Catholic Worker Answers Attack
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Christ -W " .I Bouse Sounder Cardinal Aid Strijc.E Be Union Man ' Ansy1ers Active Catholic Workers Priests Show by Activity Paper Smaller, Set up Kitchen
CATHOLIC lVol. V. No. 4. AUGUST, 1931 Price One Cent Lowell W.'s 0 1 c. Christ -w " .i Bouse Sounder Cardinal Aid StriJc.e Be Union Man ' AnsY1ers Active Catholic Workers Priests show By Activity Paper Smaller, Set Up Kitchen . They Know Where Our L• Th Criticism For Strikers • Lord Would Be Ille . e same The f ollowing i1 comp()sea of e:: "Christ would be a labor leader The following is taken from a cerpts f rom a letter from one of if he were alive today," Father DAY AFTER DAY letter by Cardinal Verdier, print t he Lowell Gatll.olic i~orker1 , dei· Jahn B. Dela.unay, C.S.C., said in cribi ng the recent Boote M i.Ii strike a sermon at St. Patrick's Cathed ed in La Cro!x, and in answer to Low en, Maar. The..., Bod on gro1'p ral where he preached B.uring As we write our articles for the paper tills issue, the house is being certain crit icism by reactionary did toonaerfu l service, an.a it u;41 July. He is dean or men at Port torn down around us, and put to Catholic press of "Sept" and "!.a due t o t heir parti cipation, '"' c land University, Oregon. grgat measure, that the 1trike toa .s gether again. The, stor.y which be Vie lntellectuelle," progressive He would become a labor leader. gan la11t January, telling of tile settled. the priest pointed out, because His Freni:h Catholic periodicals. Tran5- sympathy, common sense and per threat of eviction because ours !• lated and arranged by Peter To begin at the beginning, John an old style tenement, confilctlnc Magee hlld been contacting the suasive speech. -
The Leeds Arts Club and the New Age: Art and Ideas in a Time of War by Tom Steele Thank You Very Much Nigel, That's a Very Generous Introduction
TRANSCRIPT Into the Vortex: The Leeds Arts Club and the New Age: Art and Ideas in a Time of War by Tom Steele Thank you very much Nigel, that's a very generous introduction. Thank you for inviting me back to the Leeds Art Gallery where I spent so many happy hours. As Nigel said, the book was actually published in 1990, but it was a process of about 5 or 6 year work, in fact it's turned into a PHD. I've not done a lot of other work on it since, I have to say some very very good work has been done on Tom Perry and other peoples in the meantime, and it's grievously in danger of being the new edition, which I might or might not get around to, but maybe somebody else will. Anyway, what I'm going to do is to read a text. I'm not very good at talking extensively, and it should take about 40 minutes, 45 minutes. This should leave us some time for a discussion afterwards, I hope. Right, I wish I'd thought about the title and raw text before I offered the loan up to the gallery, because it makes more sense, and you'll see why as we go along. I want to take the liberty of extending the idea of war to cover the entire decade 1910-1920, one of the most rebellious and innovative periods in the history of British art. By contrast, in cultural terms, we now live in a comparatively quiet period. -
The Distributist Alternative
www.secondspring.co.uk/economy The Distributist Alternative Russell Sparkes When people think of G.K. Chesterton, they normally remember his literary achievements: the essays, the Father Brown stories, the wealth of aphorisms that are still widely quoted. However, I suspect that if you had asked the man himself what part of his work he was most proud of, he would have said something that is almost totally forgotten today: his advocacy of a social and political philosophy called ‘Distributism’. In my talk today I want to tell you what this was, what its antecedents and inspirations were, and its lasting value. Distributism’s main tenet was that property should be as widely distributed as possible, and business should be local. There was advocacy of the economy being centred upon the production of goods, and suspicion of the role of high finance. It was advocated principally by G.K. Chesterton and Hilaire Belloc from 1910 onwards, although others such as the Dominican priest Vincent McNabb, the artist Eric Gill, and the guild socialist Arthur Penty also contributed ideas. However, many of these latter had their own agenda, and while they were active in the Distributist movement, their advocacy of homespun craftsmanship or of the ‘social credit’ theories of Major Douglas.[1] They were peripheral to Distributism whose key texts are Chesterton’s Outline of Sanity published in 1926, and Belloc’s Essay on the Restoration of Property of 1936. In the depressed economic conditions of the 1920s Distributism became a political movement as well as an economic programme which was led and inspired by Chesterton through a little magazine that he edited and whose heavy losses he funded. -
