A Laodicean Unabridged
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Of Desperate Remedies
Colby Quarterly Volume 15 Issue 3 September Article 6 September 1979 Tess of the d'Urbervilles and the "New Edition" of Desperate Remedies Lawrence Jones Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, Volume 15, no.3, September 1979, p.194-200 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Jones: Tess of the d'Urbervilles and the "New Edition" of Desperate Reme Tess of the d'Urbervilles and the "New Edition" of Desperate Remedies by LAWRENCE JONES N THE autumn of 1884, Thomas Hardy was approached by the re I cently established publishing firm of Ward and Downey concerning the republication of his first novel, Desperate Remedies. Although it had been published in America by Henry Holt in his Leisure Hour series in 1874, the novel had not appeared in England since the first, anony mous publication by Tinsley Brothers in 1871. That first edition, in three volumes, had consisted of a printing of 500 (only 280 of which had been sold at list price). 1 Since that time Hardy had published eight more novels and had established himself to the extent that Charles Kegan Paul could refer to him in the British Quarterly Review in 1881 as the true "successor of George Eliot," 2 and Havelock Ellis could open a survey article in the Westminster Review in 1883 with the remark that "The high position which the author of Far from the Madding Crowd holds among contemporary English novelists is now generally recognized." 3 As his reputation grew, his earlier novels were republished in England in one-volume editions: Far from the Madding Crowd, A Pair of Blue Eyes, and The Hand ofEthelberta in 1877, Under the Greenwood Tree in 1878, The Return of the Native in 1880, A Laodicean in 1882, and Two on a Tower in 1883. -
A Commentary on the Poems of THOMAS HARDY
A Commentary on the Poems of THOMAS HARDY By the same author THE MAYOR OF CASTERBRIDGE (Macmillan Critical Commentaries) A HARDY COMPANION ONE RARE FAIR WOMAN Thomas Hardy's Letters to Florence Henniker, 1893-1922 (edited, with Evelyn Hardy) A JANE AUSTEN COMPANION A BRONTE COMPANION THOMAS HARDY AND THE MODERN WORLD (edited,for the Thomas Hardy Society) A Commentary on the Poems of THOMAS HARDY F. B. Pinion ISBN 978-1-349-02511-4 ISBN 978-1-349-02509-1 (eBook) DOI 10.1007/978-1-349-02509-1 © F. B. Pinion 1976 Softcover reprint of the hardcover 15t edition 1976 All rights reserved. No part of this publication may be reproduced or transmitted, in any form or by any means, without permission First published 1976 by THE MACMILLAN PRESS LTD London and Basingstoke Associated companies in New York Dublin Melbourne Johannesburg and Madras SBN 333 17918 8 This book is sold subject to the standard conditions of the Net Book Agreement Quid quod idem in poesi quoque eo evaslt ut hoc solo scribendi genere ..• immortalem famam assequi possit? From A. D. Godley's public oration at Oxford in I920 when the degree of Doctor of Letters was conferred on Thomas Hardy: 'Why now, is not the excellence of his poems such that, by this type of writing alone, he can achieve immortal fame ...? (The Life of Thomas Hardy, 397-8) 'The Temporary the AU' (Hardy's design for the sundial at Max Gate) Contents List of Drawings and Maps IX List of Plates X Preface xi Reference Abbreviations xiv Chronology xvi COMMENTS AND NOTES I Wessex Poems (1898) 3 2 Poems of the Past and the Present (1901) 29 War Poems 30 Poems of Pilgrimage 34 Miscellaneous Poems 38 Imitations, etc. -
Thomas Hardy S Epic-Drama: a STUDY of the DYNASTS
Thomas Hardy s Epic-Drama: A STUDY OF THE DYNASTS by Harold Orel UNIVERSITY OF KANSAS PUBLICATIONS HUMANISTIC STUDIES, NO. 36 LAWRENCE, KANSAS UNIVERSITY OF KANSAS ^PUBLICATIONS HUMANISTIC STUDIES^ NO. 36 THOMAS HARDY'S EPIC-DRAMA: A STUDY OF THE DYNASTS THOMAS HARDY'S EPIC-DRAMA: A STUDY OF THE DYNASTS by Harold Orel UNIVERSITY OF KANSAS PUBLICATIONS LAWRENCE, 1963 © COPYRIGHT 1963 BY THE UNIVERSITY OF KANSAS PRESS L. C. C. C Number 63-63211 PRINTED IN THE U.S.A. BY THE UNIVERSITY OF KANSAS PRESS LAWRENCE, KANSAS TO M. D. W. Preface THIS BOOK was written because of my admiration for Thomas Hardy's The Dynasts, and because of my feeling that the last word has not yet been said about it. What I want to do is reemphasize the meaning behind Hardy's descriptive epithet, "epic-drama," To that end, I have retraced Hardy's career up to the moment he renounced the writing of novels and became a full-time poet. Poetry, for Hardy, was always the highest form of art; it was the kind of literature he wanted most to create. For years he had been contemplating a large work, a poem on the epic scale, which he needed time to write. It may be no exaggeration to say that his entire life led up to The Dynasts, and that for him it represented the supreme artistic work of his career. Since The Dynasts has often been considered primarily in terms of its philosophy, although Hardy declared vehemently on several occasions that his poem should be judged on artistic grounds, it has seemed worthwhile to reexamine the views that Hardy held on the nature of the universe and whatever gods exist. -
