DOCSLIB.ORG

Television Historia

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Television Historia Television historia Televisiotoiminnan kehitys Britanniassa Televisiotoiminta Britanniassa • BBC:n dilemma: Britannian broadcastingmedia mutta perusolemukseltaan verbaali – televisiota pidettiin aluksi vain äänilähetysten lisäulottuvuutena • Ensimmäinen sodanjälkeinen lähetys 7.6.1946 • Vuoteen 1960 saakka pitäydyttiin sotaa edeltäneisiin standardeihin (405 juovaa), 625 juovainen PAL- järjestelmä käyttöön vasta1960 • 1950 luvun alkuun saakka ohjelmaa tunti aamulla, tunti iltapäivällä ja muutama tunti illalla • “Something for everyone and everything for someone” Merkkitapahtumien televisiointi • Voitonparaati • Ensimmäinen täyspitkä televisiodraama The Silence of the Sea (1946) • Lontoon Olympialaiset 1948 • Elizabeth II:n kruunajaiset kesäkuussa 1953 saavat 20 miljoonaa TV-katsojaa ja lisää filmille siirrettynä USA:ssa, Kanadassa ja muualla Ohjelmatoiminnan tärkeimmät uudelleenarvioinnit • Beverage report 1951 • Pilkington report 1962 • Annan report 1977 Beveridge report • Kritisoi BBC:n monopoliasemaa ja paternalismia mutta suositteli silti sen jatkamista tietyin varauksin • Televisiomainontaa vastaan • Kritisoi BBC:n Lontoo-keskeisyyttä • Ei sponsoroituja ohjelmia • Selwyn Lloyd suositteli poikkeavassa lausunnossaan joko mainoksilla tai julkisella rahoituksella kustannettua kilpailua • Uusi konservatiivihallitus hylkäsi raportin mutta uudisti silti BBC:n toimiluvan Popular television association • Perustajat: West End teattereiden johto, mainostoimisto J. Walter Thomson, Daily Mirror ja Financial Times • Mukana esittäjiä, käsikirjoittajia, laitteenvalmistajia, toimittajia jne. • Vaatimus katsojien oikeudesta tulla viihdytetyksi eikä vain valistetuksi • Tarve tarjota palveluja useammalla toimiluvanhaltijalle • Printtimediassa ei kylliksi mainosvolyymia kulutusyhteiskunnan tarpeisiin • Uuteen kanavaan tarvittavia investointeja ei ollut saatavissa BBC lupamaksun varassa Vastareaktio • Kasvattajat, kirkonmiehet, moralistit ym. eivät hyväksyneet ajatusta kaupallisesta toimijasta • Sanomalehdet pelkäsivät mainostulojen menetystä • Vain BBC:n monopolin katsottiin voivan tarjota kattavaa, vähemmistöt huomioivaa julkista palvelua • Lordi Reith: kaupallisen television salliminen olisi kuin isorokon ja kehkoruton maahantuontia Independent television (ITV) • Vuoden 1954 Televisiolaki mahdollisti kaupallisen kanavan perustamisen • Kaupallinen lähetystoiminta alkoi alueellisesti organisoituna 1955 • ITV:na tunnettu toiminta ei aluksi ollut valtakunnallisesti koordinoitua • Independent Television Authority (ITA) – valvoi julkisen palvelun velvoitteiden toteutumista – jakoi toimiluvat ohjelmien tuottajille – omisti televisiolähettimet • Toimiluvat alue/ohjelma-aika -jaottelun mukaan • Toimilupien haltijat lähettivät toistensa ohjelmia ja mainoksia koko kansalla muodostaen käytännössä verkkoryhmän • Independent Television News (ITN) luotiin tuottamaan kansallisia uutislähetyksiä • Mainosten ja ohjelmien pysyttävä erillään • Mainoksia enimmillään 6 min/h • Vuoteen 1957 mennessä enemmän mainostajia kuin on mainosaika Ensimmäiset toimiluvan saaneet • Anglia Television: East of England franchise • Associated-Rediffusion (A-R or ARTV, London weekdays) • Associated TeleVision (ATV, London weekends and Midlands weekdays) • ABC Weekend TV (Midlands and North weekends) • Granada TV Network (North weekdays) • Scottish Television: Central Scotland franchise • Southern Television: South and South East England franchise • TWW: Wales and West of England franchise (1958–1968) • Tyne Tees Television: North-east England franchise (1958–) • Ulster Television (UTV): Northern Ireland franchise (1959–) ITV toiminta alkaa • Ensilähetyksessä