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The Techniques of Realism and Fantasy for the Expression of the Political in French Cinema from Its Origins to the New Wave
THE EXPRESSION OF THE POLITICAL IN FRENCH CINEMA THE TECHNIQUES OF REALISM AND FANTASY FOR THE EXPRESSION OF THE POLITICAL IN FRENCH CINEMA FROM ITS ORIGINS TO THE NEW WAVE By FRANCES OKSANEN, B. A. A Thesis Submitted to the School of Graduate Studies in Partial Fulfilment of the Requirements for the Degree Master of Arts McMaster University October 1990 MASTER OF ARTS (1990) McMASTER UNIVERSITY (French) Hamilton~ Ontario TITLE: The Techniques of Realism and Fantasy for the Expression of the Political in French Cinema from its Origins to the New Wave AUTHOR: Frances Oksanen, B. A. (McMaster University) SUPERVISOR: Professor John Stout NUMBER OF PAGES: v, 167. ii .... '. ABSTRACT This study examines the relationship between film techniques and politics in French cinema. The first filmmakers established the basic techniques of cinema, using realism to record events, and fantasy to create amusements. Narrative film developed as a combination of these techniques. Cinema of the twenties was closely associated with the European art movements of Dadaism, Surrealism and Expressionism. By the thirties, the political polarisation and the threat of a second World War caused filmmakers to project political opinions and to portray societal problems. Narrative film became an important means of influencing public opinion, although not always in the directions intended. With the New Wave, autobiographical content and a return to early film techniques made narrative film both personal and traditional. The directors solidified the reputation of French cinema as topical, socially relevant, and politically involved. iii ACKNOWLEDGEMENTS I would like to thank my supervisor, Professor John C. Stout for his advice through the course of my research, and Professor Charles E. -
WARHOL: Bardot
G A G O S I A N G A L L E R Y 28 September 2011 PRESS RELEASE GAGOSIAN GALLERY 17-19 DAVIES STREET T. 020.7493.3020 LONDON W1K 3DE F. 020.7493.3025 GALLERY HOURS: Mon - Sat 10:00am – 6:00pm WARHOL: Bardot Monday, 10 October – Saturday, 12 November 2011 Brigitte Bardot was one of the first women to be really modern and treat men like love objects, buying them and discarding them. I like that. --Andy Warhol Gagosian Gallery London is pleased to announce an exhibition of Andy Warhol's portraits of Brigitte Bardot. Bardot was the original sex kitten, a superstar of French New Wave cinema, and an icon of feminine sensuality. Aged eighteen, she gained sudden and worldwide notoriety for her steamy role in Roger Vadim's directorial debut, And God Created Woman (1956), which broke box-office records and censorship taboos with its titillating display of sex and eroticism in St Tropez. Despite mixed critical reviews, the film launched her career and presaged her international stardom. Bardot also caught the attention of French intellectuals: she was the subject of Simone de Beauvoir's 1959 essay "Brigitte Bardot and the Lolita Syndrome," which described her as a "locomotive of women's history", building upon existentialist themes to declare her the most liberated woman of post-war France. Her crowning achievement occurred in 1963 as Camille in Jean-Luc Godard's New Wave masterpiece Contempt, based on Alberto Moravia's emotionally raw account of a marital break-up, set against the intrigues of the international film industry. -
Note to Users
NOTE TO USERS This reproduction is the best copy available. UMI' The Spectacle of Gender: Representations of Women in British and American Cinema of the Nineteen-Sixties By Nancy McGuire Roche A Dissertation Submitted in Partial Fulfillment of the Requirements for the Ph.D. Department of English Middle Tennessee State University May 2011 UMI Number: 3464539 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a complete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. UMT Dissertation Publishing UMI 3464539 Copyright 2011 by ProQuest LLC. All rights reserved. This edition of the work is protected against unauthorized copying under Title 17, United States Code. ProQuest LLC 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106-1346 The Spectacle of Gender: Representations of Women in British and American Cinema of the Nineteen-Sixties Nancy McGuire Roche Approved: Dr. William Brantley, Committees Chair IVZUs^ Dr. Angela Hague, Read Dr. Linda Badley, Reader C>0 pM„«i ffS ^ <!LHaAyy Dr. David Lavery, Reader <*"*%HH*. a*v. Dr. Tom Strawman, Chair, English Department ;jtorihQfcy Dr. Michael D1. Allen, Dean, College of Graduate Studies Nancy McGuire Roche Approved: vW ^, &v\ DEDICATION This work is dedicated to the women of my family: my mother Mary and my aunt Mae Belle, twins who were not only "Rosie the Riveters," but also school teachers for four decades. These strong-willed Kentucky women have nurtured me through all my educational endeavors, and especially for this degree they offered love, money, and fierce support. -
Roger Vadim, BARBARELLA (1968, 98 Minutes)
