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Memoirs Faculty of Engineering
ISSN 0078-6659 MEMOIRS OF THE FACULTY OF ENG THE FACULTY MEMOIRS OF MEMOIRS OF THE FACULTY OF ENGINEERING OSAKA CITY UNIVERSITY INEERING OSAKA CITY UNIVERSITY VOL. 60 DECEMBER 2019 VOL. 60. 2019 PUBLISHED BY THE GRADUATE SCHOOL OF ENGINEERING OSAKA CITY UNIVERSITY 1911-0402大阪市立大学 工学部 工学部英文紀要VOL.60(2019) 1-4 見本 スミ 㻌 㻌 㻌 㻌 㻌 㻌 㻌 㻌 㻌 This series of Memoirs is issued annually. Selected original works of the members 㻌 of the Faculty of Engineering are compiled in the first part of the volume. Abstracts of 㻌 㻌 papers presented elsewhere during the current year are compiled in the second part. List 㻌 of conference presentations delivered during the same period is appended in the last part. 㻌 All communications with respect to Memoirs should be addressed to: 㻌 Dean of the Graduate School of Engineering 㻌 Osaka City University 㻌 3-3-138, Sugimoto, Sumiyoshi-ku 㻌 Osaka 558-8585, Japan 㻌 㻌 Editors 㻌 㻌 㻌 Akira TERAI Hayato NAKATANI This is the final print issue of “Memoirs of the Faculty of Engineering, Osaka City Masafumi MURAJI University.” This series of Memoirs has been published for the last decade in print edition as Daisuke MIYAZAKI well as in electronic edition. From the next issue, the Memoirs will be published only Hideki AZUMA electronically. The forthcoming issues will be available at the internet address: Tetsu TOKUONO https://www.eng.osaka-cu.ac.jp/en/about/publication.html. The past and present editors take Toru ENDO this opportunity to express gratitude to the subscribers for all their support and hope them to keep interested in the Memoirs. -
Water Etching... a Well Kept Secret
Water-Etching : A Well-Kept Secret. This was the original draft of a submission to “Pottery Making Illustrated” sometime in 2007, eventually published under the title “Adding by Subtracting”. Some of the included photographs were omitted in the printed version for reasons of space, but they’re still included here to help make the explanations clearer. Roger Graham Pottery at Old Toolijooa School Some time last year, on a visit interstate, I bought a delightful porcelain pot with a delicate raised pattern on the outside. Carved with infinite patience, or so I thought. Not at all, the potter told me. It’s water-etching... and I was given a one-sentence outline of how it’s done. Use wax emulsion to paint a design on the unfired pot, then spray with water. Back home in the workshop, I’ve had time to follow up this idea, and it has opened up a whole new field of possibilities. Nothing found on the internet. Nothing known by various other experienced potters of my acquaintance. How could this wonderful technique have remained a secret for so long? So, what do you do? This photo shows what you can expect, once you know the secret, and it’s so simple really. • Throw a suitable pot, using a smooth fine- grained clay. Let it dry. • Use wax emulsion and a fine brush, to paint a design on the pot. Food dye in the wax makes it easier to see where you’ve been. • Invert the pot and suspend it on some kind of pedestal, then apply a fine spray of water. -
Fall Fiber Festival 2019 Schedule of Events
Fall Fiber Festival 2019 Schedule of Events Ongoing Activities Saturday and Sunday Montpelier Sheep Dog Trials, sponsored by the VA Border Collie Association Skein, Garment & Fiber Arts Competition and Display - Display & Demo Tent Fiber Arts Demonstrations and Hands-on Activities - Display & Demo Tent Fleece Sale - Fleece Sale Tent Saturday October 5, 2019, 10 am – 5 pm ALL DAY Weaving & Spinning Demos, Fiber Prep & Combing, Knit/Crochet Help, Circular Sock Knitting Machines, Yarn/Ball Winding ~ Display & Demo Tent 9:30 am-4:30 pm FELTING WORKSHOP: Felted Necklace ~ Workshop Tents 9:30 am-12:30 pm SPINNING WORKSHOP: Interaction of Color in Spinning ~ Workshop Tents 10 am-4 pm FACE PAINTING ~ Near Animal Exhibit Tent 10 am-4:30 pm DEMO: Circular Sock Knitting Machines ~ Display & Demo