Erotism: Death and Sensuality
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Pride and Sexual Friendship: the Battle of the Sexes in Nietzsche's Post-Democratic World
PRIDE AND SEXUAL FRIENDSHIP: THE BATTLE OF THE SEXES IN NIETZSCHE’S POST-DEMOCRATIC WORLD Lisa Fleck Uhlir Yancy, B.A., M.A. Dissertation Prepared for the Degree of DOCTOR OF PHILOSOPHY UNIVERSITY OF NORTH TEXAS August 2008 APPROVED: Steven Forde, Major Professor Ken Godwin, Committee Member Richard Ruderman, Committee Member Milan Reban, Committee Member James Meernik, Chair of the Department of Political Science Sandra L. Terrell, Dean of the Robert B. Toulouse School of Graduate Studies Yancy, Lisa Fleck Uhlir, Pride and sexual friendship: The battle of the sexes in Nietzsche’s post-democratic world. Doctor of Philosophy (Political Science), August 2008, 191 pp., bibliography of 227 titles. This dissertation addresses an ignored [partly for its controversial nature] aspect of Nietzschean philosophy: that of the role of modern woman in the creation of a future horizon. Details of the effects of the Enlightenment, Christianity and democracy upon society are discussed, as well as effects on the individual, particularly woman. After this forward look at the changes anticipated by Nietzsche, the traditional roles of woman as the eternal feminine, wife and mother are debated. An argument for the necessity of a continuation of the battle of the sexes, and the struggle among men and women in a context of sexual love and friendship is given. This mutual affirmation must occur through the motivation of pride and not vanity. In conclusion, I argue that one possible avenue for change is a Nietzschean call for a modern revaluation of values by noble woman in conjugation with her warrior scholar to bring about the elevation of mankind. -
Vide O Clipe: Forças E Sensações No Caos
UNIVERSIDADE ESTADUAL DE CAMPINAS FACULDADE DE EDUCAÇÃO DISSERTAÇÃO DE MESTRADO Vide o clipe: forças e sensações no caos Autor: Pamela Zacharias Sanches Oda Orientador: Prof. Dr. Antonio Carlos Rodrigues de Amorim Este exemplar corresponde à redação final da Dissertação defendida por Pamela Zacharias Sanches Oda e aprovada pela Comissão Julgadora. Data: 15 / 02 / 2011 2011 ii iii Ao Lucas, Meu amor, amigo e companheiro, que possibilitou através de seu incentivo, de seu olhar crítico e de sua imensa paciência a concretização deste trabalho. iv AGRADECIMENTOS Agradecer é estar em estado de graça. Assim me sinto ao traçar as últimas linhas dessa dissertação. Nesse momento, rememoro todo o trajeto do mestrado e percebo que o que me trouxe aqui se iniciou bem antes da escrita do projeto, bem antes de fazer minha inscrição para o processo seletivo. O início de tudo está em um tempo não situável e deve-se a tantos corpos que não haveria espaço para agradecê-los nestas páginas. Por isso o estado de graça, a gratidão ampla e imensurável por estar onde estou e poder deixar um registro de um pedacinho de minha vida no mundo, mesmo que perdido entre as estantes de uma biblioteca acadêmica. Isso porque este texto é apenas a materialidade simbólica de tudo o que este trabalho me trouxe e vai além, muito além do que ele apresenta. Agradeço, portanto, ao prof. dr. Antônio Carlos de Amorim, por ter se interessado em me orientar e ter me possibilitado tantos encontros teóricos e principalmente humanos; ao grupo de pesquisa OLHO e, em especial ,ao Humor -
Eroticism of Space
Oz Volume 30 Article 2 1-1-2008 Eroticism of Space Juhani Pallasmaa Follow this and additional works at: https://newprairiepress.org/oz This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation Pallasmaa, Juhani (2008) "Eroticism of Space," Oz: Vol. 30. https://doi.org/10.4148/2378-5853.1451 This Article is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Oz by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Eroticism of Space Juhani Pallasmaa of literary and scholarly studies since Hypnerotomachia Poliphili (1499), an illustrated amalgamation of a dream-like love poem and a treatise of the secrets of ancient architec- ture, attributed to the Franciscan friar Francesco Colonna (1433–1527). Hypernerotomachia is a love story disguised as an architectural treatise in which architecture and its elements stand for the desired body of the lover. In fact, the professionalist precision of the architectural descriptions in the book has given rise to speculations that the real writer would be no one less than Leon Battista Alberti. In mid-eighteenth century France the petites maisons, resi- dences secondaires, or gardens and garden pavilions were Little House (La Petite Maison, 1758)1 by Jean-François de Bastide develops the idea of architecture as a deliberately- conceived vehicle for erotic arousal and sexual seduction. and an architectural treatise. Like Little House is assumed to be a collaboration between expert that is suspected to have collaborated with Bastide is Jacques-Francois Blondel, the renowned architectural theoretician. -
