The Brian Wilson Anthology

Total Page：16

File Type：pdf, Size：1020Kb

Brian Wilson – Playback: The Brian Wilson Anthology (73:11, CD, Rhino/Warner, 2017) Die „Pet Sounds“ seiner Beach Boys werden ähnlich häufig wie „Sgt. Pepper’s Lonely Hearts Club Band“ oder „Revolver“ der Beatles als Geburtsfanal des Progressive Rock gewürdigt. Als Würdigung von Brian Wilsons Soloschaffen ist auch diese Compilation zu verstehen, auch wenn hier ganze Alben unberücksichtigt bleiben, z. B. „I Just Wasn’t Made For These Times“. Argumente, sich dennoch mit dieser Anthologie zu versorgen, liefern zwei bislang unveröffentlichte Songs sowie das zwölfseitige Booklet zum hübsch gemachten Cardboard Sleeve mit Liner Notes von David Wild, die sich sowohl vor der Wilson- Autobiographie „I Am Brian Wilson“ wie auch der vorzüglichen Filmbiographie „Love & Mercy“ verbeugen. ‚Surf’s Up‘ vom orchestralen „Smile“-Album wirft immer noch die Frage auf, was das Alan Parson’s Project zu manchen Gesangsharmonien inspiriert hat. Der exklusive Song ‚Some Sweet Day‘ war Anfang der Neunzigerjahre bei einer nie vollendeten Kooperation mit Andy Paley übrig geblieben, auch hier wird er allerdings keine Erdrutsche verursachen – ebenso wenig wie das gleichfalls unveröffentlichte ‚Run James Run‘, mit dessen 12-String-Klingeln die Scheibe ausklingt. Vorher gibt es aber noch nette Live-Versionen (‚This Isn’t Love‘, ‚The First Time‘), gibt es ‚Soul Searchin´‘, das Wilson um Vocals seines 1998 gestorbenen Bruders und Beach-Boy-Buddys Carl herum entwickelte. Ob man die zuckerige Gershwin-Interpretation ‚The Like In I Love You‘ oder das Disney-Soundtrack-Material ‚Colors Of The Wind‘ haben muss, ist Geschmackssache, wie letztlich auch die sich stellende Sinnfrage hinsichtlich derartiger Zusammenstellungen. Bewertung: 8/15 Punkten (GH 10, KR 8) Surftipps zu Brian Wilson: Homepage Facebook Twitter YouTube Soundcloud Spotify Instagram Wikipedia.

Copy Link

Recommended publications

I AM BRIAN WILSON Brian Wilson October 11Th, 2016
I AM BRIAN WILSON Brian Wilson October 11th, 2016 OVERVIEW: As a cofounding member of The Beach Boys in the 1960s, Brian Wilson created some of the most groundbreaking and timeless music ever recorded. Derailed in the 1970s by mental illness, excessive drug use, and the shifting fortunes of the band’s popularity, Wilson came back again and again over the next few decades, surviving and ultimately thriving. In his memoir entitled I Am Brian Wilson, he details the exhilarating highs and lows of his life from his failing memory, including the sources of his creative inspiration throughout the decades. - - - - - - - - - EARLY LIFE: Brian Wilson was born on June 20th, 1942 to Audree and Murry Wilson. Growing up in Hawthorne, California, Wilson exhibited unusual musical abilities, such as being able to hum the melody from When the Caissons Go Rolling Along after only a few verses had been sung by his father before the age of one. Surprisingly, a few years later, he was discovered to have diminished hearing in his right ear. The exact cause of this hearing loss is unclear, though theories range from him simply being born partially deaf to a blow to the head from his father, or a neighborhood bully, being to blame. While Wilson’s father was a reasonable provider, he was often abusive. A minor musician and songwriter, he also encouraged his children in this field in numerous ways. At an early age, Brian was given six weeks of lessons on a toy accordion and, at seven and eight, sang solos in church with a choir.