Visual Techniques in Hardy's Desperate Remedies
Visual Techniques in Hardy's Desperate Remedies NORMAN PAGE OST of Hardy's critics pass rapidly over his earliest surviving novel, conscious of the more rewarding ter• M ritories which lie ahead and generally content to dismiss Desperate Remedies (1871) as crude apprentice work — a blind alley of a book which represents a false start, and necessitated a return to the fictional high road be• fore he could find his true direction. An important dissent• er from this view is Professor Guerard, who regards it as "a better novel than is commonly assumed"; but more char• acteristic is the recent comment that "Nothing of impor• tance in the book . anticipates the later novels."1 Without denying its limitations and weaknesses in plotting, charac• terization and style, it seems worth pointing out that sev• eral devices which are utilized extensively in the later novels are to be found in an already well-developed state in this early attempt. Evidently Hardy was quick to grasp the usefulness of certain indirect ways of drawing attention to significant moments in the action of a story. Since he had a strong natural tendency to conceive episodes and situ• ations in visual terms, these devices to some extent fulfil a descriptive purpose; it is equally reasonable, however, to regard them as narrative motifs since their primary func• tion appears to be related to the need to give special em• phasis to crucial phases in the action. Some examples will make their nature and effect clearer. In the opening chapter, the heroine, Cytherea Graye, sits in Hocbridge Town Hall, looking through a window which provides a view of "the upper part of a neighbour- 66 NORMAN PAGE ing church spire": high up on the scaffolding can be seen her father, who is an architect, and four workmen. -
Abstract the Theme of Betrayal and Deceit in Six Of
ABSTRACT THE THEME OF BETRAYAL AND DECEIT IN SIX OF THOMAS HARDY'S NOVELS KATHY BERGGRUN B.A. IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS DEPT. OF ENGLISH MCGILL UNIVERSITY MONTREAL APRIL, 1968 This paper proposes to examine the theme or betrayal and deceit in six novels by Thomas Hardy, starting with Desperate Remedies, his first work, and ending with ~ the Obscure, his last. More particularly, ft ia divided into chapter headings such as the betrayal of the individual by Fate and Nature, heredity and environment, his fellow man, society, and the Church. The common denominator of these sections presumes it is the hapless individual-who is Incesaantly betrayed, who ls ever the victim of some deceitful force. The last chapter underlines the thesis "5 (> v....f".... 0 _ that though Hardy possesses a ~!C vision, though he never closes his eyes to the betrayals and deceits of the world, he, nevertheless, is not a pessimiste This paper, then, follows the theme of betrayal, which runs like a thread through Hardy's novels, and tries to show that it becomes increasingly relevant to, and even pivotaI in, his later works. 'lHETHEME OF BE'mAYAL AND lECEIT IN SIX OF THOMAS HAlmY'S NOVELS KA 'ffiY BEHlGmJN The Theme of Betrayal and Deceit in Six of Thomas Hardy's Novels by Kathy Berggrun B.A. A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfilment of the requiremehts for the Degree of Master of Arts. Department of English, McGill University, Montreal April, 1968 ~ Kathy Berggrun 1969 CONTENTS Introduction Page l Chapter One Il Chapter Two 29 Chapter Three 48 Chapter Four 12 Chapter Five 90 Conclusion 105 Bibliography III 1 INTRODUCTION The theme of betrayal and deceit is relevant to and, very often, even pivotaI in Hardy l s novels. -
Jude the Obscure B Y Thomas Hardy
https://theses.gla.ac.uk/ Theses Digitisation: https://www.gla.ac.uk/myglasgow/research/enlighten/theses/digitisation/ This is a digitised version of the original print thesis. Copyright and moral rights for this work are retained by the author A copy can be downloaded for personal non-commercial research or study, without prior permission or charge This work cannot be reproduced or quoted extensively from without first obtaining permission in writing from the author The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the author When referring to this work, full bibliographic details including the author, title, awarding institution and date of the thesis must be given Enlighten: Theses https://theses.gla.ac.uk/ [email protected] Intertextuality and Mimesis in Jude the Obscure b y Thomas Hardy Marta Rabikowska MVLitt. The Uni versity of Glasgow Department of English Literature July 2004 © Marta Rabikowska, 2004 ProQuest Number: 10390545 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10390545 Published by ProQuest LLO (2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLO. ProQuest LLO. -
