Beyond Modern & Postmodern Отвъд Модерното И

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Beyond Modern & Postmodern Отвъд Модерното И CROSSING BORDERS IN ARTS: BEYOND MODERN & POSTMODERN Изкуствоведски четения 2017 ПРЕСИЧАНЕ НА ГРАНИЦИТЕ В ИЗКУСТВАТА: ОТВЪД МОДЕРНОТО И ПОСТМОДЕРНОТО София, 2015 Art Rеadings 2017 ИЗКУСТВОВЕДСКИ ЧЕТЕНИЯ Тематично годишно рецензирано издание за изкуствознание в два тома ART READINGS Thematic annual peer-reviewed edition in Art Studies in two volumes Международна редакционна колегия Редактори от ИИИзк International Advisory Board In-house Editorial Board Adrian-Silvan Ionescu (Romania) Kamelia Nikolova Elvira Popova (Mexico) Milena Bozhikova Fani Vavili-Tsinika (Greece) Milena Georgieva Marina Frolova-Walker (UK) Nadezhda Marinchevska Yana Hashamova (USA) Vesselina Penevska Книгата се издава с финансовата подкрепа на Фонд „Научни изследвания“ при Министерство на образованието и науката Institute of Art Studies 21 Krakra Str. 1504 Sofia, Bulgaria Tel.: 02 944 24 14; 02 489 00 95. Fax: 02 943 30 92 www.artstudies.bg © Институт за изследване на изкуствата, БАН, 2018 CONTENTS Nikolay Yordanov. Again about universality of the works of art. Some examples from theatre..............................................................................................7 Ivo Iv. Velinov. Borderlines of cultural transformation in the religious art ................... 14 Vesna Kruljac. The Belgrade Art Informel at the crossroads of modernism and postmodernism ................................................................................................................ 23 Irina Genova. The Paris Biennale for Young Artists. Bulgarian participations 1959–1969 ������������������������������������������������������������������������������� 37 Ingeborg Bratoeva-Daraktchieva. New art cinema in the Balkans: trans-territoriality and intertextuality .............................................................................. 53 Marian Ţuţui. Romanian New Wave drama: a new genre? .......................................... 61 Kamelia Nikolova. Theatre director in the last two decades and his/her transformations .................................................................................................... 68 Petr Christov. Laterna Magika: 60 years later. A short story with a long history ..................................................................................... 76 Joanna Spassova-Dikova. The “death” of the live arts in the digital era? .................... 90 Romeo Popiliev. Native and alien aspects in Bulgarian culture and theatre ..................................................................................................................... 103 Roxana Coman. Romanian 19th century historical painting and collective memory ......................................................................................................... 109 Patrick Becker. Ein Bild aus Bulgarien – Altes und Neues in der bulgarischen Avantgarde um 1970 ..................................................................................................... 118 Matthew Timmermans. Kálmán’s Die Herzogin von Chicago: a transnational vision for Inter-war Central Europe .............................................................................. 127 Baiba Jaunslaviete. Origins of postmodern music in Latvia: its historical background and manifestations in the work by Marģeris Zariņš ............. 142 Ivan K. Yanakiev. Role of the golden ratio in perceiving humanness by randomly generated tones. An empirical study ............................................................. 151 Nadezhda Marinchevska. The challenge in Theodore Ushev’s animated films: transforming the ‘old’ avant-garde ................................................................................ 162 Elitza Gotzeva. Writing for Hollywood: between traditional art and modern business ������������������������������������������������������������������������������������������������������������ 173 Radostina Neykova. Technology and communication. Contemporary cinema for children and adolescents ............................................................................................... 178 Веселина Пеневска. Щурмувайки XXI век: превъплъщения на иновативната хотелска архитектура ���������������������������������������� 186 Teodora Doncheva. Re-enactments in historical documentaries ................................ 197 Iosif Astrukov. Negative effects of digitalization or where the professionalism is going to? ......................................................................... 203 Rosen Spassov. Specialized film publications post-1989 ............................................ 210 Alexander Donev. Bulgarian socialist film industry as an organizational and business model: towards a research framework ............................................................ 