[Show full text]
Wouldn't It Be Nice
wouldn’t it be nice by lewis shiner hat if? It’s not just science fiction and fantasy that asks this w question, it’s all of fiction. What if a young student murdered his landlady to prove his moral superiority? What if a woman survived the Civil War and three marriages only to find true love too late? It’s also the question by which we transform ourselves. What if I quit my job and moved to the desert? What if I turned myself loose to create “a teenage symphony to God?” The Icarus who attempted that teenage symphony in 1966 is now 53. For Brian Wilson it’s been thirty years of struggle: with drugs and diet, with people who want to run his life for him, with the intensity of his own feelings. The good news is that Wilson’s life is finally his own again. He is newly married to a woman named Melinda, who is calm and sweet and loving with him. He has a new house in the safety of a gated community high above the city. And he is back in the public eye with two new albums and a movie on the Disney channel. The film is I Just Wasn’t Made For These Times, directed by producer-of-the- moment Don Was. The soundtrack is a kind of Best of Brian Wilson, live in the studio with crack session players like Jim Keltner, Benmont Tench, and Waddy Wachtel. This is not only a wonderful album in its own right, it represents a healing of other wounds.
[Show full text]
Stee Lun6 Students and Locals Fight at Milne House
S Students and locals stee lun6 fight at Milne House by PETE SANEOW request at last year’s luncheon, by DANIELBARBARIS1 House often host events for the Daily Editorial Board Golden said, “We do understand, Daily Editorial Board community to keep the house The Trustees of Tufts reported and we do listen to you.” An incident at Milne House open. “[The local teenagers] obvi- that the University received a $10 Tufts is also planning to begin this Saturdaymorningled to fight- ously had no interest in learning million challenge gift forthe Bio- a$17 million project to update the ing between Tufts students and how to dance,” Nemes said. medicalResearch Center,threenew electrical system of the buildings local residents, eventually result- The locals caused no problems endowedchairs, andagifttocom- on the Boston campus, reported ing in the arrest of three area resi- for approximately half an hour, but plete the fundraising for the new University President John dents. began to get rowdy at around 1 :45 field house during their annual DiBiaggio. He said the changes Students living in the Milne a.m. Accordingto Aldea-Venegas, February luncheon with student were acriticalneed forthe complex House, also known as the His- the locals were then asked to leave, representatives from the three because “the energy in the build- panic House, were hosting a pri- and began striking Tufts students. Tufts’ campuses. ing is utilized wastefully.” vate, unadvertised party attended “Theyjust got really rowdy, and it Describing the nature ofa chal- Several student representa- by no more than 20 Tufts students just turned into a brawl ..
[Show full text]
Every Purchase Includes a Free Hot Drink out of Stock, but Can Re-Order New Arrival / Re-Stock
every purchase includes a free hot drink out of stock, but can re-order new arrival / re-stock VINYL PRICE 1975 - 1975 £ 22.00 30 Seconds to Mars - America £ 15.00 ABBA - Gold (2 LP) £ 23.00 ABBA - Live At Wembley Arena (3 LP) £ 38.00 Abbey Road (50th Anniversary) £ 27.00 AC/DC - Live '92 (2 LP) £ 25.00 AC/DC - Live At Old Waldorf In San Francisco September 3 1977 (Red Vinyl) £ 17.00 AC/DC - Live In Cleveland August 22 1977 (Orange Vinyl) £ 20.00 AC/DC- The Many Faces Of (2 LP) £ 20.00 Adele - 21 £ 19.00 Aerosmith- Done With Mirrors £ 25.00 Air- Moon Safari £ 26.00 Al Green - Let's Stay Together £ 20.00 Alanis Morissette - Jagged Little Pill £ 17.00 Alice Cooper - The Many Faces Of Alice Cooper (Opaque Splatter Marble Vinyl) (2 LP) £ 21.00 Alice in Chains - Live at the Palladium, Hollywood £ 17.00 ALLMAN BROTHERS BAND - Enlightened Rogues £ 16.00 ALLMAN BROTHERS BAND - Win Lose Or Draw £ 16.00 Altered Images- Greatest Hits £ 20.00 Amy Winehouse - Back to Black £ 20.00 Andrew W.K. - You're Not Alone (2 LP) £ 20.00 ANTAL DORATI - LONDON SYMPHONY ORCHESTRA - Stravinsky-The Firebird £ 18.00 Antonio Carlos Jobim - Wave (LP + CD) £ 21.00 Arcade Fire - Everything Now (Danish) £ 18.00 Arcade Fire - Funeral £ 20.00 ARCADE FIRE - Neon Bible £ 23.00 Arctic Monkeys - AM £ 24.00 Arctic Monkeys - Tranquility Base Hotel + Casino £ 23.00 Aretha Franklin - The Electrifying £ 10.00 Aretha Franklin - The Tender £ 15.00 Asher Roth- Asleep In The Bread Aisle - Translucent Gold Vinyl £ 17.00 B.B.
