Annual Report 2018
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Bulgarian Restaurant Chevermeto
EXHIBITIONS / Изложения January - June 2018 HELLO WINTER STORY Health and Sport FESTIVAL Здраве и спорт 20 - 21.01. International Tourist Fair HOLIDAY & SPA EXPO Международна туристическа борса 14 - 16.02. LUXURY WEDDINGS Wedding and Events Industry EXPO Сватбена и събитийна индустрия 23 - 25.02. BULGARIA BUILDING Building Materials and Machines WEEK Строителни материали и машини 07 - 10.03. Safety&Security SECURITY EXPO Цялостни решения за сигурност и безопасност 07 - 10.03. GRAND CHOCOLATE Chocolate and Chocolate Products FESTIVAL Шоколад и шоколадови продукти 10 - 11.03. BEBEMANIA – Baby and Kids Products SHOPPING Всичко за бъдещите и настоящи родители 16 - 18.03. VOLKSWAGEN CLUB Event for the Fans of the Brand FEST Събитие за феновете на марката 17 - 18.03. Machinery, Industrial Equipment and Innovative MACHTECH & Technologies INNOTECH EXPO Индустриални машини, оборудване 26- 29.03. и иновационни технологии Water and Water Management WATER SOFIA Води и воден мениджмънт 27 - 29.03. Woodworking and Furniture Industry TECHNOMEBEL Дървообработваща и мебелна промишленост 24 - 28.04. WORLD OF Furniture, Interior textile and home accessories Обзавеждане, интериорен текстил 24 - 28.04. FURNITURE и аксесоари за дома BULMEDICA / Medical and Dental Industry BULDENTAL Медицина 16 - 18.05. September - December 2018 HUNTING, FISHING, Hunting and Sport Weapons, Fishing Accessories, Sport Ловни и с портни оръжия, риболовни 27 - 30.09. SPORT принадлежности, спорт Communication Art, Print, Image, Sign COPI’S Рекламни и печатни комуникации 02 - 04.10. Aesthetics, Cosmetics, SPA, Health, Hair, ARENA OF BEAUTY Nail, Mackeup 05 - 07.10. Форум за здраве, красота и естетика Baby and Kids Products BEBEMANIA Всичко за бъдещите и настоящи родители 19 - 21.10. -
България Bulgaria Държава Darzhava
Проект "Разбираема България" Вид Транслитера Собствено име Транслитерация на собственото име Вид обект Транслитерация Местоположение Транслитерация местоположение ция България Bulgaria държава darzhava Абаджиев Abadzhiev фамилно име familno ime Абаджийска Abadzhiyska улица ulitsa Сливен Sliven град grad Абаносов Abanosov фамилно име familno ime Абдовица Abdovitsa квартал kvartal София Sofia град grad Абланица Ablanitsa село selo Абланов Ablanov фамилно име familno ime Абланово Ablanovo улица ulitsa Сливен Sliven град grad Абланово Ablanovo улица ulitsa Ямбол Yambol град grad Аблановска низина Ablanovska nizina низина nizina Абоба Aboba улица ulitsa Бургас Burgas град grad Абоба Aboba улица ulitsa Разград Razgrad град grad Абоба Aboba улица ulitsa София Sofia град grad Абрашев Abrashev фамилно име familno ime Абрашков Abrashkov фамилно име familno ime Абрит Abrit село selo Абритус Abritus улица ulitsa Разград Razgrad град grad Ав. Гачев Av. Gachev улица ulitsa Габрово Gabrovo град grad Ав. Митев Av. Mitev улица ulitsa Враца Vratsa град grad Ав. Стоянов Av. Stoyanov улица ulitsa Варна Varna град grad Аваков Avakov фамилно име familno ime Авгостин Avgostin лично име lichno ime Август Avgust лично име lichno ime Август Попов Avgust Popov улица ulitsa Шумен Shumen град grad Августа Avgusta лично име lichno ime Августин Avgustin лично име lichno ime Августина Avgustina лично име lichno ime Авджиев Avdzhiev фамилно име familno ime Аверкий Averkiy улица ulitsa Кюстендил Kyustendil град grad Авксентий Велешки Avksentiy Veleshki улица ulitsa Варна -
Artistic Trends and Aesthetic A
