Translating Plato
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On the Arrangement of the Platonic Dialogues
Ryan C. Fowler 25th Hour On the Arrangement of the Platonic Dialogues I. Thrasyllus a. Diogenes Laertius (D.L.), Lives and Opinions of Eminent Philosophers 3.56: “But, just as long ago in tragedy the chorus was the only actor, and afterwards, in order to give the chorus breathing space, Thespis devised a single actor, Aeschylus a second, Sophocles a third, and thus tragedy was completed, so too with philosophy: in early times it discoursed on one subject only, namely physics, then Socrates added the second subject, ethics, and Plato the third, dialectics, and so brought philosophy to perfection. Thrasyllus says that he [Plato] published his dialogues in tetralogies, like those of the tragic poets. Thus they contended with four plays at the Dionysia, the Lenaea, the Panathenaea and the festival of Chytri. Of the four plays the last was a satiric drama; and the four together were called a tetralogy.” b. Characters or types of dialogues (D.L. 3.49): 1. instructive (ὑφηγητικός) A. theoretical (θεωρηµατικόν) a. physical (φυσικόν) b. logical (λογικόν) B. practical (πρακτικόν) a. ethical (ἠθικόν) b. political (πολιτικόν) 2. investigative (ζητητικός) A. training the mind (γυµναστικός) a. obstetrical (µαιευτικός) b. tentative (πειραστικός) B. victory in controversy (ἀγωνιστικός) a. critical (ἐνδεικτικός) b. subversive (ἀνατρεπτικός) c. Thrasyllan categories of the dialogues (D.L. 3.50-1): Physics: Timaeus Logic: Statesman, Cratylus, Parmenides, and Sophist Ethics: Apology, Crito, Phaedo, Phaedrus, Symposium, Menexenus, Clitophon, the Letters, Philebus, Hipparchus, Rivals Politics: Republic, the Laws, Minos, Epinomis, Atlantis Obstetrics: Alcibiades 1 and 2, Theages, Lysis, Laches Tentative: Euthyphro, Meno, Io, Charmides and Theaetetus Critical: Protagoras Subversive: Euthydemus, Gorgias, and Hippias 1 and 2 :1 d. -
AULOS-GIRL PAPERS Edited by Heidi Gustafson
AULOS-GIRL PAPERS Edited By Heidi Gustafson Fig 1. Aulos-girl playing For Plato & Platonism With Prof. Jacob Sherman. December 2013 at CIIS Let us dispense with the flute-girl who just made her entrance; let her play for herself... - Plato The swarm of the dead hums. - Sophocles NOTE FROM EDITORS I. LION’S SHARE OF TRUTH FRAGMENT ON THE SOUND OF TRUTH & PHILOSOPHY 3... The legality of building private shrines 7... Thinking is not love II. HUMAN BEAUTY ON THE OFFSPRING OF BEAUTY & MADNESS 13... Fragments of Aphrodite and Dionysos: Letters from Aphrodite to her sons 15... The Myth of Anteros 16... A “Beautiful Boy” - An Image of a Concept 18... Another Beauty A NOTE ON CUNT SWEAT III. MANY-HEADED GOOD ON PLATO’S DEATH 23... Account of Plato’s death 24... Liver oracle 26... Fragments from Plato’s Eulogy ON THE NATURE OF DEATH, DREAMS & ILLNESS 29... Plato, I believe, was ill 35... Oedipus fragment on Apollo ON CHANGING TERRAIN IN THE MIDDLE OF THE RACE & APOLLO’S TWIN WHO GAVE BIRTH TO HIM NOTES BIBLIOGRAPHY Note from the Editor These are the works of an unnamed flute- player who claims to have been present at Plato’s death. The writings, discovered only recently, appear in a transdisciplinary format and are a bit of an enigma. The works provide, regardless of their unusual nature or validity as a witness account, a surreal portrait of, and engagement with, the person of Plato. Provisionally, the Aulos-girl Papers are compelling for us in two ways: 1. they, like Plato’s authorship, problematize the affairs of the beautiful political soul, and give a fragmented account of how to give birth to a concept (called variously in the text: a boy, a sacrifice, a god, a thing), and 2. -
Loeb Lucian Vol3.Pdf