Catastrophic Sexualities in Howard Barker's Theatre of Transgression
Catastrophic Sexualities in Howard Barker's Theatre of Transgression Karoline Gritzner Abstract The recent work of contemporary English dramatist and poet Howard Barker offers startling speculations on the theme of erotic sexuality and its interrelationship with death. This paper discusses Barker's "theatre of catastrophe" with reference to theories of eroticism (Bataille), seduction (Baudrillard), and aesthetics (Adorno). In Barker's sexually charged reading of Shakespeare's Hamlet in Gertrude the Cry; his erotic version of the Grimm brothers' fairytale Snow White in Knowledge and A Girl; and in his play for three actors and a corpse, Dead Hands, erotic desire and the sexual encounter are theatrically articulated as the subversive and destructive effects of consciousness. Key Words: theatre, drama, Howard Barker, eroticism, death, sexuality, aesthetics. Moments of profound sexual passion cause us - the couple who love - to implore a death, if only from the anxiety that nothing will ever again surpass the unearthly quality of this ecstasy. Is it not too perfect to be followed, except by its repetition? The dread of its failing to reappear ... the yearning for its reappearance ... perhaps the solitary reason for perpetuating ourselves? I In Howard Barker's plays sexual desire necessarily complicates life; it signifies a tragic encounter with the Other and catapults individuals into an awareness of their own limitations and possibilities. Barker calls his distinctive dramatic project a "theatre of catastrophe" in which characters embark upon ecstatic explorations of unlived life, involving the experience of pain and violation but also a recognition of beauty. In his most recent non-dramatic text Death, The One, and The Art of Theatre - a provocative collection of poetic meditations on the "art of theatre," love and death - Barker contemplates the aesthetic and spiritual quality of tragedy, which considers eroticism and death as its main subjects. -
Mediated Music Makers. Constructing Author Images in Popular Music
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Helsingin yliopiston digitaalinen arkisto Laura Ahonen Mediated music makers Constructing author images in popular music Academic dissertation to be publicly discussed, by due permission of the Faculty of Arts at the University of Helsinki in auditorium XII, on the 10th of November, 2007 at 10 o’clock. Laura Ahonen Mediated music makers Constructing author images in popular music Finnish Society for Ethnomusicology Publ. 16. © Laura Ahonen Layout: Tiina Kaarela, Federation of Finnish Learned Societies ISBN 978-952-99945-0-2 (paperback) ISBN 978-952-10-4117-4 (PDF) Finnish Society for Ethnomusicology Publ. 16. ISSN 0785-2746. Contents Acknowledgements. 9 INTRODUCTION – UNRAVELLING MUSICAL AUTHORSHIP. 11 Background – On authorship in popular music. 13 Underlying themes and leading ideas – The author and the work. 15 Theoretical framework – Constructing the image. 17 Specifying the image types – Presented, mediated, compiled. 18 Research material – Media texts and online sources . 22 Methodology – Social constructions and discursive readings. 24 Context and focus – Defining the object of study. 26 Research questions, aims and execution – On the work at hand. 28 I STARRING THE AUTHOR – IN THE SPOTLIGHT AND UNDERGROUND . 31 1. The author effect – Tracking down the source. .32 The author as the point of origin. 32 Authoring identities and celebrity signs. 33 Tracing back the Romantic impact . 35 Leading the way – The case of Björk . 37 Media texts and present-day myths. .39 Pieces of stardom. .40 Single authors with distinct features . 42 Between nature and technology . 45 The taskmaster and her crew. -
The Role of Morality and Physical Attractiveness of Athletes on Disposition Formations Firat Tuzunkan
