Coronation Rites Cambridge University Press C
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
A Pope of Their Own
Magnus Lundberg A Pope of their Own El Palmar de Troya and the Palmarian Church UPPSALA STUDIES IN CHURCH HISTORY 1 About the series Uppsala Studies in Church History is a series that is published in the Department of Theology, Uppsala University. The series includes works in both English and Swedish. The volumes are available open-access and only published in digital form. For a list of available titles, see end of the book. About the author Magnus Lundberg is Professor of Church and Mission Studies and Acting Professor of Church History at Uppsala University. He specializes in early modern and modern church and mission history with focus on colonial Latin America. Among his monographs are Mission and Ecstasy: Contemplative Women and Salvation in Colonial Spanish America and the Philippines (2015) and Church Life between the Metropolitan and the Local: Parishes, Parishioners and Parish Priests in Seventeenth-Century Mexico (2011). Personal web site: www.magnuslundberg.net Uppsala Studies in Church History 1 Magnus Lundberg A Pope of their Own El Palmar de Troya and the Palmarian Church Lundberg, Magnus. A Pope of Their Own: Palmar de Troya and the Palmarian Church. Uppsala Studies in Church History 1.Uppsala: Uppsala University, Department of Theology, 2017. ISBN 978-91-984129-0-1 Editor’s address: Uppsala University, Department of Theology, Church History, Box 511, SE-751 20 UPPSALA, Sweden. E-mail: [email protected]. Contents Preface 1 1. Introduction 11 The Religio-Political Context 12 Early Apparitions at El Palmar de Troya 15 Clemente Domínguez and Manuel Alonso 19 2. -
No. 148 Patric Jean, Napoléon, David
H-France Review Volume 6 (2006) Page 641 H-France Review Vol. 6 (December 2006), No. 148 Patric Jean, Napoléon, David: The Image Enthroned. Brooklyn, N.Y.: First Run / Icarus Films, 2005. VHS, 51 minutes. Color and black and white. $390.00 U.S. Review by Wayne Hanley, West Chester University of Pennsylvania. Few people in history have understood the political and propagandistic potential of visual imagery more than either Napoleon Bonaparte or the artist Jacques-Louis David. During the Revolution, David’s paintings were hailed for their revolutionary import, and his public festivals, such as the Fête of the Supreme Being, helped to spread revolutionary ideology to the masses. Napoleon made careful use of artists such as Antoine-Jean Gros, Andrea Appiani and David to help create his public image and ultimately to enable his coup d’état of 18-19 Brumaire (9 November 1799) and the creation of the empire.[1] It should not be surprising, then, that in 1804, Napoleon named David “First Painter of the Empire” and commissioned him to memorialize the coronation with a series of four paintings, the most famous of which is The Coronation of Napoleon I, the subject of this documentary. This monumental canvas represents the last of David’s propagandistic pieces, and in many ways it is his greatest. In it, as the Belgian writer and director Patric Jean ably demonstrates in his documentary Napoléon, David: The Image Enthroned, one can see all the grandeur (and illusion) of the Napoleonic Empire. Jean, whose previous documentaries include La raison du plus fort (which explores the social and cultural issues of immigration, race, and crime), sets the stage of this documentary with a discussion of David’s artistic and political background, of Napoleon’s meteoric rise to power, and of the relationship between the artist and the future emperor. -
Pope Paul III and the Cultural Politics of Reform Pope Paul III and the Cultural Politics of Reform