DARWINIAN MARRIAGE EXPERIMENTS HARDY's the WOODLANDERS, a LAODICEAN, and a PAIR of BLUE EYES a Thesis Submitted to the Faculty
DARWINIAN MARRIAGE EXPERIMENTS HARDY’S THE WOODLANDERS, A LAODICEAN, AND A PAIR OF BLUE EYES A Thesis submitted to the Faculty of the Graduate School of Arts and Sciences of Georgetown University in partial fulfillment of the requirements for the degree of Master of Arts in English By Allison Harris, B.A. Washington, D.C. April 28, 2021 Copyright 2021 by Allison Harris All Rights Reserved ii DARWINIAN MARRIAGE EXPERIMENTS HARDY’S THE WOODLANDERS, A LAODICEAN, AND A PAIR OF BLUE EYES Allison Harris, B.A. Thesis Advisor: John Pfordresher, Professor, Ph.D. ABSTRACT In this project I survey Thomas Hardy’s The Woodlanders, A Laodicean, and A Pair of Blue Eyes, exploring how Hardy, as a novelist, grapples with newfound scientific and ecological knowledge that shook humancentric beliefs about the natural world and transformed temporal realities. As a writer of books, Hardy experiments with these questions in his novels, placing the Victorian love-plot at the center of conversations about the (un)importance of humankind and a rapidly changing world. I suggest that Hardy’s recycling of narrative structures, both where he borrows plots or characters from medieval sources and where he repeats scenes across his own novels, is a form of experimentation; Hardy is testing the bounds and limitations of Victorian ways of thought. By exploring differences in representation of similar characters, events, or descriptions across Hardy’s writings and their departures in some cases from source materials, we uncover Victorian anxieties of time, space, and the natural world. iii ACKNOWLEDGEMENTS This project would not have reached completion without the support of many. -
Hardy's Geography Also by Ralph Pite
Hardy's Geography Also by Ralph Pite THE CIRCLE OF OUR VISION: Dante's Presence in English Romantic Poetry LIVES OF THE GREAT ROMANTICS: Coleridge THE VISION OF DANTE by Henry Cary (editor) Hardy's Geography Wessex and the Regional Novel Ralph Pite © Ralph Pite 2002 Softcover reprint of the hardcover 1st edition 2002 978-0-333-98774-2 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with * the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 90 Tottenham Court Road, London wn 4LP. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted his right to be identified as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. Published by PALGRAVE MACMILLAN Houndmills, Basingstoke, Hampshire RG21 6XS and 175 Fifth Avenue, New York, N. Y. 10010 Companies and representatives throughout the world PALGRAVE MACMILLAN is the global academic imprint of the Palgrave Macmillan division of St. Martin's Press, LLC and of Palgrave Macmillan Ltd. Macmillan® is a registered trademark in the United States, United Kingdom and other countries. Palgrave is a registered trademark in the European Union and other countries. ISBN 978-1-349-43145-8 ISBN 978-0-230-51266-5 (eBook) DOl 10. -
A Laodicean Free
FREE A LAODICEAN PDF Thomas Hardy,Patricia Ingham,John Schad | 480 pages | 01 Jan 1998 | Penguin Books Ltd | 9780140435061 | English | London, United Kingdom Thomas Hardy’s A Laodicean – mirabile dictu When should we expect the Laodicean condition in the Church of God? Who are to be a part of it? Follow Us:. How To Understand Prophecy. All TW thru Comments or Suggestions? Holy Day Information. Site Map. Weekly Bible Study Services. Bible Study Quarterly - The Kingdom. A few claim that we, the Church of God, are the Laodicean Church because, as one person has stated, we do not have the gift of "unknown tongues! But notice! Therefore, the Laodicean era of the Church cannot be during the one thousand year period! The seven Church ages of Revelation 2 and 3 lead up to the coming of Christ. The Millennium follows the ages of these seven Churches. We must expect this period before the A Laodicean return of Jesus Christ. The time is short! The Laodicean era is either here now, or it must come quickly and last but A Laodicean short time! God's Church Divided? Is it possible for two entirely separate works, or two separate organizations of God's Church to exist at A Laodicean same time as Jesus' instrument in preaching to the world? A Laodicean the New Testament Church in Paul's time two separate organizations? No, the Church was not split! The Church was ONE. The Church is not a divided work competing with itself. Christ's own words were, "And now I am no more in the world, but these are in A Laodicean world, and I come to thee. -
