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An Examination of the Potential Influence of Karl Friedrich Schinkel on the Work of Alexander 'Greek' Thomson
An Examination of the Potential Influence of Karl Friedrich Schinkel on the Work of Alexander 'Greek' Thomson A Thesis submitted by: Andre Weiss B. A. 1998 Supervisor: Dr. Gavin Stamp Submitted in fulfilment of the requirements for the Master of Architecture Mackintosh School of Architecture, The University of Glasgow September 1999 ProQuest N um ber: 13833922 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 13833922 Published by ProQuest LLC(2019). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States Code Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 4 8 1 0 6 - 1346 Contents List of Illustrations ...................................................................................................... 3 Introduction .................................................................................................................9 1. The Previous Claims of an InfluentialRelationship ............................................18 2. An Exploration of the Individual Backgrounds of Thomson and Schinkel .............................................................................................................38 -
Thatcher, Northern Ireland and Anglo-Irish Relations, 1979-1990
From ‘as British as Finchley’ to ‘no selfish strategic interest’: Thatcher, Northern Ireland and Anglo-Irish Relations, 1979-1990 Fiona Diane McKelvey, BA (Hons), MRes Faculty of Arts, Humanities and Social Sciences of Ulster University A thesis submitted in partial fulfilment of the requirements of the Ulster University for the degree of Doctor of Philosophy August 2018 I confirm that the word count of this thesis is less than 100,000 words excluding the title page, contents, acknowledgements, summary or abstract, abbreviations, footnotes, diagrams, maps, illustrations, tables, appendices, and references or bibliography Contents Acknowledgements i Abstract ii Abbreviations iii List of Tables v Introduction An Unrequited Love Affair? Unionism and Conservatism, 1885-1979 1 Research Questions, Contribution to Knowledge, Research Methods, Methodology and Structure of Thesis 1 Playing the Orange Card: Westminster and the Home Rule Crises, 1885-1921 10 The Realm of ‘old unhappy far-off things and battles long ago’: Ulster Unionists at Westminster after 1921 18 ‘For God's sake bring me a large Scotch. What a bloody awful country’: 1950-1974 22 Thatcher on the Road to Number Ten, 1975-1979 26 Conclusion 28 Chapter 1 Jack Lynch, Charles J. Haughey and Margaret Thatcher, 1979-1981 31 'Rise and Follow Charlie': Haughey's Journey from the Backbenches to the Taoiseach's Office 34 The Atkins Talks 40 Haughey’s Search for the ‘glittering prize’ 45 The Haughey-Thatcher Meetings 49 Conclusion 65 Chapter 2 Crisis in Ireland: The Hunger Strikes, 1980-1981 -
Cabinet Office – Annual Report and Accounts 2020-21
Annual Report and Accounts 2020-21 HC 391 Annual Report and Accounts 2020-21 (for period ended 31 March 2021) Accounts presented to the House of Commons pursuant to Section 6 (4) of the government Resources and Accounts Act 2000 Annual Report presented to the House of Commons by Command of Her Majesty Ordered by the House of Commons to be printed on 15 July 2021 HC 391 This is part of a series of departmental publications which, along with the Main Estimates 2021-22 and the document Public Expenditure: Statistical Analyses 2019, present the government’s outturn for 2020-21 and planned expenditure for 2021-22. © Crown copyright 2021 This publication is licensed under the terms of the Open Government Licence v3.0 except where otherwise stated. To view this licence, visit nationalarchives.gov.uk/doc/open-Government-licence/version/3 Where we have identified any third-party copyright information you will need to obtain permission from the copyright holders concerned. This publication is available at: www.gov.uk/official-documents Any enquiries regarding this publication should be sent to us at: [email protected] ISBN – 978-1-5286-2550-0 CCS – CCS0421468362 07/21 Printed on paper containing 75% recycled fibre content minimum. Printed in the UK by the APS Group on behalf of the Controller of Her Majesty’s Stationery Office. Contents Directors’ Report 7 Foreword 8 Ministers and Board Members 10 Permanent Secretary’s perspective on performance 14 Cabinet Office Lead Non-Executive’s Report 17 Performance Report 19 Cabinet Office Overview 20 Long Term Expenditure Trends 24 Supporting the Government response to COVID-19 27 Strategic Objectives 32 Governance Report 55 Statement of Accounting Officer’s responsibilities 56 Governance Statement 58 Accountability Report 75 Remuneration and staff report 76 1. -
