Buddhist Architecture
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Gandharan Origin of the Amida Buddha Image
Ancient Punjab – Volume 4, 2016-2017 1 GANDHARAN ORIGIN OF THE AMIDA BUDDHA IMAGE Katsumi Tanabe ABSTRACT The most famous Buddha of Mahāyāna Pure Land Buddhism is the Amida (Amitabha/Amitayus) Buddha that has been worshipped as great savior Buddha especially by Japanese Pure Land Buddhists (Jyodoshu and Jyodoshinshu schools). Quite different from other Mahāyāna celestial and non-historical Buddhas, the Amida Buddha has exceptionally two names or epithets: Amitābha alias Amitāyus. Amitābha means in Sanskrit ‘Infinite light’ while Amitāyus ‘Infinite life’. One of the problems concerning the Amida Buddha is why only this Buddha has two names or epithets. This anomaly is, as we shall see below, very important for solving the origin of the Amida Buddha. Keywords: Amida, Śākyamuni, Buddha, Mahāyāna, Buddhist, Gandhara, In Japan there remain many old paintings of the Amida Triad or Trinity: the Amida Buddha flanked by the two bodhisattvas Avalokiteśvara and Mahāsthāmaprāpta (Fig.1). The function of Avalokiteśvara is compassion while that of Mahāsthāmaprāpta is wisdom. Both of them help the Amida Buddha to save the lives of sentient beings. Therefore, most of such paintings as the Amida Triad feature their visiting a dying Buddhist and attempting to carry the soul of the dead to the AmidaParadise (Sukhāvatī) (cf. Tangut paintings of 12-13 centuries CE from Khara-khoto, The State Hermitage Museum 2008: 324-327, pls. 221-224). Thus, the Amida Buddha and the two regular attendant bodhisattvas became quite popular among Japanese Buddhists and paintings. However, the origin of this Triad and also the Amida Buddha himself is not clarified as yet in spite of many previous studies dedicated to the Amida Buddha, the Amida Triad, and the two regular attendant bodhisattvas (Higuchi 1950; Huntington 1980; Brough 1982; Quagliotti 1996; Salomon/Schopen 2002; Harrison/Lutczanits 2012; Miyaji 2008; Rhi 2003, 2006). -
Mon Buddhist Architecture in Pakkret District, Nonthaburi Province, Thailand During Thonburi and Rattanakosin Periods (1767-1932)
MON BUDDHIST ARCHITECTURE IN PAKKRET DISTRICT, NONTHABURI PROVINCE, THAILAND DURING THONBURI AND RATTANAKOSIN PERIODS (1767-1932) Jirada Praebaisri* and Koompong Noobanjong Department of Industrial Education, Faculty of Industrial Education and Technology, King Mongkut's Institute of Technology Ladkrabang, Bangkok 10520, Thailand *Corresponding author: [email protected] Received: October 3, 2018; Revised: February 22, 2019; Accepted: April 17, 2019 Abstract This research examines the characteristics of Mon Buddhist architecture during Thonburi and Rattanakosin periods (1767-1932) in Pakkret district. In conjunction with the oral histories acquired from the local residents, the study incorporates inquiries on historical narratives and documents, together with photographic and illustrative materials obtained from physical surveys of thirty religious structures for data collection. The textual investigations indicate that Mon people migrated to the Siamese kingdom of Ayutthaya in large number during the 18th century, and established their settlements in and around Pakkret area. Located northwest of the present day Bangkok in Nonthaburi province, Pakkret developed into an important community of the Mon diasporas, possessing a well-organized local administration that contributed to its economic prosperity. Although the Mons was assimilated into the Siamese political structure, they were able to preserve most of their traditions and customs. At the same time, the productions of their cultural artifacts encompassed many Thai elements as well, as evident from Mon Buddhist temples and monasteries in Pakkret. The stylistic analyses of these structures further reveal the following findings. First, their designs were determined by four groups of patrons: Mon laypersons, elite Mons, Thai Humanities, Arts and Social Sciences Studies Vol.19(1): 30-58, 2019 Mon Buddhist Architecture in Pakkret District Praebaisri, J. -
Buddhist Art and Architecture Ebook
