The Pennsylvania State University Schreyer Honors College
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Built-In Grills
BUILT-IN GRILLS ® EXPERTS IN GAS & INFRARED GRILLING napoleongrills.com THE STORY It all began in 1976 when a small steel fabrication business launched by Wolfgang Schroeter started manufacturing steel railings in Barrie, Ontario, Canada. At that time, no one could imagine the incredible future that lay ahead for Wolf Steel Ltd. and eventually Napoleon® Fireplaces and Napoleon® Gourmet Grills. Since the fi rst wood stove rolled off the production line over 35 years ago, Wolf Steel’s commitment was to be distinctive and successful in everything they do. The original stove featured a solid cast iron two-door design and was produced in a one thousand square foot manufacturing facility. By 1981, the name “Napoleon®” was born and with it, the fi rst single glass door with Pyroceram high temperature ceramic glass − a fi rst in the industry. This was the fi rst of many milestones for Wolf Steel Ltd and over the next few years, the demand for Napoleon’s wood stoves grew beyond Ontario’s borders to the rest of Canada, the United States, Europe and the United Kingdom. Napoleon® is an IS09001 – 2008 registered company and operates with 750,000+ square feet of manufacturing space and over 750 employees. We are North America’s largest privately owned manufacturer of quality wood and gas fi replaces (inserts and stoves), gourmet gas and charcoal grills, outdoor living products, waterfalls and a complete line of HVAC equipment. 2 CREATIVE SPIRIT, PERFORMANCE & QUALITY A passionate dedication to grilling. Napoleon®, a family owned Canadian company, has been providing home comfort for over 35 years, committed to designing and manufacturing only the fi nest high effi ciency grills, fi replaces and outdoor living products you can depend on…. -
No. 148 Patric Jean, Napoléon, David
H-France Review Volume 6 (2006) Page 641 H-France Review Vol. 6 (December 2006), No. 148 Patric Jean, Napoléon, David: The Image Enthroned. Brooklyn, N.Y.: First Run / Icarus Films, 2005. VHS, 51 minutes. Color and black and white. $390.00 U.S. Review by Wayne Hanley, West Chester University of Pennsylvania. Few people in history have understood the political and propagandistic potential of visual imagery more than either Napoleon Bonaparte or the artist Jacques-Louis David. During the Revolution, David’s paintings were hailed for their revolutionary import, and his public festivals, such as the Fête of the Supreme Being, helped to spread revolutionary ideology to the masses. Napoleon made careful use of artists such as Antoine-Jean Gros, Andrea Appiani and David to help create his public image and ultimately to enable his coup d’état of 18-19 Brumaire (9 November 1799) and the creation of the empire.[1] It should not be surprising, then, that in 1804, Napoleon named David “First Painter of the Empire” and commissioned him to memorialize the coronation with a series of four paintings, the most famous of which is The Coronation of Napoleon I, the subject of this documentary. This monumental canvas represents the last of David’s propagandistic pieces, and in many ways it is his greatest. In it, as the Belgian writer and director Patric Jean ably demonstrates in his documentary Napoléon, David: The Image Enthroned, one can see all the grandeur (and illusion) of the Napoleonic Empire. Jean, whose previous documentaries include La raison du plus fort (which explores the social and cultural issues of immigration, race, and crime), sets the stage of this documentary with a discussion of David’s artistic and political background, of Napoleon’s meteoric rise to power, and of the relationship between the artist and the future emperor. -
John Adams, Political Moderation, and the 1820 Massachusetts Constitutional Convention: a Reappraisal.”