UJ THE LOEB CLASSICAL LIBRARY FOUNDED BY JAMES LOEB, IX.D. EDITED BY t T. E. PAGE, C.H., LITT.D. fE. CAPPS, PH.D., LL.D. tW.H. D. ROUSE, LITT.D. L. A. POST, L.H.D. E. H. WARMINGTON, M.A., F.R.HIST.SOO. I.UCIAN m LUCIAN WITH AN ENGLISH TRANSLATION BY A. M. HARMON OF YALE UNIVERSITY IN EIGHT VOLUMES III LONDON WILLIAM HEINEMANN LTD CAMBRIDGE, MASSACHUSETTS HARVARD UNIVERSITY PRESS MCMLX First printed 1921 Reprinted 1947, 1960 PRINTED IN GREAT BRITAIN CONTENTS PAGE LIST OF LUCIAN'S WORKS vi THE DEAD COME TO LIFE, OB THE FISHERMAN {Bevivescentes sive Picator) 1 THE DOUBLE INDICTMENT, OR TRIALS BY JURY {Bis Accusatus sive Trihunalia) 83 ON SACRIFICES {De Sacrificus) . 153 THE IGNORANT BOOK-COLLECTOR {Adversus Indoctum et libros mnltos emeniem) 173 THE DREAM, OR LUCIAN's CAREER {Somnium sivB Vita Luciani) 213 THE PARASITE, PARASITIC AN ART [De Parasito sive Ariem esse Parasiticam) 235 » THE LOVER OF LIES, OR THE DOUBTER {PhUopseudes sive Incredulus) 319 THE JUDGEMENT OF THE GODDESSES {Deariim ludiciuvt [Deorum Dialogi ZZ]) 383 ON SALARIED POSTS IN GREAT HOUSES {De Mercede conductis potentium familiaribus) 411 INDEX 483 LIST OF LUCIAN'S WOEKS SHOWING THEIR DIVISION INTO VOLUMES IN THIS EDITION VOLTJME I Phalaris I and II—Hippias or the Bath—Dionysus—Heracles—Amber or The Swans—The Fly—Nigrinus—Demonax—The Hall—My Native Land— Octogenarians—A True Story I and 11—Slander—The Consonants at Law—The Carousal or The Lapiths. VOLUMB II The Downward Joiu-ney or The Tyrant—Zeus Catechized—Zeus Rants —The Dream or The Cock—Prometheus—Icaromenippus or The Sky-man —Timon or The Misanthroi)e—Charon or the Inspector—Philosophies for Sale. -
[PDF]The Myths and Legends of Ancient Greece and Rome
The Myths & Legends of Ancient Greece and Rome E. M. Berens p q xMetaLibriy Copyright c 2009 MetaLibri Text in public domain. Some rights reserved. Please note that although the text of this ebook is in the public domain, this pdf edition is a copyrighted publication. Downloading of this book for private use and official government purposes is permitted and encouraged. Commercial use is protected by international copyright. Reprinting and electronic or other means of reproduction of this ebook or any part thereof requires the authorization of the publisher. Please cite as: Berens, E.M. The Myths and Legends of Ancient Greece and Rome. (Ed. S.M.Soares). MetaLibri, October 13, 2009, v1.0p. MetaLibri http://metalibri.wikidot.com [email protected] Amsterdam October 13, 2009 Contents List of Figures .................................... viii Preface .......................................... xi Part I. — MYTHS Introduction ....................................... 2 FIRST DYNASTY — ORIGIN OF THE WORLD Uranus and G (Clus and Terra)........................ 5 SECOND DYNASTY Cronus (Saturn).................................... 8 Rhea (Ops)....................................... 11 Division of the World ................................ 12 Theories as to the Origin of Man ......................... 13 THIRD DYNASTY — OLYMPIAN DIVINITIES ZEUS (Jupiter).................................... 17 Hera (Juno)...................................... 27 Pallas-Athene (Minerva).............................. 32 Themis .......................................... 37 Hestia -
Bulfinch's Mythology the Age of Fable by Thomas Bulfinch
1 BULFINCH'S MYTHOLOGY THE AGE OF FABLE BY THOMAS BULFINCH Table of Contents PUBLISHERS' PREFACE ........................................................................................................................... 3 AUTHOR'S PREFACE ................................................................................................................................. 4 INTRODUCTION ........................................................................................................................................ 7 ROMAN DIVINITIES ............................................................................................................................ 