Elgarin Cocaigne alkusoitto, sitten varieteeta, nyrkkeilyä ja gaalailtaa • Ohjelmisto aluksi hyvin kevyttä → mielipiteen muodostajien suosio liukenee pois • BBC pitäytyy vanhaan, ITV yltyy innovatiiviseksi • Pian ¾ aikuisista katsoo ITV:a • ITN luo vähitellen televisuaalisen uutisformaatin kontrastina BBC:n yhä hyvin kirjalliselle tyylille • Kysymys mediaomistuksesta – pääseekö pääosin konservatiivinen printtimeida hallitsemaan uutisointia • Televisiolaki kielsi poliittisen ja uskonnollisen mainonnan sekä kiistanalaisia aiheita kuten abortti ja kuolemanrangaistus koskevien mielipiteiden levittämisen Varhaisia mainonnan käytäntöjä • Ensimmäinen TV-mainos: Gibbs toothpaste • Aluksi mainostajat nihkeitä pienen kattavuuden takia (vastaanottimet oli modifioitava) • Jo 1957 televisiomainonta-ajan kysyntä ylittää käytettävissä olevan mainosajan • Roy Thompson: toimilupa on kuin saisi rahaa painaa • 11 %:n vero televisiomainonnalle • Millainen mainonta sopii mihinkin yhteyteen – ja mikä nimenomaan ei? • TV-mainokset saattoivat olla teknisen ja tyylillisen kehityksen kärjessä – varsinkin leikkauksen suhteen • Suuri osa tuloista puhdistusaineiden mainonnasta Varhaisia ITV suosikkeja • Cool for Cats (1956-59) → ryhdytään luomaan britti- rokctähtiä • Emergency Ward Ten (ATV, 1957-67) • Coronation Street (Granada 1960 -) – yksi Britannian TV-historian suosituimpia sarjoja • Sitcomeja • Dennis Potterin, Ken Loachin ym. kirjoittamia televisionäytelmiä ITN ja uudenlainen uutistoiminta • Televisuaalisen formaatin luominen • Televisiopersonallisuudet kuten Aidan Crawley ja Robin Day eivät vain uutistenlukijoina vaan toimittajina (newscaster), joilla oli oma tyylinsä ja itsenäsitä sanottavaa • Uutiset saatettiin kirjoittaa heidän perosonaallisen tyylinsä mukaisesti • Missio: “tehdä merkittävistä uutisista mielenkiintoisempia, ymmärrettävämpiä ja hyväksyttäviä.” • Palon filmattua materiaalia ja tietämykseen perustuvaa kommentaaria • Skuuppeja ja yksinoikeuksia – filmattua materiaalia ja presidentti Nasser haastattelu 1956 Suezin kriisin aikaan • Usein paljon BBC:a kriittisempiä poliitikkoja haastatellessaan • Tavallisten ihmisten haastatteluja, “vox pops”. BBC ryhdistäytyy • 1956 luovutaan ”toddler’s truce” käytännöstä (ei lähetystä klo18-19) • Luovutaan vakavimman ohjelmiston lähettämisestä parhaana katseluaikana • Kehitetään kohderyhmäajattelua ja uusitaan esittämisen tapaa • Julkisen palvelun eetos säilyy vahvana mutta korostetaan monipuolisuutta ja pienten ryhmien palvelemista • Ajankohtaisohjelma Tonight (1960-) kerää n. 9 miljoonan katsojaa illassa • Aikaisempaa kriittisempi asenne suhteessa poliitikoihin ja asiantuntijoihin • Hyvin kirjoitettua ja televisuaalisesti toteutettua komediaa • Korkea tasoisen ohjelmatarjonnan ideaali säilyy, mutta kehitystä seuraten • BBC taistelee kiivaasti saadakseen toisen kanavan Pilkingtonin raportti • “Television is and will be a main factor in influencing the values and moral standards of our society.” • “The Authority’s working assumption is that television has little effect. This is, in our view, a mistake…. In discounting the influence of the medium they scale down their responsibilities.” • ITV ei ollut pitäytynyt 1954 määrättyihin tavoitteisiin • Huoli työväenluokkaisen kulttuurin säilymisestä • Individualist vs. mutualist –ihanteet • Kilpailu heikentää BBC:n mahdollisuuksia selviytyä julkisen palvelun velvoitteistaan → uusi kanava mahdollistaisi tasapainottelun • BBC2 aloittaa lähetykset 1964 (624 juovaa) BBC ohjelmistoa uudessa kilpailuympäristössä • Juke Box Jury (1959-67) • Cathy Come Home (1963) • The Great War (1964) • Till Death Us Do Part (1965-75) • The Forsyte Saga (1967) • Civilization (1969) • Monty Python’s Flying Circus (1969-74) • The Ascent of Man (1972-73) ITV puolustautuu • Pilkingtonin raportti todetaan monella taholla vanhentuneiden, elitististen asenteiden läpitunkemaksi • Vaatimus yleisön maun kunnioittamisesta • ITA ottaa toimiluvan haltijat tiukempaan kontrolliin • ITV:n piirissä kohotetaan tasoa sekä asia- että viihdeohjelmien osalta, esim. World at War (Thames Television, 1973) Tärkeimmät ohjelmanlähettäjät vuoden 1968 toimilupajaon jälkeen • Associated TeleVision: Midlands (1968–1981) • Granada NW England franchise (1968–) • Harlech Television (HTV ): Wales and West of England franchise (1968–) • London Weekend Television (LWT): London weekend franchise (1968–) • Thames Television: London weekday franchise (1968– 1992) • Yorkshire Television: Yorkshire/Lincolnshire franchise (1968–) Muutoksia 1970-luvulla • 19.1.1972 poistetaan päivälähetyksiä koskeneet rajoitukset – kaikkien ei enää oleteta noudattavan samaa päivärytmiä • Independent Local Radio System (ILR, 1972) murtaa BBC:n radiomonopolin • Väritelevisio leviää nopeasti 1970-luvun alussa • Riitoja hallituksen ja televisiokanavien välillä kansallisten ja kv. tapahtumien raportoinnista • Konvergenssia ja liikkuvuutta, jopa yhteisyötä BBC:n ja ITV:n välillä Suosittuja ohjelmia 1970-luvulla • ITV – A Family at War (Granada, 1970-72) – Upstairs Downstairs (LWT, 1971-77) – The World at War (Thames, 1974) – The Muppet Show (1976-81) • BBC – The Six Wives of Henry VIII (1970) – I, Claudius (1976) – Pennies from Heaven (1978) – Not the Nine O’Clock News (1979- 82) Britannian TV-toiminta – yleiskatsaus • “Maailman vähiten huono televisio” • BBC pitäytyy viktoriaanisena pidettyyn ihanteeseen palvelusta ja kulttuurin saataville saattamisesta yhteiskunnallisesta taustasta riippumatta • Rakennettiin 65 uutta lähetysasemaa näkyvyyalueen kattavuuden 99%:sta väestöä 99.1 %:in • Edward Buscombe: “BBC:n historiallinen kompromissi yhteensopimattomien voimien välillä”, esim. East Enders: julkisella rahalla tuotettu erittäin suosittu ohjelma • “Vain olemalla hyvin populaari, BBC voi tehdä ohjlemia myös vähemmistöille.” (Buscombe) The Annan Report (1977) Yleisradiotoiminnan tulisi olla • Parlamentin kautta vastuussa yleisölle, jonka
Load more

Recommended publications
  • Broadcasting in Transition
    House of Commons Culture, Media and Sport Committee Broadcasting in transition Third Report of Session 2003–04 Report, together with formal minutes, oral and written evidence Ordered by The House of Commons to be printed 24 February 2004 HC 380 [incorporating HC101-i and HC132-i] Published on 4 March 2004 by authority of the House of Commons London: The Stationery Office Limited £15.50 The Culture, Media and Sport Committee The Culture, Media and Sport Committee is appointed by the House of Commons to examine the expenditure, administration, and policy of the Department for Culture, Media and Sport and its associated public bodies. Current membership Mr Gerald Kaufman MP (Labour, Manchester Gorton) (Chairman) Mr Chris Bryant MP (Labour, Rhondda) Mr Frank Doran MP (Labour, Aberdeen Central) Michael Fabricant MP (Conservative, Lichfield) Mr Adrian Flook MP (Conservative, Taunton) Mr Charles Hendry MP (Conservative, Wealden) Alan Keen MP (Labour, Feltham and Heston) Rosemary McKenna MP (Labour, Cumbernauld and Kilsyth) Ms Debra Shipley (Labour, Stourbridge) John Thurso MP (Liberal Democrat, Caithness, Sutherland and Easter Ross) Derek Wyatt MP (Labour, Sittingbourne and Sheppey) Powers The Committee is one of the departmental select committees, the powers of which are set out in House of Commons Standing Orders, principally in SO No 152. These are available on the Internet via www.parliament.uk Publications The Reports and evidence of the Committee are published by The Stationery Office by Order of the House. All publications of the Committee (including press notices) are on the Internet at http://www.parliament.uk/parliamentary_committees/culture__media_and_sport. cfm Committee staff The current staff of the Committee are Fergus Reid (Clerk), Olivia Davidson (Second Clerk), Grahame Danby (Inquiry Manager), Anita Fuki (Committee Assistant) and Louise Thomas (Secretary).