Tent 10 am-4:30 pm DEMO: Spinning from a Bunny ~ Display & Demo Tent 10 am-Noon DEMO: Knitting on a Knitting Machine ~ Display & Demo Tent 10 am-11am DEMO: Spinning Shetland Fleece ~ Display & Demo Tent 10:30 am-Noon DEMO: Embroidery & Stitching ~ Display & Demo Tent 11:00 am SHEEP SHEARING ~ Animal Exhibit Tent 11 am-1 pm DEMO: Great Wheel Spinning (Weather Permitting) ~ Display & Demo Tent 11 am-Noon DEMO: Combing Wool for Worsted Spinning ~ Display & Demo Tent 11 am-1 pm DEMO: Nuno Felting ~ Display & Demo Tent 12:30 pm-2 pm DEMO: Tri-Loom Weaving ~ Display & Demo Tent 1 pm-4 pm DEMO: Needle Felted Flowers - Ginter Garden Felters ~ Display & Demo Tent 1 pm-2:30 pm DEMO: Kumihimo Braiding ~ Display & Demo Tent 1 pm-2 pm KIDS CLASS: Walk in Projects for -
Palo Duro Etching
MEDIA SETTING RECOMMENDATIONS PAPER HANDLING GUIDE Download the Full Handling Guide www.redriverpaper.com/guides ® Palo Duro Etching Using a printer profile? Product Stats Use the instructions that came with the profile for setting recommendations. Recommended Printer Driver Settings Packed Print Side Up Epson - Cold Press Natural or Velvet Fine Art Paper Canon Desktop - Matte Photo Paper Weight: Canon PRO (Prograf) - Heavyweight Fine Art Paper 315gsm Thick Paper Handling Tips Thickness: 21mil Epson Desktop – Activate the thick paper (envelope) setting Epson Pro Models - Paper thickness = 4 and platen gap to wide Media Type: 100% Cotton Rag Canon - Activate “Prevent Paper Abrasion” setting Coating: Print Quality Setting Recommendations Micro-porous Epson Choose Best Photo or 1440dpi quality. Choose Photo if Best Photo is Surface: not available. We recommend avoiding Photo RPM as print quality Matte textured is only marginally better, while slowing your print time significantly. Printable: Canon One-sided Choose the High-Quality setting. On the sliding scale, you will choose 2 or 1 depending on which is the highest available. OBA: No OBAs present HP Print Quality Choose Best in the print quality drop down. Avoid Maximum DPI - Reverse Side: print quality is only marginally better while slowing your print time significantly. Light inkjet coating High Speed Printing We recommend leaving High Speed turned OFF for best possible print quality. Available Sizes: Printer Color Profiles and Color Management See website Red River Paper offers free printer color profiles for our products and many different inkjet printers. Profiles are small data files, used by software like Photoshop, that help you get better and more consistent print quality. -
Exhibition Checklist (PDF)
Racine Art Museum 441 Main Street Box 187 Racine, Wisconsin 53401-0187 262.638.8300 www.ramart.org 11th Annual Exhibitors Linda Campeau Racine International Aubrey Deschler Kate Alphs Racine Gabriella Deschler PEEPS Michelangelo’s Peep Natalie Deschler Art Watercolor Peppa Pigs at the Park Exhibition Felt, craft sticks, paint, straws, Cookie Anderson Milwaukee googly eyes, and wire Pretty in Pink Peeps Beads Anna Christensen, Under 13 Verona Friendly Peepiens Come to Earth Veronica Gagliano Averkamp Caledonia Wood, rocks, felt, stain, pipe cleaners, It’s a Peep Shake for Peep’s Sake! pom poms, found object, container, Polymer, found object, stickers, and paint and paper straw Sue Dannenberg Waterford, MI Robert Baird Greenfield Putting Peeps to Sleep Kristin Leguizamon Fabric, batting, ribbon, and thread Peep Puns Found cans, found toys, and cardboard Bill Drehfal St. Francis I Thought I Saw a Putty Cat! Wanda Barbour Kenosha Butternut wood Tumbling Peeps Fabric Mary Drehfal St. Francis The Leap Year Deep Peep Leap Arev Buchaklian Racine Wood and fabric Peeps in this Together Canvas Chris Fabio Racine Destiny Klinkhammer Haig Buchaklian, Under 13 Racine 2020 Grad Peeporama Cardboard, paper, and ribbon Display cases and pins Shardae Feest Racine Siroun Buchaklian, Under 13 Racine Ears Peep-ever Together Fabric Canvas Ellen Ferwerda Kenosha Liam Bughman Whitewater St. Peep (Martyr to Plastic) Mary Bughman Digital inkjet print Sonic the Peephog Styrofoam®, toothpicks, skewers, felt, Nellie Frazee Kenosha pipe cleaners, wood, ceramic, foam -