[Show full text]
Spongebob Tour 10.30.19.Pdf
NETworks Presentations PRESENTS Based on the Series by Stephen Hillenburg BOOK BY KYLE JARROW ORIGINAL SONGS BY Yolanda Adams, Steven Tyler & Joe Perry of Aerosmith, Sara Bareilles, Jonathan Coulton, Alex Ebert of Edward Sharpe & The Magnetic Zeros, The Flaming Lips, Lady Antebellum, Cyndi Lauper & Rob Hyman, John Legend, Panic! At the Disco, Plain White T’s, They Might Be Giants, T.I., Domani & Lil’C AND SONGS BY: David Bowie & Brian Eno Tom Kenny & Andy Paley ADDITIONAL LYRICS BY: Jonathan Coulton AND MUSIC BY: Tom Kitt STARRING Lorenzo Pugliese Beau Bradshaw Cody Cooley Zach Kononov Tristan McIntyre Daria Pilar Redus Joshua Bess Morgan Blanchard John Cardenas Natalie L. Chapman Richie Dupkin Teddy Gales Stephen C. Kallas Méami Maszewski Stefan Miller Mary Nickson Dorian O’Brien Caitlin Ort Elle-May Patterson Helen Regula Sydney Simone Ayana Strutz Miles Davis Tillman Rico Velazquez Rachel Wong SCENIC & COSTUME DESIGN LIGHTING DESIGN PROJECTION DESIGN SOUND DESGIN DAVID ZINN KEVIN ADAMS PETER NIGRINI WALTER TRARBACH HAIR & WIG DESIGN MAKE-UP DESIGN FOLEY DESIGN ASSOCIATE DIRECTOR ASSOCIATE CHROEOGRAPHER CHARLES G. LAPOINTE JOE DULUDE II MIKE DOBSON KENNETH FERRONE LOU CASTRO MUSIC DIRECTOR ORCHESTRATIONS AND ARRANGEMENTS BY MUSIC COORDINATOR PATRICK HOAGLAND TOM KITT JOHN MEZZIO CASTING PRODUCTION STAGE MANAGER TOUR PRESS AND MARKETING TOUR BOOKING STEWART/WHITLEY JOHN CARPENTIER BROADWAY BOOKING OFFICE NYC THE ROAD COMPANY GENERAL MANAGEMENT EXECUTIVE PRODUCER EXECUTIVE PRODUCER PRODUCTION MANAGEMENT GENTRY & ASSOCIATES SUSAN VARGO TRINITY WHEELER NETWORKS PRESENTATIONS ELISABETH BAYER HECTOR GUIVAS MUSIC SUPERVISION JULIE McBRIDE & TIMOTHY HANSON CHOREOGRAPHY BY CHRISTOPHER GATTELLI MUSICAL PRODUCTION CONCEIVED AND DIRECTED BY TINA LANDAU Originally produced on Broadway by Nickelodeon, the Araca Group, Sony Music Masterworks, and Kelp on the Road ©2019 Viacom International Inc.
