Four Decades with DENNIS WHEATLEY a Biography & Bibliography by Iwan Hedman Jan Alexandersson 4
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LEAPING TALL BUILDINGS American Comics SETH KUSHNER Pictures
LEAPING TALL BUILDINGS LEAPING TALL BUILDINGS LEAPING TALL From the minds behind the acclaimed comics website Graphic NYC comes Leaping Tall Buildings, revealing the history of American comics through the stories of comics’ most important and influential creators—and tracing the medium’s journey all the way from its beginnings as junk culture for kids to its current status as legitimate literature and pop culture. Using interview-based essays, stunning portrait photography, and original art through various stages of development, this book delivers an in-depth, personal, behind-the-scenes account of the history of the American comic book. Subjects include: WILL EISNER (The Spirit, A Contract with God) STAN LEE (Marvel Comics) JULES FEIFFER (The Village Voice) Art SPIEGELMAN (Maus, In the Shadow of No Towers) American Comics Origins of The American Comics Origins of The JIM LEE (DC Comics Co-Publisher, Justice League) GRANT MORRISON (Supergods, All-Star Superman) NEIL GAIMAN (American Gods, Sandman) CHRIS WARE SETH KUSHNER IRVING CHRISTOPHER SETH KUSHNER IRVING CHRISTOPHER (Jimmy Corrigan, Acme Novelty Library) PAUL POPE (Batman: Year 100, Battling Boy) And many more, from the earliest cartoonists pictures pictures to the latest graphic novelists! words words This PDF is NOT the entire book LEAPING TALL BUILDINGS: The Origins of American Comics Photographs by Seth Kushner Text and interviews by Christopher Irving Published by To be released: May 2012 This PDF of Leaping Tall Buildings is only a preview and an uncorrected proof . Lifting -
Download Our Last Catalog for 2018/19
1 MIDNIGHT MARQUEE 2018/19 CATALOG The Perfect GIFTS for Your Favorite Movie Buff! Vol. 1 NEW COVER WE KNOW MOVIES! Midnight Marquee Press • 9721 Britinay Lane, Baltimore, MD 21234 2 A Letter from Gary and Sue Svehla of Midnight Marquee Press We would like to apologize to our many long time customers as well as to our many new ones for the lateness of this catalog and our slowness in get- ting your orders out. It’s been a rough several years as Sue has been facing medical challenges, but we have finally found a diagnosis and she is on a healing path. Of course we will try to get your orders out quickly, but we’re getting old and slow (not to mention forgetful) so— if you need your books quickly, please order them from AMAZON.com or OLDIES.com. Most of our books are now being converted to e-books by Bear Manor Media, so you can order those from Amazon.com. We thank you for your patience, your business and your friendship through the years. Gary and Sue Svehla Table of Contents 3 New Titles from MMP Payment: We accept 5 Brit Horrors all major credit cards, 12 Italian Horror checks, money orders 15 Biographies and Autobios and PayPal. 19 Musical Bios 20 MidMar’s Actors Series Shipping: We try to 21 Histories of Horror Films ship within 7 work- ing days, but it’s just the two of us and we’re 25 Histories of Sci-Fi Films getting old and slow. 26 Hooray for Hollywood— other genres If you need your order fast, PLEASE 28 Exploitation Horrors order from Amazon.com or Oldies.com Most books will arrive from Createspace— 29 Forgotten Horrors & DVDs, mags, bookplates, etc. -
Inscribed 6 (2).Pdf
Inscribed6 CONTENTS 1 1. AVIATION 33 2. MILITARY 59 3. NAVAL 67 4. ROYALTY, POLITICIANS, AND OTHER PUBLIC FIGURES 180 5. SCIENCE AND TECHNOLOGY 195 6. HIGH LATITUDES, INCLUDING THE POLES 206 7. MOUNTAINEERING 211 8. SPACE EXPLORATION 214 9. GENERAL TRAVEL SECTION 1. AVIATION including books from the libraries of Douglas Bader and “Laddie” Lucas. 1. [AITKEN (Group Captain Sir Max)]. LARIOS (Captain José, Duke of Lerma). Combat over Spain. Memoirs of a Nationalist Fighter Pilot 1936–1939. Portrait frontispiece, illustrations. First edition. 