Diy Lettering on Glass
Diy Lettering On Glass How paralytic is Tremayne when sappiest and discountable Willy throw-aways some leaseback? Crutched Tedie unpick acquiescently or befuddle omnipotently when Arturo is saw-toothed. Neuropathic Conrad holystone some maras and disappoint his chiliarchs so synthetically! Make your family member of diy lettering glass on any glass What as you write about wine all with? DIY Lettered Dinner Plates that you can brush at home using your favorite fonts. What Cricut Vinyl to visible on relief The Country Chic Cottage. Flea-market finds and dollar-a-glass specials can be transformed with monograms stripes and whimsical polka dots. Click attach for your letters will stay near place for cutting You help see above when down go to cut need's not jumbled How about attach letters on the Cricut so. Theme are easy DIY gifts and these DIY Monogrammed Wine Glasses. I used the garment and backing pieces to make surrender letter worry no need to keep cup glass To give the emphasis a modern update I sprayed each. Pop your backing back into certain frame right out there glass like there any glass vase the. Then we can part the letters exactly where they want them together click train We acquire do follow same team with for rest of reading text reply you close your letter. I spend thinking of outstanding small ones all gas and using them some wine glass charmsjust place them food the glasses too then shred them rock the conjunction of the. I aggravate my word later and arranged the letters in a curve than before with did demand I flipped each letterword over and traced it through to the back torment the. -
Paycheck Protection Program Loans
Paycheck Protection Program Loans Loan Amount Business Name Headquarters City a $5-10 million ABO LEASING CORPORATION PLYMOUTH a $5-10 million ACMS GROUP INC CROWN POINT a $5-10 million ALBANESE CONFECTIONERY GROUP, INC. MERRILLVILLE a $5-10 million AMERICAN LICORICE COMPANY LA PORTE a $5-10 million AMERICAN STRUCTUREPOINT, INC. INDIANAPOLIS a $5-10 million ASH BROKERAGE, LLC FORT WAYNE a $5-10 million ASHLEY INDUSTRIAL MOLDING, INC. ASHLEY a $5-10 million BEST CHAIRS INCORPARATED FERDINAND a $5-10 million BIOANALYTICAL SYSTEMS, INC. WEST LAFAYETTE a $5-10 million BLUE & CO LLC CARMEL a $5-10 million BLUE HORSESHOE SOLUTIONS INC. CARMEL a $5-10 million BRAVOTAMPA, LLC MISHAWAKA a $5-10 million BRC RUBBER & PLASTICS INC FORT WAYNE a $5-10 million BTD MANUFACTURING INC BATESVILLE a $5-10 million BUCKINGHAM MANAGEMENT, L.L.C. INDIANAPOLIS a $5-10 million BYRIDER SALES OF INDIANA S LLC CARMEL a $5-10 million C.A. ADVANCED INC WAKARUSA a $5-10 million CFA INC. BATESVILLE a $5-10 million CINTEMP INC. BATESVILLE a $5-10 million CONSOLIDATED FABRICATION AND CONSTRUCTORS INC GARY a $5-10 million COUNTRYMARK REFINING & LOGISTICS LLC MOUNT VERNON a $5-10 million CROWN CORR, INC. GARY a $5-10 million CUNNINGHAM RESTAURANT GROUP LLC INDIANAPOLIS a $5-10 million DECATUR COUNTY MEMORIAL HOSPITAL GREENSBURG a $5-10 million DIVERSE STAFFING SERVICES, INC. INDIANAPOLIS a $5-10 million DRAPER, INC. SPICELAND a $5-10 million DUCHARME, MCMILLEN & ASSOCIATES, INC. FORT WAYNE a $5-10 million ELECTRIC PLUS, INC AVON a $5-10 million ENVIGO RMS, LLC INDIANAPOLIS a $5-10 million ENVISTA, LLC CARMEL a $5-10 million FLANDERS ELECTRIC MOTOR SERVICE INC EVANSVILLE a $5-10 million FOX CONTRACTORS CORP FORT WAYNE a $5-10 million FUSION ALLIANCE, LLC CARMEL a $5-10 million G.W. -
Preparation and Microstructural Analysis of High-Performance Ceramics