[Show full text]
PDF Download Good Vibrations : My Life As a Beach Boy Pdf Free
GOOD VIBRATIONS : MY LIFE AS A BEACH BOY PDF, EPUB, EBOOK Mike Love | 448 pages | 14 Sep 2016 | FABER & FABER | 9780571324682 | English | London, United Kingdom Good Vibrations : My Life as a Beach Boy PDF Book By now, the myth was too strong, the legend too great. The sheet metal apprentice who crafted a sound for summer and never got the respect he deserved because his cousin Brian perfectly fit the fake hippy media's idea of a "tormented genius. Brian is, maybe properly, kind of a spectral presence throughout: Mike doesn't seem to have access to his thoughts at all, even in the early phases of the book where much is made about their powerful friendship. Vanity Fair. Sort order. It was hard enough to match the Beatles, but now he had to keep up with Mozart? Brian Wilson a mental mess. Thumbs up! Love would decline the offers to take drugs supplied by the hangers on and turned to Transcendental Meditation instead, studying with the Maharishi Mahesh Yogi in Of course, that was nothing new for Love, who has been branded, mainly by fans of Brian Wilson , as one of the biggest jerks in music, largely for his treatment of Wilson more on that in a bit. Nov 06, Wesley Britton rated it it was amazing. He always comes across as the least evil of the bunch. Sarah Rodman. Welcome back. I give it two stars because I did learn about the beginnings of the band which was interesting. Still, this is must reading for Beach Boys fans, and it works especially well as a complement and corrective for Brian Wilson's recent book, I Am Brian Wilson.
[Show full text]
Kindle Fires
10th Anniversary: The Women's Murder Club Patterson, James; Maxine Paetro 12 Rules for Life: An Antidote to Chaos Peterson, Jordan B. 13 Hours Zuckoff, Mitchell with the Annex 14th Deadly Sin Patterson, James The 15 Commitments of Conscious Leadership: A New Paradigm for Sustainable Success Dethmer, Jim 15th Affair (Women's Murder Club) Patterson, James 16th Seduction (Women's Murder Club) Patterson, James 17 Carnations Morton, Andrew The 17th Suspect (Women's Murder Club) Patterson, James 1984 Orwell, George 20,000 Leagues under the Sea Verne, Jules 41: A Portrait of My Father Bush, George W. 500 Social Media Marketing Tips Macarthy, Andrew The 6th Extinction Rollins, James 7 Habits of Highly Effective People Covey, Stephen The 7th Victim Jacobson, Alan Abaddon's Gate (The Expanse Book 3) Corey, James S.A. Absolution Gap (Revelation Space Book 3) Reynolds, Alastair The Accidental Billionaires Mezrich, Ben The Accidental Empress Pataki, Allison Adjustment Day: A Novel Palahniuk, Chuck Adnan's Story: The Search for Truth and Justice After Chaudry, Rabia Adultery Coelho, Paulo The Adventures of an IT Leader, Updated Edition with a New Preface by the Authors Austin, Robert D. The Affair: A Jack Reacher Novel Child, Lee The After Party: Poems Prikryl, Jana After This Night (Seductive Nights: Julia & Clay Book Blakely, Lauren After You: A Novel Moyes, Jojo Al Franken, Giant of the Senate Franken, Al Alaskan Holiday: A Novel Macomber, Debbie The Alchemist Coelho, Paulo Aleph Coelho, Paulo Alex Cross, Run Patterson, James Alex Cross's TRIAL Patterson, James AlexanderAlfred's Basic Hamilton Adult All-in-One Course, Book 1: Learn Chernow, Ron How to Play Piano with Lesson, Theory and Technic: Lesson, Theory, Technique (Alfred's Basic Adult Palmer, Willard A.
