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Cinema of the Social: Stars, Fans and the Standardization of Genre in Tamil Cinema
Western University Scholarship@Western Digitized Theses Digitized Special Collections 2011 CINEMA OF THE SOCIAL: STARS, FANS AND THE STANDARDIZATION OF GENRE IN TAMIL CINEMA Ganga Rudraiah Follow this and additional works at: https://ir.lib.uwo.ca/digitizedtheses Recommended Citation Rudraiah, Ganga, "CINEMA OF THE SOCIAL: STARS, FANS AND THE STANDARDIZATION OF GENRE IN TAMIL CINEMA" (2011). Digitized Theses. 3315. https://ir.lib.uwo.ca/digitizedtheses/3315 This Thesis is brought to you for free and open access by the Digitized Special Collections at Scholarship@Western. It has been accepted for inclusion in Digitized Theses by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. CINEMA OF THE SOCIAL: STARS, FANS AND THE STANDARDIZATION OF GENRE IN TAMIL CINEMA r , ' (Spine title: CINEMA OF THE SOCIAL) (Thesis Format: Monograph) by : Ganga Rudraiah Graduate Program in Film Studies A thesis submitted in partial fulfillment of the requirements for the degree of Master of Arts The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Ganga Rudraiah 2011 THE UNIVERSITY OF WESTERN ONTARIO SCHOOL OF GRADUATE AND POSTDOCTORAL STUDIES CERTIFICATE OF EXAMINATION r Supervisor Examiners Dr. Christopher E. Glttings Dr. James Prakash Younger Supervisory Committee Dr. Constanza Burucúa Dr. Chris Holmlund The thesis by Ganga Rudraiah entitled: Cinema of the Social: Stars, Fans and the Standardization of Genre in Tamil Cinema is accepted in partial fulfillment of the requirements for the degree of Master of Arts Date Chair of the Thesis Examination Board Abstract The star machinery of Tamil cinema presents itself as a nearly unfathomable system that produces stars and politicians out of actors and fans out of audiences in an organized fashion. -
2 States the STORY of MY MARRIAGE
DX @ www.desibbrg.com DX @ www.desibbrg.com This eBook is exclusively made by bombayboy4u_2005 & perfectblue for www.desibbrg.com ~Greetings to~ BG MTB & all DBBRG members Da Xclusives @ WWW.DESIBBRG.COM DX @ www.desibbrg.com 2 States THE STORY OF MY MARRIAGE DX @ www.desibbrg.com Love marriages around the world are simple: Boy loves girl. Girl loves boy. They get married. In India, there are a few more steps: Boy loves Girl. Girl loves Boy. Girl's family has to love boy. Boy's family has to love girl. Girl's Family has to love Boy's Family. Boy's family has to love girl's family. Girl and Boy still love each other. They get married. Welcome to 2 States, a story about Krish and Ananya. They are from two different states of India, deeply in love and want to get married. Of course, their parents don’t agree. To convert their love story into a love marriage, the couple have a tough battle in front of them. For it is easy to fight and rebel, but it is much harder to convince. Will they make it? From the author of blockbusters Five Point Someone, One Night @ the Call Center and The 3 Mistakes of My Life, comes another witty tale about inter-community marriages in modern India. DX @ www.desibbrg.com This may be the first time in the history of books, but here goes: Dedicated to my in-laws* *which does not mean I am henpecked, under her thumb or not man enough DX @ www.desibbrg.com PROLOGUE “Why am I referred here? I don’t have a problem,” I said. -
208] Chennai, Saturday, May 23, 2020 Vaikasi 10, Saarvari, Thiruvalluvar Aandu–2051
© [Regd. No. TN/CCN/467/2012-14. GOVERNMENT OF TAMIL NADU [R. Dis. No. 197/2009. 2020 [Price: Rs. 11.20 Paise. TAMIL NADU GOVERNMENT GAZETTE EXTRAORDINARY PUBLISHED BY AUTHORITY No. 208] CHENNAI, Saturday, may 23, 2020 Vaikasi 10, Saarvari, Thiruvalluvar Aandu–2051 Part II—Section 2 Notifications or Orders of interest to a Section of the public issued by Secretariat Departments. NOTIFicationS BY GOVERNMENT REVENUE AND DISASTER MANAGEMENT Department COVID-19 – INFECTION PREVENTION AND CONTROL – EXTENDING RESTRICTIONS IN THE territorial JURISDICTIONS OF THE State OF TAMIL NADU. [G.O. (Ms.) No. 247, Revenue and Disaster Management (DM-II), 23rd May 2020, ¬õè£C 10, ꣘õK, F¼õœÀõ˜ ݇´-2051.] No. II(2)/REVDM/348(L-1)/2020. WHEREAS in the reference third and fourth read above, the Government have extended the State-wide lockdown from 00:00 hrs of 17-5-2020 till 24:00 