Hathaways @ Mochileros Bar Illinois’ Indie Folk Duo Performs in Lima, Peru
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Cosmos: a Spacetime Odyssey (2014) Episode Scripts Based On
Cosmos: A SpaceTime Odyssey (2014) Episode Scripts Based on Cosmos: A Personal Voyage by Carl Sagan, Ann Druyan & Steven Soter Directed by Brannon Braga, Bill Pope & Ann Druyan Presented by Neil deGrasse Tyson Composer(s) Alan Silvestri Country of origin United States Original language(s) English No. of episodes 13 (List of episodes) 1 - Standing Up in the Milky Way 2 - Some of the Things That Molecules Do 3 - When Knowledge Conquered Fear 4 - A Sky Full of Ghosts 5 - Hiding In The Light 6 - Deeper, Deeper, Deeper Still 7 - The Clean Room 8 - Sisters of the Sun 9 - The Lost Worlds of Planet Earth 10 - The Electric Boy 11 - The Immortals 12 - The World Set Free 13 - Unafraid Of The Dark 1 - Standing Up in the Milky Way The cosmos is all there is, or ever was, or ever will be. Come with me. A generation ago, the astronomer Carl Sagan stood here and launched hundreds of millions of us on a great adventure: the exploration of the universe revealed by science. It's time to get going again. We're about to begin a journey that will take us from the infinitesimal to the infinite, from the dawn of time to the distant future. We'll explore galaxies and suns and worlds, surf the gravity waves of space-time, encounter beings that live in fire and ice, explore the planets of stars that never die, discover atoms as massive as suns and universes smaller than atoms. Cosmos is also a story about us. It's the saga of how wandering bands of hunters and gatherers found their way to the stars, one adventure with many heroes. -
Radio Airplay and the Record Industry: an Economic Analysis
Radio Airplay and the Record Industry: An Economic Analysis By James N. Dertouzos, Ph.D. For the National Association of Broadcasters Released June 2008 Table of Contents About the Author and Acknowledgements ................................................................... 3 Executive Summary....................................................................................................... 4 Introduction and Study Overview ................................................................................ 7 Overview of the Music, Radio and Related Media Industries....................................... 15 Previous Evidence on the Sales Impact of Radio Exposure .......................................... 31 An Econometric Analysis of Radio Airplay and Recording Sales ................................ 38 Summary and Policy Implications................................................................................. 71 Appendix A: Options in Dealing with Measurement Error........................................... 76 Appendix B: Supplemental Regression Results ............................................................ 84 © 2008 National Association of Broadcasters 2 About the Author and Acknowledgements About the Author Dr. James N. Dertouzos has more than 25 years of economic research and consulting experience. Over the course of his career, Dr. Dertouzos has conducted more than 100 major research projects. His Ph.D. is in economics from Stanford University. Dr. Dertouzos has served as a consultant to a wide variety of private and public -
Fharmacy Opinion on Cross Motions for Summary Judgment
UNITED STATES DISTRICT COURT EASTERN DISTRICT OF MICHIGAN SOUTHERN DIVISION FHARMACY RECORDS a/k/a, FHARMACY RECORDS PRODUCTION CO., FHARM I PUBLISHING COMPANY, SHELTON RIVERS, Plaintiffs, v. Case Number 05-72126 Honorable David M. Lawson SALAAM NASSAR,CURTIS JACKSON, DARRIN DEAN, DEF JAM RECORDING, RUFF RYDERS, JANICE COMBS PUBLISHING, UNIVERSAL MUSIC PUBLISHING, UNIVERSAL MUSIC & VIDEO DISTRIBUTION CORPORATION, EMI APRIL, INC., SOO SOOS SWEET SWISHER MUSIC, JOHN DOE, ET AL., Defendants. ______________________________________ / OPINION AND ORDER GRANTING DEFENDANTS’ MOTION FOR SUMMARY JUDGMENT, GRANTING DEFENDANTS’ MOTION TO DISMISS, DENYING PLAINTIFFS’ MOTIONS FOR SUMMARY JUDGMENT, AND ADJUDICATING OTHER PENDING MOTIONS This is a copyright infringement action in which plaintiff Shelton Rivers claims to be the original author of a rhythm line – or “beat” – that was duplicated – that is, “sampled” – by defendant Salaam Nassar and incorporated into a rap tune, which enjoyed commercial success. Both Rivers and Nassar claim to be the original creator of the beat. However, the plaintiff’s sole remaining theory of liability is based on a claim of unlawful sampling under 17 U.S.C. § 114(b), which has not been established by the evidence before the Court regardless of which of the two is the original author. The parties have filed several motions, some of which raise disturbing allegations of misconduct by the plaintiffs and their attorney, Gregory Reed, Esq. The Court finds that the cross motions for summary judgment must be decided in favor of the defendants because the plaintiffs have not come forward with evidence that establishes that the accused work, a rap tune called “Shot Down,” contains a direct or indirect “recapture [of] the actual sounds fixed in the recording” Rivers said he made or a rearrangement of “the actual sounds fixed in [Rivers’s] sound recording.” Ibid. -
The Music of Relationality in the Cinema of Claire Denis
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output Concert and disconcertion: the music of relationality in the cinema of Claire Denis https://eprints.bbk.ac.uk/id/eprint/40453/ Version: Full Version Citation: Brown, Geoffrey (2019) Concert and disconcertion: the music of relationality in the cinema of Claire Denis. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email 1 Concert and Disconcertion : the music of relationality in the cinema of Claire Denis Geoffrey Brown Thesis submitted for the degree of PhD in French 2019 Department of European Cultures and Languages Birkbeck, University of London 2 Declaration I declare that the work presented in this thesis is my own, and that this thesis is the one on which I expect to be examined. Geoffrey Brown 3 This thesis is dedicated to Agnès Calatayud, an inspirational teacher, who reconnected me to French cinema after a long carence, and who, crucially, first introduced me to the films of Claire Denis. 4 Abstract This thesis argues that the interest which the films of Claire Denis display in the ever-shifting modes of relations between people is illustrated through analysis of how music is used throughout her corpus of feature films. Denis draws on an extremely eclectic palette of musical styles, and the thesis proposes that these varying musical modalities are central to her treatment of relational issues, as are the ways in which she deploys her chosen musical selections. -
Our World: Keeping the Beat
National Aeronautics and Space Administration NASA eClipsTM Educator Guide NASA’s Our World: Keeping the Beat Educational Product Educators & Students Grades 3-5 EG-2010-002-LaRC www.nasa.gov eClips Keeping the Beat National Standards: National Science Education Standards (NSES) Grade Level: 3-5 Science as Inquiry Abilities necessary to do scientific inquiry Subjects: Life Science Life Science Structure and function in living systems Physical Science Teacher Preparation Motions and forces Time: Science in Personal and Social Perspectives 30-45 minutes Personal health Lesson Duration: Three 55-minute classes. International Society for Technology in Education: National Educational Technology Standards (ISTE/NETS) Time Management: This lesson may take lon- ger with younger students Digital Citizenship or with students who have Exhibit a positive attitude toward using technology little prior knowledge about that supports collaboration, learning, and the circulatory system. productivity. National Health Education Standards Standard 1: Students will comprehend concepts related to health promotion and disease prevention to enhance health Describe the relationship between healthy