DOCSLIB.ORG

Alphabetical List of Broodmare Hall of Fame

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Alphabetical List of Broodmare Hall of Fame BROODMARE HALL OF FAME The Broodmare Hall of Fame was established in 1972 as a project of Saddlebred Record Champion program, i.e., at least six horses must the Southeastern Futurity. ASHA accepted responsibility for the BHF have shown in a qualifying class and four horses in a championship in 1981 and established a committee, consisting of Jim Aikman, Mae class. In 2002, additional criteria for the recognition of dams of important Condon, Carl Fischer, Don Stafford, Lynn Weatherman, Linda Graham sires and dams were approved by the ASHA Board, allowing one of Leonard, and Judy Werner. Criteria for inclusion in this group of elite the following to replace one World’s Champion or one Reserve World’s mares were established; some of the qualities desired included: having Champion requirement: the mare produced one producer (dam) of a produced champion show horses and/or sons or daughters important World’s Champion OR one sire of five World’s Champions. The World’s in the breeding world; being prolific; and having representatives in the Champion producing daughter or son cannot be the same horse whose breed today. The first edition of the BHF was published in The American win is counted toward Broodmare Hall of Fame status. Mare nominations Saddlebred magazine, May/June 1986. New additions were published to the Broodmare Hall of Fame may also be submitted to the Breeders’ each year through 1990. Additional mares were inducted in 1993, 1994, Committee for consideration. 1998, 1999, 2002, 2003, 2004, 2005, 2006, 2007, 2008, 2009, 2010, Information in the following section includes: A complete list of 2011, 2012 and 2013. One mare has been added for 2014; 2014 all Broodmare Hall of Fame mares, along with the names of their sires inductee is in boldfaced type. and dams, plus a list of their progeny. Also, in 2013, the Five-Gaited In 2001, the ASHA Breeders’ Committee recommended, and the and Three-Gaited Pony divisions were added with approval of the Board of Directors approved, new criteria based on computer-generated ASHA Board, thus allowing classes in these divisions to count toward data, not subjective selection, for inducting mares into the BHF. A mare Broodmare Hall Of Fame status. If the mare’s name is followed by must have produced a minimum of three offspring that have earned a (KSF) and is 25 and under, please refer to the Index of KSF Dams 25 combination of the following titles at KSF: three World’s Champions; and Under (see page 268), for her sire and dam, as well as her list of OR two World’s Champions and one Reserve World’s Champion; OR progeny. one World’s Champion and two Reserve World’s Champions. In any (WGC) indicates World’s Grand Champion at KSF combination, the mare must have produced three different offspring, (1st) indicates first place ribbon winner at KSF each of which must have won one of these titles. The titles are restricted (RWGC) indicates Reserve World’s Grand Champion at KSF to certain classes in the Five-Gaited, Three-Gaited and Fine Harness (2nd) indicates second place ribbon winner at KSF divisions (see class list on page 237). Also, for these classes to count (RbWn) indicates ribbon winner (3rd thru 8th) at KSF toward BHF status for a mare, the same