16 PROMETHEUS AND PANDORA ............................................................................................................ 18 APOLLO AND DAPHNE--PYRAMUS AND THISBE CEPHALUS AND PROCRIS ............................ 24 JUNO AND HER RIVALS, IO AND CALLISTO--DIANA AND ACTAEON--LATONA AND THE RUSTICS .................................................................................................................................................... 32 PHAETON .................................................................................................................................................. 41 MIDAS--BAUCIS AND PHILEMON ....................................................................................................... 48 PROSERPINE--GLAUCUS AND SCYLLA ............................................................................................. 53 PYGMALION--DRYOPE-VENUS -
The Socratic Dubia
The Socratic Dubia Harold Tarrant University of Newcastle Australia 1 Introduction It is hard to be sure about the authenticity of several of the dialogues within the Platonic corpus. Most of these employ Socrates as principal speaker, and seem genuinely interested in aspects of the historical or at least the Platonic “Socrates” and his methods, and my title refers to these collectively. I am neither claiming that they offer special insights into the historical Socrates, nor that they should always be treated as a group. Rather I would claim that there is some merit in examining them together from time to time, revealing their similarities, and discussing whether some or all might have found their way into the corpus by a common path. Any such examination would naturally include discussion of the portrait of Socrates that they paint, both collectively and individually. If these works were designed by Plato or were given his approval then they have received the imprimatur of a follower of Socrates. If they have no close connection with Plato, nor with any other follower of Socrates, then they may rather be important as indications of what Socrates had come to mean for those who had not known Socrates themselves. The shape of the Platonic corpus, as we now know it, cannot with certainty be traced back before Thrasyllus (d. 36ce),1 but even then several works were already agreed to be spurious (dl 3.62).2 Several survive in the Appendix Pla- 1 I have treated Thrasyllus’ activities in Tarrant 1993, and I included the testimonia there. -
Being and Structure in Plato's Sophist
University of Kentucky UKnowledge Theses and Dissertations--Philosophy Philosophy 2019 BEING AND STRUCTURE IN PLATO’S SOPHIST Colin C. Smith University of Kentucky, [email protected] Author ORCID Identifier: https://orcid.org/0000-0002-4688-6156 Digital Object Identifier: https://doi.org/10.13023/etd.2019.430 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Smith, Colin C., "BEING AND STRUCTURE IN PLATO’S SOPHIST" (2019). Theses and Dissertations-- Philosophy. 23. https://uknowledge.uky.edu/philosophy_etds/23 This Doctoral Dissertation is brought to you for free and open access by the Philosophy at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Philosophy by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Loeb Lucian Vol7.Pdf
4 I THE LOEB CLASSICAL LIBRARY FOUNDED BY JAMBS LOBB, LL.D. EDITED BY t T. E. PAGE, C.H., LITT.D. t E. CAPPS, PH.D., LL.D. t W. H. D. ROUSE, litt.d. L. A. POST, L.H.D. E. H. WARMINGTON, m.a., f.r.hist.soc. LUGIAN VII LUCIAN WITH AN ENGLISH TRANSLATION BY M.D. MACLEOD LECTURER IN CLASSICS, UNIVERSITY OF SOUTHAMPTON, SOMETIME SCHOLAR OF PEMBROKE COLLEGE, CAMBRIDGE I IN EIGHT VOLUMES VII LONDON WILLIAM HEINEMANN LTD CAMBRIDGE, MASSACHUSETTS HARVARD UNIVERSITY PRESS MOMLXI (g) The President and Fellows of Harvard College 1961 Printed in Great Britain CONTENTS PAGE LIST OF LUCIAN S WORKS vii PBEFACE ix DIAIiOQUES OP THE DEAD . 