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2007 The Role of Morality and Physical Attractiveness of Athletes on Disposition Formations Firat Tuzunkan Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF COMMUNICATION THE ROLE OF MORALITY AND PHYSICAL ATTRACTIVENESS OF ATHLETES ON DISPOSITION FORMATIONS By FIRAT TUZUNKAN A Dissertation submitted to the Department of Communication in partial fulfillment of the requirements for the degree of Doctor of Philosophy Degree Awarded: Fall Semester, 2007 The members of the Committee approve the dissertation of Firat Tuzunkan defended on July 20, 2007. ______________________________ Arthur A. Raney Professor Directing Dissertation ______________________________ Charles Hofacker Outside Committee Member ______________________________ Gary Heald Committee Member ______________________________ Laura Arpan Committee Member Approved: ______________________________ Steven McDowell, Chair, Department of Communication ______________________________ John Mayo, Dean, College of Communication The Office of Graduate Studies has verified and approved the above named committee members. ii For my mom and dad, who made all this possible… iii ACKNOWLEDGEMENTS Probably the biggest lesson I learned throughout my PhD career is that big accomplishments cannot be achieved without the help and support of others. Similarly, this dissertation would not have been possible if it was not for the support of many great people around me. First and foremost, I would like to express my deepest gratitude to Dr. Arthur Raney for being such a great professor, mentor, and most importantly a friend throughout the years I have spent at FSU. Every time I came to your office stressed, depressed and lost, I left your office with a smile on my face and full of encouragement. -
Hyper-Eroticism As a Source of Spiritual and Material Agency in «Trilogía Sucia De La Habana»
CULTURA, LENGUAJE Y REPRESENTACIÓN / CULTURE, LANGUAGE AND REPRESENTATION ˙ ISSN 1697-7750 · VOL. XIX \ 2018, pp. 85-98 REVISTA DE ESTUDIOS CULTURALES DE LA UNIVERSITAT JAUME I / CULTURAL STUDIES JOURNAL OF UNIVERSITAT JAUME I DOI: HTTP://DX.DOI.ORG/10.6035/CLR.2018.19.5 Hyper-Eroticism as a Source of Spiritual and Material Agency in «Trilogía sucia de La Habana» El hipereroticismo como fuente de agentividad espiritual y material en Trilogía sucia de La Habana LILY MARTÍNEZ EVANGELISTA UNIVERSIDADE DE BRASÍLIA Artículo recibido el / Article received: 2017-10-11 Artículo aceptado el / Article accepted: 2018-03-22 ABSTRACT: In Trilogía sucia de La Habana, Pedro Juan Gutiérrez has defied traditional representations of the sexual body in Latin American literature by depicting eroticism as an agent of meditation and multiplication within an environment of deprivation. The author explores the diverse ways in which eroticism is a means by which to deconstruct subjectivity and provide a political critique against social oppression. The narrative is situated within a socialist Cuban context of surveillance during the Special Period and depicts the many acts of survival its citizens engage in on a daily basis amidst an economic crisis where basic products are scarce. With the absence of material goods, as well as certain political freedoms, the characters in the novel manifest their continuous desires by engaging in a hyper-production of eroticism as a source of power. While recounting personal stories of love and sex, the characters meditate on their social condition in addition to their own private desires. Ultimately, in accord with eroticism as a weapon of social change and critique, Pedro Juan Gutiérrez acknowledges the body traditionally dismissed in dominant Western thought and inscribes new representations where it can be beautiful while being impoverished, artistically tormented and imperfect. -
Eroticism in Theognis Josh C