Проблеми на изкуството 2/2013 ПрОблемИ НА ИзкуствОтО трИмесечНО сПИсАНИе зА теОрИя, ИстОрИя И крИтИкА НА ИзкуствОтО ART STUDIES QUARTERLY ИНстИтут зА ИзслеДвАНе НА ИзкуствАтА 2 ПрИ българскА АкАДемИя НА НАукИте – сОфИя ISSN 0032-9371 ГОДИНА 46-тa 2013 СЪДърЖАНИе Станислав Станев. литургично планиране: къде и как верните представят своите приношения .......................................................................................3 Александра Трифонова. Неизвестни средновековни стенописи от Анхиало ........10 Милан Михайлович. техника и технология на стенописите от ХV век в църквата „св. ап. Петър и Павел” в метоха Орлица ................................................14 Ioannis Tsiouris. Artistic Trends and Aesthetic Approaches in 18th Century Monumental Painting. The Case of Thessaly .........................................18 Владимир Димитров. Храмът „св. Никола” в село Долен, Гоцеделчевско ............26 Ангел Ангелов. Антимодерност, туризъм и образи сувенири: Димитър Добрович .........................................................................................................34 Мила Сантова. Нематериално културно наследство: трансмисията като редукция на забравата. Още нещо за идентификацията .............44 Андроника Мартонова. Артманду`2012: земя | тяло | съзнание ............................49 In Memoriam. стефан бояджиев ..................................................................................54 Избрана библиография на проф. стефан бояджиев ....................................................54 реЦеНзИИ Елка -
Beyond Anti-Roma Stereotypes: the World Is Not Just White and Black
Beyond anti-Roma Stereotypes: the World is not Just White and Black This publication has been produced within the project “To Touch the Untouchable: Combating Traditional and New Anti-Roma Stereotypes”, financed by the European Commission under the Fundamental Rights and Citizenship Programme. The contents of this publication are the sole responsibility of Amalipe Center for Interethnic Dialogue and Tolerance and can in no way be taken to reflect the views of the European Commission. © Deyan Kolev – editor and author, 2013 © Teodora Krumova – author, 2013 © Alexey Pamporov – author, 2013 © Daniel Radulescuv – author, 2013 © Sebastiaan van der Zwaan – author, 2013 © Tayfun Balcik – author, 2013 © AMALIPE – 2013 www.amalipe.com e-mail: [email protected], [email protected] © ACTAPTA – 2013 e-mail: [email protected] ISBN 978-954-350-167-9 Amalipe Center for Interethnic Dialogue and Tolerance Deyan Kolev, Teodora Krumova, Alexey Pamporov, Daniel Radulescu, Sebastiaan van der Zwaan, Tayfun Balcik Beyond anti-Roma Stereotypes: the World is not Just White and Black ASTARTA Plovdiv 2013 Table of Contents TO TOUCH THE UNTOUCHABLE: COULD THE ANTI-ROMA STEREOTYPES BE COMBATTED? .......................................................... 7 PART ONE. THE ROMA STATELESSNESS IN THE NETHERLANDS ..... 15 Introduction ..................................................................................................... 15 1. Statelessness in Europe ............................................................................... 16 2. The Dutch -
Beyond Modern & Postmodern Отвъд Модерното И
CROSSING BORDERS IN ARTS: BEYOND MODERN & POSTMODERN Изкуствоведски четения 2017 ПРЕСИЧАНЕ НА ГРАНИЦИТЕ В ИЗКУСТВАТА: ОТВЪД МОДЕРНОТО И ПОСТМОДЕРНОТО София, 2015 Art Rеadings 2017 ИЗКУСТВОВЕДСКИ ЧЕТЕНИЯ Тематично годишно рецензирано издание за изкуствознание в два тома ART READINGS Thematic annual peer-reviewed edition in Art Studies in two volumes Международна редакционна колегия Редактори от ИИИзк International Advisory Board In-house Editorial Board Adrian-Silvan Ionescu (Romania) Kamelia Nikolova Elvira Popova (Mexico) Milena Bozhikova Fani Vavili-Tsinika (Greece) Milena Georgieva Marina Frolova-Walker (UK) Nadezhda Marinchevska Yana Hashamova (USA) Vesselina Penevska