University College London: Library DDA Works PPG15 Justification
DRAFT UNIVERSITY COLLEGE LONDON LIBRARY DDA WORKS PPG15 JUSTIFICATION Prepared for UNIVERSITY COLLEGE LONDON ALAN BAXTER & ASSOCIATES MAY 2004 DRAFT CONTENTS CONTENTS 1. Introduction...................................................... 2 2. History of the Wilkins building .......................... 3 3. The Wilkins building today .............................. 10 4. Significance.................................................... 12 5. Impact of proposals ........................................ 15 6. Conclusion ..................................................... 17 Prepared by: William Filmer-Sankey and Lucy Markham Reviewed by: [name] Revised: [date] This report may not be issued to third parties without the prior permission of Alan Baxter & Associates © Alan Baxter & Associates 2004 ALAN BAXTER & ASSOCIATES UCL CONSERVATION STRATEGY REPORT AND PPG 15 JUSTIFICATION • MAY 2004 1 DRAFT 1. INTRODUCTION 1. INTRODUCTION This report has been prepared for the Estates and Facilities Division of University College London (UCL). UCL needs to make alterations to the Wilkins building to improve access to the library (on its upper floors) by the end of the year in order to comply with the terms of the Disability Discrimination Act (DDA). In December 2003 Alan Baxter & Associates produced draft Management Guidelines for UCL which identified what is significant about the UCL buildings and to help streamline the process of gaining future listed building consents. This report is based on these Management Guidelines but includes information from the recent opening-up works. The Wilkins Building is Grade I listed. The new access proposals involve removing a staircase, one of which was inserted by TL Donaldson in 1849-51, and installing a lift (along with a new staircase) to provide access for the mobility impaired to the library. This report has been written to accompany an application for listed building consent, and to demonstrate that the alterations are required by the DDA, and are justifiable in terms of the criteria set out in PPG15. -
The Power of the Prime Minister
Research Paper Research The Power of the Prime Minister 50 Years On George Jones THE POWER OF THE PRIME MINISTER 50 YEARS ON George Jones Emeritus Professor of Government London School of Economics & Political Science for The Constitution Society Based on a lecture for the Institute of Contemporary British History, King’s College, London, 8 February 2016 First published in Great Britain in 2016 by The Constitution Society Top Floor, 61 Petty France London SW1H 9EU www.consoc.org.uk © The Constitution Society ISBN: 978-0-9954703-1-6 © George Jones 2016. All rights reserved. Without limiting the rights under copyright reserved above, no part of this publication may be reproduced, stored or introduced into a retrieval system, or transmitted, in any form or by any means (electronic, mechanical, photocopying, recording or otherwise), without the prior written permission of both the copyright owner and the publisher of this book. THE POWER OF THE PRIME MINISTER 3 Contents About the Author 4 Foreword 5 Introduction 9 Contingencies and Resource Dependency 11 The Formal Remit and Amorphous Convention 13 Key Stages in the Historical Development of the Premiership 15 Biographies of Prime Ministers are Not Enough 16 Harold Wilson 17 Tony Blair – almost a PM’s Department 19 David Cameron – with a department in all but name 21 Hung Parliament and Coalition Government 22 Fixed-term Parliaments Act, 2011 25 Party Dynamics 26 Wilson and Cameron Compared 29 Enhancing the Prime Minister 37 Between Wilson and Cameron 38 Conclusions 39 4 THE POWER OF THE PRIME MINISTER About the Author George Jones has from 2003 been Emeritus Professor of Government at LSE where he was Professor of Government between 1976 and 2003. -