    [Show full text]
  • Large Scale. the First Phase Focused on the Use of the Equipment in a Single Classroom Which Was Then Linked to a Second Classroom
    I DOCUMENT RESUME ED 024 261 EM 000 811 The Warblington Experimentin Closed-Circuit Television, 1962-1965. Final Report. Hampshire County Education Office, Winchester (England).. Soothern Television, Ltd. (England). Pub Date 25 Oct 65 Note-122p. Available from- The Supervisory Committee of the Warblington Experiment, County Education Officer, Hampshire County. The Castle, Winchester. England ($1.26). EDRS Price MF-S0.50 HC-S6.20 Descriptors-*ClosedCircuitTelevision,CurriculumDevelopment.*CurriculumEvaluation.*Educational Facilities. Educational Television. Equipment. Expenditures, Facility Requirements. Instructional Television, Interinstitutional Cooperation. Measurement Instruments, Production Techniques, Progr am Administration, Program Effectiveness, Secondary Grades, StaffUtilization,Studio FloorPlans, Teacher Deve!oped Materials. Teaching Methods In 1961 a three year study was inaugurated in Hampshire County. England. to investigate the possible applications of closed-circuit television in secondary schools. The study included investigations of new teaching methods and of the technical. financial, and administrative arrangemer.rs prerequisite to the use of television on a large scale. The first phase focused on the use of the equipment in a single classroom which was then linked to a second classroom. The second phase saw the construction of a studio and the linking of the original school with two others by cable. Studio teaching methods. production techniques, program content. and the b-al.aince between enrichment and curriculum
    [Show full text]
  • LWT's Pioneering Technology
    LONDON WEEKEND TELEVISION’S PIONEERING TECHNOLOGY by Phil Nott ITV in London is 65 years old in 2020, remaining vital throughout a period of external pressures as well as the changing viewing habits of the population. In this article, I look at the birth and evolution of London Weekend Television, and at the role that technology played in developing its sport and drama output. The biggest change in ITV’s history came with the franchise renewal process of 1968. As a result, the franchisees for London were two new companies - Thames Television on weekdays and London Weekend Television at weekends. LWT was a pioneering and innovative TV company. Many of the changes it introduced still have an impact today, whereas the battle to get there gives us an insight into the politics and business practices of the time. David Frost photo: via wembleyparkstudios.co.uk The story starts in 1967. The main ITV franchise holders had enjoyed prosperity since the late 1950s, with constantly increasing advertising revenues driven by the march towards consumerism. ‘You’ve never had it so good’ Prime Minister Harold Macmillan claimed at the time. Rediffusion London, the London weekday ITV company, was the dominant company. Rival ATV was split between the Midlands in the week and London at the weekends. Granada in the North was a weekday franchise that had an amicable commercial relationship with Rediffusion in London. ABC TV was the weekend TV specialist, with the franchise for both the North and the Midlands at the weekend. Its commercial wrangles were mainly with the other weekend franchise contractor ATV in London.