behaviors and personal health Standard 5: Students will demonstrate the ability to use decision-making skills to enhance health Identify health-related situations that might require a thoughtful decision EDUCATOR GUIDE EDUCATOR NASA eClips™ 1 NASA’S Our WOrld: KeepiNg THE BEAT Lesson Overview: Materials List Students measure and record their pulse rate before and after physical activity to learn more about the heart. Engage Students have the opportunity to use a math model to look Per student for patterns in the pulse rate data. Students participate in • Student Guide (students a Cardiac Relay to deepen their understanding of the could answer all questions circulatory system. -
Minari-Screenplay.Pdf
MINARI Written by Lee Isaac Chung **All dialogue in [brackets] indicates Korean language. “MINARI” by Lee Isaac Chung FADE IN: INT. STATION WAGON - DAY (TRAVELING)(YEAR 1983 - SPRING) An Arkansas dirt road. In the car is the Yi family, Korean American. DAVID (age 7-8) is in the back. He watches his mother, MONICA (age 35) at the wheel; she follows a 1980s U-HAUL up ahead. MONICA [Where is daddy taking us?] David looks to his older sister, ANNE (age 10-11), for an answer, but she’s busy reading a book. EXT. THE FARM - MEADOW - DAY The U-Haul and the station wagon turn into a vast meadow. On the land is a SINGLE-WIDE TRAILER HOME. The vehicles park. From the U-Haul emerges the dad, JACOB YI (age 37-40). MONICA [What is this place?] JACOB [What is this? This is home.] David runs to the house and looks underneath. There, he sees: DAVID Wheels? Wheels? Whoa. Mobile homes don’t come with stairs. There’s a three foot climb to the front door. Jacob reaches up to open the door. MONICA [Really, what is this?] Jacob laughs as he hoists Anne and David to climb: INT. MOBILE HOME - DAY It’s decked out in early-80’s brown and yellow. 2. DAVID WHOA. WHOA. MONICA (O.S.) [You said you’d find a house in a big town.] David and Anne explore the empty house. EXT. THE FARM - MEADOW - DAY (LATER) Cicadas sing. David walks, staring in wonder at the meadow. Jacob and Anne follow. -
Magicsing Chip English
MagicSing Chip - Korean #10 - 2,100 songs Compatible to ET23KH, ET25K, ET9K, ET19Kv, ET18Kv, ET13K, ET12K, MT14K, ET15K, ET21K 번호 제목 가수 06651 & design (앤 디자인) 문근영 11235 1, 2, 3 (원 투 쓰리) 윤하 07251 10 점 만점에 10 점 2PM 07252 12 월의 로망스 유리상자 06351 1-2Step 제시카 H.O 07253 1994 년 어느 늦은 밤 장혜진 12058 1 년 정거장 G-드래곤 11384 1 년 후 (One Year Later) 소녀시대(제시카,온유) 07254 1 분 1초 에픽하이(Feat.타루) 11385 1 분 1초도 FT 아일랜드 12183 21 세기에 19 세기 사랑 김종환 06652 24 시간의 신화 최진영 12059 247 세개의 시선(Feat.IU) 06352 2 년 6개월 유영석 11333 2 번째 고백 먼데이키즈 06951 5 월의 연인 서영은 07255 6 년 동안 별 11386 7 년간의 사랑 규현(슈퍼주니어) 11182 8282 다비치 11035 9 월 12 일 비(Rain) 07257 가난한 사랑 고유진 07256 가난한 사랑 버즈(Buzz) 07258 가니 씨야(Feat.김용준,황정음,Mario) 06952 가라 사랑아 장혜진 12119 가라지 현미 06653 가슴 아파도 (패션 70s OST) Fly to the sky 07259 가슴 아파서 (흔들리지마 OST) 태사비애 07260 가슴만 눈물만 (행복합니다 OST) 한경일 06654 가슴아 그만해 M.C THE MAX 07261 가슴아 제발 유리(Yuri) 06655 가슴에 내리는 비 나훈아 07262 가슴에 눈물은 왜 못 보나요 안주연 06953 가슴에 틈나서 최정민 07263 가슴으로 외쳐 먼데이키즈(Feat. Rhymer) 06656 가슴으로 울었네 장윤정 11334 가슴은 알죠 조관우 06353 가슴이 소리쳐서 김형중 07264 가슴이 슬퍼 (못된 사랑 OST) 테이(Tei) 06657 가슴이 아프단 말 이제야 알죠 M.C THE MAX 11236 가슴이 어떻게 됐나봐 (꽃보다 남자 OST) A&T 07265 가슴이 콩콩콩 유화 06954 가시나무새 SG 워너비 07266 가시리 SG 워너비 & KCM 11335 가여워 아이유(IU) 06955 가인 김란영 12120 가인 배치기(Feat.Nemo Of 미스에스) 11336 가자 삼총사 07267 가져가 원더걸스 11337 가지 말라고 김동희(Rap Feat.제이미) 06658 가지마 브라이언 07268 가지마 가지마 브라운 아이즈 07269 가지마세요 태진아 11130 가평아가씨 오은주 11991 간다고야 유일한 11183 갈때까지 가보자 이수근(Feat.은지원) 07270 갈증 (에덴의 동쪽 OST) 김종욱 07271 감사 (뉴하트OST) 홍경민 12184 강력한 그녀 런(Run) 06659 강한 여자 배슬기(Feat.Carlos) 06956 같기도 김준호,이상구,홍인규 06660 같은 베개 테이(Tei) 11338 거꾸로 가는 사랑 SG 워너비 06661 거리에서 성시경 12185 거부할 수 없는 (수상한 삼 형제 OST) 나비(Navi) 07272 거울을 보다가 거미(Feat. -
SM Entertainment (041510 KQ) Entertainment
