A Study of the Sacred in a Selection of Works by Assia Djebar, Tahar Ben Jelloun and Salman Rushdie Feriani, R
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WestminsterResearch http://www.westminster.ac.uk/westminsterresearch Symbols and Worlds: a study of the Sacred in a selection of works by Assia Djebar, Tahar Ben Jelloun and Salman Rushdie Feriani, R. This is an electronic version of a PhD thesis awarded by the University of Westminster. © Miss Rim Feriani, 2017. The WestminsterResearch online digital archive at the University of Westminster aims to make the research output of the University available to a wider audience. Copyright and Moral Rights remain with the authors and/or copyright owners. Whilst further distribution of specific materials from within this archive is forbidden, you may freely distribute the URL of WestminsterResearch: ((http://westminsterresearch.wmin.ac.uk/). In case of abuse or copyright appearing without permission e-mail [email protected] Symbols and Worlds: A Study of the Sacred in a Selection of Works by Assia Djebar, Tahar Ben Jelloun and Salman Rushdie Rim Feriani A Thesis submitted in partial fulfilment of the requirements of the University of Westminster for the degree of Doctor of Philosophy 2017 Abstract This thesis provides a reading of the concept of the Sacred in a selection of texts by Assia Djebar, Tahar Ben Jelloun and Salman Rushdie. The aims of this thesis are threefold. The first aim is to demonstrate that the selected texts of the three authors creatively engage with the Sufi Islamic heritage through the use of symbolic expressions of the Sacred. The second aim is to argue that the symbols of the Sacred in the three authors’ works ontologically project what are termed here “intermediate worlds” of the Sacred. And the third aim is to gain a hermeneutic understanding of the concept of the Sacred in the literary works of Djebar, Ben Jelloun and Rushdie. In order to achieve these aims I adopt Paul Ricœur’s hermeneutic approach which allows me to interpret the symbolic and ontological underpinnings of the Sacred in the three authors’ works. Furthermore, I draw from the Sufi philosophy of Ibn Arabi, since locating this thesis within a Sufi conceptual and philosophical framework is essential given the Islamic tradition with which, as I argue, the three writers creatively engage. The contribution of this thesis consists in seeking new lines of inquiry by expanding on the predominant postcolonial, postmodern and feminist approaches to Djebar’s, Ben Jelloun’s and Rushdie’s work. By tracing affinities between the three authors’ selected texts, through a focus on the creative encounter with the Sacred, this thesis makes a new contribution to the study of the three authors in its aim of providing a broader understanding of their literary works. The symbols that I interpret in this thesis are the journey, the “hidden”, the “openings”, “darkness” and “light”. The choice of exploring the symbolic aspect of the journey is motivated by its link, as this thesis argues, with the Sacred journey of i the Prophet Muhammad as well as with the meaning of a Sufi spiritual journey. I also chose to examine the four symbols of the “hidden”, the “openings”, “darkness” and “light” because of their connection to the Sacred names of God in the Islamic tradition and to their structural relations, as signifiers, to the symbol of the journey. In addition to the symbolic expressions of the Sacred, I explore in this thesis the ontological dimension of the experience of the Sacred in the three authors’ selected works. In this regard, I draw from Ibn Arabi’s Sufi concept of the barzakh which is an ontological concept that refers to an intermediate reality where the Sufi seeker encounters opposite worlds. My hermeneutic reading of the “projected worlds” in light of the concept of the barzakh highlights the creative encounter between the three authors’ selected texts and the Sacred. Hence, the Sacred is not presented as a definite and defined system of thought. On the contrary, it is argued that these texts oblige the reader to question philosophically how the Sacred is both expressed in the texts and experienced beyond the parameters of the texts. ii Table of Contents Abstract .................................................................................................................. i Table of Contents ..................................................................................................iii Acknowledgments ................................................................................................. vi Author’s Declaration ............................................................................................ vii List of Abbreviations ........................................................................................... viii Dedication............................................................................................................. ix Introduction ........................................................................................................... 1 i. Aims and Objectives .................................................................................... 1 ii. The Relevance of A Study of the Sacred ....................................................... 2 iii. Choice of Authors ........................................................................................ 5 iv. Methodological Approach and Conceptual Framework ............................... 16 v. Choice of Corpus ....................................................................................... 22 vi. An Overview of the Thesis Structure .......................................................... 26 Chapter I : Literature Review of Djebar, Ben Jelloun and Rushdie ......................... 30 Introduction ...................................................................................................... 30 i. Literature Review of Djebar ....................................................................... 37 ii. Literature Review of Ben Jelloun................................................................ 53 iii. Literature Review of Rushdie ..................................................................... 65 iv. Towards a Study of the Sacred in Djebar’s, Ben Jelloun’s and Rushdie’s Writing. ............................................................................................................ 81 Conclusion ....................................................................................................... 93 Chapter II: Methodology ...................................................................................... 95 Introduction ...................................................................................................... 95 i. The Sacred: A Judeo-Christian Perspective ................................................. 96 ii. Stage I: A Hermeneutic Explanation of Symbols ....................................... 101 iii. Stage II: A Hermeneutic Understanding of Worlds .................................... 107 Conclusion ..................................................................................................... 113 Chapter III: The Philosophical and Conceptual Context ....................................... 115 Introduction .................................................................................................... 115 i. The Sacred in Islam ................................................................................. 116 ii. The Sacred in Ibn Arabi’s Sufi Philosophy................................................ 121 iii Sufism.................................................................................................. 121 Ibn Arabi .............................................................................................. 124 The Names of God................................................................................ 127 iii. Symbols of the Sacred in Ibn Arabi’s Sufi Philosophy ............................... 133 The Journey: A Symbol of the Sacred ................................................... 134 The Opening of the Heart...................................................................... 145 The Opening of Doors .......................................................................... 150 Visionary Openings .............................................................................. 153 The Hidden Sacred ............................................................................... 156 Jihad: A Spiritual Struggle.................................................................... 162 Darkness and Unveiling ........................................................................ 165 God is The Light .................................................................................. 169 Spiritual Eye/Insight ............................................................................. 172 iv. The Experience of the Sacred and the Concept of the Barzakh in Ibn Arabi’s Sufi Philosophy .............................................................................................. 175 Conclusion ..................................................................................................... 184 Chapter IV: The Sacred and the Journey through “Openings” and Towards the “Hidden”............................................................................................................ 186 Introduction: A Hermeneutic Analysis of the Journey through “Openings” and towards the “Hidden” in Vaste est la prison, L’Enfant de sable and The Satanic Verses ................................................................................................................ 186 i. Isma’s Journey