    [Show full text]
  • A Study of the Evolution of Make/Buy Contracting for Uk Independent Television
    A STUDY OF THE EVOLUTION OF MAKE/BUY CONTRACTING FOR UK INDEPENDENT TELEVISION (ITV): 1954-2001 Lynne Nikolychuk Submitted in Fulfilment of the Requirement of The Degree of Doctor of Philosophy Interdisciplinary Institute of Management London School of Economics and Political Science August 2005 UMI Number: U214955 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. Dissertation Publishing UMI U214955 Published by ProQuest LLC 2014. Copyright in the Dissertation held by the Author. Microform Edition © ProQuest LLC. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 VjS*. F 5 0 1 « 1 - U- PREFACE The establishment of UK Commercial television and the ongoing programme supply make/buy arrangements of its main terrestrial operator ITV (Independent Television) has been studied as part of a broader social and business history pertaining to the emergence and development of both commercial and public service UK television broadcasting. Briggs (1970, 1995), Briggs and Spicer (1986), Briggs and Burke (2002) provide illuminating, general accounts of how socio-political concerns have interacted with economic interests in this industry. Descriptive accounts from industry insiders (Potter 1989,1990; Sendall 1982,1983) and others (Bonner & Aston 1998) richly supplement these academic business histories.
    [Show full text]
  • Notes and References
    NOTES AND REFERENCES PREFACE AND ACKNOWLEDGEMENTS I. Broadcasting (HMSO, 1978) (Cmnd. 7294). 2. Report oj the Committee pn the Future ojBroadcasting (HMSO, 1977) (Cmnd. 6753) para. 4.3. 3. Ibid. para. 13.46. 4. Broadcasting, p. 21. 5. Report oj the Committee on Broadcasting rg60 (HMSO) (Cmnd. 1753) para. 20g. 6. Lord Windlesham, Broadcasting in a Free Society (Basil Blackwell, 1980) pp. 71-2. 7. B. Paulu, British Broadcasting in Transition (Macmillan, 1961). 8. B. Paulu, British Broadcasting: Radio and Teleuision in the United Kingdom (University of Minneapolis Press, 1956). 9. P. Black, The Mirror in the Corner: People'S Tel,ujsion (Hutchinson, 1972). 10. N. Swallow, Factual Teleuision (Focal Press, 1966). II. J. Gable, The Tuppen'lY Punch and Judy Show (Michael Joseph, 1980). CHAPTER I: BEVERIDGE I. H. H. Wilson, Pressure Group (Seeker and Warburg, 1961) p. 23. 2. Report oj the Broadcasting Committee 1949 (HMSO) (Cmd. 8116). 3. Ibid. pp. 201-10. CHAPTER 2: BEYOND BEVERIDGE I. A. Briggs, History oj Broadcasting in the United Kingdom Vol. IV Sound and Vision (Oxford University Press, 1979) P.424· CHAPTER 3: WHITE PAPER: 1952 I. Broadcasting: Memorandum on the Report oj the Broadcasting Committee 1949 (HMSO) (Cmd. 8550) para. 7. 2. Ibid. para. 9. 3. House of Lords, Hansard, (HMSO) 23 and 26 May 1952. 4. House of Commons, Hansard, (HMSO) J I June 1952. 375 NOTES AND REFERENCES CHAPTER 4: INTERLUDE 195~/3 I. A. Seldon, Churchill's Indian Summer (Hodder and Stoughton, 1981). CHAPTER 5: WHITE PAPER: 1953 I. (HMIO) Cmd. 9005. CHAPTER 6: FIELD DAYS IN PARLIAMENT: 1953 I.