May 31, 2012 Company Report SM Entertainment (041510 KQ) Entertainment Daewoo Securities Co., Ltd. Spread of smart devices to lead to increased music consumption Chang-kwean Kim +822-768-4321 Digital music revenues to expand on launch of iTunes and improved pricing [email protected] We expect the global and domestic digital music markets to show robust growth until 2015 (at CAGRs of 11.6% and 14.9%, respectively). AppleÊs launch of iTunes in Korea should boost digital music demand. And the governmentÊs anticipated introduction of a pay-per-streaming/download system should lead to unit price hikes. The growth of the smart TV (e.g., Apple TV) market should boost traffic to music videos as well as help facilitate the development of SM EntertainmentÊs drama Buy (Maintain) business. In 2011, SM generated W4bn in advertising revenues related to its YouTube music videos and W6.2bn in digital music revenues. The gross margin of Target Price (12M, W) 57,400 Share Price (05/30/12, W) 40,500 the digital music business came in at a whopping 80%. Expected Return (%) 41.7 EPS Growth (12F, %) 151.5 Maintain Buy call with TP of W57,400 Market EPS Growth (12F, %) 19.1 We maintain our Buy call on SM Entertainment with a target price of W57,400. We P/E (12F, x) 13.0 raised our 2012 and 2013 EPS estimates by 2.4% and 10.4%, respectively, to Market P/E (12F, x) 9.3 reflect the companyÊs 1Q results. We project the companyÊs 2012 revenues and KOSDAQ 469.62 operating profit to soar by 71.2% YoY and 249.4% YoY, respectively. -
2016-17 Season Strat-O-Matic 30 Team Basketball Rosters Nba Eastern Conference
2016-17 SEASON STRAT-O-MATIC 30 TEAM BASKETBALL ROSTERS NBA EASTERN CONFERENCE ATLANTA BOSTON BROOKLYN *CHARLOTTE CHICAGO CLEVELAND DETROIT *INDIANA Bazemore, K. -6 Bradley, A. -6 Booker, T. -6 Batum, N. -6 Butler, J. -5 Frye, C. -6 Baynes, A. -0 Allen, L. -0 Delaney, M. -6 Brown, J. -6 Dinwiddie, S. -4 Belinelli, M. -6 Felicio, C. -0 Irving, K. -6 Caldwell-Pope, K. -6 Brooks, A. -6 Hardaway Jr., T. -6 Crowder, J. -6 Foye, R. -6 Kaminsky, F. -6 Grant, J. -6 James, L. -6 Drummond, A. -0 Ellis, M. -4 Howard, D. -0 Horford, A. -6 Hamilton, J. -6 Kidd-Gilchrist, M. -0 Lauvergne, J. -6 Jefferson, R. -6 Harris, T. -6 George, P. -6 Ilyasova, E. -6 Jerebko, J. -6 Harris, J. -6 Lamb, J. -6 Lopez, R. -0 Korver, K. -6 Jackson, R. -6 Jefferson, A. -0 Millsap, P. -6 Johnson, A. -6 Hollis-Jefferson, R. -4 Plumlee, M. -0 Mirotic, N. -6 Love, K. -6 Johnson, S. -6 Miles, C.J. -6 Muscala, M. -6 Olynyk, K. -6 Kilpatrick, S. -6 Sessions, R. -4 Portis, B. -6 Shumpert, I. -6 Leuer, J. -6 Robinson, G. -4 Prince, T. -6 Rozier, T. -6 LeVert, C. -6 Walker, K. -6 Rondo, R. -3 Smith, J.R. -6 Morris, M. -6 Teague, J. -4 Schroder, D. -6 Smart, M. -6 Lopez, B. -6 Williams, M. -6 Valentine, D. -6 Thompson, T. -0 Smith, I. -4 Turner, M. -6 Sefolosha, T. -5 Thomas, I. -6 Whitehead, I. -6 Zeller, C. -0 Wade, D. -6 Williams, D. -
Sociedade Brasileira De Estudos Interdisciplinares Da Comunicação XXXII Congresso Brasileiro De Ciências Da Comunicação – Curitiba, PR – 4 a 7 De Setembro De 2009
Intercom – Sociedade Brasileira de Estudos Interdisciplinares da Comunicação XXXII Congresso Brasileiro de Ciências da Comunicação – Curitiba, PR – 4 a 7 de setembro de 2009 Jumun: pensando o sucesso ocidental da cultura pop asiática através da boyband sul-coreana Dong Bang Shin Ki1 Talita de Cássia MOTA2 Universidade Estadual Paulista, Bauru, SP Resumo A música é uma forma de arte que reflete modos de pensar e agir, a cultura e por isso mesmo é utilizada como uma das maneiras de se conhecer e divulgar o país para o estrangeiro. Mesmo quando não há divulgação oficial pelos meio tradicionais (rádio, TV ou jornal), a internet passa a ser o meio essencial para visualização de outras culturas a partir do país de origem, sem intermediários que poderiam distorcer sua imagem. Por isso, este artigo pretende enxergar a música como forma de comunicação de uma cultura diferente da nossa e assim, pensar a internet como o meio que possibilita a disseminação, conhecimento e consumo de produtos da cultura pop sul coreana, vendo nesse movimento a reinterpretação e/ou construção de novas identidades culturais gerando um processo de hibridização cultural. Palavras-chave comunicação; cultura; internet; identidade Introdução As culturas asiáticas já estão muito presentes no Brasil, não só por consequência da imigração, que é muito marcante em lugares específicos do país, mas também, pelo consumo,cada vez maior de produtos dessas culturas, o que ficou mais visível durante o ano de 2008 em que se comemorou o Centenário da Imigração Japonesa. Já se fala muito em animes e mangás e como eles atraem os jovens; só que existem outras manifestações culturais que são incorporadas pelos brasileiros e que não recebem destaque, como é o caso da música. -