8vo., cloth, pictorial dust jacket. London, Neville Spearman. nd (1966). £80 A presentation copy, inscribed on the half title page ‘To Group Captain Sir Max AitkenDFC. DSO. Let us pray that the high ideals we fought for, with such fervent enthusiasm and sacrifice, may never be allowed to perish or be forgotten. With my warmest regards. Pepito Lerma. May 1968’. From the dust jacket: ‘“Combat over Spain” is one of the few first-hand accounts of the Spanish Civil War, and is the only one published in England to be written from the Nationalist point of view’. Lerma was a bomber and fighter pilot for the duration of the war, flying 278 missions. Aitken, the son of Lord Beaverbrook, joined the RAFVR in 1935, and flew Blenheims and Hurricanes, shooting down 14 enemy aircraft. Dust jacket just creased at the head and tail of the spine. A formidable Vic formation – Bader, Deere, Malan. 2. [BADER (Group Captain Douglas)]. DEERE (Group Captain Alan C.) DOWDING Air Chief Marshal, Lord), foreword. Nine Lives. Portrait frontispiece, illustrations. First edition. -
The Tarzan Series of Edgar Rice Burroughs
I The Tarzan Series of Edgar Rice Burroughs: Lost Races and Racism in American Popular Culture James R. Nesteby Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree in Doctor of Philosophy August 1978 Approved: © 1978 JAMES RONALD NESTEBY ALL RIGHTS RESERVED ¡ ¡ in Abstract The Tarzan series of Edgar Rice Burroughs (1875-1950), beginning with the All-Story serialization in 1912 of Tarzan of the Apes (1914 book), reveals deepseated racism in the popular imagination of early twentieth-century American culture. The fictional fantasies of lost races like that ruled by La of Opar (or Atlantis) are interwoven with the realities of racism, particularly toward Afro-Americans and black Africans. In analyzing popular culture, Stith Thompson's Motif-Index of Folk-Literature (1932) and John G. Cawelti's Adventure, Mystery, and Romance (1976) are utilized for their indexing and formula concepts. The groundwork for examining explanations of American culture which occur in Burroughs' science fantasies about Tarzan is provided by Ray R. Browne, publisher of The Journal of Popular Culture and The Journal of American Culture, and by Gene Wise, author of American Historical Explanations (1973). The lost race tradition and its relationship to racism in American popular fiction is explored through the inner earth motif popularized by John Cleves Symmes' Symzonla: A Voyage of Discovery (1820) and Edgar Allan Poe's The narrative of A. Gordon Pym (1838); Burroughs frequently uses the motif in his perennially popular romances of adventure which have made Tarzan of the Apes (Lord Greystoke) an ubiquitous feature of American culture. -
PDF Download to the Devil, a Daughter Pdf Free Download
TO THE DEVIL, A DAUGHTER PDF, EPUB, EBOOK Dennis Wheatley | 304 pages | 26 Aug 2014 | Bloomsbury Publishing PLC | 9781448212620 | English | London, United Kingdom To the Devil, a Daughter PDF Book Utterly brilliant book; from start to finish, fast paced and monents of genuine horror, puts Hammer's film to shame as how they coukd make the film they did from brilliant material as Wheateley's excellent book i do not know!! Actually, she is not possessed by the Devil, as the quotation at the beginning of this review suggested, but her father became a Satanist and has signed away his soul and involved her in the initial rites, so that she is influenced by them. Widmark v Lee is a close one which I'm there for and it's a well paced, musically eerie, and bloody horror film. On the wish list. Enlarge cover. Add the first question. Wicking called the film "an awful mess. In the hours of darkness she becomes a Bad Girl, giving herself up to all kinds of naughtiness. Mar 11, Adele Geraghty rated it liked it. Black Magic 1 - 10 of 12 books. Details if other :. I DID enjoy Molly, but she ended up "disappearing" from the novel for a rather extended period of time, only to come back again at the end. Off it's head, completely mad and authored by someone with dodgy Right wing autocratic and aristocratic sympathies. About Dennis Wheatley. An amazing cast and some great atmosphere but just lacks something. Admittedly Molly takes part in the final assault on the enemy, though being a woman she of course slows them down. -
