DOCSLIB.ORG

PDF Chopin Express

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
PDF Chopin Express XVI MIĘDZYNARODOWY KONKURS PIANISTYCZNY IM. FRYDERYKA CHOPINA THE 16TH INTERNATIONAL FRYDERYK CHOPIN PIANO COMPETITION październik | october 2010 | >5 07 PAWEŁ ISSN 2082-2774 POTOROCZYN: Warszawa | Warsaw, Poland Kto wygra? | Place your bets! FREE COPY FREE | EGZEMPLARZ BEZPŁATNY BEZPŁATNY EGZEMPLARZ To oni decydują | Jury:It’s siedzą | seated: their Philippe Entremont, Bella Davidovich,decision Fou Ts’ong, Katarzyna Popowa-Zydroń. Stoją | standing: Nelson Freire, Michie Koyama, Adam Harasiewicz, Martha Argerich, Kevin Kenner, Piotr Paleczny – Wiceprzewodniczący | Vice-Chairman, Albert Grudziński – Dyrektor Konkursu | Competition Director, Dang Thai Son, Andrzej Jasiński – Przewodniczący | Chairman RECENZJE | REVIEWS WYWIAD | INTERVIEW KRONIKA | ON DISC Dziś o . ogłoszenie wyników Gerrit Glaner z fi rmy Kronika Konkursu pierwszego etapu. Kolejne Steinway: Zwycięzca biłaby rekordy konkursowe zmagania recenzują Konkursu jest sprzedaży. Ale jest Dorota Szwarcman i Jan Popis. najważniejszy, za darmo! Dziś płyta trzecia! | e results of the fi rst stage a nie fortepian! | | If it wasn’t free, it would be will be announced tonight at Gerrit Glaner of Steinway: e a bestseller! e third CD of .pm. Today, reviews by Dorota winner, and not their piano, is the Competition auditions is out. Only Szwarcman and Jan Popis. > 2-3 most important factor here! >4 with the Chopin Express! > 5 chopin express recenzje | reviews I ETAP – KOLEJNOŚć UCZESTNIKÓW | 1ST STAGE AUDITIONS ORDER CZWARTEK, 7 PaźdZIERNIKA | THURSDAY, 7 OCTOBER Č 10.00, Marek Bracha, Poland Č 10.30, Ingolf Wunder, Austria Č 11.00, Giuseppe Greco, Italy Č 11.30, Lukas Geniušas, Russia/Lithuania Č 12.00 – 12.30 PRZERWA | INTERMISSION f 12.30, François Dumont, France Č 13.00, Hanchien Lee, Chinese Taipei Č 13.30, Marie Kiyone, Japan Sung-Jae Kim, Republika Korei | Republic of Korea f 14.00, Xin Tong, China Č 17.00, Kana Okada, Japan W ramach średniej According to the mean rodowe przedpołudnie upłynęło bez wstrząsów – ednesday afternoon passed without any Śnegatywnych i pozytywnych. Zwykła, konkursowa Wgreat shocks – negative or positive. The basic średnia, a w jej ramach występy, które mogły podobać competition was average and the performances were się mniej albo bardziej. more enjoyable and less enjoyable. The best performance Najlepszy był występ dwudziestoletniego Koreańczy- of them all was by 20-year-old Sung-Jae Kim from Korea. ka Sung Jae Kima. Znamienne, że najmłodsi pianiści na It’s characteristic of the Competition that the youngest tym Konkursie są najciekawsi – ukazują świeżość i spon- participants are the most interesting – they exemplify f 17.30, Natalia Sokolovskaya, Russia taniczność przeżyć. W grze Kima były chwile zaskaku- a freshness and spontaneity of experience. In Kim’s Č 18.00, Andrew Tyson, USA jące, np. zabawne akcenty, a jego Nokturn Des-dur, choć performance, there were surprising moments, such as Č 18.30, Meng-Sheng Shen, Chinese Taipei poetycki, był jakby zamglony; na taki efekt z pewnością amusing accents. His Nocturne in D flat major, while Č 19.00 – 19.30 miało wpływ brzmienie fortepianu marki Yamaha, na poetic, was somehow misty – this was surely an effect PRZERWA | INTERMISSION którym zdecydował się zagrać Koreańczyk. of his choice of a Yamaha piano. Denis Evstuhin, on the Č 19.30, Denis Zhdanov, Ukraine Č 20.00, Gracjan Szymczak, Poland Denis Evstuhin okazał się bodaj najmniej interesują- other hand, turned out to be the least interesting of all cy z występujących dotąd na Konkursie Chopinowskim the competitors from Russia. The American Eric Zuber Rosjan. Na uwagę zaś zasługuje Amerykanin Eric Zuber, is particularly noteworthy as a performer, but this is only CZWARTEK, 7 PaźdZIERNIKA | ale to też raczej tylko wyższa średnia. h the top end of the average scale. h THURSDAY, 7 OCTOBER — Dorota Szwarcman OGŁOSZENIE WYNIKÓW I ETAPU | ANNOUNCEMENT OF THE 1ST STAGE RESULTS godz. 21.30 | 9.30pm Ferenc Liszt | Spójrz na te drzewa: wiatr gra w liściach, ożywia je – MECENAS ROKU CHOPINOWSKIEGO ale drzewo pozostaje drzewem. Oto rubato Chopina. | Look at the trees: MAIN SPONSOR OF THE CHOPIN YEAR the wind plays amidst the leaves, gives them life, but the tree remains a tree. This is Chopin’s rubato. 