0708 the Record 584戻
2008-07 Vol.584 特 集 2007年 世界の音楽産業 ● 特報 Special Report 当協会公式HP著作権関連ページ刷新 「正しく・楽しく聴いて欲しいから 音楽CDと著作権」 ● Watching! 共同原盤は共同でない?! 社団法人 日本レコード協会 MMonthlyonthly NNewsews DDigestigest Contents Monthly News Digest ................................................ 1 Watching! 共同原盤は共同でない?! .............................................. 3 5/17 6/01 特集 2007年 世界の音楽産業.............................................. 4 AESコンベンション開催 CODA、 特報 Special Report 中国国家版権局を訪問 当協会公式HP著作権関連ページ刷新 5月17~20日、オランダ・アム ス テ ル 「正しく・楽しく聴いて欲しいから 音楽CDと著作権」.... 8 ダムにおいて、第124回AESコンベン 6月1~6日、コンテンツ海外流通促進 PICK UP.......................................................................... 9 ションが開催された。当協会からは情 機構(CODA)のミッション派遣団は、中国 ショート・ストーリー 音楽のはなし .......................... 11 報・技術部の北村部長と赤塚課長が参加 の政府機関である、国家版権局や関連団 Monthly Production Report .................................... 12 した。 体を訪問した。今回の訪問はCODA法制 GOLD DISC ................................................................ 13 詳細は9ページに掲載。 度委員会の高嶋委員長(株式会社ソニー・ Message & Opinion .................................................. 14 ミュージックエンタテインメント契約グ ループ本部長)を団長に、経済産業省、文 化庁、会員社メンバーおよび当協会の顧 問弁護士でもある前田哲男氏も参加し、 当協会からは業務部の阿部担当部長と法 務部の米内課長補佐が参加した。 詳細は10ページに掲載。 5/20 6/01 WEBサイト IFPI中央理事会開催 「全日本CDショップ店員組合」 公開 5月21日、フランス・パリにおいて、 IFPI(国際レコード産業連盟)中央理事会 6月1日、現役のCDショップ店員たち が開催された。当協会からは石坂会長の が中心となって運営する新しい音楽WEB 代理として情報・技術部の畑部長がオブ サイト「全日本CDショップ店員組合」が公 ザーバーで出席した。 開された。 詳細は9ページに掲載。 このサイトは、「CDショップの現場から 音楽を盛り上げていきたい」「CDショップ 店員一人ひとりの情報発信力を高めたい」 という想いから生まれたサイトである。 6/02 当協会もこのサイトを通じて、CDショッ プ店頭が活性化することを期待している。 IFPIインターネット パイラシー会議開催 ● http://www.cdshop-kumiai.jp -
Inroads to Student Motivation in the Language Classroom: J-Pop
Verla Uchida, A. (2018). Inroads to student motivation. Accents Asia, 10(2), 20-29. Inroads to Student Motivation in the Language Classroom: J-Pop Adrianne Verla Uchida1 Nihon University, Japan ABSTRACT As English is taught as a foreign language in Japan, the issue of whose English should be taught, how it should be taught and by whom are just a few of the questions that educators must decide when implementing a foreign language program. The answers to those questions then often have a direct influence on the learner and how their identity is shaped through learning English. Additionally, integrating pop culture materials that students are familiar with into the EFL classroom is useful as a means of addressing the concept of “cool” and globalization. This paper will review and draw on the ideas of globalization, identity, code switching and performativity-the way in which we perform acts of identity through cultural and social interactions or performance (Pennycook, 2003, p. 528), previously used to research about hip-hop culture in Japanese language and culture while broadening the focus to include Japanese pop (J-pop) and rock music. It will also examine the recent increase of English used in popular Japanese music and attempt to draw conclusions about the reasons why that is, the effects that it has on Japanese culture, especially in determining what is cool, and how it can be utilized in the EFL classroom. INTRODUCTION For better or worse, popular culture across the world has changed concurrently with the spread of English and globalization. The issues of whose English should be taught, how it should be taught and by whom are just a few components connected to the complexity of shaping one’s identity through the usage of English in modern day Japanese culture.