6 RENAISSANCE HISTORY, ART AND CULTURE Cussen Pope Paul III and the Cultural Politics of Reform of Politics Cultural the and III Paul Pope Bryan Cussen Pope Paul III and the Cultural Politics of Reform 1534-1549 Pope Paul III and the Cultural Politics of Reform Renaissance History, Art and Culture This series investigates the Renaissance as a complex intersection of political and cultural processes that radiated across Italian territories into wider worlds of influence, not only through Western Europe, but into the Middle East, parts of Asia and the Indian subcontinent. It will be alive to the best writing of a transnational and comparative nature and will cross canonical chronological divides of the Central Middle Ages, the Late Middle Ages and the Early Modern Period. Renaissance History, Art and Culture intends to spark new ideas and encourage debate on the meanings, extent and influence of the Renaissance within the broader European world. It encourages engagement by scholars across disciplines – history, literature, art history, musicology, and possibly the social sciences – and focuses on ideas and collective mentalities as social, political, and cultural movements that shaped a changing world from ca 1250 to 1650. Series editors Christopher Celenza, Georgetown University, USA Samuel Cohn, Jr., University of Glasgow, UK Andrea Gamberini, University of Milan, Italy Geraldine Johnson, Christ Church, Oxford, UK Isabella Lazzarini, University of Molise, Italy Pope Paul III and the Cultural Politics of Reform 1534-1549 Bryan Cussen Amsterdam University Press Cover image: Titian, Pope Paul III. Museo di Capodimonte, Naples, Italy / Bridgeman Images. Cover design: Coördesign, Leiden Lay-out: Crius Group, Hulshout isbn 978 94 6372 252 0 e-isbn 978 90 4855 025 8 doi 10.5117/9789463722520 nur 685 © B. -
UCLA Historical Journal
UCLA UCLA Historical Journal Title Protestant "Righteous Indignation": The Roosevelt Vatican Appointment of 1940 Permalink https://escholarship.org/uc/item/0bv0c83x Journal UCLA Historical Journal, 17(0) ISSN 0276-864X Author Settje, David Publication Date 1997 Peer reviewed eScholarship.org Powered by the California Digital Library University of California 124 UCLA Historical Journal Protestant "Righteous Indignation": The Roosevelt Vatican Appointment of 1940 David Settje C t . ranklin D. Roosevelt's 1940 appointment of a personal representative / * to the Vatican outraged most Protestant churches. Indeed, an / accounting of the Protestant protests regarding the Holy See appointment reveals several aspects of American religious life at that time. As the United States moved closer to becoming a religiously plurahstic society and shed its Protestant hegemony, mainline Protestant churches sought to maintain leverage by denouncing any ties to the Vatican. Efforts to avert this papal affiliation also stemmed from traditional American anti-Cathohcism. Therefore, the attempt to preserve Protestant influence with anti-Catholic rhetoric against a Vatican envoy demonstrates how mainline churches want- ed to sway governmental pohcy, even in the area of foreign affairs. Protestant churches asserted that they were defending the principle of the separation of church and state. But an inspection of their protests against the Vatican appointment illustrates that they were also concerned about how such repre- sentation would affect their place in U.S. society and proves that they still dis- trusted Catholicism. In short, although they cloaked their arguments in the guise of defending the separation of church and state, the Vatican appoint- ment became a forum in which Protestant denominations displayed their anxiety about the development of religious pluralism in America, voiced tra- ditional anti-Catholicism, and ultimately influenced diplomatic policy. -
The Crown Jewel of Divinity : Examining How a Coronation Crown Transforms the Virgin Into the Queen
Sotheby's Institute of Art Digital Commons @ SIA MA Theses Student Scholarship and Creative Work 2020 The Crown Jewel of Divinity : Examining how a coronation crown transforms the virgin into the queen Sara Sims Wilbanks Sotheby's Institute of Art Follow this and additional works at: https://digitalcommons.sia.edu/stu_theses Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Recommended Citation Wilbanks, Sara Sims, "The Crown Jewel of Divinity : Examining how a coronation crown transforms the virgin into the queen" (2020). MA Theses. 