Michael Black
THE SOURCES AND USES OF DISTRIBUTISM: A ROMAN CATHOLIC’S VIEW OF ANGLO-CATHOLIC GENIUS Michael Black The past popularity, the long tradition of religion supported it diverse champions against a present neglect. --Charles Williams, Shadows of Ecstasy Tradition asserts itself especially in a crisis. Deeply held but forgotten beliefs present us with familiar novelty, a ‘commodius vicus of recirculation’ of ideas which offer themselves as solutions to contemporary social problems. In our current economic crisis, the early 20th-century idea of Distributism is receiving renewed attention as a serious contribution to national policy in the United Kingdom. This essay is a personal response which I hope may find a place in the growing debate. In September 2008, the bankruptcy of the Wall Street investment bank Lehman Brothers caused financial markets around the world to freeze with fear. The consensus of City pundits and Whitehall policy-makers was that the world had entered uncharted economic waters. Not just respectable opinion, but long-held theories about economics were discredited decisively. A revival of the unconventional and marginal in an environment of intellectual despair was probably inevitable. One little known socio-economic concept, Distributism, which was championed by G.K Chesterton and Hilaire Belloc in the 1920’s and 30’s, came to some renewed prominence on both sides of the Atlantic. In North America, for example, within only a few months of the Lehman failure, the American quarterly Chesterton Review conducted a symposium advertising the relevance of Distributism as a solution to the global economic meltdown. Fr Ian Boyd, the editor, recommended what he considered an ‘evolved distributism’ in several cooperative industrial movements as economic models on a scale which could be controlled by human beings.1 In July, Fr Boyd gave a further lecture in Oxford on ‘A Distributist View of the Economic Crisis’. -
The Death of Christian Culture
Memoriœ piœ patris carrissimi quoque et matris dulcissimœ hunc libellum filius indignus dedicat in cordibus Jesu et Mariœ. The Death of Christian Culture. Copyright © 2008 IHS Press. First published in 1978 by Arlington House in New Rochelle, New York. Preface, footnotes, typesetting, layout, and cover design copyright 2008 IHS Press. Content of the work is copyright Senior Family Ink. All rights reserved. Portions of chapter 2 originally appeared in University of Wyoming Publications 25(3), 1961; chapter 6 in Gary Tate, ed., Reflections on High School English (Tulsa, Okla.: University of Tulsa Press, 1966); and chapter 7 in the Journal of the Kansas Bar Association 39, Winter 1970. No portion of this work may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without permission in writing from the publisher, except by a reviewer who may quote brief passages in a review, or except in cases where rights to content reproduced herein is retained by its original author or other rights holder, and further reproduction is subject to permission otherwise granted thereby according to applicable agreements and laws. ISBN-13 (eBook): 978-1-932528-51-0 ISBN-10 (eBook): 1-932528-51-2 Library of Congress Cataloging-in-Publication Data Senior, John, 1923– The death of Christian culture / John Senior; foreword by Andrew Senior; introduction by David Allen White. p. cm. Originally published: New Rochelle, N.Y. : Arlington House, c1978. ISBN-13: 978-1-932528-51-0 1. Civilization, Christian. 2. Christianity–20th century. I. Title. BR115.C5S46 2008 261.5–dc22 2007039625 IHS Press is the only publisher dedicated exclusively to the social teachings of the Catholic Church. -
An Editors Progress
NEW AGE SUPPLEMENT NO. 3 – November 22, 1934 An Editor’s Progress (This autobiographical article first appeared in “The Commonweal” (U.S.A.) in 1926, and was largely reprinted in THE NEW AGE during the same year by the courtesy of the editor of “The Commonweal” and Mr. Orage.) By A. R. Orage. PART 1. – THE NEW AGE I was looking through some old volumes of THE NEW AGE the other day, with the intention of tracing the earliest published work of a number of now well-known writers – Miss Katherine Mansfield, Michael Arlen (then Dikran Kouyoumdjian), W. L. George, Jack Collings Squire, and a host of others. As usually happens, my search was soon abandoned for still more personal recollections – of the hopes and fears and thrills and mortifications of fifteen years of editorship. There was no value in that, however; it was simply throwing good money after bad. And by and by I settled down to an orderly review of the course of development of my economic thought during those fifteen years. As I have no doubt that the trail I followed will prove to be a highway when a sufficient number of people have trodden it, a brief itinerary of the journey may serve the purposes of a guide. Like every intellectual in those days – I refer to the earliest years of the twentieth century – I began as some sort of a Socialist. Socialism was not then either the popular or unpopular vogue it has since become; but it was much more of a cult, with affiliations in directions now quite disowned – with theosophy, arts and crafts, vegetarianism, the “simple life,” and almost, as one might say, the musical glasses. -