Contemporary Judgment on the Growth of Hardy's Reputation As a Novelist Between 1971 and 1881
Durham E-Theses Contemporary judgment on the growth of Hardy's reputation as a novelist between 1971 and 1881 Smith, Peter D. How to cite: Smith, Peter D. (1967) Contemporary judgment on the growth of Hardy's reputation as a novelist between 1971 and 1881, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/9861/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 PETER D. SMITH MASTER OF LETTERS CANDIDATE 1967 ABSTRACT OF A THESIS ENTITLED "CONTEMPORARY JUDGMENT ON THE GROWTH OF HARDY'S REPUTATION AS A NOVELIST BETWEEN 1871 AND 1881" Thomas Hardy's first eight published novels appeared between 1871 and 1881, and were extensively reviewed by the London news• papers and journals of opinion. The thesis is based mainly upon one hundred and twenty-six such reviews. -
FATHOM, 5 | 2018, « Desire and the Expressive Eye » [Online], Online Since 20 April 2018, Connection on 03 May 2020
FATHOM a French e-journal of Thomas Hardy studies 5 | 2018 Desire and the Expressive Eye Le désir et l'expression du regard Annie Ramel and Isabelle Gadoin (dir.) Electronic version URL: http://journals.openedition.org/fathom/728 DOI: 10.4000/fathom.728 ISSN: 2270-6798 Publisher Association française sur les études sur Thomas Hardy Electronic reference Annie Ramel and Isabelle Gadoin (dir.), FATHOM, 5 | 2018, « Desire and the Expressive Eye » [Online], Online since 20 April 2018, connection on 03 May 2020. URL : http://journals.openedition.org/fathom/ 728 ; DOI : https://doi.org/10.4000/fathom.728 This text was automatically generated on 3 May 2020. 1 EDITOR'S NOTE This issue is dedicated to the memory of Annie Escuret. The very existence of FATHOM is indebted to her colossal and passionate work on Hardy. FATHOM, 5 | 2018 2 TABLE OF CONTENTS Introduction: Desire and the “Expressive Eye” Annie Ramel Articles Desire and Impaired Eyesight: Thomas Hardy’s Clinical Metaphors of Affect Catherine Lanone Looking at Adders in The Return of the Native Anna West The Medusean Eye in Thomas Hardy Annie Ramel Unconscious Desires in “The Collector Cleans His Picture” Emilie Loriaux Machinations versus Mechanization: Desire in Thomas Hardy’s “On the Western Circuit” Trish Ferguson “A woman’s flush of triumph lit her eyes”: Hardy, Darwin, and the Blush Phillip Mallett “Their glances met”: Looks and Desire in The Mayor of Casterbridge Fabienne Gaspari The Abyss, the Image and the Turn: Writing Desire in Three Poems by Thomas Hardy Jane Thomas Blank Letters and Ensnared Eyes in Far from the Madding Crowd Isabelle Gadoin Other contribution Hardy in France: Belles Lettres and Popular Culture Peggy Blin-Cordon and Laurence Estanove FATHOM, 5 | 2018 3 Introduction: Desire and the “Expressive Eye” Introduction : le désir et l’expression du regard Annie Ramel EDITOR'S NOTE Several articles from this issue are being published jointly by FATHOM and the Hardy Review as part of a collaborative work. -
Howells and Hardy
Colby Quarterly Volume 20 Issue 2 June Article 6 June 1984 Howells and Hardy Elsa Nettels Follow this and additional works at: https://digitalcommons.colby.edu/cq Recommended Citation Colby Library Quarterly, Volume 20, no.2, June 1984, p.107-122 This Article is brought to you for free and open access by Digital Commons @ Colby. It has been accepted for inclusion in Colby Quarterly by an authorized editor of Digital Commons @ Colby. Nettels: Howells and Hardy Howells and Hardy by ELSA NETTELS N A LETTER dated May 14, 1902, Theodore Dreiser wrote to William I Dean Howells to express my spiritual affection for you-to offer my little tribute and acknowledge the benefit I have received from your work. ... Thomas Hardy has provided some of this spiritual fellowship for me. Count Tolstoy yet some more. Of you three however I should not be able to choose, the spirit in each seeming to be the same, and the large, tender kindliness of each covering all of the ills of life and voicing the wonder and yearning of this fitful dream, in what, to me, seems a perfect way. ... I A striking feature of this letter is the linking of Howells and Hardy. At first glance, there might seem to be little common ground between Howells, who believed that fiction should capture the "light, impal pable, aerial essence" of the commonplace,2 and Hardy, who insisted that "the real, if unavowed, purpose of fiction is to give pleasure by gratifying the love of the uncommon in human experience."3 The two writers, however, esteemed each other and valued their friendship.