hrs of 31-5-2020 under the Disaster Management Act, 2005 with various relaxations ordered in G.O.Ms.No.217, Revenue and Disaster Management (DM-II) Department, dated 3-5-2020 and amendments issued thereon with State specific existing restrictions and new relaxations. WHEREAS the Public and auto rickshaws Drivers associations have requested the Government to permit auto rickshaws for movement of persons. NOW THEREFORE the Government issue the following amendment to G.O.Ms.No.245, Revenue & Disaster Management (DM-II) Department, dated 18-5-2020: A) the sub-clause "Taxi and auto rickshaws are permitted for urgent medical treatment with TN e-pass within the District, in respect of 12 Districts where Intra District movements are otherwise not permitted" under Clause V shall be replaced as "Taxi are permitted for urgent medical treatment with TN e-pass within the District, in respect of 12 Districts where Intra District movements are otherwise not permitted. -
List of Polling Stations for 111 Mettupalayam Assembly Segment
List of Polling Stations for 111 Mettupalayam Assembly Segment within the 19 The Nilgiris Parliamentary Constituency Sl.No Polling station Location and name of building in Polling Areas Whether for All No. which Polling Station located Voters or Men only or Women only 12 3 4 5 1 1 Panchayat Union Elementary 1.Nellithurai (R.V) and (P) Nellithurai Ward No. 1 , 2.Nellithurai (R.V) and (P) All Voters School, East Portion North Facing Nandhavanam Pudur B W.No. 1 VI th Std Class Room Nellithurai - 641305 2 2 Sarguru adivasi Elementary 1.Odanthurai (R.V) and (P) Narayanasamy Pudur W.No. 1 , 2.Odanthurai (R.V) and All Voters School, East Facing southern side (P) Naripallamroad Mampatti W.No.1 , 3.Odanthurai (R.V) and (P) Ootyroad Gandhi Nagar - 641305 Puliyamarathuroad W.No.1 , 4.Odanthurai (R.V) and (P) Ootyroad Sunnambukalvai W.No.1 , 5.Odanthurai (R.V) and (P) Jallimedu Ooty Road W.No.1 , 6.Odanthurai (R.V) and (P) Kallar Railway Station W.No. 2 , 7.Odanthurai (R.V) and (P) Ooty Road Kallar W.No.2 3 3 Sarguru adivasi Elementary 1.Odanthurai (R.V) and (P) Kallar Pudur W.No. 2 , 2.Odanthurai (R.V) and (P) All Voters School, East Facing North side Sachidhanantha Jothi Negethan Valagam W.No. 2 , 3.Odanthurai (R.V) and (P) Gandhi Nagar - 641305 Kallar Pudur, Railwaygate, Thuripalam W.No.2 , 4.Odanthurai (R.V) and (P) Naripallam Road Vinobaji Nagar W.No.2 , 5.Odanthurai (R.V) and (P) Kallar Tribal Colony W.No.2 , 6.Odanthurai (R.V) and (P) Kallar Samathuvapuram W.No.2 , 7.Odanthurai (R.V) and (P) Kallar T.A.S.A Nagar W.No.2 , 8.Odanthurai (R.V) and (P) Kallar Agasthiyar Nagar W.No.2 4 4 Panchayat Union Elementary 1.Odanthurai (R.V) and (P) Omaipalayam Killtheru W.No 3,4 , 2.Odanthurai (R.V) All Voters School, West FacingSouth side and (P) Omaipalayam Meltheru W.No 3,4 RCC building Oomapalayam 641305 5 5 Panchayat Union Elementary 1.Odanthurai (R.V) and (P) Omaipalayam Pudhu Harizana Colony W.No. -
Genre Analysis of Online Encyclopedias. the Case of Wikipedia
Genre analysis online encycloped The case of Wikipedia AnnaTereszkiewicz Genre analysis of online encyclopedias The case of Wikipedia Wydawnictwo Uniwersytetu Jagiellońskiego Publikacja dofi nansowana przez Wydział Filologiczny Uniwersytetu Jagiellońskiego ze środków wydziałowej rezerwy badań własnych oraz Instytutu Filologii Angielskiej PROJEKT OKŁADKI Bartłomiej Drosdziok Zdjęcie na okładce: Łukasz Stawarski © Copyright by Anna Tereszkiewicz & Wydawnictwo Uniwersytetu Jagiellońskiego Wydanie I, Kraków 2010 All rights reserved Książka, ani żaden jej fragment nie może być przedrukowywana bez pisemnej zgody Wydawcy. W sprawie zezwoleń na przedruk należy zwracać się do Wydawnictwa Uniwersytetu Jagiellońskiego. ISBN 978-83-233-2813-1 www.wuj.pl Wydawnictwo Uniwersytetu Jagiellońskiego Redakcja: ul. Michałowskiego 9/2, 31-126 Kraków tel. 12-631-18-81, 12-631-18-82, fax 12-631-18-83 Dystrybucja: tel. 12-631-01-97, tel./fax 12-631-01-98 tel. kom. 0506-006-674, e-mail: [email protected] Konto: PEKAO SA, nr 80 1240 4722 1111 0000 4856 3325 Table of Contents Acknowledgements ........................................................................................................................ 9 Introduction .................................................................................................................................... 11 Materials and Methods .................................................................................................................. 14 1. Genology as a study .................................................................................................................. -
