List of Thomas Hardy Letters at Colby
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Of Desperate Remedies
Colby Quarterly Volume 15 Issue 3 September Article 6 September 1979 Tess of the d'Urbervilles and the "New Edition" of Desperate Remedies Lawrence Jones Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, Volume 15, no.3, September 1979, p.194-200 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Jones: Tess of the d'Urbervilles and the "New Edition" of Desperate Reme Tess of the d'Urbervilles and the "New Edition" of Desperate Remedies by LAWRENCE JONES N THE autumn of 1884, Thomas Hardy was approached by the re I cently established publishing firm of Ward and Downey concerning the republication of his first novel, Desperate Remedies. Although it had been published in America by Henry Holt in his Leisure Hour series in 1874, the novel had not appeared in England since the first, anony mous publication by Tinsley Brothers in 1871. That first edition, in three volumes, had consisted of a printing of 500 (only 280 of which had been sold at list price). 1 Since that time Hardy had published eight more novels and had established himself to the extent that Charles Kegan Paul could refer to him in the British Quarterly Review in 1881 as the true "successor of George Eliot," 2 and Havelock Ellis could open a survey article in the Westminster Review in 1883 with the remark that "The high position which the author of Far from the Madding Crowd holds among contemporary English novelists is now generally recognized." 3 As his reputation grew, his earlier novels were republished in England in one-volume editions: Far from the Madding Crowd, A Pair of Blue Eyes, and The Hand ofEthelberta in 1877, Under the Greenwood Tree in 1878, The Return of the Native in 1880, A Laodicean in 1882, and Two on a Tower in 1883. -
A Commentary on the Poems of THOMAS HARDY
A Commentary on the Poems of THOMAS HARDY By the same author THE MAYOR OF CASTERBRIDGE (Macmillan Critical Commentaries) A HARDY COMPANION ONE RARE FAIR WOMAN Thomas Hardy's Letters to Florence Henniker, 1893-1922 (edited, with Evelyn Hardy) A JANE AUSTEN COMPANION A BRONTE COMPANION THOMAS HARDY AND THE MODERN WORLD (edited,for the Thomas Hardy Society) A Commentary on the Poems of THOMAS HARDY F. B. Pinion ISBN 978-1-349-02511-4 ISBN 978-1-349-02509-1 (eBook) DOI 10.1007/978-1-349-02509-1 © F. B. Pinion 1976 Softcover reprint of the hardcover 15t edition 1976 All rights reserved. No part of this publication may be reproduced or transmitted, in any form or by any means, without permission First published 1976 by THE MACMILLAN PRESS LTD London and Basingstoke Associated companies in New York Dublin Melbourne Johannesburg and Madras SBN 333 17918 8 This book is sold subject to the standard conditions of the Net Book Agreement Quid quod idem in poesi quoque eo evaslt ut hoc solo scribendi genere ..• immortalem famam assequi possit? From A. D. Godley's public oration at Oxford in I920 when the degree of Doctor of Letters was conferred on Thomas Hardy: 'Why now, is not the excellence of his poems such that, by this type of writing alone, he can achieve immortal fame ...? (The Life of Thomas Hardy, 397-8) 'The Temporary the AU' (Hardy's design for the sundial at Max Gate) Contents List of Drawings and Maps IX List of Plates X Preface xi Reference Abbreviations xiv Chronology xvi COMMENTS AND NOTES I Wessex Poems (1898) 3 2 Poems of the Past and the Present (1901) 29 War Poems 30 Poems of Pilgrimage 34 Miscellaneous Poems 38 Imitations, etc. -
Department of English and American Studies English Language And