Masterworks Architecture at the Masterworks: Royal Academy of Arts Neil Bingham
Masterworks Architecture at the Masterworks: Royal Academy of Arts Neil Bingham Royal Academy of Arts 2 Contents President’s Foreword 000 Edward Middleton Barry ra (1869) 000 Sir Howard Robertson ra (1958) 000 Paul Koralek ra (1991) 000 Preface 000 George Edmund Street ra (1871) 000 Sir Basil Spence ra (1960) 000 Sir Colin St John Wilson ra (1991) 000 Acknowledgements 000 R. Norman Shaw ra (1877) 000 Donald McMorran ra (1962) 000 Sir James Stirling ra (1991) 000 John Loughborough Pearson ra (1880) 000 Marshall Sisson ra (1963) 000 Sir Michael Hopkins ra (1992) 000 Architecture at the Royal Academy of Arts 000 Alfred Waterhouse ra (1885) 000 Raymond Erith ra (1964) 000 Sir Richard MacCormac ra (1993) 000 Sir Thomas Graham Jackson Bt ra (1896) 000 William Holford ra, Baron Holford Sir Nicholas Grimshaw pra (1994) 000 The Architect Royal Academicians and George Aitchison ra (1898) 000 of Kemp Town (1968) 000 Michael Manser ra (1994) 000 Their Diploma Works 000 George Frederick Bodley ra (1902) 000 Sir Frederick Gibberd ra (1969) 000 Eva M. Jiricna ra (1997) 000 Sir William Chambers ra (1768, Foundation Sir Aston Webb ra (1903) 000 Sir Hugh Casson pra (1970) 000 Ian Ritchie ra (1998) 000 Member, artist’s presentation) 000 John Belcher ra (1909) 000 E. Maxwell Fry ra (1972) 000 Will Alsop ra (2000) 000 George Dance ra (1768, Foundation Member, Sir Richard Sheppard ra (1972) 000 Gordon Benson ra (2000) 000 no Diploma Work) 000 Sir Reginald Blomfield ra (1914) 000 H. T. Cadbury-Brown ra (1975) 000 Piers Gough ra (2001) 000 John Gwynn ra (1768, Foundation Member, Sir Ernest George ra (1917) 000 no Diploma Work) 000 Ernest Newton ra (1919) 000 Ernö Goldfinger ra (1975) 000 Sir Peter Cook ra (2003) 000 Thomas Sandby ra (1768, Foundation Member, Sir Edwin Lutyens pra (1920) 000 Sir Philip Powell ra (1977) 000 Zaha Hadid ra (2005) 000 bequest from great-grandson) 000 Sir Giles Gilbert Scott ra (1922) 000 Peter Chamberlin ra (1978) 000 Eric Parry ra (2006) 000 William Tyler ra (1768, Foundation Member, Sir John J. -
GOSLING Pp01-13.V2:Layout 3
GOSLING_pp01-13.v2:Layout 3 21.07.2009 12:23 Uhr Seite 1 GOSLING_pp01-13.v2:Layout 3 09.07.2009 11:57 Uhr Seite 2 GOSLING_pp01-13.v2:Layout 3 09.07.2009 11:57 Uhr Seite 3 CLASSIC DESIGN FOR CONTEMPORARY INTERIORS With contributions by Stephen Calloway, Jean Gomm, Tim Gosling and Jürgen Huber Foreword by Tim Knox, Director, Sir John Soane’s Museum, London Photography by Ray Main PRESTEL MUNICH BERLIN LONDON NEW YORK GOSLING_pp01-13.v2:Layout 3 09.07.2009 11:57 Uhr Seite 4 GOSLING_pp01-13.v2:Layout 3 09.07.2009 11:57 Uhr Seite 5 GOSLING_pp01-13.v2:Layout 3 09.07.2009 11:57 Uhr Seite 6 GOSLING_pp01-13.v2:Layout 3 09.07.2009 11:57 Uhr Seite 7 GOSLING_pp01-13.v2:Layout 3 09.07.2009 11:57 Uhr Seite 8 GOSLING_pp01-13.v2:Layout 3 09.07.2009 11:57 Uhr Seite 9 GOSLING_pp01-13.v2:Layout 3 09.07.2009 11:57 Uhr Seite 10 GOSLING_pp01-13.v2:Layout 3 21.07.2009 12:23 Uhr Seite 11 Foreword 13 1 The Classical Tradition 14 2 Space, Scale and Light 24 3 Commissioning 42 4 The Art and Craft of Luxury marquetry · mirror and glass · vellum · shagreen · leather lacquer · gilding · eglomise · inlays · accessories 52 5 The Art of Technology 170 6 Contemporary Design in Classic Interiors 192 Keepers of the Flame: Expert Craftsmen 216 Contributors 217 Selected Bibliography 218 Acknowledgements and Photo Credits 220 Index 221 GOSLING_pp01-13.v2:Layout 3 09.07.2009 11:57 Uhr Seite 12 GOSLING_pp01-13.v2:Layout 3 09.07.2009 11:57 Uhr Seite 13 Foreword direct link between today’s designers and craftsmen and their Acounterparts in the past is an important one. -
Whitehall Mini Guide