Supernatural· -Duty There Are Dolls and I>U.Ppfes a D I Ca.A Be E·Ruy Cats and Boo.Ks, and Te> Aee .Tae L• My Own Cra11y War, Three of Them Sitting in a R.Ow
CATHOLIC WORKER :Vol. V. No. 5. SEPTEMBER, 1937 Price One Cent EASY ESSAYS Lesson In CON·SClENTtous Bitler In Farm Colony by Ethiopian OBJECTOR Open Sla1n Larger,Need,s PETER MAURIN The picture rePfoduced here 11 o Ch h S d f ar Plans that of Ben Salmon, one of the n ure 8C0n arm W unsung heroes of the World War. Unpopular In the August issue of "Harpers" A devout Roman Catholic, and (N.O.W.O. News Service) 50 Children and Many there is an article, or rather a one committed to the belief that AMSTERDAM - It is perhaps I condensation of a book, "Planning modern war canno• be justified, aymptoinatic that Adol! Hitler Visitors Overflow Housel the Ethiopian Conquest,'' by Mar himself, who was born a Catholic I Front shall Emilio DeBono that should h1' suffered for his conviction• by and practiced his Faith up to 10 and Barns , cause fall, who call tbemsel'l'ee years ago, on the eve ot the annu I. Four in One Christian, to think, to re11ect, and al meeting or the German Hier· The Unpopl.llar Front to act now. ' archy, has given a written recom· DAY AFTER DAY. is a front composed or: Planned Raid mendation to the author of a "l'io 1. Huma11ists With the candor of a chihl Mar· lently anti-Catholic pamphlet by a "You be the father a.wt yoor who try to be human shall De Bono tells openly how former Catholic whose name 11 aam.e :la Patrlo'k •ni I'm tn. -
Dorothy Day and the Beginning of St. Joseph House of Hospitality in Pittsburgh 1936-1941 by Paul Dvorchak
Dorothy Day and the Beginning of St. Joseph House of Hospitality in Pittsburgh 1936-1941 by Paul Dvorchak Dorothy Day ( 1897-1980) is perhaps the most well-known American Pittsburgh as part of her peripatetic visitations of all Catholic Worker Roman Catholic of the twentieth century. As the cause for her houses and groups in the United States. After her encounter with the canonization by the Catholic Church has been opened, she can now retreats conducted by Rev. John Hugo, Day visited Pittsburgh as part be referred to as a "Servant of God." A historian described Day as "the of her on-going spiritual journey as well as her interest in the social most significant, interesting, and influential person in the history of problems of the day- whether they were labor-related, issues of American Catholicism."1 Catholic Worker Tom Cornell observed: war and peace, or the Church's role in serving the poor. The focus of Dorothy's enduring significance is that she was revolutionary, and this article is the establishment of St. Joseph's House of Hospitality in that's so easily obscured or white-washed in a canonization process. Pittsburgh and Day's influence in its founding and development. Dorothy Day was a radical, and you shouldn't lose sight of that. She Dorothy Day first came to Pittsburgh to visit Fr. James Cox4 in January was a radical and the Gospel in its prophetic voices - like those of 1936. She visited Cox at Good Samaritan Chapel, observing: Jeremiah and Isaiah - was the source of her radicalism. -
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Laboring for Justice: Archival Resources for the Study of George Higgins and Catholic Action at the Archives of the Catholic University of America Author(s): Timothy Meagher, John Shepherd, Joseph Turrini Source: U.S. Catholic Historian, Vol. 19, No. 4, Social Catholicism: Essays in Honor of Monsignor George Higgins (Fall, 2001), pp. 51-56 Published by: Catholic University of America Press Stable URL: http://www.jstor.org/stable/25154792 Accessed: 25/02/2010 10:55 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=cuap. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Catholic University of America Press is collaborating with JSTOR to digitize, preserve and extend access to U.S. -
In Dialogue with English Modernism: Storm Jameson's Early