criteria apply as dictated by the * indicates the horse is deceased ALPHABETICAL LIST OF BROODMARE HALL OF FAME A DAYDREAM BELIEVER 124135, 1993 (KSF) CALLAWAY’S TWICE THE SPICE 129247, FAIR ACRE BLOSSOM 15035, 1921 JUDY O’LEE 46128, 1948 A NEW FACE 98250, 1979 (KSF) 1996 (KSF) FAIRY RING 50470, 1950 (KSF) JUST PLAIN JANE 49517, 1950 (KSF) A PERFECT MATE TO A PERFECT JEWEL CALLAWAY’S ZERELDA 115550, 1988 (KSF) FANNIE GILTNER 59, 1871 KALABARA O’GOSHEN 24829, 1936 57095, 1956 (KSF) CAN CAN 82960, 1972 (KSF) FANNY FERN 11681, 1912 KALARAMA HEIRESS 27166, 1938 (KSF) A SHEER DELIGHT 52693, 1946 CANDY GENIUS 38643, 1940 (KSF) FANNY MORGAN 13946, 1917 KALARAMA LORELEI 31817, 1941 (KSF) ABIE’S BABY 47302, 1947 (KSF) CHCARAVELLE 100250, 1981 (KSF) FASHION MODEL 47131, 1948 KALARAMA WILD FLOWER 40685, 1941 (KSF) ABIE’S IRISH ROSE 17230, 1926 (KSF) CAROL LYNN 115494, 1988 (KSF) FLASHING PEAVINE 17531, 1923 KATE BARRYMORE 11629, 1908 ACE’S BEAUTY BOX 35118, 1943 (KSF) CAROL TRIGG 49444, 1950 (KSF) FLIRTATION WALK 23178, 1933 (KSF) KATE HAINES 18526, 1919 ACE’S DARK JEWEL 40257, 1944 (KSF) CF HOT NIGHT OUT 124594, 1993 (KSF) FLUFFY MCDUFFY 58313, 1957 (KSF) KATE PEAVINE 14979, 1921 ACE’S REFRESHING MOMENT 35116, 1943 CHAMELEON 86595, 1974 (KSF) FORD ACRE BELLE 36842, 1936 (KSF) CHKATE SHRIVER 43606, 1945 (KSF) (KSF) CHCHANTILLY ROSE 78072, 1970 (KSF) FOURTH ESTATE 38726, 1943 (KSF) KATHERINE GRIGSBY 7264, 1910 AFLAME 38758, 1940 (KSF) CHARMING JEAN 29225, 1939 (KSF) FREE SPIRIT 80072, 1971 (KSF) KATHRYN HAINES 10872, 1913 ALICE STAR 17686, 1927 CHOCOLATE PARFAIT 52706, 1952 (KSF) GARASTANNA DANCER 57322, 1955 (KSF) KING’S GENIUS CHOICE 40699, 1939 (KSF) ALL ROSES 101602, 1981 (KSF) CLOVER PRINCESS 60581, 1959 (KSF) CHGARLAND’S DREAM 121415, 1991 (KSF) KITTY SMITH 67865, 1964 (KSF) ALLENWOOD’S LADY GENIUS 48220, 1949 CO-ED’S LEADING LADY 101433, 1981 (KSF) GAY NORA 71243, 1966 (KSF) KNIGHT’S GOLDEN LADY 51791, 1951 (KSF) (KSF) COLUMBIA’S CHERRY BLOSSOM 101378, GAY REMEMBRANCE 63179, 1955 (KSF) KNOBBIE DIXIE 32012, 1937 (KSF) CHAMERICA BEAUTIFUL 41623, 1932 (KSF) 1981 (KSF) GIFTED LADY 37502, 1932 (KSF) KY. CARDINAL BELLE 29772, 1940 (KSF) AMERICAN HONEYSUCKLE 47625, 1940 CONCUBINE 86597, 1974 (KSF) GILLEN’S FAIRY GOLD 75642, 1969 (KSF) CHLA LA SUCCESS 84449, 1973 (KSF) (KSF) CONVERSATIONALIST 113263, 1987 (KSF) GLOBETROTTING LADY 110862, 1986 (KSF) LADY EMILY 33596, 1937 (KSF) AMERICAN SUNSET 61730, 1957 (KSF) CREBILLY’S PLUMB BEAUTIFUL 57195, 1956 GLORIANN 11680, 1913 LADY GAMBLER 83518, 1972 (KSF) ANACACHO PRINCESS 20589, 1931 (KSF) GOLDEN DAWN’S GENIUS 57919, 1956 (KSF) LADY SYMBOL 88194, 1975 (KSF) ANACACHO SHOWER 29119, 1939 CREBILLY’S WHIRLWIND 37042, 1944 (KSF) GOLDEN FIREFLY 9268, 1911 LADY TRIGG 68747, 1965 (KSF) ANN O’LEE 65687, 1963 (KSF) CHCRYSTAL ILLUSION 122827, 1992 (KSF) GORGEOUS HULDY 38243, 1942 (KSF) LENA JEMISON 5361, 1900 ANNA LOVE SONG 23469, 1929 (KSF) DAINTY MODEL 88195, 1974 (KSF) GRACEFUL GENIUS 37193, 1944 (KSF) LENA JUAN 25013, 1936 (KSF) ANNIE C. 3025, 1891 DAISY 2D 2229, 1883 GRAND VIEW’S MAJORETTE 56770, 1955 LIFETIME AFFAIR 79024, 1966 (KSF) OF FAME BROODMARE HALL APRIL SEA 61186, 1959 (KSF) DAME OF FORTUNE 63038, 1961 (KSF) (KSF) LITTLE BO PEEP 23567, 1934 (KSF) CHARABESQUE 60491, 1959 (KSF) DANCING STAR 24815, 1936 GRASSLANDS’ DEBUTANTE 33146, 1942 LOOK OF LOVE 74132, 1968 (KSF) ARIES GOLDEN GIFT 66751, 1964 (KSF) DANESHALL’S EASTER PARADE 42943, 1939 HALF PENNY MANOR CALAMITY JANE LOVE AFFAIR 30647, 1937 (KSF) CHASTRA MUSIC 102010, 1982 (KSF) (KSF) 84271, 1973 (KSF) LOVELY INA 49845, 1950 (KSF) BARHAM’S REALITY 70915, 1963 (KSF) DANESHALL’S GIFT OF ROSES 42830, 1944 HAZEL SIMMONS 10825, 1913 LUCY KILMER 44541, 1946 (KSF) CHBELLE LE ROSE 21495, 1927 (KSF) (KSF) HELEN HIGHWATER 32419, 1941 LUCY MACK 2459, 1886 BELLE OF BOYLE 31444, 1941 (KSF) DANVILLE DEBUTANTE 75128, 1968 (KSF) HERSCHELLA’S HAPPY BIRTHDAY 49466, LULLABY BABY 56803, 1955 (KSF) BELLE SUPREME GTR 83984, 1970 (KSF) DAUGHTER OF IMP. SALTRAM (TH) 900010, 1948 (KSF) LUTE BOYD 901147, 1900 BETSEY HARRISON (TH) 900002, 1900 1900 HI DIXIE 25062, 1936 (KSF) MAGIC TOWN 86448, 1974 (KSF) BEVERLEY HILLS 53464, 1952 (KSF) DENMARK’S RADIANT SOCIETY 93403, 1977 HICKORY MISTRESS 38632, 1941 (KSF) MAMIE PEAVINE 20390, 1931 BEWITCHED GODDESS 118790, 1990 (KSF) (KSF) HIDE-A-WAY’S LAURA BELLE 44922, 1948 MARIE BOSACE 36064, 1943 (KSF) BLACK CHERRY 49476, 1950 (KSF) DENMARK’S RUNAROUND SUE 99145, 1980 (KSF) MARLENE’S PRIDE 58228, 1955 (KSF) BLANCHITA 13401, 1916 (KSF) HIGH POINT FLAME 56886, 1955 (KSF) MARY FLOWERS 19987, 1925 BLESSED EVENT 21360, 1929 DENMARK’S SOCIETY SUE 61596, 1960 HIGHLAND EAGLES LADY 47976, 1949 MARY’S HEART 24775, 1936 BOBBI’S VICTORY EMPRESS 72012, 1962 (KSF) HIGHLAND HEART 48379, 1949 (KSF) MARYLAND’S BIRD 28229, 1930 (KSF) (KSF) DIANA GAY 38978, 1945 (KSF) HIGHLAND’S SYLVIA 36862, 1944 (KSF) MAY GENIUS 26576, 1934 (KSF) BOBBIE STONEWALL 32867, 1941 (KSF) DIXIANA’S SPRING CHEER 33536, 1939 HILLCREST ENJOLI 98781, 1980 (KSF) CHMEADOW VANITY 23974, 1935 (KSF) BORN TO DELIGHT 31819, 1941 (KSF) DIXIE DUCHESS 57340, 1952 (KSF) HMS MY FAIR LADY 115118, 1988 (KSF) MELODY O’LEE 54496, 1953 (KSF) BOURBON ‘N COKE 99466, 1980 (KSF) DONA SAN JUAN 21669, 1933 (KSF) CHHOLLYWOOD EXCELLENCE 120089, 1990 MILADY MINTON 15088, 1918 BRENTWOOD’S FULL FASHION 63435, 1961 DREAM A DREAM 115157, 1986 (KSF) (KSF) MILDRED DRURY 38406, 1941 (KSF) (KSF) DREAM FLOWER 38599, 1942 (KSF) HOLLYWOOD GENIUS 41568, 1944 MISS AMERICA 19182, 1929 (KSF) BRINEY BREEZES 24192, 1936 (KSF) CHDREAM HILL’S ANN THOMPSON 71435, INA WALKER 20458, 1931 (KSF) MISS CARRICK 4024, 1901 CHBUCK CREEK PRECIOUS PRINCESS 1963 (KSF) INDIANA J E M 57532, 1955 MISS CHATTERBOX 23742, 1935 (KSF) 70349, 1966 (KSF) CHDREAM WALTZ 50469, 1950 CHIT’S A BEAUTIFUL DAY 116607, 1989 (KSF) MISS CHIT CHAT 99660, 1980 (KSF) BUCK’S COTTON TAIL 94032, 1977 (KSF) DUCHESS OF GRANDVIEW 57620, 1956 JANE BLACK 17194, 1918 MISS JAQUELINE 25145, 1937 (KSF) CALLAWAY’S AGATHA CHRISTIE 117363, (KSF) JANE OF THE OAKS 31609, 1939 (KSF) MISS LIBERTY TOWN 93079, 1977 (KSF) 1989 (KSF) EDITH GATLEY 14851, 1914 JANET SUE 21342, 1929 MISS MADISON 4685, 1902 (KSF) CALLAWAY’S CAROUSEL 119146, 1990 (KSF) EDNA MAY 5703, 1903 JAPANETTE 9929, 1902 MISSY SQUIRREL 36466, 1944 (KSF) CALLAWAY’S CORONET 98965, 1980 (KSF) EDNA MAY’S DELIGHT 19821, 1930 (KSF)
Load more

Recommended publications
  • Natural Communities of Michigan: Classification and Description