BUDDHIST ART AND ARCHITECTURE PDF, EPUB, EBOOK Robert E Fisher | 216 pages | 24 May 1993 | Thames & Hudson Ltd | 9780500202654 | English | London, United Kingdom GS Art and Culture | Buddhist Architecture | UPSC Prep | NeoStencil Mahabodhi Temple is an example of one of the oldest brick structures in eastern India. It is considered to be the finest example of Indian brickwork and was highly influential in the development of later architectural traditions. Bodhgaya is a pilgrimage site since Siddhartha achieved enlightenment here and became Gautama Buddha. While the bodhi tree is of immense importance, the Mahabodhi Temple at Bodhgaya is an important reminder of the brickwork of that time. The Mahabodhi Temple is surrounded by stone ralling on all four sides. The design of the temple is unusual. It is, strictly speaking, neither Dravida nor Nagara. It is narrow like a Nagara temple, but it rises without curving, like a Dravida one. The monastic university of Nalanda is a mahavihara as it is a complex of several monasteries of various sizes. Till date, only a small portion of this ancient learning centre has been excavated as most of it lies buried under contemporary civilisation, making further excavations almost impossible. Most of the information about Nalanda is based on the records of Xuan Zang which states that the foundation of a monastery was laid by Kumargupta I in the fifth century CE. Vedika - Vedika is a stone- walled fence that surrounds a Buddhist stupa and symbolically separates the inner sacral from the surrounding secular sphere. Talk to us for. UPSC preparation support! Talk to us for UPSC preparation support! Please wait Free Prep. -
Palatial Symbolism in the Buddhist Architecture of Early Medieval China
Front. Hist. China 2015, 10(2): 222–263 DOI 10.3868/s020-004-015-0014-1 RESEARCH ARTICLE Tracy Miller Of Palaces and Pagodas: Palatial Symbolism in the Buddhist Architecture of Early Medieval China Abstract This paper is an inquiry into possible motivations for representing timber-frame architecture in the Buddhist context. By comparing the architectural language of early Buddhist narrative panels and cave temples rendered in stone, I suggest that architectural representation was employed in both masonry and timber to create symbolically charged worship spaces. The replication and multiplication of palace forms on cave walls, in “pagodas” (futu 浮圖, fotu 佛圖, or ta 塔), and as the crowning element of free-standing pillars reflect a common desire to express and harness divine power, a desire that resulted in a wide variety of mountainous monuments in China. Finally, I provide evidence to suggest that the towering Buddhist monuments of early medieval China are linked morphologically and symbolically to the towering temples of South Asia through the use of both palace forms and sacred ma alas as a means to express the divine power and expansive presence of the Buddha. Keywords Pagoda, ta, mandala, Sumeru, Yicihui pillar, Yongningsi, Songyuesi From South to East Asia, from narrative relief panels to surface decoration both in caves and freestanding worship spaces, Buddhist sites are replete with depictions of timber buildings. Narrative reliefs not only allow us to read the story of the life of the Buddha, they also provide a window into the visual language of the region in which the panels were produced. -
Buddhism and the Global Bazaar in Bodh Gaya, Bihar
DESTINATION ENLIGHTENMENT: BUDDHISM AND THE GLOBAL BAZAAR IN BODH GAYA, BIHAR by David Geary B.A., Simon Fraser University, 1999 M.A., Carleton University, 2003 A THESIS SUBMITTED IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE DOCTOR OF PHILOSOPHY in The Faculty of Graduate Studies (Anthropology) THE UNIVERSITY OF BRITISH COLUMBIA (Vancouver) December 2009 © David Geary, 2009 ABSTRACT This dissertation is a historical ethnography that examines the social transformation of Bodh Gaya into a World Heritage site. On June 26, 2002, the Mahabodhi Temple Complex at Bodh Gaya was formally inscribed on the UNESCO World Heritage List. As a place of cultural heritage and a monument of “outstanding universal value” this inclusion has reinforced the ancient significance of Bodh Gaya as the place of Buddha's enlightenment. In this dissertation, I take this recent event as a framing device for my historical and ethnographic analysis that details the varying ways in which Bodh Gaya is constructed out of a particular set of social relations. How do different groups attach meaning to Bodh Gaya's space and negotiate the multiple claims and memories embedded in place? How is Bodh Gaya socially constructed as a global site of memory and how do contests over its spatiality im- plicate divergent histories, narratives and events? In order to delineate the various historical and spatial meanings that place holds for different groups I examine a set of interrelated transnational processes that are the focus of this dissertation: 1) the emergence of Buddhist monasteries, temples and/or guest houses tied to international pilgrimage; 2) the role of tourism and pilgrimage as a source of economic livelihood for local residents; and 3) the role of state tourism development and urban planning. -