63. https://digitalcommons.sia.edu/stu_theses/63 This Thesis - Open Access is brought to you for free and open access by the Student Scholarship and Creative Work at Digital Commons @ SIA. It has been accepted for inclusion in MA Theses by an authorized administrator of Digital Commons @ SIA. For more information, please contact [email protected]. The Crown Jewel of Divinity: Examining How A Coronation Crown Transforms The Virgin into The Queen By Sara Sims Wilbanks A thesis submitted in conformity with the requirements for the Master’s Degree in Fine and Decorative Art & Design Sotheby’s Institute of Art 2020 12,572 words The Crown Jewel of Divinity: Examining How A Coronation Crown Transforms The Virgin into The Queen By: Sara Sims Wilbanks Inspired by Italian, religious images from the 15th and 16th centuries of the Coronation of the Virgin, this thesis will attempt to dissect the numerous depictions of crowns amongst the perspectives of formal analysis, iconography, and theology in order to deduce how this piece of jewelry impacts the religious status of the Virgin Mary. -
19630628.Pdf
THE CRITERION, JUNE ?8, I963 PAGE THRES - SupremeCourt decision Help t'or aging - Cotugo Ar home ::31:r""::-T,.ll:..^l: l.l:: ll^".111",.^11.1groups ha\,e brought:.:l'J...111"..,:.'.'li*i?ll' aboul Ihtr "thr.otrgh improvement conlol'- cnces ancl an cxchangc ol in{or'- " nration. Abroad I LONDON-]'he luling l,abor' I'arty in Australia rvill not butlgc ft'ortt its opposition to g.rveln- nrent aid to Catholic antl othcr' privatc schools, thc ptlty's lcatlcr. has rleclaletl hcrc. Arthur' (.lal- well insisted that sialc glants lo non.public schools are not. pos- sible undel the plesent. Cornrnon. wcalth eonstitution. Cnln'el[. rvho is a Catholic, said thal. clenton- stlations by Catholic pa|cnts agaittst the govet'nmcnt's policl'. Office of Education here, de- f \ rvhich inclrrtlctl ntass tt'attsfcls ol scribed lhe school siluation ar , I "dismal." stttdents fronr Catholic to public The strike involves I I "no schools, rvoukl have lusting 37,500 leachers and rffecls | ^ - ^ | c[[cct''intlrosc[rooldisettssit.rtrs'morelhanami||ionpupi|s.i}fl-l o\%u,j*tAMOUNT TO BETREPAIoBE REPAIO ovERlOVER I I sAN'ro DotttN(;o. Dotttitticurt ; l-1 I YOU Fro |lr,lrrrlrlit,-|l|irslltrt.a..;i:i;l';;i#|eohi-ow|ro-o".|romoo,|z|mos.|!BORROW 36m 30 moo. 2l mos. li.:;',lllill:,:i':lt:i';',llli.'li:|.llll|isll!llJr/ohffil$ 600 29.00 000 40,00 48.3i1 lilll;\,:]l:'T;ll.'i]l.ll,.:lli:1"iil,jliitT'rUlH"fA1500 $51.66 60.00 72.50 rclij.tion u,ilI cvcntuaIlv disappenr'. -
Vatican Secret Diplomacy This Page Intentionally Left Blank Charles R
vatican secret diplomacy This page intentionally left blank charles r. gallagher, s.j. Vatican Secret Diplomacy joseph p. hurley and pope pius xii yale university press new haven & london Disclaimer: Some images in the printed version of this book are not available for inclusion in the eBook. Copyright © 2008 by Yale University. All rights reserved. This book may not be reproduced, in whole or in part, including illustrations, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press), without written permission from the publishers. Set in Scala and Scala Sans by Duke & Company, Devon, Pennsylvania. Printed in the United States of America by Sheridan Books, Ann Arbor, Michigan. Library of Congress Cataloging-in-Publication Data Gallagher, Charles R., 1965– Vatican secret diplomacy : Joseph P. Hurley and Pope Pius XII / Charles R. Gallagher. p. cm. Includes bibliographical references and index. ISBN 978-0-300-12134-6 (cloth : alk. paper) 1. Hurley, Joseph P. 2. Pius XII, Pope, 1876–1958. 3. World War, 1939–1945— Religious aspects—Catholic Church. 4. Catholic Church—Foreign relations. I. Title. BX4705.H873G35 2008 282.092—dc22 [B] 2007043743 A catalogue record for this book is available from the British Library. The paper in this book meets the guidelines for permanence and durability of the Com- mittee on Production Guidelines for Book Longevity of the Council on Library Resources. 10 9 8 7 6 5 4 3 2 1 To my father and in loving memory of my mother This page intentionally left blank contents Acknowledgments ix Introduction 1 1 A Priest in the Family 8 2 Diplomatic Observer: India and Japan, 1927–1934 29 3 Silencing Charlie: The Rev. -
Papal Tiara Commissioned and Gifted to Benedict XVI by SHAWN TRIBE