    Natural Communities of Michigan: Classification and Description Prepared by: Michael A. Kost, Dennis A. Albert, Joshua G. Cohen, Bradford S. Slaughter, Rebecca K. Schillo, Christopher R. Weber, and Kim A. Chapman Michigan Natural Features Inventory P.O. Box 13036 Lansing, MI 48901-3036 For: Michigan Department of Natural Resources Wildlife Division and Forest, Mineral and Fire Management Division September 30, 2007 Report Number 2007-21 Version 1.2 Last Updated: July 9, 2010 Suggested Citation: Kost, M.A., D.A. Albert, J.G. Cohen, B.S. Slaughter, R.K. Schillo, C.R. Weber, and K.A. Chapman. 2007. Natural Communities of Michigan: Classification and Description. Michigan Natural Features Inventory, Report Number 2007-21, Lansing, MI. 314 pp. Copyright 2007 Michigan State University Board of Trustees. Michigan State University Extension programs and materials are open to all without regard to race, color, national origin, gender, religion, age, disability, political beliefs, sexual orientation, marital status or family status. Cover photos: Top left, Dry Sand Prairie at Indian Lake, Newaygo County (M. Kost); top right, Limestone Bedrock Lakeshore, Summer Island, Delta County (J. Cohen); lower left, Muskeg, Luce County (J. Cohen); and lower right, Mesic Northern Forest as a matrix natural community, Porcupine Mountains Wilderness State Park, Ontonagon County (M. Kost). Acknowledgements We thank the Michigan Department of Natural Resources Wildlife Division and Forest, Mineral, and Fire Management Division for funding this effort to classify and describe the natural communities of Michigan. This work relied heavily on data collected by many present and former Michigan Natural Features Inventory (MNFI) field scientists and collaborators, including members of the Michigan Natural Areas Council.
    [Show full text]
  • Mascots: Performance and Fetishism in Sport Culture
    Platform , Vol. 3, No. 1 Mascots: Performance and Fetishism in Sport Culture Mary C. Daily (Boston College) Sport culture is something of great interest to citizens ranging from sociology scholars 1 to sports fans. The performance rituals that accompany sport include victory dances, school songs, cheers, and mascots. As Rick Minter, a mascot historian writes, “We all care about the symbols, nicknames, and legends of our club – mascots make them real again. They are a bit of our club that we can reach out and touch” (7). If we accept Minter’s conceptualization, what is the theoretical foundation that supports these representations? They make us laugh, we enjoy their athleticism, and kids love them; however, their lineage and purpose runs far deeper than their presence in the arena. This paper argues that mascot performances represent fetishized aspects of sport culture, and specifically, that such rituals embody the ability to relate to and influence the providence of a chosen athletic team. Arguably, the success of college and professional sport teams rests on their ability to claim triumph, and mascot performances are an integral part of that process to those who believe in their power. While sports fans enjoy mascots for their physicality as furry caricatures that dance along the sidelines, their significance is founded on a supernatural power relationship. The performance of mascots perpetuates their fetishized status in sports ranging from high school soccer to professional football. In the discussion of fetishization, one must be forgiving of possible oversimplifications present in the summarizing of various theorists, as the paper’s 1 James Frey and Günter Lüschen outline both collegiate and professional athletics, exploring competition, reception, and cultural significance.