Книгата се издава с финансовата подкрепа на Фонд „Научни изследвания“ при Министерство на образованието и науката Institute of Art Studies 21 Krakra Str. 1504 Sofia, Bulgaria Tel.: 02 944 24 14; 02 489 00 95. Fax: 02 943 30 92 www.artstudies.bg © Институт за изследване на изкуствата, БАН, 2018 CONTENTS Nikolay Yordanov. Again about universality of the works of art. Some examples from theatre..............................................................................................7 Ivo Iv. Velinov. Borderlines of cultural transformation in the religious art ................... 14 Vesna Kruljac. The Belgrade Art Informel at the crossroads of modernism and postmodernism ................................................................................................................ 23 Irina Genova. The Paris Biennale for Young Artists. Bulgarian participations 1959–1969 -
Annual Report 2015
Annual Report 2015 Bulgaria 2 FINLAN D NO RWAY Helsinki Oslo Stockholm Tallinn BALT IC SEA ESTO NIA SWEDEN Riga LATVIA DENMAR K Moscow NORTH SEA Co penhagen LITHUANIA RUSSIA Vilnius Minsk RUSSIA Dublin IRELAND BELARUS UNITED KINGDOM Amsterdam Berlin POLAN D Warsaw Lo ndon NETHERLANDS G ERMA NY BELG IUM Brussels Frankfurt Kiev Prague LUXEMBOURG UKRAINE CZECH RE PUBLIC Paris SLOVAKIA KA ZAKHSTAN Vienna Bratislava MOLDOVA SWITZERLAN D AUSTRIA Budapest Chisinau FRANCE Bern LIECHTEN - STEIN Ma ribor HUNGARY SLOVENIA ROMA NIA Zagreb CR OA TI A ARAL Belgrade SEA BOSNIA AND SERBIA Bucha rest HERZ EGOWINA Sarajevo Pristina C UZBEKISTAN ITALY MONTEN EGRO Soa BLACK SEA ASPIAN KOSOVO Co rsica Podgorica BULG ARI A Skopje GEORGIA Rome Tbilisi Tirana MACEDONIA Istanbul PORTUGAL Madrid ALBANIA ARME NIA Baku Sardinia Yerevan ASERBAIJAN SE Lisbon GREECE Ankara A TURKMENISTA N SPAIN Athens TURKE Y Asgabat MEDITERRANEAN SEA Sicily Tunis Algiers IRAN SYRI A IRAQ Tehran ALGERIA TUNISIA MOROCCO CYPRUS Nico sia www.rbinternational.com HEAD OFFICE AND NE TW ORK BANKS BRANCHES, REPRESENTATIVE OFFICES AN D OTHER UNITS 3 FINLAN D NO RWAY Helsinki Oslo Stockholm Tallinn BALT IC SEA ESTO NIA SWEDEN Riga LATVIA DENMAR K Moscow NORTH SEA Co penhagen LITHUANIA RUSSIA Vilnius Minsk RUSSIA Dublin IRELAND BELARUS UNITED KINGDOM Amsterdam Berlin POLAN D Warsaw Lo ndon NETHERLANDS G ERMA NY BELG IUM Brussels Frankfurt Kiev Prague LUXEMBOURG UKRAINE CZECH RE PUBLIC Paris SLOVAKIA KA ZAKHSTAN Vienna Bratislava MOLDOVA SWITZERLAN D AUSTRIA Budapest Chisinau FRANCE Bern LIECHTEN -
Catch a Comet” by Observing with Binoculars and Telescope
CETCH A COMET Mihaela Manolova , Greta Krasimirova , Dayana Rumenova High school “Ivam Vazov”- Varshetz, Bulgaria Contents 1.History ........................................................................................................................................................ 2 2.What are comets? ...................................................................................................................................... 5 3. Characteristics of comets: ......................................................................................................................... 5 3.1: Physics characteristics ........................................................................................................................... 5 -solid nucleus, ........................................................................................................................................... 5 -The coma ................................................................................................................................................. 5 - Tail: .......................................................................................................................................................... 5 What effect have light pressure on dust from a comet's tail? ................................................................ 7 3.2. Comets` movement: .............................................................................................................................. 7 3.3. Orbital characteristics: .......................................................................................................................... -