[Show full text]
The Storm Also Rises by Tom Scheft
The Storm Also Rises by Tom Scheft (published in the June 26, 1992 issue of Goldmine) * * * “You guys [the Rising Storm] really helped define the ’60s for me … much more than the super groups like the Beatles and the Stones.” Ron Fantasia, record collector “[We’re] like a dancing bear. It’s not how well it dances, but that it dances at all.” Bob Cohan, guitarist for the Rising Storm “I certainly can’t explain it. It’s curious and amazing - and obviously flattering - to think that something six high school seniors did for fun 25 years ago now is considered valuable to anyone other than those six people.” Todd Cohen, bassist for the Rising Storm * * * A while back, a friend showed me Goldmine’s 1989 article on the top 100 collectible record albums. I had been told the Rising Storm was a perennial pick, and there we were: The Rising Storm. Remnant 3571. A Calm Before The Rising Storm. 1968. $500. Mono. One of the collectible garage/frat records of the ’60s. Recorded by a group of college students in Massachusetts, this album features covers of Love’s “Message To Pretty,” the Remains’ “Don’t Look Back” and Wilson Pickett’s standby, “In The Midnight Hour.” The group got together a few years back for a reunion and recorded another album. Well . almost. First, the title was just Calm Before. Second, the year was 1967. Third, that 500- buck tag sounds reasonable, although an Italian collector recently paid $1,300 for an unopened copy. [Editor’s note: All prices in the article quoted were based on near mint quality, not mint -- i.e., unopened -- and were compiled from 1989 sales figures.] Fourth, the Storm did covers, but there were also five originals on the album.
[Show full text]
Pitchfork Mental Health
“NAME ONE GENIUS THAT AIN’T CRAZY”- MISCONCEPTIONS OF MUSICIANS AND MENTAL HEALTH IN THE ONLINE STORIES OF PITCHFORK MAGAZINE _____________________________________________________________________________ A Thesis Presented to The Faculty of the Graduate School At the University of Missouri-Columbia ____________________________________ In Partial Fulfillment Of the Requirements for the Degree Master of Arts _____________________________________ By Jared McNett Dr Berkley Hudson, Thesis Supervisor December 2016 The undersigned, appointed by the dean of the Graduate School, have examined the thesis entitled “NAME ONE GENIUS THAT AIN’T CRAZY”- MISCONCEPTIONS OF MUSICIANS AND MENTAL HEALTH IN THE ONLINE STORIES OF PITCHFORK MAGAZINE presented by Jared McNett, A candidate for the degree of masters of art and hereby certify that, in their opinion, it is worthy of acceptance. Professor Berkley Hudson Professor Cristina Mislan Professor Jamie Arndt Professor Andrea Heiss Acknowledgments It wouldn’t be possible to say thank enough to each and every person that has helped me with this along my way. I’m thankful for my parents, Donald and Jane McNett, who consistently pestered me by asking “How’s it coming with your thesis? Are you done yet?” I’m thankful for friends, such as: Adam Suarez, Phillip Sitter, Brandon Roney, Robert Gayden and Zach Folken, who would periodically ask me “What’s your thesis about again?” That was a question that would unintentionally put me back on track. In terms of staying on task my thesis committee (mentioned elsewhere) was nothing short of a godsend. It hasn’t been an easy two-and-a-half years going from basic ideas to a proposal to a thesis, but Drs.