    [Show full text]
  • Sacred Union
    SACRED UNION Awakening to the Consciousness of Eden Also by Tanishka The Inner Goddess Makeover Sacred Union: Awakening to the Consciousness of Eden, Volume One: Creating Sacred Union Within Coming Soon Sacred Union: Awakening to the Consciousness of Eden, Volume Three: Creating Sacred Union in Community SACRED UNION Awakening to the Consciousness of Eden By TANISHKA Volume Two: Red Tantra Creating Sacred Union in Partnership Copyright © 2014 by Tanishka All rights reserved. No part of this book may be reproduced by any mechanical, photographic or electronic process, or in the form of a phonographic recording; nor may it be stored in a retrieval system, transmitted, or otherwise copied for public or private use—other than 'fair use' as brief quotations embodied in articles and reviews— without the prior written permission of the publisher. The intent of the author is only to offer information of a general nature to assist in personal growth and self-awareness. In the event you use any of the information contained within this book, as is your legal right, no responsibility will be assumed by the publisher for your actions. First Printing: 2014 ISBN: 978-0-9874263-3-8 Published by Star of Ishtar Publishing P.O. Box 101, Olinda VIC 3788 Australia www.starofishtar.com Dedication To those who are dedicated to restoring the sacred balance of opposites here on Earth. Acknowledgements I would like to thank the Christ, the Magdalene, Ishtar, Gaia, Luna and Sol for pouring their teachings through me as a channel, as well as their patience and faith in me to birth this book.
    [Show full text]
  • Pagan Survivals, Superstitions and Popular Cultures in Early Medieval Pastoral Literature
    Bernadette Filotas PAGAN SURVIVALS, SUPERSTITIONS AND POPULAR CULTURES IN EARLY MEDIEVAL PASTORAL LITERATURE Is medieval pastoral literature an accurate reflection of actual beliefs and practices in the early medieval West or simply of literary conventions in- herited by clerical writers? How and to what extent did Christianity and traditional pre-Christian beliefs and practices come into conflict, influence each other, and merge in popular culture? This comprehensive study examines early medieval popular culture as it appears in ecclesiastical and secular law, sermons, penitentials and other pastoral works – a selective, skewed, but still illuminating record of the be- liefs and practices of ordinary Christians. Concentrating on the five cen- turies from c. 500 to c. 1000, Pagan Survivals, Superstitions and Popular Cultures in Early Medieval Pastoral Literature presents the evidence for folk religious beliefs and piety, attitudes to nature and death, festivals, magic, drinking and alimentary customs. As such it provides a precious glimpse of the mu- tual adaptation of Christianity and traditional cultures at an important period of cultural and religious transition. Studies and Texts 151 Pagan Survivals, Superstitions and Popular Cultures in Early Medieval Pastoral Literature by Bernadette Filotas Pontifical Institute of Mediaeval Studies This book has been published with the help of a grant from the Canadian Federation for the Humanities and Social Sciences, through the Aid to Scholarly Publications Programme, using funds provided by the Social Sciences and Humanities Research Council of Canada. LIBRARY AND ARCHIVES CANADA CATALOGUING IN PUBLICATION Filotas, Bernadette, 1941- Pagan survivals, superstitions and popular cultures in early medieval pastoral literature / by Bernadette Filotas.