1 Introduction
Notes 1 Introduction 1. Donald Macintyre, Narvik (London: Evans, 1959), p. 15. 2. See Olav Riste, The Neutral Ally: Norway’s Relations with Belligerent Powers in the First World War (London: Allen and Unwin, 1965). 3. Reflections of the C-in-C Navy on the Outbreak of War, 3 September 1939, The Fuehrer Conferences on Naval Affairs, 1939–45 (Annapolis: Naval Institute Press, 1990), pp. 37–38. 4. Report of the C-in-C Navy to the Fuehrer, 10 October 1939, in ibid. p. 47. 5. Report of the C-in-C Navy to the Fuehrer, 8 December 1939, Minutes of a Conference with Herr Hauglin and Herr Quisling on 11 December 1939 and Report of the C-in-C Navy, 12 December 1939 in ibid. pp. 63–67. 6. MGFA, Nichols Bohemia, n 172/14, H. W. Schmidt to Admiral Bohemia, 31 January 1955 cited by Francois Kersaudy, Norway, 1940 (London: Arrow, 1990), p. 42. 7. See Andrew Lambert, ‘Seapower 1939–40: Churchill and the Strategic Origins of the Battle of the Atlantic, Journal of Strategic Studies, vol. 17, no. 1 (1994), pp. 86–108. 8. For the importance of Swedish iron ore see Thomas Munch-Petersen, The Strategy of Phoney War (Stockholm: Militärhistoriska Förlaget, 1981). 9. Churchill, The Second World War, I, p. 463. 10. See Richard Wiggan, Hunt the Altmark (London: Hale, 1982). 11. TMI, Tome XV, Déposition de l’amiral Raeder, 17 May 1946 cited by Kersaudy, p. 44. 12. Kersaudy, p. 81. 13. Johannes Andenæs, Olav Riste and Magne Skodvin, Norway and the Second World War (Oslo: Aschehoug, 1966), p. -
From Decadent Diabolist to Roman Catholic Demonologist: Some Biographical Curiosities from Montague Summers’ Black Folio
From Decadent Diabolist to Roman Catholic Demonologist: Some Biographical Curiosities from Montague Summers’ Black Folio Bernard Doherty Introduction The history and practice of black magic, witchcraft, and Satanism have long held a deep fascination in British—and indeed international—popular culture. Beginning with the gothic literature of the eighteenth century, through to the nineteenth century occult revival and Victorian “penny dreadful,” and then into twentieth century pulp fiction, tales of the supernatural involving maleficent magic have been authored some of Britain’s most popular—if not always critically acclaimed—writers including, among others M. R. James, Arthur Machen, William Somerset Maugham, Agatha Christie, Charles Williams, and Dennis Wheatley. These writers, as well as various other short story writers, novelists, and journalists, have all played an important role in shaping, recording, and reflecting popular beliefs about these topics. Indeed, not a few occult practitioners, most notably Aleister Crowley, Dion Fortune, Gerald Gardner, and Doreen Valiente, even turned their hands to writing popular occult fiction. Despite this, the frequent blurring of the often porous boundary between actual occult practices and groups, and the imagined worlds of the purveyors of popular and literary fiction, has been seldom explored outside of highly specialised academic literature dedicated to the history of gothic or weird fiction and the burgeoning study of what has come to be called Western Esotericism.1 Bernard Doherty is a lecturer in the School of Theology at Charles Sturt University. 1 See, for example, Nick Freeman, ‘The Black Magic Bogeyman 1908–1935’, in The Occult Imagination in Britain, 1875–1947, ed. Christine Ferguson and Andrew Radford, pp. -
GOTHIC HORROR Gothic Horror a Reader's Guide from Poe to King and Beyond