University of Arkansas, Fayetteville ScholarWorks@UARK World Languages, Literatures and Cultures World Languages, Literatures and Cultures Undergraduate Honors Theses 5-2015 Eroticism in Theognis Josh C. Koerner University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/wllcuht Recommended Citation Koerner, Josh C., "Eroticism in Theognis" (2015). World Languages, Literatures and Cultures Undergraduate Honors Theses. 2. http://scholarworks.uark.edu/wllcuht/2 This Thesis is brought to you for free and open access by the World Languages, Literatures and Cultures at ScholarWorks@UARK. It has been accepted for inclusion in World Languages, Literatures and Cultures Undergraduate Honors Theses by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Eroticism in Theognis An Honors Thesis submitted in partial fulfillment of the requirements for Honors Studies in Classical Studies By: Joshua Koerner 2015 Classics J. William Fulbright College of Arts and Sciences The University of Arkansas Introduction and Background to Theognis 3 Background to Symposium 13 Eroticism in the Theognidean Corpus 25 Appendices 75 Bibliography 122 Acknowledgements 125 !2 of !125 Introduction and Background to Theognis Understanding masculinity and the way it self-defines is an integral part of understanding symposia as “masculine,” and using an elite context inherently includes in its discussion a greater degree of contrast between the self, or the community that identifies in a particular way, and the other. Further, given that sexuality is an integral component to the human experience, it is quite relevant to pursue the question of eroticism in a general context as well as the specific. -
Eroticism and Time in Computer Music: Juliana Hodkinson and Niels Rønsholdt's Fish & Fowl
A. Georgaki and G. Kouroupetroglou (Eds.), Proceedings ICMC|SMC|2014, 14-20 September 2014, Athens, Greece EROTICISM AND TIME IN COMPUTER MUSIC: JULIANA HODKINSON AND NIELS RØNSHOLDT’S FISH & FOWL Danielle Sofer Kunstuniversität Graz (KUG) Palais Meran Leonhardstraße 15 A-8010 Graz Austria tel. +43/(0)316/389-3294 [email protected] ABSTRACT music, are not new and continue to require attention, what is new in the twentieth century are attempts to Music analysts often default to alternate forms of record the body in order to capture the aural qualities of visualization when dealing with electroacoustic music erotic pleasure and to include these sounds through for which no score exists, thus sound becomes situated technological means in a musical setting. Technologies within the limitations of a visual system. In this paper I of the recorded body innovatively present the audience show that visual models do not always convey the with a sexual encounter through sounds of the (human) varied possible hearings of multiple listeners, body as experienced in “real time.” But our hearing of particularly in music with an erotic tinge. Coupled with recorded or synthesized sound depends in part on our clicking heels and a cracking whip, Fish & Fowl (2011) suspension of disbelief as listeners, since, after all, we by Juliana Hodkinson and Niels Rønsholdt is an are provided with no visual “evidence” of the body electroacoustic work rife for suggestive inferences. The from which these sounds emanate. Whereas allusions in sexualized breathing of the female “protagonist” in Fish instrumental works might arise through metaphor— & Fowl is an allusion to a territory typically, if tacitly, though completely real in the sense that we hear such forbidden as an expression of sonic “art,” but it is expressions as erogenous—in computer music precisely in this transgression to normative hearing that composers can make overt use of the timbres of sex and Fish & Fowl is potentially interesting for analysis. -
Genetics and Human Behaviour
Cover final A/W13657 19/9/02 11:52 am Page 1 Genetics and human behaviour : Genetic screening: ethical issues Published December 1993 the ethical context Human tissue: ethical and legal issues Published April 1995 Animal-to-human transplants: the ethics of xenotransplantation Published March 1996 Mental disorders and genetics: the ethical context Published September 1998 Genetically modified crops: the ethical and social issues Published May 1999 The ethics of clinical research in developing countries: a discussion paper Published October 1999 Stem cell therapy: the ethical issues – a discussion paper Published April 2000 The ethics of research related to healthcare in developing countries Published April 2002 Council on Bioethics Nuffield The ethics of patenting DNA: a discussion paper Published July 2002 Genetics and human behaviour the ethical context Published by Nuffield Council on Bioethics 28 Bedford Square London WC1B 3JS Telephone: 020 7681 9619 Fax: 020 7637 1712 Internet: www.nuffieldbioethics.org Cover final A/W13657 19/9/02 11:52 am Page 2 Published by Nuffield Council on Bioethics 28 Bedford Square London WC1B 3JS Telephone: 020 7681 9619 Fax: 020 7637 1712 Email: [email protected] Website: http://www.nuffieldbioethics.org ISBN 1 904384 03 X October 2002 Price £3.00 inc p + p (both national and international) Please send cheque in sterling with order payable to Nuffield Foundation © Nuffield Council on Bioethics 2002 All rights reserved. Apart from fair dealing for the purpose of private study, research, criticism or review, no part of the publication may be produced, stored in a retrieval system or transmitted in any form, or by any means, without prior permission of the copyright owners. -