    [Show full text]
  • The General Stud Book : Containing Pedigrees of Race Horses, &C
    ^--v ''*4# ^^^j^ r- "^. Digitized by tine Internet Arciiive in 2009 witii funding from Lyrasis IVIembers and Sloan Foundation http://www.archive.org/details/generalstudbookc02fair THE GENERAL STUD BOOK VOL. II. : THE deiterol STUD BOOK, CONTAINING PEDIGREES OF RACE HORSES, &C. &-C. From the earliest Accounts to the Year 1831. inclusice. ITS FOUR VOLUMES. VOL. II. Brussels PRINTED FOR MELINE, CANS A.ND C"., EOILEVARD DE WATERLOO, Zi. M DCCC XXXIX. MR V. un:ve PREFACE TO THE FIRST EDITION. To assist in the detection of spurious and the correction of inaccu- rate pedigrees, is one of the purposes of the present publication, in which respect the first Volume has been of acknowledged utility. The two together, it is hoped, will form a comprehensive and tole- rably correct Register of Pedigrees. It will be observed that some of the Mares which appeared in the last Supplement (whereof this is a republication and continua- tion) stand as they did there, i. e. without any additions to their produce since 1813 or 1814. — It has been ascertained that several of them were about that time sold by public auction, and as all attempts to trace them have failed, the probability is that they have either been converted to some other use, or been sent abroad. If any proof were wanting of the superiority of the English breed of horses over that of every other country, it might be found in the avidity with which they are sought by Foreigners. The exportation of them to Russia, France, Germany, etc. for the last five years has been so considerable, as to render it an object of some importance in a commercial point of view.
    [Show full text]
  • Why We Play: an Anthropological Study (Enlarged Edition)
    ROBERTE HAMAYON WHY WE PLAY An Anthropological Study translated by damien simon foreword by michael puett ON KINGS DAVID GRAEBER & MARSHALL SAHLINS WHY WE PLAY Hau BOOKS Executive Editor Giovanni da Col Managing Editor Sean M. Dowdy Editorial Board Anne-Christine Taylor Carlos Fausto Danilyn Rutherford Ilana Gershon Jason Troop Joel Robbins Jonathan Parry Michael Lempert Stephan Palmié www.haubooks.com WHY WE PLAY AN ANTHROPOLOGICAL STUDY Roberte Hamayon Enlarged Edition Translated by Damien Simon Foreword by Michael Puett Hau Books Chicago English Translation © 2016 Hau Books and Roberte Hamayon Original French Edition, Jouer: Une Étude Anthropologique, © 2012 Éditions La Découverte Cover Image: Detail of M. C. Escher’s (1898–1972), “Te Encounter,” © May 1944, 13 7/16 x 18 5/16 in. (34.1 x 46.5 cm) sheet: 16 x 21 7/8 in. (40.6 x 55.6 cm), Lithograph. Cover and layout design: Sheehan Moore Typesetting: Prepress Plus (www.prepressplus.in) ISBN: 978-0-9861325-6-8 LCCN: 2016902726 Hau Books Chicago Distribution Center 11030 S. Langley Chicago, IL 60628 www.haubooks.com Hau Books is marketed and distributed by Te University of Chicago Press. www.press.uchicago.edu Printed in the United States of America on acid-free paper. Table of Contents Acknowledgments xiii Foreword: “In praise of play” by Michael Puett xv Introduction: “Playing”: A bundle of paradoxes 1 Chronicle of evidence 2 Outline of my approach 6 PART I: FROM GAMES TO PLAY 1. Can play be an object of research? 13 Contemporary anthropology’s curious lack of interest 15 Upstream and downstream 18 Transversal notions 18 First axis: Sport as a regulated activity 18 Second axis: Ritual as an interactional structure 20 Toward cognitive studies 23 From child psychology as a cognitive structure 24 .
    [Show full text]
  • TIMELINE of YALE FOOTBALL Updated As of February 2018
    TIMELINE OF YALE FOOTBALL Updated as of February 2018 Oct. 31, 1872 David Schley Schaff, Elliot S. Miller, Samuel Elder and other members of the class of 1873 call a meeting of the Yale student body. From it emerges the Yale Football Association, the first formal entity to govern the game at Yale. Schaff is elected president and team captain. Nov. 16, 1872 With faculty approval, Yale meets Columbia, the nearest football-playing college, at Hamilton Park in New Haven. The game is essentially soccer with 20-man sides, played on a field 400 by 250 feet. Yale wins 3-0, Tommy Sherman scoring the first goal and Lew Irwin the other two. Nov. 15, 1873 Yale and Princeton inaugurate what will become Yale’s longest rivalry. Princeton wins 3 goals to 0. Nov. 13, 1875 Yale and Harvard meet for the first time at Hamilton Park. The game is played under the so-called “concessionary rules”—15 players on a side and running with the ball permitted as in rugby, a round ball and only goals counting as in soccer. A crowd of 2,000 pays 50 cents a head—twice the normal price for a Yale game—to watch Harvard win 4-0. 1880 Walter Camp, in his third year as Yale’s delegate at the Intercollegiate Football Association rules convention, persuades the meeting to accept 11-man, rather than 15-man, sides. He also replaces rugby’s scrum with the scrimmage, which “takes place when the holder of the ball…puts it down on the ground in front of him and puts it in play by snapping it back with his foot.” Nov.