    [Show full text]
  • R200528 3/3/2018
    Account of Purley on Thames Television R200528 3/3/2018 BBC Television Television Service began in 1938 with the BBC broadcasting from Alexandra Palace. It is doubtful whether the signal could be received in Purley and there is no indication that anyone even tried. This early service was suspended at the outbreak of war. After hostilities ceased the BBC set about resuming the service. They switched to a different system as by this time television technology had considerably improved. The new standard was 405 lines and broadcast on the VHF band. Most television sets were pre-tuned to the transmitter for their local area and there was of course only one channel. Stations were very powerful and transmitted over a wide area. Purley's signal coming from Alexandra Palace. Transmitters were alternated between horizontal and vertical polarisation so the typical H or X aerial had to be aligned along the direction of polarisation, which for Purley was vertical. The London service re-commenced in 1946 and it was very slow to take off. Sets were massive and had a very small 9 inch screen Programmes were transmitted only in the evenings and everything was live. Gradually however the BBC extended the number of hours of transmission and built a network of transmitters covering most of the country. Sets improved and soon 15 or even 24 inch screens were the norm. Contrast was poor and usually one had to watch with only dimmed lights in the room, preferably situated on top of the TV set. It was not until the Coronation in 1953 that television was regarded as much more than a novelty.
    [Show full text]
  • Ashtar Command Hoax
    Incredible ITN Interrupted 1977 by A Real Alien Message : Aliens & UFOs http://www.disclose.tv/forum/incredible-itn-interrupted-1977-by-a-real-a... Like 9.1k Join 65394 members... | Create Account | Contact | Shop | Login Search Forums Aliens & UFOs INCREDIBLE ITN INTERRUPTED 1977 BY A REAL ALIEN MESSAGE Post a reply Like 2 Tweet 2 0 6 posts • Page 1 of 1 1 of 4 9/11/2012 6:14 PM Incredible ITN Interrupted 1977 by A Real Alien Message : Aliens & UFOs http://www.disclose.tv/forum/incredible-itn-interrupted-1977-by-a-real-a... 2 of 4 9/11/2012 6:14 PM Incredible ITN Interrupted 1977 by A Real Alien Message : Aliens & UFOs http://www.disclose.tv/forum/incredible-itn-interrupted-1977-by-a-real-a... Display posts from previous: All posts Sort by Post time Ascending Go Post a reply Recommend 2 people recommend this. Be the first of your friends. 6 posts • Page 1 of 1 RELATED TOPICS 3 of 4 9/11/2012 6:14 PM Incredible ITN Interrupted 1977 by A Real Alien Message : Aliens & UFOs http://www.disclose.tv/forum/incredible-itn-interrupted-1977-by-a-real-a... 59 4213 Last post by pindz by mikemess » Sun Jan 24, 2010 5:27 pm replies views Thu Jan 28, 2010 11:06 am 15 1842 Last post by theyrecomming by megame23 » Mon Jul 12, 2010 8:41 pm replies views Sat Jan 08, 2011 6:22 pm 14 1389 Last post by funnyman46 by majesticd » Sat Jan 08, 2011 7:01 pm replies views Sun Jan 09, 2011 12:05 am 18 2561 Last post by taybean65 by umbrex » Sun Jun 20, 2010 1:33 pm replies views Mon Jun 21, 2010 3:20 pm 2 905 Last post by freespeach by mikemess » Thu Apr 28, 2011 6:20 am replies views Thu Apr 28, 2011 7:16 am Search this topic… Search LEGAL INFO HELP LINKS Site Terms All posts and media uploads are expressed opinions of the contributing members About Us Join Disclose.tv UFO Videos Shop Terms and are not representative of or endorsed by the owners or employees of Disclose.tv.