GOTHIC HORROR Gothic Horror A Reader's Guide from Poe to King and Beyond Edited by Clive Bloom Editorial matter and selection © Clive Bloom 1998 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London WIP 9HE. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The authors have asserted their rights to be identified as the authors of this work in accordance with the Copyright, Designs and Patents Act 1988. __ First published 1998 by MACMILLAN PRESS LTD Houndmills, Basingstoke, Hampshire RG21 6XS and London Companies and representatives throughout the world ISBN 978-0-333-68398-9 ISBN 978-1-349-26398-1 (eBook) DOI 10.1007/978-1-349-26398-1 A catalogue record for this book is available from the British Library. This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. 10 9 8 7 6 5 4 3 2 1 07 06 05 04 03 02 01 00 99 98 __ Published in the United States of America 1998 by ST. MARTIN'S PRESS, INC., Scholarly and Reference Division, 175 Fifth Avenue, New York, N.Y. -
Erotism: Death and Sensuality
EROTISM DEATH & SENSUALITY & GEORGES 5ATAJLLE Translated by Mary Dalwood CITY LIGHTS BOOKS SAN FRANCISCO This book was originally published as L'Erotisme, © 1957 by Les Editions de Minuit, Paris. The first edition in English was published under the title Death and Sensuality: a Study of Eroticism and the Taboo, © 1962 by Georges Bataille, Walker and Company, NY. First City Lights edition, 1986 Cover: Detail of Bernini's Saint Theresa and the Angel Rome, S. Maria della Vittoria Library of Congress Cataloging-in-Publication Data Bataille, Georges, 1897-1962. Erotism: death and sensuality. Translation of: L'erotisme. Reprint. Originally published: New York: Walker, 1962. Bibliography: p. Includes index. 1. Sex-Religious aspects 2. Sex (Psychology) 3. Taboo. 4. Death. I. Title HQ61.B3813 1986 306.7 86-9755 ISBN 0-87286-190-2 (pbk.) ISBN 978-0-87286-190-9 Visit our website: www.citylights.com CITY LIGHTS BOOKS are edited by Lawrence Ferlinghetti and Nancy J. Peters and published at the City Lights Bookstore, 261 Columbus Avenue, San Francisco, CA 94133. CONTENTS Page FOREWORD 7 INTRODUCfION II Part One TABOO AND TRANSGRESSION Chapter I Eroticism in inner experience 29 Otapter II The link between taboos and death 40 Chapter III Taboos related to reproduction 49 Chapter IV Affinities between reproduction and death 55 Chapter V Transgression 63 Chapter VI Murder, hunting and war 7 1 Chapter VII Murder and sacrifice 81 Chapter VIII From religious sacrifice to eroticism 89 Clapter IX Sexual plethora and death 94 Chapter X Transgression in marriage -
Unseen Horrors: the Unmade Films of Hammer
Unseen Horrors: The Unmade Films of Hammer Thesis submitted by Kieran Foster In partial fulfilment of the requirements for the award of Doctor of Philosophy De Montfort University, March 2019 Abstract This doctoral thesis is an industrial study of Hammer Film Productions, focusing specifically on the period of 1955-2000, and foregrounding the company’s unmade projects as primary case studies throughout. It represents a significant academic intervention by being the first sustained industry study to primarily utilise unmade projects. The study uses these projects to examine the evolving production strategies of Hammer throughout this period, and to demonstrate the methodological benefits of utilising unmade case studies in production histories. Chapter 1 introduces the study, and sets out the scope, context and structure of the work. Chapter 2 reviews the relevant literature, considering unmade films relation to studies in adaptation, screenwriting, directing and producing, as well as existing works on Hammer Films. Chapter 3 begins the chronological study of Hammer, with the company attempting to capitalise on recent successes in the mid-1950s with three ambitious projects that ultimately failed to make it into production – Milton Subotsky’s Frankenstein, the would-be television series Tales of Frankenstein and Richard Matheson’s The Night Creatures. Chapter 4 examines Hammer’s attempt to revitalise one of its most reliable franchises – Dracula, in response to declining American interest in the company. Notably, with a project entitled Kali Devil Bride of Dracula. Chapter 5 examines the unmade project Nessie, and how it demonstrates Hammer’s shift in production strategy in the late 1970s, as it moved away from a reliance on American finance and towards a more internationalised, piece-meal approach to funding. -