    [Show full text]
  • Little Bags & Purses Free
    FREE LITTLE BAGS & PURSES PDF Saskia Abel | 64 pages | 13 Oct 2015 | Search Press Ltd | 9781782212232 | English | Tunbridge Wells, United Kingdom Designer Mini Bags for Women - Shop the Collection - Farfetch Your browser's Javascript functionality is turned off. Please turn it on so that you can experience the full capabilities of this site. Now is as good a time as any to keep your wallet organized! Get your rewards cards, gift cards, library cards, and of course your money neatly organized with our cute girl's wallets! You can show off all the sass you want with girl's wallets that have something to say! If you need a reminder to "smile" or "create your own magic," your daily inspo will be right here Little Bags & Purses for you to brighten your day. Spot our super cute cat wallet with it's pom puller to give you those feline vibes with a bit of sparkle. We love to see you shine, so there's no need to shy away from sequin or glitter. Trust us, Little Bags & Purses need more glitter in your life! We want to help you to always remember your keys! Use our fabulous keychains to adorn your backpack or your purse for a little something extra. Attach one to your wallet so you definitely don't forget something else important! Make your parents proud with cool keychains from Claire's! Keep your supplies close and your essentials closer with a bum bag from Claire's! Part of surviving another school year is keeping Little Bags & Purses organized, so take a look at fabulous bum bag options to coordinate your school looks while keeping your essentials with you.
    [Show full text]
  • Boston Symphony Orchestra Concert Programs, Season
    INFANTRY HALL PROVIDENCE >©§to! Thirty-fifth Season, 1915-1916 Dr. KARL MUCK, Conductor WITH HISTORICAL AND DESCRIPTIVE NOTES BY PHILIP HALE TUESDAY EVENING, DECEMBER 28 AT 8.15 COPYRIGHT, 1915, BY C. A. ELLIS PUBLISHED BY C. A. ELLIS. MANAGER ii^^i^"""" u Yes, Ifs a Steinway" ISN'T there supreme satisfaction in being able to say that of the piano in your home? Would you have the same feeling about any other piano? " It's a Steinway." Nothing more need be said. Everybody knows you have chosen wisely; you have given to your home the very best that money can buy. You will never even think of changing this piano for any other. As the years go by the words "It's a Steinway" will mean more and more to you, and thousands of times, as you continue to enjoy through life the com- panionship of that noble instrument, absolutely without a peer, you will say to yourself: "How glad I am I paid the few extr? dollars and got a Steinway." STEINWAY HALL 107-109 East 14th Street, New York Subway Express Station at the Door Represented by the Foremost Dealers Everywhere 2>ympif Thirty-fifth Season,Se 1915-1916 Dr. KARL MUC per; \l iCs\l\-A Violins. Witek, A. Roth, 0. Hoffmann, J. Rissland, K. Concert-master. Koessler, M. Schmidt, E. Theodorowicz, J. Noack, S. Mahn, F. Bak, A. Traupe, W. Goldstein, H. Tak, E. Ribarsch, A. Baraniecki, A. Sauvlet, H. Habenicht, W. Fiedler, B. Berger, H. Goldstein, S. Fiumara, P. Spoor, S. Stilzen, H. Fiedler, A.