Morphological Typology and Origins of the Hindu-Buddhist Candis Which Were Built from 8Th to 17Th Centuries in the Island of Bali
計画系 642 号 【カテゴリーⅠ】 日本建築学会計画系論文集 第74巻 第642号,1857-1866,2009年 8 月 J. Archit. Plann., AIJ, Vol. 74 No. 642, 1857-1866, Aug., 2009 MORPHOLOGICAL TYPOLOGY AND ORIGINS OF THE MORPHOLOGICALHINDU-BUDDHIST TYPOLOGY CANDI ANDARCHITECTURE ORIGINS OF THE HINDU-BUDDHIST CANDI ARCHITECTURE IN BALI ISLAND IN BALI ISLAND バリ島におけるヒンドゥー・仏教チャンディ建築の起源と類型に関する形態学的研究 �������������������������������������� *1 *2 *3 I WayanI Wayan KASTAWAN KASTAWAN * ,¹, Yasuyuki Yasuyuki NAGAFUCHINAGAFUCHI * ² and and Kazuyoshi Kazuyoshi FUMOTO FUMOTO * ³ イ �ワヤン ��� カスタワン ��������,永 渕 康���� 之,麓 �� 和 善 This paper attempts to investigate and analyze the morphological typology and origins of the Hindu-Buddhist candis which were built from 8th to 17th centuries in the island of Bali. Mainly, the discussion will be focused on its characteristics analysis and morphology in order to determine the candi typology in its successive historical period, and the origin will be decided by tracing and comparative study to the other candis that are located across over the island and country as well. As a result, 2 groups which consist of 6 types of `Classical Period` and 1 type as a transition type to `Later Balinese Period`. Then, the Balinese candis can also be categorized into the `Main Type Group` which consists of 3 types, such as Stupa, Prasada, Meru and the `Complementary Type Group` can be divided into 4 types, like Petirthan, Gua, ������ and Gapura. Each type might be divided into 1, 2 or 3 sub-types within its architectural variations. Finally, it is not only the similarities of their candi characteristics and typology can be found but also there were some influences on the development of candis in the Bali Island that originally came from Central and East Java. -
Nature and Buddhist Architecture: Sri Lanka
W. De Silva, Int. J. of Design & Nature and Ecodynamics. Vol. 12, No. 2 (2017) 225-234 NATURE AND BUDDHIST ARCHITECTURE: SRI LANKA W. DE SILVA Department of Architecture, University of Moratuwa, Sri Lanka. ABSTRACT This paper examines ‘nature’ in the form of natural landscape, focusing on Sri Lankan landscape. Natural landscape in this study is discussed as physical features, physical geography and topography of the earth surface – topos. These physical features exist in variety of ways; mountains, rocks, stones and boulders, hillocks, terrains, valleys, water in many ways and trees and vegetation. Sri Lankan natural landscape consists of distinctive and varied physical features –topos – and many of these have been converted to Buddhist architecture: natural landscape represents significant role in these places. This paper examines how Sri Lankan natural landscape influences Buddhist performances, shaping landscape and architecture. It examines literature in philosophy, Buddhist philosophy and phenomenol- ogy of landscape and place. It analyses the relationship of patterns of settlements with the physical features and geography of its location, focusing on Buddhist performances. It is examined that these topos directs divine and mundane dimensions. The paper argues that Sri Lankan landscape provides unique locations for Buddhist divine understanding, which is ordinary in everyday life experiences and place concepts. It is revealed that these places as specific examples of compositions of Buddhist under- standing with natural landscape and divine experience of natural landscape with mythical landscape in a variety of ways, resulting natural–cultural–architectural places bounded by cultural performances. These kinds of place understanding reflect ontological relationships developed between people, nature and their designs (settlements) rather than as traditional or modern. -
The Significance of the Visual Culture of Three Foreign Temples at Bodhgaya (India) a Sri Lankan, Burmese and Thai Temple