The Historical Journal of Massachusetts “John Adams, Political Moderation, and the 1820 Massachusetts Constitutional Convention: A Reappraisal.” Author: Arthur Scherr Source: Historical Journal of Massachusetts, Volume 46, No. 1, Winter 2018, pp. 114-159. Published by: Institute for Massachusetts Studies and Westfield State University You may use content in this archive for your personal, non-commercial use. Please contact the Historical Journal of Massachusetts regarding any further use of this work: [email protected] Funding for digitization of issues was provided through a generous grant from MassHumanities. Some digitized versions of the articles have been reformatted from their original, published appearance. When citing, please give the original print source (volume/number/date) but add "retrieved from HJM's online archive at http://www.westfield.ma.edu/historical-journal/. 114 Historical Journal of Massachusetts • Winter 2018 John Adams Portrait by Gilbert Stuart, c. 1815 115 John Adams, Political Moderation, and the 1820 Massachusetts Constitutional Convention: A Reappraisal ARTHUR SCHERR Editor's Introduction: The history of religious freedom in Massachusetts is long and contentious. In 1833, Massachusetts was the last state in the nation to “disestablish” taxation and state support for churches.1 What, if any, impact did John Adams have on this process of liberalization? What were Adams’ views on religious freedom and how did they change over time? In this intriguing article Dr. Arthur Scherr traces the evolution, or lack thereof, in Adams’ views on religious freedom from the writing of the original 1780 Massachusetts Constitution to its revision in 1820. He carefully examines contradictory primary and secondary sources and seeks to set the record straight, arguing that there are many unsupported myths and misconceptions about Adams’ role at the 1820 convention. -
The Crown Jewel of Divinity : Examining How a Coronation Crown Transforms the Virgin Into the Queen
Sotheby's Institute of Art Digital Commons @ SIA MA Theses Student Scholarship and Creative Work 2020 The Crown Jewel of Divinity : Examining how a coronation crown transforms the virgin into the queen Sara Sims Wilbanks Sotheby's Institute of Art Follow this and additional works at: https://digitalcommons.sia.edu/stu_theses Part of the Ancient, Medieval, Renaissance and Baroque Art and Architecture Commons Recommended Citation Wilbanks, Sara Sims, "The Crown Jewel of Divinity : Examining how a coronation crown transforms the virgin into the queen" (2020). MA Theses. 63. https://digitalcommons.sia.edu/stu_theses/63 This Thesis - Open Access is brought to you for free and open access by the Student Scholarship and Creative Work at Digital Commons @ SIA. It has been accepted for inclusion in MA Theses by an authorized administrator of Digital Commons @ SIA. For more information, please contact [email protected]. The Crown Jewel of Divinity: Examining How A Coronation Crown Transforms The Virgin into The Queen By Sara Sims Wilbanks A thesis submitted in conformity with the requirements for the Master’s Degree in Fine and Decorative Art & Design Sotheby’s Institute of Art 2020 12,572 words The Crown Jewel of Divinity: Examining How A Coronation Crown Transforms The Virgin into The Queen By: Sara Sims Wilbanks Inspired by Italian, religious images from the 15th and 16th centuries of the Coronation of the Virgin, this thesis will attempt to dissect the numerous depictions of crowns amongst the perspectives of formal analysis, iconography, and theology in order to deduce how this piece of jewelry impacts the religious status of the Virgin Mary. -
America's Napoleonic
The War of 1812 Magazine Issue 19, December 2012 America’s Napoleonic War By James R. Arnold On June 26, 1812, a hard-spurring dispatch rider from the War Department found sixty-year-old Brigadier-General William Hull leading his 1,500-man army through the wilderness of northwest Ohio. Secretary of War William Eustis’s letter, written on the morning of June 18 while Congress was deliberating on a declaration of war against Great Britain, informed Hull that conflict was imminent. Accordingly, Eustis urged Hull to “pursue your march to Detroit with all possible expedition.”1 Hull dutifully accelerated his march so his army could fulfill its mission as the first of a projected three-prong invasion of Canada. Two days earlier, and half a world away, the forty-four-year-old Emperor of France, Napoleon Bonaparte, had stood on a hill overlooking the Niemen River. Within his gaze were tens of thousands of