1 DIALOGUES OF THE SEA-GODS 177 DIALOGUES OF THE GODS . 239 DIALOGUES OF THE COURTESANS 355 INDEX .... 469 LIST OF LUCIAN'S WORKS SHOWING THEIR DIVISION INTO VOLUMES IN THIS EDITION I Volume I Phalaris I and II—Hippias or the Bath—^Dionysufi Heracles—Amber or The Swans—The Fly—Nigrinus— Demonax—The Hall—My Native Land—Octogenarians —A True Story I and II—Slander—The Consonants at Law—The Carousal or The Lapiths. Volume II The Downward Journey or The Tyrant—Zeus Cate- chized—Zeus Rants—^The Dream or The Cock—Prometheus —Icaromenippus or The Sky-man—Timon or The Mis- anthrope—Charon or The Inspector—Philosophies for Sale. Volume III The Dead Come to Life or The Fisherman—The Double Indictment or Trials by Jury—On Sacrifices—The Ignorant Book Collector—The Dream or Lucian's Career—The Parasite—The Lover of Lies—The Judgement of the Goddesses—On Salaried Posts in Great Houses. -
Appendix BIBLIOGRAPHIC GUIDE to FURTHER STUDY
Appendix BIBLIOGRAPHIC GUIDE TO FURTHER STUDY 1. Collected Works 522 1.1. Greek Editions 522 1.2. English Editions 523 1.3. Other Editions 526 2. Selected Dialogues 527 2.1. Euthyphro 527 2.1.1. Editions 527 2.1.2. Commentaries 529 2.2. Apology 530 2.2.1. Editions 530 2.2.2. Commentaries 532 2.3. Crito 533 2.3.1. Editions 533 2.3.2. Commentaries 535 2.4. Phaedo 536 2.4.1. Editions 536 2.4.2. Commentaries 538 2.5. Republic 540 2.5.1. Editions 540 2.5.2. Commentaries 541 2.6. Letters 543 3. Classical Sources 543 4. Secondary Literature 555 5. General References 573 522 RETHINKING PLATO 1. Collected Works 1.1. Greek Editions Stephanus Edition (1578): Platonis Opera Quae Extant Omnia. Three volumes. Greek text with running Latin translation by Jean de Serres, laid out in a two-column format. Edited by Henri Estienne (Henricus Stephanus). Geneva, Switzerland: 1578. Includes forty-one dialogues (ignoring only the Halcyon), all thirteen letters, and the spurious book of definitions. Volume 1: Euthyphro; Apology; Crito; Phaedo; Theages; Rival Lovers; Theaetetus; Sophist; Euthydemus; Protagoras; Hippias Minor; Cratylus; Gorgias; Ion. Volume 2: Philebus; Meno; Alcibiades 1; Alcibiades 2; Charmides; Laches; Lysis; Hipparchus; Menexenus; Statesman; Minos; Republic; Laws; Epinomis. Volume 3: Timaeus; Critias; Parmenides; Symposium; Phaedrus; Hippias Major; Letters; Axiochus; On Justice; On Virtue; Demodocus; Sisyphus; Eryxias; Clitophon; Definitions. Oxford Classical Texts Edition (1900–1907): Platonis Opera. Five volumes. Edited by John Burnet with introduction and notes. Oxford Classical Texts. Oxford, England: Oxford University Press, 1900–1907. -
The Origins of the Socratic Dialogue: Plato, Xenophon, and the Others
The Origins of the Socratic Dialogue: Plato, Xenophon, and the Others James M. Redfield University of Chicago The present essay aims to place Plato and Xenophon within a phase of literary history. The fourth century bce saw the origins in Greek of colloquial prose and something like what we would call fiction; within this arose a sub-genre, the dialogue, and within this sub-genre a special variety, the Socratic dialogue. Plato and Xenophon, of course, were among the several authors of these last: I shall have something to say about the whole group who wrote them, about Plato’s relation to it, and also about Xenophon’s, and also about their relations to each other. Colloquial literature began already in the fifth century, in comedy, whence it migrated into tragedy,1 causing Cratinus to coin the verb euripidaristopha- nizein, “to do like Euripides and Aristophanes” (fr. 307 k.). Comedy had origi- nated in Syracuse, with Epicharmus. Prose dialogue a century later also orig- inated in Syracuse, with Sophron and his son Xenarchus. Aristotle in an oft- quoted sentence of the Poetics remarks: “We are not able to provide a common name for the mimes of Sophron and Xenarchus and the Socratic dialogues” (Poet. 1447b9–10). We, however, do have a generic name for them: we call them “dialogues.” They are characteristically written in more-or-less colloquial lan- guage, in prose or sometimes in verse, intended for personal reading rather than performance, and portraying characters who, even if mythological, appear something like ordinary people, and who even if historical, are rather freely treated. -