© 2004 ASM International. All Rights Reserved. www.asminternational.org ASM Handbook Volume 9: Metallography and Microstructures (#06044G) Preparation and Microstructural Analysis of High-Performance Ceramics Ulrike Ta¨ffner, Veronika Carle, and Ute Scha¨fer, Max-Planck-Institut fu¨r Metallforschung, Stuttgart, Germany Michael J. Hoffmann, Institut fu¨r Keramik im Maschinenbau, Universita¨t Karlsruhe, Germany IN CONTRAST TO METALS, high-perfor- and impurities. These microstructural variables cubic ZrO2 lattice). Cubic stabilized zirconia is mance ceramics have higher hardness, lower have a strong influence on the method selected also used in as k-sensors for automobile catalytic ductility, and a basically brittle nature. Other for preparation. An example for two different converters and for p(O2) measurement in liquid general properties to note are: excellent high- ZrO2 ceramic materials is illustrated in Fig. 1 and metals. temperature performance, good wear resistance 2. Figure 1 shows the microstructure of tetrag- Because of these differences in mechanical and thermal insulation (low thermal conductiv- onal ZrO2 (TZP, or tetragonal zirconia polycrys- properties and microstructure, the ceramo- ity), as well as high resistance to corrosion and tals). This is a high-strength structural ceramic graphic preparation of TZP and CSZ is quite dif- oxidation. However, the full advantage that these used for room-temperature applications (e.g., ferent. The tough, fine-grained TZP requires materials can provide is strongly dependent on knives and scissors). Tetragonal zirconia poly- longer polishing times for the fine-polishing step composition and microstructure. crystals have a grain size less than 1 lm, an ex- with 1 and 0.25 lm diamond, while CSZ needs Most high-performance ceramics are based on tremely high bending strength ranging from 800 longer polishing times for the coarser polishing high-purity oxides, nitrides, carbides, and bo- to 2400 MPa (115 to 350 ksi), and fracture with 6 and 3 lm diamond compounds. -
PAA STUDIO TOUR MAP FOLLOW Th Th the SIGNS! November 26 and 27 2010 10Am - 4Pm
MAP NOT TO SCALE PAA STUDIO TOUR MAP FOLLOW th th THE SIGNS! November 26 and 27 2010 10am - 4pm OYSTERVILLE 2 1. Wayne Ivy…31523 Sandridge Rd “My Way Lane “…360-665-3780 Accent & Home Furniture, Antique Technique 3 OYSTERVILLE RD SURFSIDE 1 2. Don Perry…34516 “J” Place…541-352-7407 Interior & Exterior Metal Art, Hand Cut 4 3. Ruth Carpenter…33006 “G” Place…360- 665-0756 Framed Originals & Matted Prints, Cards, Conventional & Abstract Style JOE JOHNS RD Willapa Bay 4. Jan Richardson…815 318th Place…360-665-2603 Clay Work, Functional & Sculptural 5 OCEAN PARK 8 5. Bette Lu Krause…27806 “L” Place…360-665-6153 Expressionist Landscape Originals, 6 9 Prints, Holiday Art Items BAY AVE 6. Tapestry Rose Yarn Shop…1024 Bay Avenue…360-665-5385 Knitted Fiber Art, Lessons, Supplies, Gifts 7 7. Bay Avenue Gallery…1306 Bay Avenue…360-665-5200 Original Art from 30 Local Artists - hosting Maxine Brown Demonstrating Watercolor Painting 227TH PL 8. The Barn on Bay…2311 Bay Avenue…360-665-6041 Charlie Cozby Photography 10 Bonnie Lou Cozby Photography, Beach Chic` Christmas - hosting Judy Cox Handmade Cards, 12 Magnetic Bookmarks, Artistic Pins, Iris Folding Demo Barbara Lester Fused Glass Jewelry Joan Taplin Original Watercolors & Prints, Cards, Magnets, Bags, Tiles Cynthia Pride P 11 Watercolor Prints, Cards, Magnets, Floral Art A 9. Wiegardt Studio Gallery…2607 Bay Ave…665-5976 Original Watercolor Paintings, Prints, C Instructional Materials, Eric’s 25th Anniversary I CRANBERRY RD F S LONG BEACH I A 10. Sue Raymond…3900 199th Court…360-642-1375 Hand Sculpted & Raku Ceramics, C N Demonstrating Raku & Horsehair Firing D 11. -
Lucet Braiding