2 | XVI Międzynarodowy Konkurs Pianistyczny im. Fryderyka Chopina | DZIEń SIÓDMY | 7 października 2010 r. chopin express XVI MIęDZYNARODOWY KONKURS PIANISTYCZNY IM. FRYDERYKA CHOPINA | 16TH INTERNATIONAL FRYDERYK CHOPIN PIANO COMPETITION JURY Č Andrzej Jasiński PRZEWODNICZąCY | CHAIRMAN Č Piotr Paleczny WICEPRZEWODNICZąCY | VICE-CHAIRMAN Č Martha Argerich Č Dang Thai Son Č Bella Davidovich Č Philippe Entremont Č Fou Ts’ong Č Nelson Freire Č Adam Harasiewicz Jacek Kortus, Polska | Poland Č Kevin Kenner Č Michie Koyama Č Katarzyna Popowa-Zydroń Polacy, Rosjanie | Poles and Russians derzenie szkoły polskiej i rosyjskiej. Czy jesz- spontaniczny jak na poprzednim Konkursie, ale bardziej cze takie istnieją – te znane z Konkursu: nasza – wyrafinowany (Nokturn E-dur op. 62 nr 2 – od epizodu ZTurczyńskiego i Drzewieckiego, i rosyjska, któ- Agitato). Marcin Koziak błysnął szlachetną wirtuozerią rej patronowali Igumnow i Neuhaus? w Scherzu b-moll. Rosjanie: Vladimir Matusevich łączy Jednak najpierw amerykański Chińczyk Mei-Ting świetną technikę z emocjami, i Yulianna Avdeeva, Sun. Po raz drugi w Warszawie i z wielkimi aspiracjami. która wchodząc w tryl Nokturnu H-dur op. 62 nr 1 Wykonuje na koncertach w całości dzieło Chopina. z niewyobrażalnego, ale brzmiącego i nośnego piano Teraz bardziej dojrzały, jak w środkowej części Etiudy pianissimo, potwierdziła historyczny fakt, że oto Chopin E-dur op. 10 nr 3. Gdyby usłyszał to sam Ferenc Liszt, jest niekwestionowanym prekursorem impresjonizmu potwierdziłby, że taką muzykę miał na myśli, gdy użył spod znaku Debussy’ego. h f Jan Ekier określenia „żal”. Polacy: Jacek Kortus, może nie tak HONOROWY he Polish and Russian schools clashed today. But PRZEWODNICZąCY JURY do the “schools” we know from the Competition Laureat III Konkursu Chopinowskiego w 1937 roku. – the Polish created by Turczyński and Drzewiecki T W latach 1985–1995 and the Russian whose patrons were Igumnov and był przewodniczącym Jury Neuhaus – still exist? Konkursu Chopinowskiego. Before that, let’s talk about the American Chinese Mei- W 1959 roku zapoczątkował Wydanie Narodowe Dzieł Ting Sun, who has come to Warsaw for the second time Fryderyka Chopina i przez and seems to have great aspirations. He has played all of kilkadziesiąt lat był redaktorem Chopin’s works in public. He has matured, which you naczelnym tej serii, ukończonej could hear in the middle part of the Etude in E major Op w tym roku. | HONORARY CHAIRMAN 10 No 3. If Ferenc Liszt had heard it, he would have said OF THE JURY that he had such music in his mind when he used the Prizewinner at the 3rd word “żal” [sorrow]. And now, the Poles: Jacek Kortus is International Fryderyk Chopin less spontaneous than five years ago, but more refined Competition in 1937. In 1985, 1990 and 1995 he (Nocturne in E major, Op 62 No 2 – especially the was Chairman of the Chopin Agitato). Marcin Koziak impressed with noble virtuosity Competition Jury. In 1959 he in the Scherzo in B flat minor. The Russians: Vladimir initiated the National Edition of Matusevich combined perfect technique with emotions. Fryderyk Chopin’s works, and was the editor-in-chief of the Yulianna Avdeeva, starting the trill in the Nocturne in series from the beginning until B major, Op 62 No 1 from an almost unbelievably soft its completion in 2010. but perfectly audible pianissimo confirmed the historic fact that Chopin is unquestionably the precursor of TECHNOLOGIA | TECHNOLOGY CHOPIN EXPRESS Debussy’s musical impressionism. h Marcin Koziak, Polska | Poland — Jan Popis 7 October, 2010 | DAY SEVEN | The 16TH International Fryderyk Chopin Piano Competition | 3 chopin express rozmowa | interview Gerrit Glaner: Najważniejsi są pianiści | Pianists are most important… » Klaudia Baranowska: Firma Steinway to bodaj najbardziej » Klaudia Baranowska: Steinway is probably the best-known znany producent fortepianów. Od jak dawna działa? piano maker in the world. How long has it be in existence? GERRIT GLANER: Początki firmy sięgają połowy XIX wieku. W 1848 GERRIT GLANER The beginnings of the company reach back to the roku niemiecki budowniczy fortepianów Heinrich Steinweg z całą ro- mid 19th century. In 1848, the German piano producer Heinrich Steinweg dziną przeprowadził się do Stanów Zjednoczonych. Tam w 1853 roku, brought his whole family over to the United States. It was there in 1853 that zmieniając pisownię nazwiska, założył firmę Steinway & Sons. Od tego Steinweg changed the spelling of his name and established the Steinway czasu wypuściła na rynek około 588 000 instrumentów. & Sons company. Since then the company has released around 588,000 » Czym współczesne fortepiany Steinwaya różnią się instruments onto the market. od pierwszych modeli? » How do contemporary Steinway pianos differ from the early Odtworzyliśmy właśnie pierwszy fortepian, który zbudował założyciel models? firmy. Znajduje się w Nowym Jorku i jest przykładem doskonałego rze- We just recreated the first piano that the company’s founder built himself. miosła. W XIX wieku fortepiany budowano głównie z drewna, dlatego It’s currently in New York and serves as an example of perfect craftsmanship. miały tak głębokie brzmienie. Z biegiem lat zaczęto stosować nowe tech- In the 19th century, pianos were built mainly from wood, which is what nologie i elementy, jak metalowa rama czy sposób budowy pudła rezo- gave them such deep tones. Over the years, new technologies and materials nansowego, który do dziś pozostaje tajemnicą, a sprawia, że instrument were implemented, such as a metal frame or new construction methods jest bardzo trwały – brzmi dobrze nawet po stu latach. for the soundboard – which still remains a secret today. All extend the life Tradycje firmy to nasz wielki potencjał – tak, jak kompetencje i do- of the instrument: they still sound good, even after 100 years. Company świadczenie pracowników. Jest wśród nich wielu związanych z firmą od tradition is our great potential – just like the competence and experience czterdziestu lat.
Load more

Recommended publications
  • Chopin Day in Rapperswil Organised by the Arthur Rubinstein International Music Foundation, Lodz in Cooperation with the Polish Museum in Rapperswil
    Chopin Day in Rapperswil Organised by the Arthur Rubinstein International Music Foundation, Lodz in cooperation with the Polish Museum in Rapperswil “Chopin Day in Rapperswil” will take place in Rapperswil’s medieval castle, which for almost 140 years has housed the Polish Museum. The event, a cultural collaboration between the Rubinstein Foundation and the Polish Museum, marks the 160th anniversa- ry of the death of Frederic Chopin (Paris, 17/10/1849) and the coming 140th anniversary of the founding of the first polish museum – the Polish National Museum in Rapperswill (23/10/1870). We would like raise the profile of Poland’s rich culture in Europe, and we are going to stage the Year of Chopin 2010, which will celebrate the 200th anniversary of Chopin’s birth (Żelazowa Wola, 01/03/1810). We will also celebrate the greatest Polish ‘Chopinist’ (interpreter of Chopin’s works) of the 20th century, Arthur Rubinstein, who was born in Lodz in 1887 and died in Switzerland in 1982, and whose portrait can be seen in the Polish Museum’s Gallery of Distinguished Poles. A week before (17th October 2009) – on the 160th anniversary of Chopin’s death – the foundation is organising “Chopin Day in Lodz”, consisting of a mass, concert and exhibition held in Lodz Cathedral. Please contact the organisers to reserve places and to receive invitations for the events. In inviting everybody to the celebrations and events, we urge those willing to help out finan- cially or with expertise to contact the Rubinstein Foundation. For more information please visit www.arturrubinstein.pl and www.muzeum-polskie.org Town square in front of entrance to castle courtyard, Rapperswil (May 2009, fot.