    [Show full text]
  • An Introductory History of British Broadcasting
    An Introductory History of British Broadcasting ‘. a timely and provocative combination of historical narrative and social analysis. Crisell’s book provides an important historical and analytical introduc- tion to a subject which has long needed an overview of this kind.’ Sian Nicholas, Historical Journal of Film, Radio and Television ‘Absolutely excellent for an overview of British broadcasting history: detailed, systematic and written in an engaging style.’ Stephen Gordon, Sandwell College An Introductory History of British Broadcasting is a concise and accessible history of British radio and television. It begins with the birth of radio at the beginning of the twentieth century and discusses key moments in media history, from the first wireless broadcast in 1920 through to recent developments in digital broadcasting and the internet. Distinguishing broadcasting from other kinds of mass media, and evaluating the way in which audiences have experienced the medium, Andrew Crisell considers the nature and evolution of broadcasting, the growth of broadcasting institutions and the relation of broadcasting to a wider political and social context. This fully updated and expanded second edition includes: ■ The latest developments in digital broadcasting and the internet ■ Broadcasting in a multimedia era and its prospects for the future ■ The concept of public service broadcasting and its changing role in an era of interactivity, multiple channels and pay per view ■ An evaluation of recent political pressures on the BBC and ITV duopoly ■ A timeline of key broadcasting events and annotated advice on further reading Andrew Crisell is Professor of Broadcasting Studies at the University of Sunderland. He is the author of Understanding Radio, also published by Routledge.
    [Show full text]
  • Carry on Trucking Jeffrey Borinsky While Many Enthusiasts Collect Radios and Televisions, Broadcasting Equipment Is a More Neglected Area
    The Bulletin of the British Vintage Wireless Society • Vol 44 Winter 2019 Carry on Trucking Jeffrey Borinsky While many enthusiasts collect radios and televisions, broadcasting equipment is a more neglected area. The Broadcast Engineering Conservation Group (BECG) is a group of people who rescue, restore and conserve historic UK television equipment, focusing on the engineering aspects. We aim to use this to present television history to the public. In the sight of all the people There are no surviving examples of 1950s done. The BECG would like to thank Bryant Then the Queen arising out of her Chair, BBC television outside broadcast units, Unlimited which has sponsored the project supported as before, the Sword of State despite the ‘50s being such an important with donations of cable and connectors. being carried before her, shall go to the Altar, decade for the new medium of TV. Project Vivat has been used as a prop in several and make her solemn Oath in the sight of Vivat has remedied that by re-creating a productions, most notably for a scene all the people to observe the premisses. representative operational unit. It is based at Churchill’s funeral in The Crown. Paul on a very similar early 1960s vehicle, fitted On 2 June 1953 Queen Elizabeth II Marshall is a very good vintage cameraman! out with original early 1950s equipment. was crowned. Thanks to the largest ever The vehicle is 390 EXH, originally the outside broadcast (OB) in the UK, 75% BBC’s MCR23 (Mobile Control Room). Inside and out - the OB story of people in the UK saw her coronation Before it reached us, Vivat was languishing While many early TV performances came live on TV; more than had ever seen a from the studios at Alexandra Palace, there British monarch being crowned before.
    [Show full text]
  • The Aibs 2020 the Shortlist