217 Регина Райчева, Десислава Ангелова. Мебелите за седене от Древна Гърция: превъплъщения и трансформации през вековете ����������������������������������������������������� 224 Юлиан Митев. Инсталацията в изобразителното изкуство – кратки бележки за нейното описание и анализ ������������������������������������������������������������������������������������ 234 Милена Блажиева. „Низшите“ жанрове (натюрморт, интериор, голо тяло) в системата на жанровата йерархия през първата половина на 50-те години ���������� 250 Милена Георгиева. Образи на изкуствата, творчеството, твореца във в. „Българан“ (1904–1909) – карикатурната рецепция ������������������������������������������������ 257 Рамона Димова. Една от забравените. За живота и творчеството на Ружа Ракилова ������������������������������������������������������������ 270 Петър Дундаков. Музиката в анимационното кино: композиционни подходи ��������������������������������������������������������������������������������������������� 281 Деян Статулов. Първи опити за институционализиране на киното като средство за пропаганда (1944–1948) ������������������������������������������������������������������������� 289 Александър Стайков. Медийни канали при пазарната комуникация на игралния филм ������������������������������������������������������������������������������������������������������������� 297 Албена Тагарева. Социалистическият реализъм на сцената – сблъсък на концепции. Проявите на нормативната естетика на социалистическия реализъм в сценографията на сцената на Народния театър ������������������������������������ 304 Михаил Байков. Трансформации на куклеността в съвременната куклeно- постановъчна практика в България. Няколко примера............................................ 315 Зорница Каменова. Тенденции в куклено-театралното изкуство след 2000 година в България .............................................................................................. 327 Галина Декова. Защо първото куклено представление в България е изпълнено от оркестър, съставен от художници? �������������������������������� 341 Кристина Япова. Дисциплинирането в музика vs. музиката като дисциплина, или пресичането на границите между музика и философия ���������������������������������� 355 Ангелина Петрова. Ирония и деконструкции на постмодерното и интеркултурната композиция. Проекти на български автори от началото на ХХI век ���������������������������������������������������������������������������������������������������� 362 Илиана Петрова Саласар. Танцово-терапевтични методи и древни ритуални практики: връзки и перспективи ������������������������������������������������������������������������������� 367 Yavor Genov. Imitative fantasias in Wurstisen lute book (CH-Bu Ms. F.IX.70)..........381 СЪДЪРЖАНИЕ Николай Йорданов. Още веднъж за универсалността на произведенията на изкуството. Някои примери от театъра �������������������������������������������������������������������� 7 Иво Ив. Велинов. Граници на културните трансформации на религиозното изкуство ������������������������������������������������������������������������������������������������� 14 Весна Круляц. Белградският информел между модернизма и постмодернизма ������������������������������������������������������������������������������������������������������������ 23 Ирина Генова. Парижкото биенале на младите художници. Българското участие 1959–1969 ���������������������������������������������������������������������������������� 37 Ингеборг Братоева-Даракчиева. Новото арт кино на Балканите: транстериториалност и интертекстуалност ���������������������������������������������������������������� 53 Мариан Цуцуй. Румънската нова вълна в драмата: нов жанр? ������������������������������� 61 Камелия Николова. Театралният режисьор през последните две десетилетия и неговите трансформации ��������������������������������������������������������������������� 68 Петр Христов. „Латерна магика“ след 60 години: къс разказ за дълга история ������������������������������������������������������������������������������������������ 76 Йоана Спасова-Дикова. „Смъртта“ на „живите“ изкуства в дигиталната епоха? ������������������������������������������������������������������������������������������������������ 90 Ромео Попилиев. Родно и чуждо в българската култура и театър ������������������������ 103 Роксана Коман. Румънската историческа живопис през ХIХ век и колективната памет ..................................................................................................... 109 Патрик Бекер. Картина от България – старото и новото в българския авангард около 1970 г. ����������������������������������������������������������������������������� 118 Матю Тимерманс. „Херцогинята от Чикаго“ на Калман – транснационална визия за Централна Европа между
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