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Warning Concerning Copyright Restrictions The Copyright Law of the United States (Title 17, United States Code) governs the making of photocopies or other reproductions of copyrighted materials. Under certain conditions specified in the law, libraries and archives are authorized to furnish a photocopy or other reproduction. One of these specified conditions is that the photocopy or reproduction is not to be used for any purpose other than private study, scholarship, or research. If electronic transmission of reserve material is used for purposes in excess of what constitutes "fair use," that user may be liable for copyright infringement. ~ ERSECUTION AND .. ART OF. WRITING . By Leo Strauss ~ Glencoe • Illinois THE FREE PRESS · PUBLISHERS Persecution and the Art of Writing ,not prod~ce conviction. It merely pave, ?Y sllencmg contradiction. What is cal 11! a large numbe:r of cases amounts t . 2 p~rposes consists of-the ability to ch different. views presented by the small are pu?hc speakers or writers.a If this only kmd o~ intellectual independence , are. cap~ble is destroyed, and that is the ~h~ch IS of political importance. p RRSECUTION AND THE AR~ OF WRITING llldISnPn""'ble ·~-..t: ' , .£ • · i;---- .-t'tnnr.t~-~~t . e..caUed logica e_quma. According to the ides, or to Gulliver's Houyhnhnm :\'' . ,.... s, "That vice has often proved an eman ".""nnot ~easonably ~ay "the thing whichone, it ..;;, .. cipator of the mind, is one of the most humiliating, but, at the same mconce1v~ble. This logic is not peculia;,'" .· time, one of the most unquestionable, ;' drawn philosophers, but determines, if in atl facts in history." ,, manner, the tho~ght of many ordinary >~,, -W. -
Socratic Mimēsis
City University of New York (CUNY) CUNY Academic Works All Dissertations, Theses, and Capstone Projects Dissertations, Theses, and Capstone Projects 2-2020 In and Out of Character: Socratic Mimēsis Mateo Duque The Graduate Center, City University of New York How does access to this work benefit ou?y Let us know! More information about this work at: https://academicworks.cuny.edu/gc_etds/3629 Discover additional works at: https://academicworks.cuny.edu This work is made publicly available by the City University of New York (CUNY). Contact: [email protected] IN AND OUT OF CHARACTER: SOCRATIC MIMĒSIS by MATEO DUQUE A dissertation submitted to the Graduate Faculty in Philosophy in partial fulfillment of the requirements for the degree of Doctor of Philosophy, The City University of New York 2020 Copyright © 2020 MATEO DUQUE All Rights Reserved ii In and Out of Character: Socratic Mimēsis by Mateo Duque This manuscript has been read and accepted for the Graduate Faculty in Philosophy in satisfaction of the dissertation requirement for the degree of Doctor of Philosophy. Date Iakovos Vasiliou Chair of Examining Committee Date Nickolas Pappas Executive Officer Supervisory Committee: Nickolas Pappas Iakovos Vasiliou Peter Phillips Simpson Gerald A. Press THE CITY UNIVERSITY OF NEW YORK iii This dissertation is dedicated to all my teachers (beginning with my parents, Adriana and Efrain; continuing with teachers, like Mrs. Linda Janoff at Pine View; as well as Professors, like Mike Michalson at New College of Florida, Alex Levine at the University of South Florida, and Nick Pappas at the CUNY Graduate Center—to name just a few examples).