    The AIBs 2020 The Shortlist TV and VIDEO ARTS and CULTURE The Dancer Thieves Banyak Films for Witness, Al Jazeera English The Red Door Project: Evolve Blue Chalk Media for The Red Door Project Spirit of Tokyo CNN Beethoven’s Ninth: Symphony for the World Deutsche Welle Matera Traveller Iran International Miyako, The Last Dance NHK in association with NHK ENTERPRISES Chinese Folk Opera Phoenix Satellite Television HUMAN INTEREST MENtal Health: Breaking the Silence 5 News Fly on the Wall: The Virus Al Jazeera Digital Word of Truth: Transgender Arabs Living in the Middle East Alhurra Television African Voices: Female Pilots CNN Surviving the Special Forces De Mensen PANO: Secret on Instagram één for VRT Off the Grid: Missing Babies TRT WORLD The Skin we Wear Very! For CNA, Mediacorp Pte Ltd Supporters of the AIBs 2020 The AIBs 2020 The Shortlist NATURAL WORLD Fault Lines - Amazon Burning: Death and Destruction in Brazil’s Rainforest Al Jazeera English Borneo is Burning CNN Chris Packham: Plant A Tree to Save the World ITN Productions Reforestation Offers Hope for Myanmar’s Sinking Island Radio Free Asia Burmese Service Freed to be Wild RT VOA Films: Illegal Logging Inside Mexico Monarch Butterfly Sanctuary VOA (Voice of America) Australia's Ocean Odyssey: A Journey Down the Wild Pacific Media for Australian Broadcasting East Australian Current Corporation and ARTE France SCIENCE and TECHNOLOGY The Big Picture: The World According to A.I. Al Jazeera English Refugee Gardens: Turning Old Mattresses into Fresh Food BBC News Inventing Tomorrow
    [Show full text]
  • ITV Meridian, UK
    facility ‘However,’ says Martin, ‘given that we ITV Meridian were moving into an all- digital environment, the Broadcasting is changing globally but it’s choice was fairly obvious. More difficult was deciding also undergoing considerable rethinking which digital mixer. The even at relatively local levels. ROB JAMES primary requirement was for a studio that could be reports on the new face of regional self-operated for most of the day by the director/ commercial broadcasting in the UK. vision mixer, when there would be no sound EGIONAL COMMERCIAL TELEVISION engineer or operator in in the UK is undergoing enormous change. the sound control room. RMeridian took over the South & South-East The original concept was ITV franchise in 1993 from TVS and was a new form to have a separate sub- of ITV franchise holder, a ‘publisher/broadcaster’. mixer to do the audio- The need for production capacity was considerably follows-video operation. reduced, since it wasn’t obliged to make programmes Every manufacturer I other than to provide news, current affairs and local spoke to scratched their programmes within the region. It was soon apparent heads when we said, that the old studio centre in Southampton was too big “Look, we need a digital and not really suited to modern broadcasting. racks in CAR, one mixer and a digital sub-mixer, and we need to be able When ITV was formed there was a great deal wall of which to switch between the two.” of rationalisation and centralisation of resources. is covered with ‘When you’ve found the solution, it seems so Transmission control was moved to London and Krone frames and obvious,’ he continues.
    [Show full text]
  • Table of Membership Figures For
    RTS NATIONAL AWARDS For RTS Regional Award Winners see under the relevant section in the Archive. For a list of recent RTS National Award Winners and Nominations see under ACTIVITIES > Awards HALL OF FAME Thora Hird Lord Grade Alan Whicker Jack Rosenthal October 1995 Bruce Forsyth Carla Lane Sir Robin Day November 1996 60th anniv TV Michael Aspel Joan Bakewell Richard Briers OBE John Craven David Coleman OBE Sir Geoffrey Cox Peter Dimmock CVO OBE Sir Jeremy Isaacs Sydney Newman OC Angela Rippon Lewis Rudd OBE Naomi Sargant Delia Smith John Thaw CBE Bill Ward OBE Dr Eric White 1997 Beryl Vertue Esther Rantzen OBE Alan Bleasdale The Two Ronnies 1998 Sir David Attenborough, CH, CVO, CBE, FRS Cilla Black OBE Gay Byrne David Croft OBE Brian Farrell Gloria Hunniford Gerry Kelly Verity Lambert James Morris 1999 Sir Alistair Burnet Yvonne Littlewood MBE Denis Norden CBE June Whitfield CBE 2000 Harry Carpenter OBE William G Stewart Brian Tesler CBE Andrea Wonfor In the Regions 1998 Ireland Gay Byrne Brian Farrell Gloria Hunniford Gerry Kelly James Morris 1999 Wales Vincent Kane OBE Caryl Parry Jones Nicola Heywood Thomas Rolf Harris AM OBE Sir Harry Secombe CBE Howard Stringer 2 THE SOCIETY'S PREMIUM AWARDS The Cossor Premium 1946 Dr W. Sommer 'The Human Eye and the Electric Cell' 1948 W.I. Flach and N.H. Bentley 'A TV Receiver for the Home Constructor' 1949 P. Bax 'Scenery Design in Television' 1950 Emlyn Jones 'The Mullard BC.2. Receiver' 1951 W. Lloyd 1954 H.A. Fairhurst The Electronic Engineering Premium 1946 S.Rodda 'Space Charge and Electron Deflections in Beam Tetrode Theory' 1948 Dr D.
    [Show full text]