TO VIEW CONSERVATION AREA MAP CLICK HERE FOR LINK TO WESTMINSTER MAPPING SYSTEM DEPARTMENT OF PLANNING AND CITY DEVELOPMENT DEVELOPMENT PLANNING SERVICES MAY 2004 Designation: First designated as a Conservation Area in 1969 as part of pedestrian route to St James’s Park and a large open arena where the larger Government Precinct Conservation Area. Redesignated in 1987 annually the Trooping of the Colour takes place. The Cenotaph, positioned as the Whitehall Conservation Area. in the middle of Whitchall is an international memorial to those who died for their country in armed conflicts, and the annual Remembrance Service is Historical Background: Throughout the medieval period, the held in front of it. The Conservation Area includes the tree lined public Palace of Whitehall grew as a complex of buildings housing the Royal open spaces of Victoria Embankment Gardens, containing a number of Family. It was substantially extended by Henry VIII who also acquired St. statues of important statesmen, as well as the Embankment itself which James’s Park and other land for hunting, thus assuring the continuing affords panoramic views across the Thames. There is more open space in close relationship of open space to Royal and government buildings. The Raleigh Green, on the east side of Whitehall. eastern portion of the Palace was a rambling mixture of buildings and, as the first instalment of a grandiose rebuilding scheme by Inigo Jones, the The area contains many buildings of national importance, in both Banqueting House was begun in 1617. In 1698 a fire destroyed almost the architectural and historic terms. Some of the most important buildings in whole of the Palace; the plans to rebuild the area as Royal Residence and terms of the townscape of the Conservation Area are the Banqueting Courts were abandoned, and Jones’s scheme was never implemented. -
Neoclassical Architecture 1 Neoclassical Architecture
Neoclassical architecture 1 Neoclassical architecture Neoclassical architecture was an architectural style produced by the neoclassical movement that began in the mid-18th century, both as a reaction against the Rococo style of anti-tectonic naturalistic ornament, and an outgrowth of some classicizing features of Late Baroque. In its purest form it is a style principally derived from the architecture of Classical Greece and the architecture of Italian Andrea Palladio. The Cathedral of Vilnius (1783), by Laurynas Gucevičius Origins Siegfried Giedion, whose first book (1922) had the suggestive title Late Baroque and Romantic Classicism, asserted later[1] "The Louis XVI style formed in shape and structure the end of late baroque tendencies, with classicism serving as its framework." In the sense that neoclassicism in architecture is evocative and picturesque, a recreation of a distant, lost world, it is, as Giedion suggests, framed within the Romantic sensibility. Intellectually Neoclassicism was symptomatic of a desire to return to the perceived "purity" of the arts of Rome, the more vague perception ("ideal") of Ancient Greek arts and, to a lesser extent, sixteenth-century Renaissance Classicism, the source for academic Late Baroque. Many neoclassical architects were influenced by the drawings and projects of Étienne-Louis Boullée and Claude Nicolas Ledoux. The many graphite drawings of Boullée and his students depict architecture that emulates the eternality of the universe. There are links between Boullée's ideas and Edmund Burke's conception of the sublime. Pulteney Bridge, Bath, England, by Robert Adam Ledoux addressed the concept of architectural character, maintaining that a building should immediately communicate its function to the viewer. -
Agreg, Anglais Oral
The Royal Academy of Arts Source: http://en.wikipedia.org/wiki/Royal_Academy The Royal Academy of Arts is an art institution based in Burlington House on Piccadilly, London, England. The Royal Academy of Arts has a unique position in being an independent, privately funded institution led by eminent artists and architects whose purpose is to promote the creation, enjoyment and appreciation of the visual arts through exhibitions, education and debate. History The Royal Academy of Arts was founded through a personal act of King George III on 10th December 1768 with a mission to promote the arts of design through education and exhibition. The motive in founding the Academy was twofold: to raise the professional status of the artist by establishing a sound system of training and expert judgment in the arts and to arrange the exhibition of contemporary works of art attaining an appropriate