K Movies Telugu 2019
K movies telugu 2019 Continue Wikimedia Article Telugu Cinema (Tollywood) 1930s 1940s 1940 1941 1942 19441945 1946 1947 1948 1949 1950s 1950s 1950 1951 1952 1953 11954195 5 1956 1957 1958 1959 1960s 1960 1961 1962 1963 19641965 1966 1967 1968 1969 1970s 1970s 197 0 1971 1972 1973 1973 1973 197397741975 1976 1977 1978 1979 1980 1980 1981 1982 1983 1983 1988 1983 198841985 1986 1987 1988 1989 1990-1990 1990 1991 1992 1992 1992 1992993 199995 1996 1997 1998 1999 2000s 2000 20001 2002 2003 20042005 2006 2007 2008 2009 2010s 2010s 2010 2010 2011 0 20110 2012 2013 20142015 2016 2017 2018 2020s 2020 vte This is a list of films released or scheduled for release in 2019. The box office collection of Tollywood's highest-grossing films, released in 2019, is at the box office worldwide following. The world's highest gross 2019 Rank Title Manufacturing Company Worldwide Gross Ref 1 Saaho UV CreationsT-Series ₹432.4 crore (US$61 million) Narasimha Reddy Conidel Producing Company ₹250 Crore (35 million). 3 Maharshi Sri Venkateswara CreationVyjayanthi MoviesPVP Cinema ₹200 crore (28 million US$4 F2 - Fun and Disappointment Sri Venkateswara Creations ₹137.6 Crore (US$19 million) 5 Vinaya Vidheya Rama DVV Entertainment ₹97.9 crore (US$14 million) Jagannadh Touring Talkies ₹83 Crore ($12 million) 7 Venky Mama Suresh ProductionsPeople's Media Factory ₹72 Crore ($10 million) 8 Majili Glitter Screens ₹70 Crore (9.8 million U.S. dollars) ₹65 crore (9.1 million U.S. dollars) 10 Gaddalakonda Ganesh 14 reels plus ₹42.5 crore (6.0 million U.S. -
Sai Tapovanam
DAY 1 : THURSDAY (Chapter 1 - 2) THAPOVANAM Chapter 1 You cannot see Me, but I am the light you see by. You cannot hear Me, but I am the sound you hear by. You cannot know Me, but I am the truth you live by. ~ Baba ~ ENTERING THE THAPOVANAM Before I commence the parayanam of this book, Thapovanam , I offer my most humble salutations to the Lotus Feet of Bhagavan Sri Sathya Sai, the Lord of the Universe, the protector of the afflicted and the encapsulation of Sath-Chith-Ananda Parabrahma (the Universal Supreme Reality). There stands a banyan tree on the mountain path leading from Prashanti Nilayam to the University. It is no ordinary tree. It is the Dhyana Vriksham , the Tree of Meditation; and it is the Thapo Vriksham , the Tree of Spiritual Austerities. On 29 June 1959, ( ashadha Poornima , i.e., the full moon day of ashadha month) Bhagavan materialised a thick copper plate of 15" x 10" inscribed with alphabetical letters of great spiritual potency ( Beeja Aksharas ). He deposited it in the earth at a spot specially chosen on the hill behind Prashanti Nilayam, and over it planted this banyan tree. On that sacred occasion, He addressed devotees and declared : "This tree is the Bodhi Tree, under which Gautama Buddha sat, meditated and received spiritual illumination. This is the Tree of Enlightenment ( Jnan ). Lord Krishna is known as Vata Pathra Sayi (reposing on a banyan leaf), because during the period of Pralaya (ultimate merger of all creation in the Infinite), he assumed the microcosmic form of Bala Krishna (Krishna, the Baby) and reposed on a banyan leaf. -
Rajinikanth and the “Regional Blockbuster”
Rajinikanth and the “Regional Blockbuster” * S. V. Srinivas Introduction In the recent past, Tamil and Telugu films have managed to find aud- iences beyond the southern region and have also competed with the biggest Hindi films in Hindi cinema’s traditional markets in northern and western India. A subset of these films are big-budget spectaculars, which I would like to call regional blockbusters. This term flags the critical import- ance of developments in the south Indian region and film industries for the emergence of relatively new production and narrative regimes which raise interesting questions of value—of films as commodities and stars alike.1 In the pages that follow, I trace the evolution of this form to argue that it is symptomatic of a fundamental transformation of industrial- political logics of south Indian cinemas, whose