    [Show full text]
  • PDF Chopin Express
    XVI MIĘDZYNARODOWY KONKURS PIANISTYCZNY IM. FRYDERYKA CHOPINA THE 16TH INTERNATIONAL FRYDERYK CHOPIN PIANO COMPETITION październik | october 2010 | >5 JAN POPIS 14 Podróż ISSN 2082-2774 sentymentalna Warszawa | Warsaw, Poland | Sentimental journey FREE COPY FREE | EGZEMPLARZ BEZPŁATNY BEZPŁATNY EGZEMPLARZ Wybrali dwudziestu | e twenty are chosen DZIŚ | TODAY ROZMOWA | INTERVIEW HISTORIA | HISTORY PAOLO FAZIOLI JÓZEF KAŃSKI: Avdeeva, Używamy drewna z włoskich Alp Kiedy dziś pytają z regionu Val di Fiemme, tak jak mnie – „Kto jest Koziak Antonio Stradivari | We use Pana faworytem?”, Płyta nr z Kroniką wood from the Italian Alps, rozkładam from the region called Val di bezradnie ręce. | When they ask | Competition CD Fiemme, just like me today, “Who is your favourite?” No Antonio Stradivari >6 I’m at a loss to answer. >6 recenzje | reviews LISTA UCZESTNIKÓW, KTÓRZY PRZESZLI John Allison DO III ETAPU | CANDIDATES QUALIFIED , FOR THE THIRD ROUND Č Leonora Armellini, Włochy/Italy [2] Poranek wunderkindów i geniuszy | A morning Č Yulianna Avdeeva, Rosja/Russia [3] of wonder and genius Č Evgeni Bozhanov, echą szczególną Konkursu Chopinowskiego jest to, Bułgaria/Bulgaria [5] Cże wykonuje się tu dość niewielki repertuar. Przez to każdy utwór staje się polem zaciekłej rywalizacji. Można Č Wai-Ching Rachel Cheung, Chiny/China [7] to było odczuć na ostatniej porannej sesji drugiego eta- pu, bowiem trzech z czterech pianistów reprezentowa- Č Fei-Fei Dong, ło wysoki, wyrównany poziom. Tak dobrze jeszcze nie Chiny/China [8] było! W tyle pozostał jedynie François Dumont, któ- ry jako jedyny nie wybrał fortepianu Steinway (zdecy- Č François Dumont, Francja/France [9] dował się na instrument Fazioli). Francuz jest pianistą na przyzwoitym poziomie, jednak faktura utworów Č Lukas Geniušas, w jego wykonaniu, jak na Chopina, była za mało przej- Marek Bracha, Polska | Poland, Ingolf Wunder, Austria Rosja-Litwa/Russia-Lithuania rzysta; Dumont zapewne lepiej odnalazłby się na kon- [14] kursie imienia Gabriela Fauré.
    [Show full text]
  • Heinrich Neuhaus and Alternative Narratives of Selfhood in Soviet Russi
    ‘I wish for my life’s roses to have fewer thorns’: Heinrich Neuhaus and Alternative Narratives of Selfhood in Soviet Russia Abstract Heinrich Neuhaus (1888—1964) was the Soviet era’s most iconic musicians. Settling in Russia reluctantly he was dismayed by the policies of the Soviet State and unable to engage with contemporary narratives of selfhood in the wake of the Revolution. In creating a new aesthetic territory that defined himself as Russian rather than Soviet Neuhaus embodied an ambiguous territory whereby his views both resonated with and challenged aspects of Soviet- era culture. This article traces how Neuhaus adopted the idea of self-reflective or ‘autobiographical’ art through an interdisciplinary melding of ideas from Boris Pasternak, Alexander Blok and Mikhail Vrubel. In exposing the resulting tension between his understanding of Russian and Soviet selfhood, it nuances our understanding of the cultural identities within this era. Finally, discussing this tension in relation to Neuhaus’s contextualisation of the artistic persona of Dmitri Shostakovich, it contributes to a long- needed reappraisal of his relationship with the composer. I would like to gratefully acknowledge the support of the Guildhall School that enabled me to make a trip to archives in Moscow to undertake research for this article. Dr Maria Razumovskaya Guildhall School of Music & Drama, London Word count: 15,109 Key words: identity, selfhood, Russia, Heinrich Neuhaus, Soviet, poetry Contact email: [email protected] Short biographical statement: Maria Razumovskaya completed her doctoral thesis (Heinrich Neuhaus: Aesthetics and Philosophy of an Interpretation, 2015) as an AHRC doctoral scholar at the Royal College of Music in London.