Masaryk University Faculty of Arts Department of English and American Studies English Language and Literature Miroslav Kohut Gender Relations in the Narrative Organization of Four Short Stories by Thomas Hardy Bachelor’s Diploma Thesis Supervisor: Stephen Paul Hardy, Ph.D. 2011 I declare that I have worked on this thesis independently, using only the primary and secondary sources listed in the bibliography. …………………………………………….. Author’s signature 2 I would like to thank Stephen Paul Hardy, Ph.D. for his valuable advice during writing of this thesis. 3 Table of Contents 1. Introduction ................................................................................................................... 5 1.1 Thomas Hardy as an author ..................................................................................... 7 1.2 The clash of two worlds in Hardy‘s fiction ............................................................. 9 1.3 Thomas Hardy and the issues of gender ............................................................... 11 1.4 Hardy‘s short stories ............................................................................................. 14 2. The Distracted Preacher .............................................................................................. 16 3. An Imaginative Woman .............................................................................................. 25 4. The Waiting Supper .................................................................................................... 32 5. A Mere Interlude -
A Laodicean Unabridged
Thomas Hardy COMPLETE CLASSICS A LAODICEAN UNABRIDGED Read by Anna Bentinck Subtitled ‘A Story of To-day’, A Laodicean occupies a unique place in the Thomas Hardy canon. Departing from pre-industrial Wessex, Hardy brings his themes of social constraint, fate, chance and miscommunication to the very modern world of the 1880s – complete with falsified telegraphs, fake photographs, and perilous train tracks. The story follows the life of Paula Power, heiress of her late father’s railroad fortune and the new owner of the medieval Castle Stancy. With the castle in need of restoration, Paula employs architect George Somerset, who soon falls in love with her. However, Paula’s dreams of nobility draw her to another suitor, Captain de Stancy, who is aided by his villainous son, William Dare… Anna Bentinck trained at Arts Educational Schools, London (ArtsEd) and has worked extensively for BBC radio. Her animation voices include the series 64 Zoo Lane (CBeebies). Film credits include the Hammer Horror Total running time: 17:06:20 To the Devil… A Daughter. Her many audiobooks range from Shirley by View our catalogue online at n-ab.com/cat Charlotte Brontë, Kennedy’s Brain by Henning Mankell, Beyond Black by Hilary Mantel, Wide Sargasso Sea by Jean Rhys and One Day by David Nicholls to The Bible. For Naxos AudioBooks, she has read Five Children and It, The Phoenix and the Carpet and The Amulet by E. Nesbit and Tess of the d’Urbervilles and Desperate Remedies by Thomas Hardy. 1 A Laodicean 9:15 24 Chapter 11 9:28 2 It is an old story.. -
?. M Ot, Minor Professor
THOMAS HARDY AND ARTHUR SCHOPENHAUER: A COMPARATIVE STUDY APPROVED: Major Professor /?. M Ot, Minor Professor f-s>- eut~ Director of the Department of English. Dean of the Graduate School ' THOMAS HARDY AND ARTHUR SCHOPENHAUER: A COMPARATIVE STUDY THESIS Presented to the Graduate Council of the North Texas State University in Partial Fulfillment of the Requirements For the Degree of MASTER OF ARTS By Jerry Keys Denton, Texas June, 1969 TABLE OP CONTENTS Chapter Pag© I. INTRODUCTION 1 II, THE PHILOSOPHY OP SCHOPENHAUER ....... $ III. HARDY AND SCHOPENHAUER 31 IV. TESS OF TEE D1URBERVILLES AND JUDE THE OBSCURE: AN EXPRESSION OP SCHOPENHAUER«S PHILOSOPHY $2 V. THOMAS HARDY1S POETRY: AN EXPRESSION OP PHILOSOPHICAL DEVELOPMENT 73 VI. CONCLUSION . 96 BIBLIOGRAPHY 101 CHAPTER I INTRODUCTION The purpose of this thesis is to show the influence of Arthur Schopenhauer's philosophy upon two of Thomas Hardy's novels and selected poems from six volumes of his poetry* Both writers saw the first cause of our universe as a blind, unconscious force, and this study will concern itself with how closely Thomas Hardy's philosophy resembles that of Schopenhauer and how Schopenhauer's concepts affected Hardy's writing# Hardy a product of the. philosophic and scientific rebellion of the nineteenth century. His aesthetic response to this realistic view of nature and the universe wa-s sensitive and intellectual. Hardy af*©iee contemptuously of "Nature's holy plan" and stressed a view of reality in which the first cause of the universe wa*s unconscious of man's suffering and desires# The unconscious quality of the first cause is the essence of Schopenhauer's concept of a blind, striving will to live. -