    [Show full text]
  • The Horse-Breeder's Guide and Hand Book
    LIBRAKT UNIVERSITY^' PENNSYLVANIA FAIRMAN ROGERS COLLECTION ON HORSEMANSHIP (fop^ U Digitized by the Internet Archive in 2009 with funding from Lyrasis IVIembers and Sloan Foundation http://www.archive.org/details/horsebreedersguiOObruc TSIE HORSE-BREEDER'S GUIDE HAND BOOK. EMBRACING ONE HUNDRED TABULATED PEDIGREES OF THE PRIN- CIPAL SIRES, WITH FULL PERFORMANCES OF EACH AND BEST OF THEIR GET, COVERING THE SEASON OF 1883, WITH A FEW OF THE DISTINGUISHED DEAD ONES. By S. D. BRUCE, A.i3.th.or of tlie Ainerican. Stud Boole. PUBLISHED AT Office op TURF, FIELD AND FARM, o9 & 41 Park Row. 1883. NEW BOLTON CSNT&R Co 2, Entered, according to Act of Congress, in the year 1883, By S. D. Bruce, In the Office of the Librarian of Congress, at Washington, D. C. INDEX c^ Stallions Covering in 1SS3, ^.^ WHOSE PEDIGREES AND PERFORMANCES, &c., ARE GIVEN IN THIS WORK, ALPHABETICALLY ARRANGED, PAGES 1 TO 181, INCLUSIVE. PART SECOISTD. DEAD SIRES WHOSE PEDIGREES AND PERFORMANCES, &c., ARE GIVEN IN THIS WORK, PAGES 184 TO 205, INCLUSIVE, ALPHA- BETICALLY ARRANGED. Index to Sires of Stallions described and tabulated in tliis volume. PAGE. Abd-el-Kader Sire of Algerine 5 Adventurer Blythwood 23 Alarm Himvar 75 Artillery Kyrle Daly 97 Australian Baden Baden 11 Fellowcraft 47 Han-v O'Fallon 71 Spendthrift 147 Springbok 149 Wilful 177 Wildidle 179 Beadsman Saxon 143 Bel Demonio. Fechter 45 Billet Elias Lawrence ' 37 Volturno 171 Blair Athol. Glen Athol 53 Highlander 73 Stonehege 151 Bonnie Scotland Bramble 25 Luke Blackburn 109 Plenipo 129 Boston Lexington 199 Breadalbane. Ill-Used 85 Citadel Gleuelg...
    [Show full text]
  • Prince Glam Slam Mp3, Flac, Wma
    Prince Glam Slam mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Funk / Soul Album: Glam Slam Country: US Released: 1988 MP3 version RAR size: 1456 mb FLAC version RAR size: 1655 mb WMA version RAR size: 1239 mb Rating: 4.9 Votes: 710 Other Formats: WAV DMF ADX MPC MP2 ASF RA Tracklist A Glam Slam (Edit) 3:28 B Escape (Edit) 3:31 Companies, etc. Manufactured By – Warner Bros. Records Inc. Distributed By – Warner Bros. Records Inc. Pressed By – Specialty Records Corporation Notes Comes in a transparent plastic sleeve with a sticker reading 'Prince - Glam Slam.' Track A from the Paisley Park LP "LOVESEXY" (1-25720). Barcode and Other Identifiers Barcode: 0 7599-27806-7 4 Matrix / Runout (Side A): [SRC logo] 7-27806-A SR1 1-1 Matrix / Runout (Side B): [SRC logo] 7-27806-B-RE1 SR1 1-2 Other versions Category Artist Title (Format) Label Category Country Year 927 806-7 Prince Glam Slam (7", Single, PVC) Paisley Park 927 806-7 Europe 1988 Prince = プリ Prince = プリンス* - Glam Slam = 10P3-6007 Paisley Park 10P3-6007 Japan 1988 ンス* グラム・スラム (CD, Mini, Single) 921 005-0 Prince Glam Slam (12", Single) Paisley Park 921 005-0 Europe 1988 Glam Slam (7", Single, Promo, Paisley Park 07P7-6007 Prince 07P7-6007 Japan 1988 Tra) Records Glam Slam (12", Single, 921 005-0 Prince Paisley Park 921 005-0 Europe 1988 M/Print) Related Music albums to Glam Slam by Prince Prince And The New Power Generation - Cream Prince And The Revolution - Pop Life Prince And The New Power Generation - Gett Off Prince And The Revolution - Paisley Park Prince And The New Power Generation - Love Symbol Prince & The Revolution - Paisley Park Prince And The Revolution - Raspberry Beret Prince - I Wish U Heaven Prince And The New Power Generation - My Name Is Prince Prince - Alphabet St.
    [Show full text]
  • Future-Talk, Finance, and Christian Eschatology
    Trading Futures: Future-Talk, Finance, and Christian Eschatology The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:37925648 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use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
    [Show full text]