soldiers, part of a 430,000-man force Napoleon had assembled to defeat Russia. The Emperor watched as three columns filed across the river to begin the invasion. Napoleon explained his strategy in a letter to a subordinate: “The aim of all my moves will be to concentrate 400,000 men at a single point.”2 The American invasion of Canada and the French invasion of Russia began nearly simultaneously during a period of military history known as the Napoleonic Era. Differences in scale of military preparations for war and topography distinguished America’s Napoleonic war from the conflict raging in Europe. Because of these factors, and even though the American war eventually involved some British veterans who had fought in Europe against the French, the War of 1812, in terms of the level of combat, proved more like a limited war of the early eighteenth century, than the total war of the Napoleonic period. -
Why Napoleon
OCTOBER 2020 | WWW.PLANT.CA | $12 Why Napoleon has SIZZLE Quality BBQs, fireplaces and HVAC fuel growth Engage with Industry 4.0 Have a business recovery plan Cyber protection includes insurance Winners of the COVID-19 leadership awards DAILY MANUFACTURING NEWS www.plant.ca PLT_October2020_AMS.indd 1 2020-10-02 1:38 PM IT’S TIME TO TAKE A CLOSER LOOK AT ITALIAN MACHINERY We are your link to over 10,000 Italian manufacturing solutions providers from every industry. When you’re looking for the competitive advantage that comes with innovative technologies, take a closer look at Italian-made industrial equipment. We connect you to partners who offer problem-solving, flexible design, expanded functionality, and creative, cost-effective solutions. Our goal is to help you achieve your goals. When you’re ready, look to Machines Italia. For more information on Machines Italia visit www.machinesitalia.org machinesitalia Machines Italia @ITAmachines Machines Italia PLT_October2020_AMS.inddPLT_MarApr20_ITC_AMS.indd 2 1 2020-10-022020-04-01 1:382:02 PM October 2020 CONTENTS Vol. 79, No. 06 FEATURES 15 PERFORMANCE Avoid the obstacles that sap the desire to learn how to coach team members. 14 COVID-19 BDO offers five steps that manufacturers can apply as they build a post-pandemic growth strategy. 17 THINK LEAN Acting as an observer aids learning and rebalances processes so step back and let it happen. 18 CCOHS SAFETY TIPS Lifting is one of the 10 GROWTH most common causes of back injuries in Napoleon is hot and it’s not just the quality barbecues; the Barrie, Ont. -
101 Pages About 44 Plays for 44 Presidents
101 Pages about 44 Plays for 44 Presidents Compiled by Gustave Rogers Based on Information provided in part by: Julie Felise Dubiner, Jess Jung, Rachel Lerner-Ley, Sarah Lunnie, and Brendan Pelsue Directed by Sean Daniels Geva Theatre Center’s presentation of the Geva Theatre Academy production of 44 Plays for 44 Presidents September 22-October 6, 2012 Contents Requirements for Becoming President ...................................................................................................... 4 Presidential Salaries ................................................................................................................................... 4 Presidential Statistics: ................................................................................................................................ 5 About the 44 Plays ..................................................................................................................................... 6 1. George Washington: 1789-1793 & 1793-1897 ................................................................................. 6 2. John Adams: 1797-1801 ................................................................................................................... 8 3. Thomas Jefferson: 1801-1805 & 1805-1809 .................................................................................. 10 4. James Madison: 1809-1813 & 1813-1817 ...................................................................................... 12 5. James Monroe: 1817-1821 & 1821-1825 ...................................................................................... -
Mayor's Office of Arts, Tourism and Special Events Boston Art