WRITERS SEARCH NLM ARCHIVES Shawn Tribe Founder & Editor Search NLM Email, Twitter Pilgrimage in Tuscany NLM Quiz: Can You Guess What This Is? And the by Shawn Tribe Answer is.... by Shawn Tribe Gregor Kollmorgen We have given a great deal of coverage to the Chartres FOLLOW NLM Pilgrimage, but another pilgrimage in Europe ... Well it seems like it's about that time again; the NLM General quiz. (See our previous quizzes: Quiz 1 and o... Email A New Entry in the Rupture and Continuity Debate: Enrico Maria Radaelli Video from the Recessional, Chartres Cathedral by Shawn Tribe by Shawn Tribe Matthew Alderman Another Italian has entered into a debate which we've ... Sacred Architecture been reporting on by way of Chiesa; namely the... How the Artistic Liturgical Traditions Email Current Status of the Dominican Rite: A Complement Each Other Summary by David Clayton Gregory DiPippo by Fr. Augustine Thompson, O.P. Here is a passage taken from the Office of Readings, Rome Correspondent Readers often ask about where they can attend Saturday, 6th week of Eastertide. It is part of... celebrations of the Dominican Rite Mass and what its c... Email Fra’ Fredrik Crichton-Stuart, R.I.P. Tucker on Magister by Shawn Tribe by Shawn Tribe H.E. Fra’ Fredrik Crichton-Stuart, Grand Prior of David Clayton A couple of weeks ago, we made brief reference to a England, 1940 – 2011Edinburgh, 14 June 2011Fra' Fr... Sacred Art rather critical and needless to say controversia... Sant'Angelo in Formis, Capua, Italy Email, Twitter Solemn Evensong & Benediction in Oxford by Shawn Tribe by Br Lawrence Lew, O.P. -
Napoleon's Talisman
The Talisman of Napoleon Bonaparte by G. Randall Jensen The Napoleon Bonaparte Crystal Talisman Summary Napoleon Bonaparte’s personal good luck charm Inspired by the original signet ring of Napoleon’s hero, Emperor Augustus Caesar, whose stamp displayed the image of a sphinx Commissioned by Napoleon after his return from his historic Egyptian campaign The 114 precious jewels are arranged in a secret code to reflect both Napoleon’s successful military & political career and his love for Josephine The initials of “Napoleon Bonaparte” and “Josephine Bonaparte” are coded into the design The encoded date, August 15, 1802, commemorated the simultaneous nationwide celebration of Napoleon’s 33rd birthday, his elevation to Lifetime Consulate status, and the one-year anniversary of the signing of the Concordat The face of the crystal sphinx is that of Josephine sculpted into the pose of one of Napoleon’s favorite paintings: The Mona Lisa Quartz crystal was a material incorporated into the design of ancient Egyptian temples and pyramids Few objects outside of Egypt had ever been sculpted from quartz crystal Lost for nearly 200 years A complex treasure of significant historical importance Copyright 2011 G. Randall Jensen 1 As a means of introducing this interesting and complex piece, let us first take a brief look at the background of Napoleon Bonaparte, the famous Emperor of the French. Napoleon Bonaparte was considered by many to be the most influential figure in European history. Currently, descendents of Napoleon’s wife, Josephine, include the Royal families of Sweden, Denmark, Belgium, Norway, and Luxembourg. 2 NAPOLEON TIMELINE 1769 Born 1793 Promoted to Brigadier General 1796 Married Josephine de Beauharnais 1798-1799 Egyptian expedition 1799 Assumed provisional control of France 1802 Elected to Lifetime Consulate status 1804 Crowned Emperor 1815 Defeat at Waterloo 1821 Dies in exile After Napoleon returned from Egypt in 1799, he commissioned this spectacular sculpted and jeweled piece of artwork. -
Andrew Johnston Phd Thesis
WILLIAM PAGET AND THE LATE-HENRICAN POLITY, 1543- 1547 Andrew Johnston A Thesis Submitted for the Degree of PhD at the University of St. Andrews 2004 Full metadata for this item is available in Research@StAndrews:FullText at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/2762 This item is protected by original copyright William Paget and the late-Henrican polity, 1543-1547 Andrew Johnston A thesis submitted for the degree of Doctor of Philosophy University of St Andrews December 2003 Paginated blank pages are scanned as found in original thesis No information • • • IS missing Declarations (i) I, Andrew Johnston, hereby certify that this thesis, which is approximately one hundred thousand words in length, has been written by me, that it is the record of work carried out by me and that it has not been submitted in any previous application for a higher degree. Date; signature of candidate; (ii) I was admitted as a research student in October 1998 and as a candidate for the degree of Ph.D. in October 1999; the higher study for which this is a record was carried out in the University of St Andrews between 1999 and 2003. - -- ...... _- --.