A Bibliography of the Richard Johnson Collection of Hardyana “Hardy’S Se�Ings Always Intrigued Me” “HARDY’S SETTINGS ALWAYS INTRIGUED ME”
“HARDY’S SETTINGS ALWAYS INTRIGUED ME” A Bibliography of the Richard Johnson Collection of Hardyana “Hardy’s Se�ings Always Intrigued Me” “HARDY’S SETTINGS ALWAYS INTRIGUED ME” A Bibliography of the Richard Johnson Collection of Hardyana Prepared by Lyle Ford and Jan Horner University of Manitoba Libraries 2007 The University of Manitoba Libraries Thomas Hardy Collection: An Introduction _______________________ The start of what was to become an ongoing fascination with the writings of Thomas Hardy came for me in 1949-50 when I was in Grade XII at Gordon Bell High School in Winnipeg. At that time, the English requirement was a double course that represented a third of the year’s curriculum. The required reading novel in the Prose half of the course was The Return of the Native. The poetry selections in the Poetry and Drama half were heavily weighted with Wordsworth but included five or six of Hardy’s poems to represent in part, I suppose, “modern” poetry. I was fortunate to have Gordon (“Pop”) Snider as my English teacher for Grades X through XII at Gordon Bell (the original school at Wolseley and Maryland). Up to that point English classes had involved an interminable run of texts in the “Vitalized English” series that entailed studies of word usage, required 7 readings, and the repetitive study of parts of speech that le� me cold. Snider introduced us to figures of speech in a systematic way in Grade X and from there made literature come alive for me. At the same time, I was completing five years of Latin with W. -
THOMAS HARDY the V Ariorun1 Edition OF
THE VARIORUM EDITION OF THE COMPLETE POEMS OF THOMAS HARDY THE V ariorun1 Edition OF THE Complete Poems OF THOMAS HARDY EDITED BY James Gibson M THE VARIORUM EDITION OF THE COMPLETE POEMS OF THOMAS HARDY Poems 1-919, 925--6, 929-34 and 943, Thomas Hardy's prefaces and notes © Macmillan London Ltd Poems 920-4, 927-8, 935-42 and 944-7 © Trustees of the Hardy Estate Editorial arrangement © Macmillan London Ltd 1976, 1979 Introduction and editorial matter ©James Gibson 1979 Typography © Macmillan London Ltd 1976, 1979 Softcover reprint of the hardcover 1st edition 1979 978-0-333-23773-1 All rights reserved. No part of this publication may be reproduced or transmitted, in any form or by any means, without permission. ISBN 978-1-349-03806-0 ISBN 978-1-349-03804-6 (eBook) DOI 10.1007/978-1-349-03804-6 The Variorum Edition first published in 1979 by MACMILLAN LONDON LIMITED 4 Little Essex Street London WC2R 3LF and Basingstoke Associated companies in Delhi, Dublin, Hong Kong, johannesburg, Lagos, Melbourne, New York, Singapore and Tokyo Typeset by WESTERN PRINTING SERVICES L TO, BRISTOL Contents LIST OF MANUSCRIPT My Cicely 51 ILLUSTRATIONS page xvii Her Immortality 55 INTRODUCTION XIX The Ivy-Wife 57 ACKNOWLEDGEMENTS XXXlll A Meeting with Despair 57 NOTES FOR USERS OF THE Unknowing 58 VARIORUM XXXV Friends Beyond 59 To Outer Nature 61 Domicilium 3 Thoughts of Phena 62 Middle-Age Enthusiasms 63 Wessex Poems and Other Verses In a Wood 64 Preface 6 To a Lady 65 The Temporary the All 7 To a Motherless Child 65 Amabel 8 Nature's Questioning 66 Hap 9 The Impercipient 67 In Vision I Roamed 9 At an Inn 68 At a Bridal 10 The Slow Nature 69 Postponement 11 In a Eweleaze near Weatherbury 70 A Confession to a Friend in Trouble 11 The Bride-Night Fire 71 Neutral Tones 12 Heiress and Architect 75 She at His Funeral 12 The Two Men 77 Her Initials 13 Lines 79 Her Dilemma 13 I Look Into My Glass 81 Revulsion 14 She, to Him I 14 Poems of the Past and the Present She, to Him II 15 Preface 84 She, to Him III 15 V.R. -
Wessex Tales