Annual Report 2019
Annual Report 2019 B u l g a r i a 2 FINLAN D NO RWAY Helsinki Oslo Stockholm Tallinn BALT IC SEA ESTO NIA SWEDEN Riga LATVIA DENMAR K Moscow NORTH SEA Co penhagen LITHUANIA RUSSIA Vilnius Minsk RUSSIA Dublin IRELAND BELARUS UNITED KINGDOM Amsterdam Berlin POLAN D Warsaw Lo ndon NETHERLANDS G ERMA NY BELG IUM Brussels Frankfurt Kiev Prague LUXEMBOURG UKRAINE CZECH RE PUBLIC Paris SLOVAKIA KA ZAKHSTAN Vienna Bratislava MOLDOVA SWITZERLAN D AUSTRIA Budapest Chisinau FRANCE Bern LIECHTEN - STEIN Ma ribor HUNGARY SLOVENIA ROMA NIA Zagreb CR OA TI A ARAL Belgrade SEA BOSNIA AND SERBIA Bucha rest HERZ EGOWINA Sarajevo Pristina C UZBEKISTAN ITALY MONTEN EGRO Soa BLACK SEA ASPIAN KOSOVO Co rsica Podgorica BULG ARI A Skopje GEORGIA Rome Tbilisi Tirana MACEDONIA Istanbul PORTUGAL Madrid ALBANIA ARME NIA Baku Sardinia Yerevan ASERBAIJAN SE Lisbon GREECE Ankara A TURKMENISTA N SPAIN Athens TURKE Y Asgabat MEDITERRANEAN SEA Sicily Tunis Algiers IRAN SYRI A IRAQ Tehran ALGERIA TUNISIA MOROCCO CYPRUS Nico sia www.rbinternational.com HEAD OFFICE AND NE TW ORK BANKS BRANCHES, REPRESENTATIVE OFFICES AN D OTHER UNITS 3 FINLAN D NO RWAY Helsinki Oslo Stockholm Tallinn BALT IC SEA ESTO NIA SWEDEN Riga LATVIA DENMAR K Moscow NORTH SEA Co penhagen LITHUANIA RUSSIA Vilnius Minsk RUSSIA Dublin IRELAND BELARUS UNITED KINGDOM Amsterdam Berlin POLAN D Warsaw Lo ndon NETHERLANDS G ERMA NY BELG IUM Brussels Frankfurt Kiev Prague LUXEMBOURG UKRAINE CZECH RE PUBLIC Paris SLOVAKIA KA ZAKHSTAN Vienna Bratislava MOLDOVA SWITZERLAN D AUSTRIA Budapest Chisinau FRANCE Bern -
Dimitar Dobrovich Studio - Collection Svetlin Rusev Lectures on Bulgarian Art
dfvdfdfd Associate Prof. Ruzha Marinska Dimitar Dobrovich Studio - collection Svetlin Rusev Lectures on Bulgarian Art Dimitar Dobrovich (1816-1905) Associate Prof. Ruzha Marinska 22 April 2014 On the coverpage Self - portrait 1875-1880 Oil on canvas, 45,6 x 36 cm National Gallery Sofia Dimitar Dobrovich (1816-1905) Project An initiative of Bulgarian-European Cultural Dialogue Centre for Bulgarian, New Bulgarian University In honour of the 200th anniversary of the birth of the artist Implemented in partnership with: Ministry of Culture of the Republic of Bulgaria National Art Gallery, Sofia “Dimitar Dobrovich” Art Gallery, Sliven Svetlin Rusev Studio & Collection, Sofia Institute for Mediterranean Studies (IMS), Crete (Greece) With kind support of Mrs Kristalina Georgieva, Vice-President of the European Commission, Brussels Good evening to all! It is a great pleasure for me that Dimitar Dobrovich has gathered such a large audience. I think there is a good reason for this. Dobrovich is really a singular case. I hope that within this lecture I would be able to substantiate this claim. What is most striking in this case is that no one of us would ever be aware that such an artist existed at all if, in his old age, he had not decided to return to his homeland. If this had not happened, the only thing that the more curious among us would now know would be that there was a painter in the 19th century named Dimitrios Domvriadis whose works are now stored at the Athens Pinacotheca and that’s it. Yet fortunately to us, Dimitar Dobrovich decided to return to his homeland which he left when he was in his adolescence. -