Mayor’s Office of Arts, Tourism and Special Events Boston Art Commission 100 Public Artworks: Back Bay, Beacon Hill, the Financial District and the North End 1. Lief Eriksson by Anne Whitney This life-size bronze statue memorializes Lief Eriksson, the Norse explorer believed to be the first European to set foot on North America. Originally sited to overlook the Charles River, Eriksson stands atop a boulder and shields his eyes as if surveying unfamiliar terrain. Two bronze plaques on the sculpture’s base show Eriksson and his crew landing on a rocky shore and, later, sharing the story of their discovery. When Boston philanthropist Eben N. Horsford commissioned the statue, some people believed that Eriksson and his crew landed on the shore of Massachusetts and founded their settlement, called Vinland, here. However, most scholars now consider Vinland to be located on the Canadian coast. This piece was created by a notable Boston sculptor, Anne Whitney. Several of her pieces can be found around the city. Whitney was a fascinating and rebellious figure for her time: not only did she excel in the typically ‘masculine’ medium of large-scale sculpture, she also never married and instead lived with a female partner. 2. Ayer Mansion Mosaics by Louis Comfort Tiffany At first glance, the Ayer Mansion seems to be a typical Back Bay residence. Look more closely, though, and you can see unique elements decorating the mansion’s façade. Both inside and outside, the Ayer Mansion is ornamented with colorful mosaics and windows created by the famed interior designer Louis Comfort Tiffany. -
John-Adams-3-Contents.Pdf
Contents TREATY COMMISSIONER AND MINISTER TO THE NETHERLANDS AND TO GREAT BRITAIN, 1784–1788 To Joseph Reed, February 11, 1784 Washington’s Character ....................... 3 To Charles Spener, March 24, 1784 “Three grand Objects” ........................ 4 To the Marquis de Lafayette, March 28, 1784 Chivalric Orders ............................ 5 To Samuel Adams, May 4, 1784 “Justice may not be done me” ................... 6 To John Quincy Adams, June 1784 “The Art of writing Letters”................... 8 From the Diary: June 22–July 10, 1784 ............. 9 To Abigail Adams, July 26, 1784 “The happiest Man upon Earth”................ 10 To Abigail Adams 2nd, July 27, 1784 Keeping a Journal .......................... 12 To James Warren, August 27, 1784 Diplomatic Salaries ......................... 13 To Benjamin Waterhouse, April 23, 1785 John Quincy’s Education ..................... 15 To Elbridge Gerry, May 2, 1785 “Kinds of Vanity” .......................... 16 From the Diary: May 3, 1785 ..................... 23 To John Jay, June 2, 1785 Meeting George III ......................... 24 To Samuel Adams, August 15, 1785 “The contagion of luxury” .................... 28 xi 9781598534665_Adams_Writings_791165.indb 11 12/10/15 8:38 AM xii CONteNtS To John Jebb, August 21, 1785 Salaries for Public Officers .................... 29 To John Jebb, September 10, 1785 “The first Step of Corruption”.................. 33 To Thomas Jefferson, February 17, 1786 The Ambassador from Tripoli .................. 38 To William White, February 28, 1786 Religious Liberty ........................... 41 To Matthew Robinson-Morris, March 4–20, 1786 Liberty and Commerce....................... 42 To Granville Sharp, March 8, 1786 The Slave Trade............................ 45 To Matthew Robinson-Morris, March 23, 1786 American Debt ............................ 46 From the Diary: March 30, 1786 .................. 49 Notes on a Tour of England with Thomas Jefferson, April 1786 ............................... -
The Federal Era
CATALOGUE THREE HUNDRED THIRTY-SEVEN The Federal Era WILLIAM REESE COMPANY 409 Temple Street New Haven, CT 06511 (203) 789-8081 A Note This catalogue is devoted to the two decades from the signing of the Treaty of Paris in 1783 to the first Jefferson administration and the Louisiana Purchase, usually known to scholars as the Federal era. It saw the evolution of the United States from the uncertainties of the Confederation to the establishment of the Constitution and first federal government in 1787-89, through Washington’s two administrations and that of John Adams, and finally the Jeffersonian revolution of 1800 and the dramatic expansion of the United States. Notable items include a first edition of The Federalist; a collection of the treaties ending the Revolutionary conflict (1783); the first edition of the first American navigational guide, by Furlong (1796); the Virginia Resolutions of 1799; various important cartographical works by Norman and Mount & Page; a first edition of Benjamin’s Country Builder’s Assistant (1797); a set of Carey’s American Museum; and much more. Our catalogue 338 will be devoted to Western Americana. Available on request or via our website are our recent catalogues 331 Archives & Manuscripts, 332 French Americana, 333 Americana–Beginnings, 334 Recent Acquisitions in Americana, and 336 What I Like About the South; bulletins 41 Original Works of American Art, 42 Native Americans, 43 Cartography, and 44 Photography; e-lists (only available on our website) and many more topical lists. q A portion of our stock may be viewed at www.williamreesecompany.com. If you would like to receive e-mail notification when catalogues and lists are uploaded, please e-mail us at [email protected] or send us a fax, specifying whether you would like to receive the notifications in lieu of or in addition to paper catalogues. -