Bezüge Zwischen Den Musikvideos Und Filmen Von Michel Gondry 2016
Repositorium für die Medienwissenschaft Michael Fleig Bezüge zwischen den Musikvideos und Filmen von Michel Gondry 2016 https://doi.org/10.25969/mediarep/14680 Veröffentlichungsversion / published version Sammelbandbeitrag / collection article Empfohlene Zitierung / Suggested Citation: Fleig, Michael: Bezüge zwischen den Musikvideos und Filmen von Michel Gondry. In: Miriam Drewes, Valerie Kiendl, Lars Robert Krautschick u.a. (Hg.): (Dis)Positionen Fernsehen & Film. Marburg: Schüren 2016 (Film- und Fernsehwissenschaftliches Kolloquium 27), S. 80–87. DOI: https://doi.org/10.25969/mediarep/14680. Nutzungsbedingungen: Terms of use: Dieser Text wird unter einer Deposit-Lizenz (Keine This document is made available under a Deposit License (No Weiterverbreitung - keine Bearbeitung) zur Verfügung gestellt. Redistribution - no modifications). We grant a non-exclusive, Gewährt wird ein nicht exklusives, nicht übertragbares, non-transferable, individual, and limited right for using this persönliches und beschränktes Recht auf Nutzung dieses document. This document is solely intended for your personal, Dokuments. Dieses Dokument ist ausschließlich für non-commercial use. All copies of this documents must retain den persönlichen, nicht-kommerziellen Gebrauch bestimmt. all copyright information and other information regarding legal Auf sämtlichen Kopien dieses Dokuments müssen alle protection. You are not allowed to alter this document in any Urheberrechtshinweise und sonstigen Hinweise auf gesetzlichen way, to copy it for public or commercial purposes, to exhibit the Schutz beibehalten werden. Sie dürfen dieses Dokument document in public, to perform, distribute, or otherwise use the nicht in irgendeiner Weise abändern, noch dürfen Sie document in public. dieses Dokument für öffentliche oder kommerzielle Zwecke By using this particular document, you accept the conditions of vervielfältigen, öffentlich ausstellen, aufführen, vertreiben oder use stated above. -
No Happiness Without Fetishism«
HMINISJ INlfnrnf JAJIONS Of lHfUDOH AOOHNO rnnrnBYH[Nf[ H[O[Hl[ THfPfNNSYlYANIA STAHUNIYfBSllY PHm UNIYfBSllYPAHK, PfNNSYlYANIA Chapters 3 and 4 were originally published in the journal New German Critique. "Adorno's Siren Song" by Rebecca Comay appeared in New German Critique 81 (2000): 21-48. "A Feminine Dialectic of Enlightenment? Adorno and Horkheimer Revisited" by Andrew Hewitt appeared in New German Critique 56 (1992): 143-70. Reprinted with permission. Library of Congress Cataloging-in-Publication Data Feminist interpretations of Theodor Adorno / edited by Renee Heberle. p. cm.-(Re-reading the canon) Includes bibliographical references (p. ) and index. ISBN 0-271-02879-3 (cloth: alk. paper) ISBN 0-271-02880-7 (pbk.: alk. paper) 1. Adorno, Theodor W., 1903-1969. 2. Feminist theory. I. Heberle, Renee, 1962-. II. Series. B3199.A34F46 2006 193-dc22 2006001243 Copyright © 2006 The Pennsylvania State University All rights reserved Printed in the United States of America Published by The Pennsylvania State University Press, University Park, PA 16802-1003 The Pennsylvania State University Press is a member of the Association of American University Presses. It is the policy of The Pennsylvania State University Press to use acid-free paper. This book is printed on Natures Natural, containing 50% post-consumer waste, and meets the minimum requirements of American National Standard for Information Sciences-Permanence of Paper for Printed Library Material, ANSI Z39.48-1992. 5 "No Happiness Without Fetishism" Minima Moraliaas Ars Amandi Eva Geulen Theodor Adamo's greatest success is a book on failure, in which he fa mously decreed that "there is no right life in the wrong one." 1 Numerous formulations play on Minima Moralia'spervasive theme of inevitable fail ure.