IN DIALOGUE WITH ENGLISH MODERNISM: STORM JAMESON’S EARLY FORMATION AS A WRITER, 1919-1931 Deborah Frances Gerrard De Montfort University January 2010 Thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy For Prue and Julia Abstract After a period during which Storm Jameson’s restricted literary identity has been that of the politically engaged woman writer, critical interest in the intellectual and stylistic complexities of her work is now reviving. Yet Jameson’s background in early English modernism and the manner in which it enriches her writing continues to pass unnoticed. This thesis uncovers new evidence of Jameson’s immersion in the early English modernisms of Alfred Orage’s Leeds Arts Club and New Age journal and of Dora Marsden’s journals, the New Freewoman and the Egoist, as an avant-garde student before the Great War. Drawing analogies with the post-colonial notions of ‘Manichean delirium’ and of ‘writing back to the centre’, this thesis argues that, subsequently – as a provincial socialist woman writer struggling to make her way at the predominantly male and elitist cultural centre – Jameson developed a vexed outsider-insider relation to English modernism which she expressed during the 1920s in a series of intertextual novels critiquing the contemporary cultural scene. It examines each of these novels chronologically, beginning with Jameson’s critique of the early modernisms of Orage, Marsden and associated writers in her first two novels, before moving on to her engagement, in turn, with the work of D. H. Lawrence, Virginia Woolf and Wyndham Lewis. Employing a socially oriented model of intertextuality, this thesis reads each novel synchronically as a sceptical and often witty probing of some of the polarised, and frequently contradictory, positions taken within the modernist debate. -
SUMMER 2001 Any Kind of Labor Organization, Catholic Or Otherwise
THE JOURNAL FOR PEOPLE OF FAITH AND SOCIALISM Motivated by our different religious traditions, we believe Organizing for Social Justice: that attitudes, priorities, and institutions can be changed to John Cort and the ACTU reflect a just and democratic use of the universes bounty; MAURICE ISSERMAN we believe in the value of work On a Saturday afternoon in late February 1937, John Cort sat at a kitchen table at the Catholic Worker’s House of Hospitality on that contributes to the Mott Street on the Lower East Side of New York City. With him common good; and in the were ten other men - some of them fellow Catholic Workers, healing influence of respect others labor organizers or rank-and-file activists from a half dozen labor unions active in the city. Together they formed a for the differences as well as group called the Catholic Association of Trade Unionists - soon the commoness of human to be renamed the Association of Catholic Trade Unionists experience. (ACTU). Only a year earlier, when Cort was finishing up his senior year at Harvard College, he would have seemed an unlikely candidate to serve as one of the principal instigators of SUMMER 2001 any kind of labor organization, Catholic or otherwise. But that spring, shortly before graduating, he heard Dorothy Day give a speech in Boston; inspired by her message and Inside... personal example, his life took a radical new direction. At Day’s invitation, Cort moved 2...Editor’s Notes down to the Catholic Worker’s farm community in Easton, Pennsylvania, and shortly afterwards to the Mott Street House of Hospitality. -
Gilbert Keith Chesterton Y El Distributismo Inglés En El Primer Tercio Del Siglo Xx
GILBERT KEITH CHESTERTON Y EL DISTRIBUTISMO INGLÉS EN EL PRIMER TERCIO DEL SIGLO XX Esta tesis fue dirigida por el Dr. D. JOSÉ LUIS PÉREZ DE AYALA Y LÓPEZ DE AYALA y fue leída en la Facultad de Ciencias Jurídicas y de la Administración de la Universidad San Pablo CEU, el día 21 de mayo de 2003 ante el tribunal constituido por los siguientes profesores: Presidente: Dr. D. Dalmacio Negro Pavón Vocal: Dr. D. Eudaldo Forment Giralt Vocal: Dr. D. Pedro José González-Trevijano Sánchez Vocal: Dr. D. José Manuel García Ramos Secretario: Dr. D. Ernesto Lejeune Valcárcel Habiendo recibido la calificación de SOBRESALIENTE “CUM LAUDE” DANIEL SADA CASTAÑO Departamento de Derecho Público I Facultad de Derecho Universidad San Pablo CEU GILBERT KEITH CHESTERTON Y EL DISTRIBUTISMO INGLÉS EN EL PRIMER TERCIO DEL SIGLO XX Director: JOSÉ LUIS PÉREZ DE AYALA Y LÓPEZ DE AYALA FUNDACIÓN UNIVERSITARIA ESPAÑOLA Alcalá, 93 MADRID, 2005 Publicaciones de la FUNDACIÓN UNIVERSITARIA ESPAÑOLA Colección TESIS DOCTORALES CUM LAUDE Serie D (Derecho) - FUNDACIÓN UNIVERSITARIA ESPAÑOLA Alcalá, 93. (28009 MADRID) Tfno.: 91 431 11 93 - 91 431 11 22 Fax: 91 576 73 52 j e-mail: [email protected] Ilustración de cubierta: Conversation Piece (Gilbert Keith ('G.K.') Chesterton; Maurice Baring; (Joseph) Hilaire Pierre Belloc). National Portrait Gallery, London. ISBN: Depósito Legal: INDICE Página AGRADECIMIENTOS ..................................................................................................... 9 CAPÍTULO I: INTRODUCCIÓN ..............................................................................