Class 5 Thomas Hardy’s Short Stories The Withered Arm The Distracted Preacher •"How I Built Myself A House" (1865) •"The Winters and the Palmleys" (1891) •"Destiny and a Blue Cloak" (1874) •"For Conscience' Sake" (1891) (collected in Life's Little Ironies) •"The Thieves Who Couldn't Stop Sneezing" (1877) •"Incident in Mr. Crookhill's Life"(1891) •"The Duchess of Hamptonshire" (1878) (collected in A Group of Noble •"The Doctor's Legend" (1891) Dames) •"Andrey Satchel and the Parson and Clerk" (1891) •"The Distracted Preacher" (1879) (collected in Wessex Tales) •"The History of the Hardcomes" (1891) •"Fellow-Townsmen" (1880) (collected in Wessex Tales) •"Netty Sargent's Copyhold" (1891) •"The Honourable Laura" (1881) (collected in A Group of Noble Dames) •"On The Western Circuit" (1891) (collected in Life's Little Ironies) •"What The Shepherd Saw" (1881) (collected in A Changed Man and •"A Few Crusted Characters: Introduction" (1891) (collected in Life's Little Other Stories) Ironies) •"A Tradition of Eighteen Hundred and Four" (1882) (collected in Wessex •"The Superstitious Man's Story" (1891) Tales) •"Tony Kytes, the Arch-Deceiver" (1891) •"The Three Strangers" (1883) (collected in Wessex Tales) •"To Please His Wife (nl)" (1891) (collected in Life's Little Ironies) •"The Romantic Adventures of a Milkmaid" (1883) (collected in A Changed •"The Son's Veto" (1891) (collected in Life's Little Ironies) Man and Other Stories) •"Old Andrey's Experience as a Musician" (1891) •"Interlopers at the Knap" (1884) (collected in Wessex Tales) •"Our Exploits -
Thomas Hardy S Epic-Drama: a STUDY of the DYNASTS
Thomas Hardy s Epic-Drama: A STUDY OF THE DYNASTS by Harold Orel UNIVERSITY OF KANSAS PUBLICATIONS HUMANISTIC STUDIES, NO. 36 LAWRENCE, KANSAS UNIVERSITY OF KANSAS ^PUBLICATIONS HUMANISTIC STUDIES^ NO. 36 THOMAS HARDY'S EPIC-DRAMA: A STUDY OF THE DYNASTS THOMAS HARDY'S EPIC-DRAMA: A STUDY OF THE DYNASTS by Harold Orel UNIVERSITY OF KANSAS PUBLICATIONS LAWRENCE, 1963 © COPYRIGHT 1963 BY THE UNIVERSITY OF KANSAS PRESS L. C. C. C Number 63-63211 PRINTED IN THE U.S.A. BY THE UNIVERSITY OF KANSAS PRESS LAWRENCE, KANSAS TO M. D. W. Preface THIS BOOK was written because of my admiration for Thomas Hardy's The Dynasts, and because of my feeling that the last word has not yet been said about it. What I want to do is reemphasize the meaning behind Hardy's descriptive epithet, "epic-drama," To that end, I have retraced Hardy's career up to the moment he renounced the writing of novels and became a full-time poet. Poetry, for Hardy, was always the highest form of art; it was the kind of literature he wanted most to create. For years he had been contemplating a large work, a poem on the epic scale, which he needed time to write. It may be no exaggeration to say that his entire life led up to The Dynasts, and that for him it represented the supreme artistic work of his career. Since The Dynasts has often been considered primarily in terms of its philosophy, although Hardy declared vehemently on several occasions that his poem should be judged on artistic grounds, it has seemed worthwhile to reexamine the views that Hardy held on the nature of the universe and whatever gods exist. -
Visual Techniques in Hardy's Desperate Remedies
Visual Techniques in Hardy's Desperate Remedies NORMAN PAGE OST of Hardy's critics pass rapidly over his earliest surviving novel, conscious of the more rewarding ter• M ritories which lie ahead and generally content to dismiss Desperate Remedies (1871) as crude apprentice work — a blind alley of a book which represents a false start, and necessitated a return to the fictional high road be• fore he could find his true direction. An important dissent• er from this view is Professor Guerard, who regards it as "a better novel than is commonly assumed"; but more char• acteristic is the recent comment that "Nothing of impor• tance in the book . anticipates the later novels."1 Without denying its limitations and weaknesses in plotting, charac• terization and style, it seems worth pointing out that sev• eral devices which are utilized extensively in the later novels are to be found in an already well-developed state in this early attempt. Evidently Hardy was quick to grasp the usefulness of certain indirect ways of drawing attention to significant moments in the action of a story. Since he had a strong natural tendency to conceive episodes and situ• ations in visual terms, these devices to some extent fulfil a descriptive purpose; it is equally reasonable, however, to regard them as narrative motifs since their primary func• tion appears to be related to the need to give special em• phasis to crucial phases in the action. Some examples will make their nature and effect clearer. In the opening chapter, the heroine, Cytherea Graye, sits in Hocbridge Town Hall, looking through a window which provides a view of "the upper part of a neighbour- 66 NORMAN PAGE ing church spire": high up on the scaffolding can be seen her father, who is an architect, and four workmen. -