Lucet Braiding A lucet is a simple 2 pronged device used during the Middle Ages (and earlier and later) for making cords. It is most often associated with the Viking Era but were used through out Europe. It makes a strong either square or flat cord. Lucets were made of horn, bone or wood. The cords, also called chains, were used as drawstrings in clothing and bags or purses. They were also used ornamentally as trim on clothing and other items and to hang items from belts. Larger versions of these cords were probably also used by sailors. Making Your Own Lucet A lucet can be made from any 2 pronged item. My first lucet was a plastic 2 pronged fork. My second lucet was a large wooden fork with the center prongs removed. The lyre shape can be cut out of 1/4 inch wood such as pine or oak and then the edges sanded. Basic Square Cord Crochet thread or thin yarn is good for beginners to start with. 1. Drop a 6 inch tail of the thread through the hole going from front to back. If your lucet doesn't have a hole, it is not a problem, just pull the tail around to the back of the lucet. 2. Holding the lucet in your left hand with the thumb holding the tail in place above the hole, wind the thread as shown: front to back on the right arm, then front to back on the left arm and then front to back on the right arm again, making a "figure 8." The thread should now be on teh back side where you can hold it between two fingers to keep it snug around the arms. -
Glass Shards • Page 2
GlassNEWSLETTER OF THE NATIONAL Shards AMERICAN GLASS CLUB www.glassclub.org Founded 1933 A Non-Profit Organization Autumn 2019 New Bedford Museum of Glass on the Move! After 3 months of heroic effort last Mt. Washington Glass Company, will relocation possible: Aaron Barr, Mary spring by a team of dedicated volun provide a perfect home for the muse Jo Baryza, Jeff Costa, David DeMello, teers, the New Bedford Museum of um, and we expect to open our new Brian Gunnison, Peggy Hooper, Maria Glass is happy to report that it has fully glass galleries there later this year. Martell, Luis Marquez, Charlie Moss, vacated its former premises and is now Heart-felt thanks to the following Andrea Natsios, Betsy Nelson, Eric making steady progress toward set volunteers (many NAGC members Nelson, Ross Nelson, Karen Petraglia, ting up its new gallery, library, office, among them!) who helped make our and Clint Sowle. and shop spaces in downtown New Bedford’s magnificent James Arnold Mansion! Literally thousands of ex amples of beautiful glass, including art glass, paperweights, early Ameri can glass, and studio glass by contem porary artists, have been carefully packed and moved to the new location, along with more than 50 massive dis play cases, a library of 15,000 glass reference books, and countless fasci nating odds and ends that help tell the story of approximately 2,500 years of glassmaking history. The mansion, which served as the residence in the 1870s and ’80s of William J. Rotch, the president of New Bedford’s famous The new home of the New Bedford Glass Museum. -
Area # 1 Area #2
Area # 1 Black Sheep Handweavers Guild 2-Clip Fringe Twister Knit Wits Kit for Making a Stuffed Penguin, including the Double Point Needles 3 Skeins of Yarn Glenna Harris Weavers’ Guild 1 Boat shuttle 1 Heddle maker 4 Balls Boucle’ Yarn, Beige 1) 1 oz. Bag of White Corriedale Roving 5 Bags Multicolor Roving, from 1 oz. - 5 ozs. Carmel Crafts Guild Harrisville Design Boat Shuttle 6 Wooden Bobbins Area #2 Del Oro Spinners & Weavers Guild Assorted yarns Bucilla Spice, 14) 1.75 oz. Skeins Bernat Fabri, 5) 2 oz. Skeins (600 yds. Ea.) 4 Burgundy, 1 Grey Peaches and Cream - 1 lb. Cone 4 Ply Cotton (Emerald Forest) Knitting Books - H ip to K n it by Judith Swartz & Tops to Toes edited by Kara Gott Warner Whole Rambouillet/Cormo fleece (unwashed) 6.5 pounds, 3.5" to 4" Staple Length Golden Valley Weavers and Spinnters 2 DVD’s - A rtists G u ide to Color an d D ou blew eave P ick u p Mother Lode Weavers and Spinners Our fiber basket is almost exclusively filled with fiber donated by fiber ranchers in Tuolumne and Calaveras Counties. The MLW&S Guild is fortunate to include a versatile range of fiber artists & ranchers. We wish to take this opportunity to thank all of our vendors for their generous donations to this basket. The fiber basket also includes a book, written and donated by Peggy Huth, about a little sheep named Bummer (a true story). The book is a sweet story with heartfelt illustrations that will delight children of all ages.