-.:.. - - ..:... --._---- :-,.:. -.:. Date; signature of candidate; - ...- - ~,~.~~~- ~.~:.:. - . (iii) I hereby certify that the candidate has fulfilled the conditions of the Resolution and Regulations appropriate for the degree of Doctor of Philosophy in the University of St Andrews and that the candidate is qualified to submit this thesis in application for that degree. -
The Talisman of Napoleon Bonaparte
The Talisman of Napoleon Bonaparte by G. Randall Jensen The Napoleon Bonaparte Crystal Talisman Summary For information regarding the auction of Napoleon’s Talisman please go to: www.napoleonstalisman.com Napoleon Bonaparte’s personal good luck charm Inspired by the original signet ring of Napoleon’s hero, Emperor Augustus Caesar, whose stamp displayed the image of a sphinx Commissioned by Napoleon after his return from his historic Egyptian campaign The 114 precious jewels are arranged in a secret code to reflect both Napoleon’s successful military & political career and his love for Josephine The initials of “Napoleon Bonaparte” and “Josephine Bonaparte” are coded into the design The encoded date, August 15, 1802, commemorated the simultaneous nationwide celebration of Napoleon’s 33rd birthday, his elevation to Lifetime Consulate status, and the one-year anniversary of the signing of the Concordat The face of the crystal sphinx is that of Josephine sculpted into the pose of one of Napoleon’s favorite paintings: The Mona Lisa Quartz crystal was a material incorporated into the design of ancient Egyptian temples and pyramids Few objects outside of Egypt had ever been sculpted from quartz crystal Lost for nearly 200 years A complex treasure of significant historical importance Copyright 2011 G. Randall Jensen 1 As a means of introducing this interesting and complex piece, let us first take a brief look at the background of Napoleon Bonaparte, the famous Emperor of the French. Napoleon Bonaparte was considered by many to be the most influential figure in European history. Currently, descendents of Napoleon’s wife, Josephine, include the Royal families of Sweden, Denmark, Belgium, Norway, and Luxembourg. -
The Queen's Coronation
86 APRIL, 1937 of the Robes, very resplendent, carries the end of the “Receive the Rod of Equity and Mercy. robe. I‘ Be so merciful that you be not too remiss. The Queen passes to her Chair of Estate, and standing, “So execute justice that you forget not mercy.” awaits the coming of the King. He comes. THEPUTTING ON OF THE CROWN. Again breaJsing through the harmonies of the music At last the hour of Coronation has come. Bare- resounds the welcome of the Westminster scholars. headed the King is still seated in the Chair of Destiny, Vivat Rex Georgius ! Vivat ! Vivat ! Vivat ! and awaits with the silent congregation the blessing A tempestuous and thrilling cry, primitive, vibrant. of the Imperial Crown. At the altar stands the Arch- With very becoming dignity the King passes. He bishop ;he lifts therefrom the Crown, and prays aloud : bows to the Queen and then, kneeling on their fald- “ Bless, we beseech Thee, and sanctify this Thy stools, they make their humble adoration. servant George our King, and as Thou dost this day When they arise the fateful ceremonial begins. set a Crown of pure gold upon his head so enrich his First, the Recognition. Royal heart with Thine abundant grace, and crown The Presentation of the King to the People is made him with all princely virtues.” by the Archbishop, of Canterbury in the followhg The Choir gives forth a mighty Amen.” Then the words : . Primate stands before the King, the jewelled diadem “Sirs, I here present unto you King George, the is upraised, it is placed upon his head.