Deception in Soviet Military Doctrine and Operations
Calhoun: The NPS Institutional Archive Theses and Dissertations Thesis Collection 1986 Deception in Soviet military doctrine and operations. Hamilton, David L. http://hdl.handle.net/10945/21758 Y IlHOS LIBBABY - POSTGRADTJATE SCHOOL UITUBEY. CALIFORNIA 93943-B002 NAVAL POSTGRADUATE SCHOOL Monterey, California THESIS DECEPTION IN SOVIET MILITARY DOCTRINE AND OPERATIONS by David L. Hamilton June 1986 Th ssis Advisor: Jiri Valenta Approved for public release; distribution is unlimited T 230607 UNCLASSIFIED jRirv CLASSIFICATION OP THIS PAGE REPORT DOCUMENTATION PAGE REPORT SECURITY CLASSIFICATION lb. RESTRICTIVE MARKINGS UNCLASSIFIED SECURITY CLASSIFICATION AUTHORITY 3 DISTRIBUTION /AVAILABILITY OF REPORT Approved for public release; distribution DECLASSIFICATION / DOWNGRADING SCHEDULE is unlimitec^ . ERFORMING ORGANIZATION REPORT NUM8£R(S) 5 MONITORING ORGANIZATION REPORT NUMB£R(S) NAME OF PERFORMING ORGANIZATION 6b OFFICE SYMBOL 7a. NAME OF MONITORING ORGANIZATION (If applicable) val Postgraduate School 56 Naval Postgraduate School ADDRESS {City, State, and ZIP Code) 7b. ADDRESS (Gfy, State, and ZIP Code) riterey, California 93943-5100 Monterey, California 93943-5100 MAME OF FUNDING/SPONSORING 8b OFFICE SYMBOL 9 PROCUREMENT INSTRUMENT IDENTIFICATION NUMBER ORGANIZATION (If applicable) XOORESS (City. State, and ZIP Code) 10 SOURCE OF FUNDING NUMBERS PROGRAM PROJECT TASK WORK UNIT ELEMENT NO NO NO ACCESSION NO riTLE (Include Security Classification) 2EPTI0N IN SOVIET MILITARY DOCTRINE AND OPERATIONS 'ERSONAL AUTHOR(S) nilton, David L. TYPE OF REPORT 13b TIME COVERED 14 DATE OF REPORT (Year, Month. Day) 15 PAGE COUNT ster's Thesis FROM TO 1986 June 112 UPPLEMENTARY NOTATION COSATI CODES 18 SUBJECT TERMS {Continue on revene if necessary and identify by block number) FIELD GROUP SUB-GROUP Deception, Military Deception, Soviet Deception .BSTRACT (Continue on reverse if necessary and identify by block number) This thesis analyzes the role deception serves in the armed forces of the Soviet lion. -
Inventory to Archival Boxes in the Motion Picture, Broadcasting, and Recorded Sound Division of the Library of Congress
INVENTORY TO ARCHIVAL BOXES IN THE MOTION PICTURE, BROADCASTING, AND RECORDED SOUND DIVISION OF THE LIBRARY OF CONGRESS Compiled by MBRS Staff (Last Update December 2017) Introduction The following is an inventory of film and television related paper and manuscript materials held by the Motion Picture, Broadcasting and Recorded Sound Division of the Library of Congress. Our collection of paper materials includes continuities, scripts, tie-in-books, scrapbooks, press releases, newsreel summaries, publicity notebooks, press books, lobby cards, theater programs, production notes, and much more. These items have been acquired through copyright deposit, purchased, or gifted to the division. How to Use this Inventory The inventory is organized by box number with each letter representing a specific box type. The majority of the boxes listed include content information. Please note that over the years, the content of the boxes has been described in different ways and are not consistent. The “card” column used to refer to a set of card catalogs that documented our holdings of particular paper materials: press book, posters, continuity, reviews, and other. The majority of this information has been entered into our Merged Audiovisual Information System (MAVIS) database. Boxes indicating “MAVIS” in the last column have catalog records within the new database. To locate material, use the CTRL-F function to search the document by keyword, title, or format. Paper and manuscript materials are also listed in the MAVIS database. This database is only accessible on-site in the Moving Image Research Center. If you are unable to locate a specific item in this inventory, please contact the reading room.