    [Show full text]
  • STATE SYMPHONIC KAPELLE of MOSCOW (Formerly the Soviet Philharmonic)
    UNIVERSITY MUSICAL SOCIETY in association with Manufacturers Bank STATE SYMPHONIC KAPELLE OF MOSCOW (formerly the Soviet Philharmonic) GENNADY ROZHDESTVENSKY Music Director and Conductor VICTORIA POSTNIKOVA, Pianist Saturday Evening, February 8, 1992, at 8:00 Hill Auditorium, Ann Arbor, Michigan The University Musical Society is grateful to Manufacturers Bank for a generous grant supporting this evening's concert. The box office in the outer lobby is open during intermission for tickets to upcoming concerts. Twenty-first Concert of the 113th Season 113th Annual Choral Union Series PROGRAM Russian Easter Festival Overture, Op. 36 ......... Rimsky-Korsakov Piano Concerto No. 3 in D minor, Op. 30 .......... Rachmaninoff Allegro ma non tanto Intermezzo: Adagio Finale: Alia breve Viktoria Postnikova, Pianist INTERMISSION Orchestral Suite No. 3 in G major, Op. 55 .......... Tchaikovsky Elegie Valse melancolique Scherzo Theme and Variations The pre-concert carillon recital was performed by Bram van Leer, U-M Professor of Aerospace Engineering. Viktoria Postnikova plays the Steinway piano available through Hammell Music, Inc. Livonia. The State Symphonic Kapelle is represented by Columbia Artists Management Inc., New York City. Russian Easter Festival Overture, Sheherazade, Op. 35. In his autobiography, My Musical Life, the composer said that these Op. 36 two works, along with the Capriccio espagnoie, NIKOLAI RIMSKY-KORSAKOV (1844-1908) Op. 34, written the previous year, "close a imsky-Korsakov came from a period of my work, at the end of which my family of distinguished military orchestration had attained a considerable and naval figures, so it is not degree of virtuosity and warm sonority with­ strange that in his youth he de­ out Wagnerian influence, limiting myself to cided on a career as a naval the normally constituted orchestra used by officer.R Both of his grandmothers, however, Glinka." These three works were, in fact, his were of humble origins, one being a peasant last important strictly orchestral composi­ and the other a priest's daughter.
    [Show full text]
  • Auditorio De Galicia
    IV CICLO DE PIANO “ÁNGEL BRAGE” INGOLF WUNDER PIANO XOVES 8 DE MARZO DE 2012 EMANUEL AX PIANO REAL FILHARMONÍA DEGALICIA SÁBADO 14 DE ABRIL DE 2012 Eduardo BeirasGarcía-Martí CONSORCIO DESANTIAGO PAUL LEWIS PIANO VENRES 11 DE MAIO DE 2012 AUDITORIO DE GALICIA. 21:00 h XOVES 8 DE MARZO DE 2012 PROGRAMA desconecte osteléfonosmóbiles, reloxosetc. Pregámoslle aopúblicoquenonfagafotografíase Duración aproximadadoconcerto:unhahora,trintaminutos FRÉDÈRIC CHOPIN(1771-1844) 2 INGOLF WUNDER,PIANO Polonesa-Fantasía op.61 Scherzo núm.4op.54 Balada núm.4op.52 Nocturno op.9/3 Mazurkas op.24 Bolero op.19 Bolero Vals op.34/1 Vals II I Ingolf Wunder, piano En 2010 participou no Concurso Internacional de Piano Chopin en Varsovia gañando o segundo premio, o que o fixo seguir os pasos de intérpretes como Martha Argerich, Krystian Zimerman, Vladimir Ashkenazy, Mitsuko Uchida e Maurizio Pollini. Nacido en Klagenfurt en 1985, comezou tocando o violín con 4 anos, e aos14 descubriu o seu gran talento para o piano, debutando no Schubert Hall do Konzerthaus en Viena. Estudou nos conservatorios de Klagenfurt e Linz, e máis tarde na Universidade de Música e Artes Interpretativas de Viena. Aos dezaséis anos interpretou o Concerto de Piano núm. 3 de Prokofiev no Théâtre des Champs-Élysées en París coa Orquestra Nacional de Francia e Emanuel Krivine. Ademais, actuou coa Orquestra de Cámara Amadeus e coa Orquestra Nacional de Montpellier e Jerzy Semkow. En 2010 actuou no Festival Internacional de Piano en La Roque d’Antheron. Gañou os máis importantes premios en numerosos concursos como os de Turín (Música Europea), Hamburgo (Steinway), Feldkirch (Prima la musica), Asti (Concurso Musical de Francia), Casarza (“VIN Trofeo Internazionale”) e Budapest (Liszt).