most visible manifest- ations so far have been the star politician and fan clubs. I propose that Rajinikanth is a useful point of entry into the discussion of the regional blockbuster because he belongs to a small number of Indian superstars who were a part of the very problem that the blockbuster attempts to overcome and, at the same time, a valuable asset for it. By tracking the career of Rajinikanth, I propose to show how crucial this star in par- ticular, but also the south Indian star vehicle known as the “mass film,” is the condition of possibility for a form that may or may not use major stars. The paper is divided into two parts. The first elaborates on the blockbuster as a descriptive-analytical category and shows why it is use- fully seen not just as a global form but also a regional phenomenon, pred- icated on locally specific historical contingencies as well industrial-aes- thetic practices. -
Youth and Status in Tamil Nadu, India
University of Pennsylvania ScholarlyCommons Publicly Accessible Penn Dissertations Summer 2010 Youth and Status in Tamil Nadu, India Constantine V. Nakassis University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/edissertations Part of the Film and Media Studies Commons, Linguistic Anthropology Commons, Social and Cultural Anthropology Commons, and the South and Southeast Asian Languages and Societies Commons Recommended Citation Nakassis, Constantine V., "Youth and Status in Tamil Nadu, India" (2010). Publicly Accessible Penn Dissertations. 227. https://repository.upenn.edu/edissertations/227 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/edissertations/227 For more information, please contact [email protected]. Youth and Status in Tamil Nadu, India Abstract This sociocultural anthropological study looks at youth culture in Tamil Nadu, India, focusing on college- age youth in Madurai and Chennai. The dissertation first shows how outhy experience their position in the larger Tamil society as “being outside of.” This exteriority is manifest in youth concepts of status and gender, the signs and activities which express such status and gender, and the social spaces in which such signs and activities are played out. In particular, the dissertation focuses on how the youth peer group is dually shaped as an exterior space of youth status negotiation—as exterior to adult norms of authority (and thus a space of status-raising qua transgression) and as exterior to norms of hierarchical ranking (and thus an egalitarian space of status-leveling, intimacy, and reciprocity). It is this tension between status-raising and -lowering which the dissertation shows to be crucially at play in how youth engage with and deploy various status-ful signs. -
One Voice, Many Spaces: a Contemporary Female Self-Taught Musician’S Pathways Into Tamil Film Song Cover Culture in Chennai, South India
ONE VOICE, MANY SPACES: A CONTEMPORARY FEMALE SELF-TAUGHT MUSICIAN’S PATHWAYS INTO TAMIL FILM SONG COVER CULTURE IN CHENNAI, SOUTH INDIA By NINA MENEZES A DISSERTATION PRESENTED TO THE GRADUATE SCHOOL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA 2018 © 2018 Nina Menezes To Vandana, whose life and quirky curiosity inspired this work. The voices —hers, theirs, and mine— are not my creation They are part of the paths hidden until now the paths we have been the paths we are the paths we will uncover They are all a part of her, them, and I Like every story, this one is based on a truth— hers, theirs, and mine. ACKNOWLEDGMENTS I am indebted to several individuals—across two continents— who were so generous with their time and support. Thanks to Vandana; without her story, music, dynamic personality, and passion to persevere I would not have uncovered the many cover spaces for Tamil film song in such a short time. I am grateful for her friendship, and the conversations we shared about music and life as we sipped on suda suda filter kapi and munched on idlis and vadas at the local Murugan Idli Kadai. Vandana’s sister, Vagu, and their extended network of self-taught musicians—Shantha, Alex, Prabhu, and Achu—shared their experiences as self-taught musicians within the cover scene. Their passion, adaptability, and self-discovery made fieldwork informative, rewarding, and above all a source of inspiration. I am thankful for their continued friendship. -