t pain oblivion album download ALBUM: T-Pain – Oblivion. Stream And “Listen to ALBUM: T-Pain – Oblivion” “Fakaza Mp3“ 320kbps flexyjams cdq Fakaza download datafilehost torrent download Song Below. Release Date: November 17, 2017. Copyright: ℗ 2017 RCA Records, a division of Sony Music Entertainment. Tracklist 1. Who Died 2. Classic You (feat. Chris Brown) 3. Straight 4. That’s How It Go 5. No Rush 6. Pu$$y on the Phone 7. Textin’ My Ex (feat. Tiffany Evans) 8. May I (feat. Mr. Talkbox) 9. I Told My Girl (feat. Manny G) 10. She Needed Me 11. Your Friend 12. Cee Cee From DC (feat. Wale) 13. Goal Line (feat. Blac Youngsta) 14. 2 Fine (feat. Ty Dolla $ign) 15. That Comeback 16. Second Chance (Don’t Back Down) [feat. Roberto Cacciapaglia] Listen: T-Pain New Album “Oblivion” T-Pain new album Oblivion is now available for streaming and download on iTunes/Apple Music. The project arrives six years after his previous album rEVOLVEr . Oblivion comes with 16 tracks with a couple guest verses from the likes of Wale, Ty Dolla $ign, Chris Brown, Tiffany Evans, Talkbox, Manny G, Blac Youngsta among others. Youngsta can be found on the previously released single “Goal Line” while singer Tiffany Evans is featured on another previously released single “Textin My Ex.” The auto-tune rapper first announced the project earlier this year and after a few delays its finally here. During an interview with XXL in August, T-Pain said Oblivion would be his final album on his deal with RCA. He also noted that majority of the project was produced by Dre Moon. “Definitely working on an album,” he said. “It’s called Oblivion. A lot of it’s produced by Dre Moon, he’s a new producer. It was supposed to be a collab mixtape between him and I but then once some of the songs started getting to the label, the label was like, “Oh, this is a f***ing album!” And this would be my last album on the label. So, for them to accept this I’m like, Oh, alright I’m free after this.” T-Pain Returns With "Oblivion" LP. T-Pain has finally put an end to his album drought. The Auto-Tune pioneer has released Oblivion , his first LP since 2011’s rEVOLVEr . Years of teases and delays are officially over as T-Pain offers up a 16-track release for his fans. The hitmaking singer/songwriter enlists the help of Chris Brown, Wale, Ty Dolla $ign and Blac Youngsta for his big return. Check out the stream, cover art and tracklist for T-Pain’s Oblivion below. 1. Who Died 2. Classic You f. Chris Brown 3. Straight 4. That’s How It Go 5. No Rush 6. Pu$$y on the Phone 7. Textin’ My Ex f. Tiffany Evans 8. May I f. Mr. Talkbox 9. I Told My Girl f. Manny G 10. She Needed Me 11. Your Friend 12. Cee Cee From DC f. Wale 13. Goal Line f. Blac Youngsta 14. 2 Fine f. Ty Dolla $ign 15. That Comeback 16. Second Chance (Don’t Back Down) f. Roberto Cacciapaglia. T-Pain - 1UP [Free Album Zip Download] T-Pain - 1UP Free Download: Well, guess who we have on our platform today? After droping with us with songs like “Getcha Roll On,” and “All I Want,” and “A Million Times” some days back, T-Pain decides to come through and surprise us with the release of his new full album named 1UP. The album serves a s a follow up to his 2017’s OBLiViON with Lil Wayne and it contains 12 tracks in total. 1UP Free album features guest appearances from rappers like Lil Wayne who showed up in his last album, Tory Lanez, Russ, Boosie Badass, Flip Dinero, and even O.T. Genasis, plus more. T-Pain - 1UP album zip was produced entirely by the likes of Bishop Jones, Dave Cappa, Girl Talk and Tyler Rohn. The famous rapper exclaimed, “Surprise. Thank you guys for being so patient with me. it was worth the wait, we got a new album out. I did this independently and I can’t wait for ya’ll to finally hear it.” Download and stream T-Pain - 1UP (Free Album Zip Download) on iTunes and stay tuned for more. Oblivion. T-Pain’s first studio album in six years cashes in on the good graces he’s received in the interim, but also retreads vastly familiar territory that is more fun than illuminating. Featured Tracks: It’s somewhat unbelievable that T-Pain would ever feel the need to reintroduce himself, but here we are. Six years removed from his last proper album, he opens Oblivion in grand fashion, kicking open the casket at his own funeral. He offers his gratitude to loyal fans and fuck-yous to those who wrote him off—all before he settles into his lead verse with a succinct reminder of his resume: “I hit the Billboards with a baseball bat.” The charismatic “rappa ternt sanga” dropped his debut single “I’m Sprung” in 2005, setting off the Midas touch era of T-Pain. His signature Auto- Tuned voice landed in the the Hot 100 over 30 times in a five-year period, and everyone from Kanye West to Black Eyed Peas adopted their own renditions. It feels like a musical lifetime has passed since then, but nostalgia and excitement still follow him wherever he goes. The wave crested with his 2014 Tiny Desk concert when a portion of the world learned T-Pain can actually sing without digital assistance. The moment spawned a brief acoustic tour this year and, probably, a glimmer of hope that Oblivion would follow suit. Instead, it finds him channeling the ghosts of past. Nearly every song sounds like it could've been a smash several years ago which is, both, admirable and disappointing. On the one hand, his ability to churn out earworms remains untarnished. The selection is everything T-Pain does best: intoxicating computerized crooning mixed with gratuitous sex and flash. On the other, there’s the admittedly unreasonable expectation that one of Rap&B’s most influential artists would hint at the genre’s next horizon or, at the very least, his own. While there may be a few seeds here, Oblivion settles mostly in his established wheelhouse. Songs like “Straight” and “2 Fine” are low-stakes affairs that find T-Pain playing around with his assorted vocals, flows, and ad-libs—it’s genuinely fun. But his ingenuity shines brightest on the Mr. Talkbox-assisted standout “May I.” Running like two passionate robots serenading a jazz lounge, it is the peak use of a computer to make the voice an instrument unto itself—nearly eight minutes of finesse that only T-Pain could pull off. Oblivion ’s most unexpected feature is its mix of sub-genres that T-Pain chameleons himself into perfectly. From trap rap (“Goal Line”) to Latin- flavored pop (“No Rush”) to the percussive lands of go-go (“Cee Cee From DC”), it’s almost like a best-of but with all new music. In his grasp, the respective genres end up sounding poppier rather than like true interpretations, but it's nice to hear an artist push his own creative boundaries— even if the source material is a bit watered down. There’s a masterpiece somewhere in the colors of all these disparate sounds if only it were trimmed just a bit more. As such, Oblivion feels like a “business decision” album: it’s a casual affair that frees him from his label obligation to RCA. It isn’t exactly phoned in, but T-Pain has more in his tank than what he shows here, even though the tracks that reflect his past eras display his versatility and allow for optimistic glimpses of a career resurgence. The free-spirited energy that earned him ubiquity a decade ago remains intact despite his fall from glory. This album reflects the best of what we know of him, but the unknown remains the most intriguing. Projected ambitions aside, this release typifies just how ahead of his time he was and how much those melodic blurred lines influenced the generations that followed—sing-raps can‘t be fully attributed to him, but he certainly played a substantial part. The genre fluidity he shows here helped lay the foundation for artists to come. And even in a landscape that outgrew him or outran him or both, Oblivion T-Pain sounds like a teacher who still feels welcome in his own classroom, and he’s owed at least that.