    [Show full text]
  • Festival Artists
    Festival Artists Cellist OLE AKAHOSHI (Norfolk competitions. Berman has authored two books published by the ’92) performs in North and South Yale University Press: Prokofiev’s Piano Sonatas: A Guide for the Listener America, Asia, and Europe in recitals, and the Performer (2008) and Notes from the Pianist’s Bench (2000; chamber concerts and as a soloist electronically enhanced edition 2017). These books were translated with orchestras such as the Orchestra into several languages. He is also the editor of the critical edition of of St. Luke’s, Symphonisches Orchester Prokofiev’s piano sonatas (Shanghai Music Publishing House, 2011). Berlin and Czech Radio Orchestra. | 27th Season at Norfolk | borisberman.com His performances have been featured on CNN, NPR, BBC, major German ROBERT BLOCKER is radio stations, Korean Broadcasting internationally regarded as a pianist, Station, and WQXR. He has made for his leadership as an advocate for numerous recordings for labels such the arts, and for his extraordinary as Naxos. Akahoshi has collaborated with the Tokyo, Michelangelo, contributions to music education. A and Keller string quartets, Syoko Aki, Sarah Chang, Elmar Oliveira, native of Charleston, South Carolina, Gil Shaham, Lawrence Dutton, Edgar Meyer, Leon Fleisher, he debuted at historic Dock Street Garrick Ohlsson, and André-Michel Schub among many others. Theater (now home to the Spoleto He has performed and taught at festivals in Banff, Norfolk, Aspen, Chamber Music Series). He studied and Korea, and has given master classes most recently at Central under the tutelage of the eminent Conservatory Beijing, Sichuan Conservatory, and Korean National American pianist, Richard Cass, University of Arts.
    [Show full text]
  • MP 11 Laureaci
    LAUREACI PROGRAMU STYPENDIALNEGO MŁODA POLSKA EDYCJA VIII, rok 2011 MUZYKA BEDNARSKA MARIANNA, l. 17 stypendium na zakup marimby Wykształcenie : II klasa liceum, ZPSM nr 4 im. K. Szymanowskiego w Warszawie Rekomendacje prof. Stanisław Skoczy ński – Uniwersytet Muzyczny F. Chopina w Warszawie prof. Marta Klimasara – Staatliche Hochschule für Musik und Darstellende Kunst Stuttgart, Akademia Muzyczna w Poznaniu Henryk Mikołajczyk – solista-kolista Opery Narodowej w Warszawie, st. wykładowca z kwalifikacjami I st. Uniwersytetu Muzycznego F. Chopina, Wydział Instrumentalno-Pedagogiczny w Białymstoku, nauczyciel mianowany ZPSM nr 4 im. K. Szymanowskiego w Warszawie dr Stanisław Halat – ad. w Instytucie Muzyki UMCS, nauczyciel dyplomowany ZPSM nr 4 w Warszawie Rainer Roemer – profesor perkusji w Hochschule Für Musik und Darstellende Kunst Frankfurt, członek Ensemble Modern Frankfurt Momoko Kamiya – solistka marimby, wykładowca na Elisabeth University w Elisabeth City w Stanach Zjednoczonych Ameryki, Aichi Prefectural University, Okinawa Prefectural University, Kunitachi Music College, dr Ney Rosauro – prof. perkusji, University of Miami, Stany Zjednoczone Ameryki Dokonania nagrody: 2010 – I miejsce w Ogólnopolskich Przesłuchania Uczniów Klas Perkusji II Stopnia, Warszawa 2009 – „Tytuł Finalisty” Krajowego Konkursu Eurowizji dla Młodych Muzyków Młody Muzyk Roku 2009 2009 – zakwalifikowanie si ę do Półfinału Krajowego Konkursu Eurowizji dla Młodych Muzyków Młody Muzyk Roku 2009 , Warszawa 2009 – I miejsce w International Marimba Competition PERKUMANIA,
    [Show full text]
  • A Study of Select World-Federated International Piano Competitions: Influential Actf Ors in Performer Repertoire Choices
    The University of Southern Mississippi The Aquila Digital Community Dissertations Summer 2020 A Study of Select World-Federated International Piano Competitions: Influential actF ors in Performer Repertoire Choices Yuan-Hung Lin Follow this and additional works at: https://aquila.usm.edu/dissertations Part of the Music Performance Commons Recommended Citation Lin, Yuan-Hung, "A Study of Select World-Federated International Piano Competitions: Influential actF ors in Performer Repertoire Choices" (2020). Dissertations. 1799. https://aquila.usm.edu/dissertations/1799 This Dissertation is brought to you for free and open access by The Aquila Digital Community. It has been accepted for inclusion in Dissertations by an authorized administrator of The Aquila Digital Community. For more information, please contact [email protected]. A STUDY OF SELECT WORLD-FEDERATED INTERNATIONAL PIANO COMPETITIONS: INFLUENTIAL FACTORS IN PERFORMER REPERTOIRE CHOICES by Yuan-Hung Lin A Dissertation Submitted to the Graduate School, the College of Arts and Sciences and the School of Music at The University of Southern Mississippi in Partial Fulfillment of the Requirements for the Degree of Doctor of Musical Arts Approved by: Dr. Elizabeth Moak, Committee Chair Dr. Ellen Elder Dr. Michael Bunchman Dr. Edward Hafer Dr. Joseph Brumbeloe August 2020 COPYRIGHT BY Yuan-Hung Lin 2020 Published by the Graduate School ABSTRACT In the last ninety years, international music competitions have increased steadily. According to the 2011 Yearbook of the World Federation of International Music Competitions (WFIMC)—founded in 1957—there were only thirteen world-federated international competitions at its founding, with at least nine competitions featuring or including piano. One of the founding competitions, the Chopin competition held in Warsaw, dates back to 1927.