Payment Services) Regulations 2018
Register of Payment Institutions who have been authorised by the Central Bank of Ireland pursuant to Regulation 18 of the European Union (Payment Services) Regulations 2018. This Register contains details of Payment Institutions and their agents and branches who are currently authorised or who have previously been authorised and have had their authorisation withdrawn. It is maintained under Regulation 25 of the European Union (Payment Services) Regulations 2018. Ref No. Name and Address Date Date Payment Passporting Basis of Agents Authorised Authorisation Services To Establishment Withdrawn C129700 AvantCard DAC 02 Jul 2018 1, 2, 3b, 4b, 5 Dublin Road Carrick on Shannon Ireland C155145 Barclaycard International 02 Jul 2018 3b, 5 United Kingdom Freedom of Service Payments Limited Austria Freedom of Service One Molesworth Street Belgium Freedom of Service Dublin 2 Bulgaria Freedom of Service D02 RF29 Croatia Freedom of Service Ireland Cyprus Freedom of Service Czech Republic Freedom of Service Denmark Freedom of Service Estonia Freedom of Service Finland Freedom of Service France Freedom of Service Germany Freedom of Service Greece Freedom of Service Hungary Freedom of Service Iceland Freedom of Service Italy Freedom of Service Latvia Freedom of Service Liechtenstein Freedom of Service Lithuania Freedom of Service Luxembourg Freedom of Service Malta Freedom of Service Netherlands Freedom of Service Norway Freedom of Service Poland Freedom of Service Portugal Freedom of Service Romania Freedom of Service Slovakia Freedom of Service Run Date: 29 May 2019 Page 1 Ref No. Name and Address Date Date Payment Passporting Basis of Agents Authorised Authorisation Services To Establishment Withdrawn Slovenia Freedom of Service Spain Freedom of Service Sweden Freedom of Service C47862 First Merchant Processing 11 Jul 2018 5 Austria Freedom of Service (Ireland) D.A.C. -
Annual Report
NEW BULGARIAN UNIVERSITY Annual Report 2015/2016 academic year © Publishing House of New Bulgarian University, 2017 Compiled by: Vesselina Vassileva, PhD [email protected] Editor: George Tekev, PhD [email protected] TABLE OF CONTENTS Statement by the Chairman of the Board of Trustees 6 Statement by the Rector of NBU 7 New Bulgarian University 8 Mission 8 Academic Profile 8 Educational Philosophy 8 Governing Bodies 8 Strategy 2020 for NBU 8 Regulations 9 The 2015/2016 academic year at NBU 10 Teaching and Learning 10 Schools 10 Students 18 Centre for Quality and Assessment 20 Centre for Career Development and Training Resources 21 Projects 22 Research and Creative Art 24 International Activities 26 Publishing 27 Library 29 Donors 30 Information Technology and Communications 31 University Campus 32 Events and Facts in University Life 34 The Media about NBU 38 Financial Statement 39 3 IN MEMORIAM With this sketch of the future structure of a prospective university we make a claim for our main goal. The structure must be flexible, provide options, honour the personality of trainees, and have innate provisions for development and changes. The alternative would be a sclerotic education at home, or to put it less harshly, the security of a solid form where the only precious commodity is the form itself. *** This nexus elicits the following co-relation. To achieve sustainable development for an academic institution, the following conditions are needed: 1. The university should present an active system, which means that it should be organised so that the interests of its integral units function in a working opposition to the interests of the whole institution; 2.