Boston Elites and Urban Political Insurgents During the Early Nineteenth Century
University of Massachusetts Amherst ScholarWorks@UMass Amherst Doctoral Dissertations 1896 - February 2014 1-1-1997 "The am gic of the many that sets the world on fire" : Boston elites and urban political insurgents during the early nineteenth century. Matthew H. rC ocker University of Massachusetts Amherst Follow this and additional works at: https://scholarworks.umass.edu/dissertations_1 Recommended Citation Crocker, Matthew H., ""The am gic of the many that sets the world on fire" : Boston elites and urban political insurgents during the early nineteenth century." (1997). Doctoral Dissertations 1896 - February 2014. 1248. https://scholarworks.umass.edu/dissertations_1/1248 This Open Access Dissertation is brought to you for free and open access by ScholarWorks@UMass Amherst. It has been accepted for inclusion in Doctoral Dissertations 1896 - February 2014 by an authorized administrator of ScholarWorks@UMass Amherst. For more information, please contact [email protected]. 312Dbb 2 b M D7fl7 "THE MAGIC OF THE MANY THAT SETS THE WORLD ON FIRE" BOSTON ELITES AND URBAN POLITICAL INSURGENTS DURING THE EARLY NINETEENTH CENTURY A Dissertation Presented by MATTHEW H. CROCKER Submitted to the Graduate School of the University of Massachusetts Amherst in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY September 1997 Department of History © Copyright by Matthew H. Crocker 1997 All Rights Reserved • "THE MAGIC OF THE MANY THAT SETS THE WORLD ON FIRE" BOSTON ELITES AND URBAN POLITICAL INSURGENTS DURING THE EARLY NINETEENTH CENTURY A Dissertation Presented by MATTHEW H. CROCKER Approved as to style and content by C It. Ja Jack fpager, Chair Bruce Laurie , Member Ronald Story, Member Leonard Richards , Member 6^ Bruce Laurie, Department Head History ABSTRACT "THE MAGIC OF THE MANY THAT SETS THE WORLD ON FIRE": BOSTON ELITES AND URBAN POLITICAL INSURGENTS DURING THE EARLY NINETEENTH CENTURY SEPTEMBER 1997 MATTHEW H. -
Napoleon's Talisman
The Talisman of Napoleon Bonaparte by G. Randall Jensen The Napoleon Bonaparte Crystal Talisman Summary Napoleon Bonaparte’s personal good luck charm Inspired by the original signet ring of Napoleon’s hero, Emperor Augustus Caesar, whose stamp displayed the image of a sphinx Commissioned by Napoleon after his return from his historic Egyptian campaign The 114 precious jewels are arranged in a secret code to reflect both Napoleon’s successful military & political career and his love for Josephine The initials of “Napoleon Bonaparte” and “Josephine Bonaparte” are coded into the design The encoded date, August 15, 1802, commemorated the simultaneous nationwide celebration of Napoleon’s 33rd birthday, his elevation to Lifetime Consulate status, and the one-year anniversary of the signing of the Concordat The face of the crystal sphinx is that of Josephine sculpted into the pose of one of Napoleon’s favorite paintings: The Mona Lisa Quartz crystal was a material incorporated into the design of ancient Egyptian temples and pyramids Few objects outside of Egypt had ever been sculpted from quartz crystal Lost for nearly 200 years A complex treasure of significant historical importance Copyright 2011 G. Randall Jensen 1 As a means of introducing this interesting and complex piece, let us first take a brief look at the background of Napoleon Bonaparte, the famous Emperor of the French. Napoleon Bonaparte was considered by many to be the most influential figure in European history. Currently, descendents of Napoleon’s wife, Josephine, include the Royal families of Sweden, Denmark, Belgium, Norway, and Luxembourg. 2 NAPOLEON TIMELINE 1769 Born 1793 Promoted to Brigadier General 1796 Married Josephine de Beauharnais 1798-1799 Egyptian expedition 1799 Assumed provisional control of France 1802 Elected to Lifetime Consulate status 1804 Crowned Emperor 1815 Defeat at Waterloo 1821 Dies in exile After Napoleon returned from Egypt in 1799, he commissioned this spectacular sculpted and jeweled piece of artwork.