    [Show full text]
  • Cadogan Zurich Series
    Cadogan Hall PRESENTS Zurich International Orchestra Series 2015-16 IN ASSOCIATION WITH IMG ARTISTS Welcome to Cadogan Hall’s ninth Zurich International Orchestra Series 2015-16. This season Cadogan Hall presents 12 international orchestras performing 16 concerts with some renowned conductors and notable soloists. Some old friends visit the hall again – Basel Symphony Orchestra, Dresden Philharmonic Orchestra , Brussels Philharmonic and Moscow State Symphony Orchestra are returning with strong programmes including Holst The Planets, Rachmaninov Piano Concerto No. 1, Mahler Symphony No. 4 and Beethoven Symphony No. 3. First-time visitors to Cadogan Hall include Flanders Symphony Orchestra, Orchestra della Svizzera Italiana, Oslo Philharmonic Orchestra, Dallas Symphony Orchestra and Bruckner Orchester Linz. On 26 October Mariinsky Orchestra with Conductor Valery Gergiev will allow Cadogan Hall’s audience a first chance to see the Gold Medallists of the 2015 International Tchaikovsky Competition performing live in London. Cadogan Hall PRESENTS Zurich International Orchestra Series 2015-16 IN ASSOCIATION WITH IMG ARTISTS 2015 2016 24 September Page 4-5 16 February Page 18-19 Basel Symphony Orchestra Polish National Radio Ravel/Stravinsky Symphony Orchestra John Adams/Chopin/Beethoven 28 September Page 4-5 Basel Symphony Orchestra 10 March Page 20-21 Mozart/Holst Oslo Philharmonic Orchestra Grieg/Tchaikovsky/Shostakovich 5 October Page 6-7 Dresden Philharmonic Orchestra 9 April Page 22-23 Wagner/Rachmaninov/Brahms Dallas Symphony Orchestra
    [Show full text]
  • A Summer of Concerts Live on WFMT
    A summer of concerts live on WFMT Thomas Wilkins conducts the Grant Park Music Festival from the South Shore Cultural Center Friday, July 29, 6:30 pm Air Check Dear Member, The Guide Greetings! Summer in Chicago is a time to get out and about, and both WTTW and WFMT are out in The Member Magazine for WTTW and WFMT the community during these warmer months. We’re bringing PBS Kids walk-around character Nature Renée Crown Public Media Center Cat outdoors to engage with kids around the city and suburbs, encouraging them to discover the 5400 North Saint Louis Avenue natural world in their own back yards; and we recently launched a new Chicago Loop app, which you Chicago, Illinois 60625 can download to join Geoffrey Baer and explore our great city and its architectural wonders like never Main Switchboard before. And on musical front, WFMT is proud to bring you live summer (773) 583-5000 concerts from the Ravinia and Grant Park festivals; this month, in a first Member and Viewer Services for the station, we will be bringing you a special Grant Park concert from (773) 509-1111 x 6 the South Shore Cultural Center with the Grant Park Orchestra led by WFMT Radio Networks (773) 279-2000 guest conductor Thomas Wilkins. Remember that you can take all of this Chicago Production Center content with you on your phone. Go to iTunes to download the WTTW/ (773) 583-5000 PBS Video app, the new WTTW Chicago’s Loop app, and the WFMT app for Apple and Android.