15-07-2016 The significance of the visual culture of three foreign temples at Bodhgaya (India) A Sri Lankan, Burmese and Thai Temple Student: Shita Bakker, Student No: S0951730 Master Asian Studies, History, Arts and Culture of Asia Supervisor: Prof. Dr. Marijke J. Klokke Word count: 15.298 Content Chapter 1. Introduction 1.1 Brief background information and description of three foreign temples 1.2 Theravada Buddhism 1.3 Previous literature on the subject 1.4 Relevance of paper and research questions 1.5 Methodology and approach 1.6 Short note on terminology Chapter 2. Bodhgaya, from a lieu de mémoire into a global village 2.1 History and memory 2.2 The idea of conscious remembering 2.3 Conclusion Chapter 3. The visual elements of the foreign temples expressing Bodhgaya as a lieu de mémoire 3.1 The Sri Lankan Temple and Bodhgaya as a lieu de mémoire 3.2 Sri Lanka and its relation to Bodhgaya 3.3 The Burmese Temple and Bodhgaya as a lieu de mémoire 3.4 Burma and its relation to Bodhgaya 3.5 The Thai Temple and Bodhgaya as a lieu de mémoire 3.6 Thailand and its relation to Bodhgaya 3.7 Conclusion Chapter 4. The temples and the visual expression of their domestic cultures 4.1 The Sri Lankan Temple and its visual culture ` 4.2 The Burmese Temple and its visual culture 4.3 The Thai Temple and its visual culture 4.4 Conclusion Chapter 5. Conclusion 2 Chapter 1. Introduction Bodhgaya is situated in the state of Bihar in India and is known as the place where the Buddha became awakened while sitting under a Bodhi tree, which is marked by the diamond seat (Sanskrit: vajrasana). -
Candi Space and Landscape: a Study on the Distribution, Orientation and Spatial Organization of Central Javanese Temple Remains
Candi Space and Landscape: A Study on the Distribution, Orientation and Spatial Organization of Central Javanese Temple Remains Proefschrift ter verkrijging van de graad van Doctor aan de Universiteit Leiden, op gezag van Rector Magnificus Prof. mr. P.F. van der Heijden, volgens besluit van het College voor Promoties te verdedigen op woensdag 6 mei 2009 klokke 13.45 uur door Véronique Myriam Yvonne Degroot geboren te Charleroi (België) in 1972 Promotiecommissie: Promotor: Prof. dr. B. Arps Co-promotor: Dr. M.J. Klokke Referent: Dr. J. Miksic, National University of Singapore. Overige leden: Prof. dr. C.L. Hofman Prof. dr. A. Griffiths, École Française d’Extrême-Orient, Paris. Prof. dr. J.A. Silk The realisation of this thesis was supported and enabled by the Netherlands Organisation for Scientific Research (NWO), the Gonda Foundation (KNAW) and the Research School of Asian, African and Amerindian Studies (CNWS), Leiden University. Acknowledgements My wish to research the relationship between Ancient Javanese architecture and its natural environment is probably born in 1993. That summer, I made a trip to Indonesia to complete the writing of my BA dissertation. There, on the upper slopes of the ever-clouded Ungaran volcano, looking at the sulfurous spring that runs between the shrines of Gedong Songo, I experienced the genius loci of Central Javanese architects. After my BA, I did many things and had many jobs, not all of them being archaeology-related. Nevertheless, when I finally arrived in Leiden to enroll as a PhD student, the subject naturally imposed itself upon me. Here is the result, a thesis exploring the notion of space in ancient Central Java, from the lay-out of the temple plan to the interrelationship between built and natural landscape. -
21 Erich LEHNER Advanced Survey of Ancient Buddhist and Hindu
10/2017 – pp. 21–28 Journal of Comparative Cultural Studies in Architecture JCCS-a Erich LEHNER Advanced survey of ancient Buddhist and Hindu temples in central Java for tracking their position within the history of Southeast Asian architecture Abstract During the last quarter of the first millennium CE, a considerable number of prominent Hindu and Buddhist temples were erected on the island of Java. Although they were constructed of a solid dry stone masonry of precisely-trimmed and tight-fitting blocks, frequent earthquakes and volcanic eruptions have since caused serious damages over time. For more than a century, intensive efforts have been made to restore or even reconstruct these monuments. The research project consists of two parts: a holistic three-dimensional building survey, and an archi- tectural classification of Javanese candis within the framework of South and Southeast Asia religious building traditions. After a test phase in 2016, a team from the Department of Building History and Archaeological Research of the Vienna University of Technology, in cooperation with the Gadjah Mada University Yogyakarta, the Cultural Heritage Preservation Office Yogyakarta, and the Provincial Culture Office Yogyakarta, began the systematic documentation of 11 monuments using 3D laser scanning and photogrammetry. Thus, these monuments have now been recorded – for the first time – in a holistic three-dimensional rep- resentation. Such a holistic recording can provide new insights into the accuracy of past restorations, reveal modular units and concepts of proportions used by ancient builders, and would be of exceptional importance should further restoration and reconstruction work be necessary in the future, for example, following earthquake damage. -