Autumn 2018 Journal
THE THOMAS HARDY JOURNAL THOMAS HARDY THE THE THOMAS HARDY JOURNAL VOL XXXIV VOL AUTUMN AUTUMN 2018 VOL XXXIV 2018 A Thomas Hardy Society Publication ISSN 0268-5418 ISBN 0-904398-51-X £10 ABOUT THE THOMAS HARDY SOCIETY The Society began its life in 1968 when, under the name ‘The Thomas Hardy Festival Society’, it was set up to organise the Festival marking the fortieth anniversary of Hardy’s death. So successful was that event that the Society continued its existence as an organisation dedicated to advancing ‘for the benefit of the public, education in the works of Thomas Hardy by promoting in every part of the World appreciation and study of these works’. It is a non-profit-making cultural organisation with the status of a Company limited by guarantee, and its officers are unpaid. It is governed by a Council of Management of between twelve and twenty Managers, including a Student Gerald Rickards Representative. Prints The Society is for anyone interested in Hardy’s writings, life and times, and it takes Limited Edion of 500 pride in the way in which at its meetings and Conferences non-academics and academics 1.Hardy’s Coage have met together in a harmony which would have delighted Hardy himself. Among 2.Old Rectory, St Juliot its members are many distinguished literary and academic figures, and many more 3.Max Gate who love and enjoy Hardy’s work sufficiently to wish to meet fellow enthusiasts and 4.Old Rectory, Came develop their appreciation of it. Every other year the Society organises a Conference that And four decorave composions attracts lecturers and students from all over the world, and it also arranges Hardy events featuring many aspects of Hardy’s not just in Wessex but in London and other centres. -
Abstract the Theme of Betrayal and Deceit in Six Of
ABSTRACT THE THEME OF BETRAYAL AND DECEIT IN SIX OF THOMAS HARDY'S NOVELS KATHY BERGGRUN B.A. IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS DEPT. OF ENGLISH MCGILL UNIVERSITY MONTREAL APRIL, 1968 This paper proposes to examine the theme or betrayal and deceit in six novels by Thomas Hardy, starting with Desperate Remedies, his first work, and ending with ~ the Obscure, his last. More particularly, ft ia divided into chapter headings such as the betrayal of the individual by Fate and Nature, heredity and environment, his fellow man, society, and the Church. The common denominator of these sections presumes it is the hapless individual-who is Incesaantly betrayed, who ls ever the victim of some deceitful force. The last chapter underlines the thesis "5 (> v....f".... 0 _ that though Hardy possesses a ~!C vision, though he never closes his eyes to the betrayals and deceits of the world, he, nevertheless, is not a pessimiste This paper, then, follows the theme of betrayal, which runs like a thread through Hardy's novels, and tries to show that it becomes increasingly relevant to, and even pivotaI in, his later works. 'lHETHEME OF BE'mAYAL AND lECEIT IN SIX OF THOMAS HAlmY'S NOVELS KA 'ffiY BEHlGmJN The Theme of Betrayal and Deceit in Six of Thomas Hardy's Novels by Kathy Berggrun B.A. A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfilment of the requiremehts for the Degree of Master of Arts. Department of English, McGill University, Montreal April, 1968 ~ Kathy Berggrun 1969 CONTENTS Introduction Page l Chapter One Il Chapter Two 29 Chapter Three 48 Chapter Four 12 Chapter Five 90 Conclusion 105 Bibliography III 1 INTRODUCTION The theme of betrayal and deceit is relevant to and, very often, even pivotaI in Hardy l s novels.