[Show full text]
Rea9789044971644.Pdf
Over het boek Voor het eerst kijkt Brian Wilson, het legendarische muzikale genie van The Beach Boys, in zijn eigen woorden terug op zijn onstuimige leven, zijn wonderbaarlijke comeback op het podium en zijn hervonden creativiteit. Als medeoprichter van The Beach Boys in de jaren zestig heeft Brian Wilson baanbrekende en tijdloze popmuziek gecreëerd. In complexe harmonieën, symfonische structuren en verbazingwekkende songteksten verkende hij de hoge toppen en diepe dalen van het leven. Songs als ‘In My Room’, ‘God Only Knows’ en ‘Good Vibrations’ vergrootten de tekstuele mogelijkheden in de popmuziek. In de jaren zeventig ontspoorde Wilson door psychische problemen, drugs en de wisselende successen van de band. Wilson kwam de volgende decennia keer op keer terug; eerst als overlever, uiteindelijk als overwinnaar. Nu vertelt hij voor het eerst over zijn creatieve inspiratiebronnen, over zijn strijd, de slopende dieptepunten en de opwindende hoogtepunten. Uit Ik ben Brian Wilson Wat is dat eigenlijk, een lied? Iets wat begint als een idee en uitgroeit tot iets veel groters. In talloze interviews is me gevraagd wat er van me zou zijn geworden als ik in een andere tijd was geboren. Ik denk dat ik dan klassieke muziek zou hebben gecomponeerd, maar niet in de trant van Mozart, Beethoven of Tsjaikovksi. Mijn werken zouden eerder als die van Bach hebben geklonken, met gebruik van contrapunt, meerstemmigheid. Van alle componisten is hij voor mij de man. Ik hou van die hele Pet Sounds-plaat. In de studio zag ik het al duidelijk voor me. Daarna zei ik tegen mezelf dat ik het beste album had voltooid dat ik ooit zal produceren.
[Show full text]
Beach Boys I Get Around Vocal Transcription Nbcam
Beach Boys I Get Around Vocal Transcription Siltiest and autodidactic Dory justling her strawflower fictionalizes or conglobated manfully. Jurisdictional Ike still harpoon: exuberant and selachian Phip haggling quite amicably but versified her transhipment Thursdays. Acold Lew misconstruing some nicotine after redoubtable Yance rate hereupon. Hold the next beach boys i get around vocal transcription quick dividends and availability subject to the page. Oldies and the beach boys get around transcription permanently removed it vocal transcriptions are all about the album. Availability subject to the beach boys get around transcription home and stripes, with capitol dropped the sweetening was added as your satb? Minutes to take a beach boys i around vocal transcriptions are related products matching the months wore on a keyboard sheet music. Surfer girl made the beach vocal transcription manager for a large images may not work things out of the beach boys. Posts copyright their formation, the beach i get around vocal transcription think you can sing the beach boys its band to an album. Reduction of beach around vocal transcription transcriptions are there are many pop songs. Progression so let the beach boys around the different to grow as the easily impressionable brian but a band. Post attachment instead of beach boys around vocal transcriptions are not logged in all of the heart out of beach boys, and the smile book. Would produce for a beach boys i around vocal parts are all the guitars. Accepting cookies and the beach boys i vocal transcription free and radio, especially the singers over any interest in pdf music notes in.
[Show full text]
Edition 1 | 2019-2020
TABLE OF CONTENTS Message from the President & CEO ..................... 5 The SpongeBob Musical Co-Sponsored by Aetna and Travelers .......................................... 11 Annual Fund Donor Honor Roll ......................... 24 An Extra Special Thank You ............................... 28 The Bushnell Services ....................................... 36 | 3 MESSAGE FROM THE PRESIDENT & CEO A Bushnell Milestone Welcome back to This Bushnell Broadway season will take you The Bushnell and places—from Spongebob’s Bikini Bottom to welcome to the start Jimmy Buffett’s Margaritaville, from Dolly Levi’s of our 2019-2020 Yonkers to an Egyptian band’s visit to Israel, Broadway Series season! you’ll go around the world to locations real and Thank you for joining us, imagined. For all its 90 years, The Bushnell has and thank you to Aetna and offered the opportunity to make these journeys. Travelers for generously sponsoring the Series We’re proud to be a place where imaginations this year. This is not just the start of any old soar and friends and families come together to season, it is the beginning of The Bushnell’s 90th be enchanted, informed, and inspired. anniversary year, and as you might expect, we plan to celebrate in style! You’ll be seeing a lot of It is our honor to have you with us. And while our special 90th anniversary logo, printed below. anniversary years always have a lot of reflection We have exhibits, remembrances, and special and looking back, believe me, the most exciting content planned for you throughout the season, times for The Bushnell lay ahead. 90 is just culminating in our not-to-be-missed Ovations the beginning! gala next March, which will pay spectacular tribute to nine decades of stars on our stages.
[Show full text]