standard of excellence. Behind this concept was the desire to foster a national school of art and to encourage appreciation and interest in the public based on recognised canons of good taste. Fashionable taste in 18th century Britain centered on continental and traditional art forms providing contemporary artists little opportunity to sell their works. From 1746 the Foundling Hospital, through the efforts of William Hogarth, provided an early venue for contemporary artists to show their work in Britain. The success of this venture led to the formation of the Society of Artists and the Free Society of Artists. Both these groups were primarily exhibiting societies and their initial success was marred by internal fractions amongst the artists. -
Jones, Blick Working Paper, Centre of Central Government
LSE Public Policy Group Working Paper No. 3 The Centre of Central Government Andrew Blick and George Jones The centre of central government comprises three sets of institutions: the Prime Minister’s Office based at 10 Downing Street; the Cabinet Office at 70 Whitehall, and HM Treasury at Great George Street. Together they form what some political scientists have called “the core executive”. How these key institutions operate is of first importance for the overall performance of decision-making across central government as a whole. We first review the modern history of these bodies, beginning in 1968. (For an overview of the longer term picture, see also the Annex which sketches the UK core executive from the first appearance of the Prime Minister role in the 1720s up to the 1960s). Next we analyse the key recurring questions that surround the centre of the machine. Third, we briefly consider some possible reforms that set an agenda for the next few years. I: THE MODERN HISTORY OF THE UK CORE EXECUTIVE From the 1960s to 1997 A critical date for the current operations of the centre of UK central government was 1968. As a response to the Fulton Report on The Civil Service , the prime minister was at that time formally designated Minister for the Civil Service. And responsibility for the civil service was removed from the Treasury (whose permanent secretary had been Head of the Home Civil Service since 1919) and was allocated to a new Civil Service Department with its own permanent secretary who became Head of the Home Civil Service. -
Journalism Studies Key Con Journalism 26/4/05 1:14 Pm Page Ii
BOB FRANKLIN, MARTIN HAMER, MARK HANNA, MARIE KINSEY & JOHN E. RICHARDSON concepts key Key Concepts in Journalism SAGE Studies Key Con Journalism 26/4/05 1:14 pm Page i Key Concepts in Journalism Studies Key Con Journalism 26/4/05 1:14 pm Page ii Recent volumes include: Key Concepts in Social Research Geoff Payne and Judy Payne Fifty Key Concepts in Gender Studies Jane Pilcher and Imelda Whelehan Key Concepts in Medical Sociology Jonathan Gabe, Mike Bury and Mary Ann Elston Key Concepts in Leisure Studies David Harris Key Concepts in Critical Social Theory Nick Crossley Key Concepts in Urban Studies Mark Gottdiener and Leslie Budd Key Concepts in Mental Health David Pilgrim The SAGE Key Concepts series provides students with accessible and authoritative knowledge of the essential topics in a variety of ii disciplines. Cross-referenced throughout, the format encourages critical evaluation through understanding. Written by experienced and respected academics, the books are indispensable study aids and guides to comprehension. Key Con Journalism 26/4/05 1:14 pm Page iii BOB FRANKLIN, MARTIN HAMER, MARK HANNA, MARIE KINSEY AND JOHN E. RICHARDSON Key Concepts in Journalism Studies SAGE Publications London G Thousand Oaks G New Delhi Key Con Journalism 26/4/05 1:14 pm Page iv © Bob Franklin, Martin Hamer, Mark Hanna, Marie Kinsey and John E. Richardson 2005 First published 2005 Apart from any fair dealing for the purposes of research or private study, or criticism or review, as permitted under the Copyright, Designs and Patents Act, 1988, this publication may be reproduced, stored or transmitted in any form, or by any means, only with the prior permission in writing of the publishers, or in the case of reprographic reproduction, in accordance with the terms of licences issued by the Copyright Licensing Agency.