    [Show full text]
  • Included Services: CHOPIN EXCLUSIVE TOUR / Tour CODE A
    Included services: CHOPIN EXCLUSIVE TOUR / Tour CODE A-6 • accommodation at Sofitel Victoria, 5* hotel - Warsaw [4 nights including buffet breakfast] Guaranteed Date 2020 • transportation by deluxe motor coach (up to 49pax) or minibus (up to 19 pax) throughout all the tour • English speaking tour escort throughout all the tour Starting dates in Warsaw Ending dates in Warsaw • Welcome and farewell dinner (3 meals with water+ coffee/tea) Wednesday Sunday • Lunch in Restaurant Przepis na KOMPOT • local guide for a visits of Warsaw October 21 October 25 • Entrance fees: Chopin Museum, Wilanow Palace, POLIN Museum, Żelazowa Wola, Nieborow • Chopin concert in the Museum of Archdiocese • Chocolate tasting • Concert of Finalists of Frederic Chopin Piano Competition • Ballet performance or opera at the Warsaw Opera House Mazurkas Travel Exclusive CHOPIN GUARANTEED DEPARTURE TOUR OCTOBER 21-25 / 2020 Guaranteed Prices 2020 Price per person in twin/double room EUR 992 Single room supplement EUR 299 Mazurkas Travel T: + 48 22 536 46 00 ul. Wojska Polskiego 27 www.mazurkas.com.pl 01-515 Warszawa [email protected] October 21 / 2020 - Wednesday October 22 / 2015 - Thursday October 23 / 2020 - Friday October 24 / 2020 - Saturday WARSAW WARSAW WARSAW WARSAW-ZELAZOWA WOLA- WARSAW (Welcome dinner) (Breakfast) (Breakfast) (Breakfast, lunch & farEwell dinner) After arrival, you will be met and transferred to your hotel in See the Krasinski Palace with the Chopin Drawing Room Morning visit to one of the most splendid residence of Drive to Zelazowa Wola. This is where on February 22, 1810 the heart of the city. where Chopin performed his etudes, some polonaises, and Warsaw, the Wilanow Palace and Royal Gardens.
    [Show full text]
  • Felix Mendelssohn (1809-1847, Germany) Prepared by David Barker
    The Piano Trio Repertoire Discography & Review Index: Felix Mendelssohn (1809-1847, Germany) Prepared by David Barker Project Index Notes 1. Arrangements of the C minor trio originally scored for violin, viola and piano are not included. 2. There are numerous reissues of recordings by ensembles including Cortot, Oistrakh, Heifetz and other famous performers on both mainstream and short-lived budget labels. I have not attempted to include them all. Trio 1 in d, op. 49 ATOS Trio (+ Trio 2) Abbot Trio CPO 7775052 [review] (+ Haydn 43, Ravel) Afka 544 Bamberg Piano Trio (+ Trio 2) Abegg Trio Thorofon CTH2345 (+ Fanny Mendelssohn) Tacet 091 Barbican Piano Trio (+ Bush: Concert studies, Ireland: Phantasie) Trio Alba ASV CDDCA646 (+ Trio 2) MDG 90317936 [review] Trio di Barcelona (+ Trio 2) Trio Albeneri Harmonia Mundi 901335 (+ Brahms 2, Martinu 2) Forgotten Records FR995 Beaux Arts Trio (+ Dvorak 4) Altenburg Trio Wien Ades 20337 (+ Trio 2) Philips 4162972 Challenge Classics SACC72097 [review] Doron DRC4021 Warner Classics 2564614922 [review] Klaviertrio Amsterdam (in “Philips Recordings 1967-74”) (+ Trio 2) Philips 4751712 Brilliant Classics 94039 (in “Mendelssohn: The Masterworks”) Beethoven Trio Wien Brilliant Classics 93164 or 92393 or 93672 (+ Trio 2) Camerata 32CM141 Arden Trio (+ Trio 2) Benvenue Fortepiano Trio Canal Grande 9217 (+ Trio 2) Avie AV2187 Argenta Trio (+ Trio 2) Borodin Trio Bridge 9338 (+ Trio 2) Chandos CHAN8404 Atlantis Trio Chandos CHAN10535 [review] (+ Sextet) Musica Omnia MO0205 Canadian Piano Trio (+ Trio 2) IBS 1011 MusicWeb International Last updated: July 2020 Piano Trios: Mendelssohn Profil PH08027 Trio Carlo Van Neste (+ Trio 2) Florestan Trio Pavane ADW7572 (+ Trio 2) Hyperion CDA67485 [review] Ceresio Trio (+ Trio 2, Viola trio) Trio Fontenay Doron 3060 (+ Trio 2) Teldec 44947 Chung Trio (in “Mendelssohn Edition Vol.
    [Show full text]