582 45447011 U.S. Dollar account: IBAN: GB46 BARC 206582 63992444 VAT number: GB 840 1358 54 MasterCard, Visa, and American Express accepted Recent Catalogues: 1431 Travel, Exploration and Natural History 1430 Philosophy, Politics and Economics 1429 Continental Books 1428 In the Scribe’s Hand – Islamic Manuscripts 1427 Travel Recent Lists: 2015/4 Autograph letters and manuscripts of economists, philosophers, statesmen etc. 2015/3 From the Library of Alexander Cosmo Gordon 2015/2 English Books, New Acquisitions, Spring 2015 2015/1 Money: an Idea transformed by Use List 2015/5 Cover image taken from item 105 (Southwell, Saint Peters Complaint , 1602-9?) Title-page image taken from item 24 (Chaucer, The Workes , 1602) © Bernard Quaritch 2015 The Library of Robert Ball English Literature 1500-1900, an American Journalist’s Collection Collecting rare books is a selfish pastime. It is about possession, about ownership. After all, the texts are universally available. Even the books themselves are often accessible in public libraries. But that is not the same as having them in one’s own bookcase. I have been an active collector for most of a long life.
    [Show full text]
  • Victoria E. Burke London, Lambeth Palace Library, MS 2240
    Victoria E. Burke London, Lambeth Palace Library, MS 2240 Lambeth Palace Library, MS 2240, is a collection of religious verse and devotional prose compiled apparently by Alathea Bethell, whose name appears at several points in the manuscript. The first datable item is a poem that was sent to her in 1674, and the last possible date for her completion of the manuscript is 1708, the year of her death. The first third of the manuscript, fols 1r-13v, consists of poetry (extracts from versified psalms, and poems and poetic extracts on Christmas day, Good Friday, Easter day, and Christ’s love for humanity). Bethell has cited the verse of six popular writers, only one of whom (John Patrick) she identifies by name.1 Two-thirds of the manuscript’s contents are prose meditations without any located source. A number of poems in the manuscript may have been written by Bethell or her acquaintances, including the first poem in the volume which is subscribed ‘AB’. It appears to reflect self-consciously on the contents of the manuscript: when the speaker’s heart is oppressed by the world ‘This litle Book . Afoards me Ease & Rest’ (fol. 1r). She will give God her ‘humble Praises’ for his bounty, and though God expects ‘A great Account’ for his gifts, Bethell asks him to pardon her ‘Poor Returns’. The quatrain following this poem on the first folio similarly mentions her ‘Booke’, in the context of enjoying it along with her time and herself in a ‘Safe Retreat’. These lines have come from John Norris’s poem ‘Freedom’, which was printed in A collection of miscellanies (1687), a popular collection of his verse and essays which went to an estimated nine editions by 1723 (Green 642).
    [Show full text]
  • Wutber, of :Fsentwortb. HE Subject of This Sketch Was Born in the Stirring Days T When the Spanish Armada Was on Its Fateful Way to These Shores, on June 11
    GEORGE WITHER, OF BE~TWORTH George ·wutber, of :fSentwortb. HE subject of this sketch was born in the stirring days T when the Spanish Armada was on its fateful way to these shores, on June 11. 1588, in the peaceful and typically English village of Bentworth, four miles from Alton, in Hamp­ shire. Born, therefore, in the reign of Elizabeth, living through the reigns of James I. and Charles I., outlasting the Common­ wealth, and only dying seven years before Charles II., his lot was cast in exciting times, and from first to last he remained a loyal son of the Church of England, serving her with rare courage., consistency, and devotion. This, however, is not his only title to fame. He was a poet of no mean order, and was the first to attempt the compilation of an English Hymnal. This fact alone justifies us in unearthing such particulars as we can of his eventful career~ His ancestors came from Lancaster, and settled at Manydown Manor, near Wooton St. Lawrence, and,later on, the father of the poet (one of the younger sons of the family) went to live at Bent• worth, probably because it was near his wife's family-the Hunts, of Fidding Grange. Judging by some lines in George's" Britain's Remembrancer," they appear to have been in prosperous circum­ stances.: •• When daily I on change of dainties fed, Lodged night by night upon an easy bed In lordly chambers, and had wherewithal Attendants forwarder than I to call, Who brought me all things needful; when at hand, Hounds, hawks, and horses, were at my command." In the closing years of his life, which were clouded by poverty and misfortune, he must often have looked back to the easy life pictured for us in these lines.
    [Show full text]
  • Rather Than Imposing Thematic Unity Or Predefining a Common Theoretical
    The Anonymous „Eliza‟: A Puritan Virgin Poet Internalizes Seventeenth-Century English Absolutism Kamille Stone Stanton, Savannah State University Abstract In her only known published volume, Eliza’s Babes: or The Virgin’s Offering (1652), the anonymous poet known as „Eliza‟ figures her virgin identity as a political and religious trope; however critics have been ambiguous on the topic of this poet‟s political affiliation. In the various themes that thread Eliza‟s work is evidence of a constant personalizing process of contemporary trends in both religious belief and political opinion. Pausing only briefly to overtly discuss political events, Eliza tends to internalize religious doctrines and political events until her overriding sense of her own female identity serves to reconcile political and religious conflicts. Although Eliza‟s Puritanical orientation may have, presumably, aligned her against the monarch for a time, as demonstrated by my examination of her verses and their contextualization within Civil War sermons, she was highly influenced by the Presbyterian sense of sympathy toward the beleaguered cause of King Charles I that was enabled by the unreconciled tensions between their interests and those of Parliament * * * The “superannuated virgin,” as termed by political commentator Mary Astell (1666-1731) at the end of the seventeenth century, is one who refuses to participate in the matters of marriage, the foundational institution of patriarchal society (Astell 1997: 41). Considering the political context of this form of self-abstraction, the theme of virginity in seventeenth-century poetry can be understood as a feminizing of the Civil War literary discourse of engagement and withdrawal from public life.
    [Show full text]
  • Ρ Ο Ε M S. Jd with Elegies on the Authors
    PDF hosted at the Radboud Repository of the Radboud University Nijmegen The following full text is a publisher's version. For additional information about this publication click this link. http://hdl.handle.net/2066/148221 Please be advised that this information was generated on 2021-10-10 and may be subject to change. ^rans Kellendonk John & Richard Marriott The History of a Seventeenth-Century Publishing House Promotor: Prof. T.A. Birrell Copyright с 1978 Ъу Frana Kellendonk, Amsterdam Deze uitgave kwam tot stand in samenwerking met Polak & Van Gennep Uitgeversmaatschappij B.V. , Amsterdam. ISBN 90 253 5535 Table of contents p. ν Introduction ix Abbreviations χ List of illustrations 3 I. John and Richard Marriott. Their lives and ca­ reers 19 II. Relations with authors 21 In partnership vith Gnsmand. George Wither, Mi­ chael Drayton, Mary Wroth. 27 Francis Quarles 31 The works of John Donne 46 Izaak Walton 67 Conclusion 69 Notes 75 III. A chronological list of books, published by John, Richard, and George Marriott 195 IV. Entries and assignments to John and Richard Marriott, not dealt with in the previous list 212 Indexes to parts III and IV 215 Bibliography 220 General index iii Introduction In his Life of John Milton David Masson devoted a few pages to the London booksellers and publishers of Milton's time, in which he remarked: 'All in all, the chiefs of the London book-trade, in poetry a.nd whatever the phrase "the finer literature" can include, had been Humphrey Moseley, Richard Marriott, and Henry Herringman. But of these three chiefs one was still the chief.
    [Show full text]