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ISSN 2039-2117 (online) Mediterranean Journal of Vol 9 No 6 ISSN 2039-9340 (print) Social Sciences November 2018 . Research Article © 2018 Jirada Praebaisri and Koompong Noobanjong. This is an open access article licensed under the Creative Commons Attribution-NonCommercial-NoDerivs License (http://creativecommons.org/licenses/by-nc-nd/3.0/). Wat Poramaiyigawas: The Reflection of Mon Identity during the Transition from Old to New Siam Jirada Praebaisri Ph.D., Candidate in Industrial Education, Faculty of Industrial Education and Technology, King Mongkut's Institute of Technology Ladkrabang (KMITL), Thailand Koompong Noobanjong Ph.D., Associate. Prof., Faculty of Industrial Education and Technology, King Mongkut's Institute of Technology Ladkrabang (KMITL), Thailand Doi: 10.2478/mjss-2018-0159 Abstract This research has studied Wat Poramaiyigawas with the objective to study Mon identity in Siam context through Buddhist architecture during the transition from Old to New Siam. The essence of this research is set upon the concept of Stuart Hall's Representation Theory which indicates that architecture is constructed with the purpose to express the creator's concept, with the method of studying related historical information and physical field study. Wat Poramaiyigawas had been abandoned before it was restored by the Mon immigrants in Thonburi Kingdom until it was later sponsored by Siamese aristocrats for major reconstruction. During the social transition from a conservative society to a modern one which had the Western world as the prototype, temple reconstruction or building of the Mon the subordinates of Siam where changes were taking place, the Mon had to follow Siamese aristocrats' view showing not only for the purpose of ideological significance of their belief or Buddhist function, but also was the venue for creating the ideological and conceptual meaning which were created symbolically through art and architecture according to views reflecting identity of the creator in that period than Mon people who were the real users. -
Buddhist Architecture of Buddha Shrines in Thailand and Myanmar During the 14Th – 15Th Centuries
Buddhist Architecture of Buddha Shrines in Thailand and Myanmar during the 14th – 15th Centuries A part of a research project entitled “The Architecture of Buddha Shrines: A Cross- Cultural Study of Thailand, Burma, and Sri Lanka.” supported by The Thailand Research Fund (TRF) and Architectural Heritage Management and Tourism Program, Faculty of Architecture, Silpakorn University Chotima Chaturawong, Ph.D. This paper aims to compare the architecture of Buddha shrines in Thailand and Myanmar during the 14th to 15th centuries when Theravada Buddhism was widespread in Southeast Asia. Photos: Chot Kanlayanamitra, Dictionary of Architecture and Related Art. ที่มา: โชติ กัลยาณมิตร, พจนานุกรมสถาปัตยกรรมและศิลปเกี่ยวเนื่อง Mondop The comparison will focus on the architecture of Buddha shrines known as mondops and viharas in Sukhothai and Chiang Mai, Thailand; and cave temples, tazaungs (a pavilion established near a pagoda), wuts (an image shrine), hpaya-hsaungs (Buddha hall), and dhammasalas (a preaching hall) in Myanmar. Photo: A. B. Griswold, Wat Pra Yun Reconsidered. Pagan (11th-13th centuries) Chiang Mai (13th-16th centuries) Si Satchanalai Pegu Sukhothai (14th-16th centuries) Martaban (13th-15th centuries) (13th-14th centuries) Maps of Thailand and Myanmar Hindu Temple, Orissa Parashurameshwara Temple, Orissa (dated 7th century) Mandapa Mandapa garbha graha Mandapa, a Sanskrit term, means a pillared outdoor hall or a pavilion for public rituals in Indian architecture. Mandapa can be established next to an image shrine, garbha grha; or precede an antechamber of an image shrine; or be separate from a temple. Mandapa can be enclosed totally with walls or partly with walls or without any walls. The architecture of mandapa in Southeast Asia also shares similarities to that in India; for instance, mandapas in Cambodia and Vietnam.