3 March 2015 (Series 30:6) Roger Vadim, BARBARELLA (1968, 98 minutes) Directed by Roger Vadim Written by Jean-Claude Forest (comic), Claude Brulé, Terry Southern (screenplay), Roger Vadim (screenplay), Vittorio Bonicelli, Clement Biddle Wood, Brian Degas, and Tudor Gates Produced by Dino De Laurentiis Music by Charles Fox Cinematography by Claude Renoir Film Editing by Victoria Mercanton Production Design by Mario Garbuglia Costume Design by Jacques Fonteray and Paco Rabanne Jane Fonda ... Barbarella John Phillip Law ... Pygar Anita Pallenberg ... The Great Tyrant Milo O'Shea ... Concierge / Durand-Durand Marcel Marceau ... Professor Ping Games, 1976 Une femme fidèle, 1974 La jeune fille assassinée, Claude Dauphin ... President of Earth 1973 Don Juan (Or If Don Juan Were a Woman), 1972 Hellé, Véronique Vendell ... Captain Moon 1971 Pretty Maids All in a Row, 1968 Barbarella, 1966 The Giancarlo Cobelli Game Is Over, 1964 Circle of Love, 1963 Vice and Virtue, 1962 Serge Marquand ... Captain Sun Love on a Pillow, 1961 Please, Not Now!, 1960 Blood and Nino Musco Roses, 1959 Les liaisons dangereuses, 1958 The Night Heaven Franco Gulà Fell, 1957 No Sun in Venice, and 1956 ...And God Created Catherine Chevallier ... Stomoxys Woman. Marie Therese Chevallier ... Glossina Umberto Di Grazia Terry Southern (writer, screenplay) (b. May 1, 1924 in David Hemmings ... Dildano Alvarado, Texas—d. October 29, 1995 (age 71) in New York Ugo Tognazzi ... Mark Hand City, New York) wrote 18 films and television shows, which are Vita Borg ... La magicienne 2007 Terry Southern's Plums and Prunes, 2004 Heavy Put-Away, Chantal Cachin ... La révolutionnaire 1998 Terry Southern Interviews a Faggot Male Nurse, 1988 The Fabienne Fabre .. -
Aristide Briand: Defending the Republic Through Economic Appeasement
Robert Boyce, "Aristide Briand : defending the Republic through economic appeasement", Histoire@Politique. Politique, culture, société, n° 16, janvier-avril 2012, www.histoire-politique.fr Aristide Briand: defending the Republic through economic appeasement Robert Boyce Aristide Briand occupied a major place in the politics of the Third Republic. For nearly twenty years he was a prominent political activist and journalist. Then, upon entering parliament he was eleven times président du Conseil and a minister on no less than twenty-five occasions, participating in government almost continuously from 1906 to 1917, in 1921-1922 and again from 1925 to 1932. Never during his thirty- year parliamentary career, however, did he take responsibility for a ministry of commerce, industry or finance or participate in debates on fiscal policy or budget reform. It might be said, indeed, that of all the leading politicians of the Third Republic he was one of the least interested in economic issues. Since he repeatedly altered his political posture before and after entering parliament, his approach to economics is difficult to define. Nevertheless it is possible to identify certain underlying beliefs that informed his political behaviour and shaped his economic views. In order to analyse these beliefs, their evolution and their instrumentalisation, the present paper will treat his public life in three stages: the long period before entering parliament, the period from 1902 to the war when he established his reputation as a progressive political leader, and the period from 1914 to 1932 when he became France's leading statesman. As will be seen, changing circumstances led him repeatedly to alter his posture towards economic choices, but in the second stage he became associated with potentially important domestic social and economic reforms, and in the third stage with potentially important international economic reforms. -
F/22/401 À 428 Tiré À Part De L'état Sommaire Des Versements Des
46 ANNEXE I F/22/401 à 428 Tiré à part de l'État sommaire des versements des Ministères et des Administrations qui en dépendent, Tome III, fascicule 2, pages 251 et 252 L' État sommaire des versements des Ministères et des Administrations qui en dépendent , dans le fascicule 2 de son tome III , publié en 1957, fait état, dans sa description des fonds du ministère du Travail, F 22 , d'archives relatives à la loi de huit heures. Nous en avons reproduit ci-dessous la description. En préparant son inventaire des dossiers reçus postérieurement sur cette même loi de huit heures, Madame Poulle avait eu le souci de signaler ces références complémentaires. Éditant son travail, nous les avons naturellement conservées. F/22/401 . Journée de huit heures. Préparation de la loi du 23 avril 1919. F/22/402 et 403 . Durée du travail à l'étranger. 1919-1930. 402. Enquêtes diverses. 403. Renseignements relatifs à la Grande-Bretagne, aux Pays-Bas, à la Suède, à la Suisse et à la Russie. F/22/404 à 406 . Journée de huit heures. 1920-1934. 404. Correspondance relative à l'application de la loi. 1920-1923. 405. Coupures de journaux, brochures, périodiques. 1920-1929. 406. Infractions commises envers la loi, heures supplémentaires. 1921-1934. F/22/407 . Semaine de quarante-huit heures. Répartition des heures de travail sur cinq jours. 1931- 1935. F/22/408 . Journée de huit heures. Adaptation des conditions de la production (métallurgie, textiles, chaussures, défense nationale). 1919-1930. F/22/409 à 428 . Journée de huit heures : application de la loi dans diverses industries. -
Appendix 1: Selected Films
Appendix 1: Selected Films The very random selection of films in this appendix may appear to be arbitrary, but it is an attempt to suggest, from a varied collection of titles not otherwise fully covered in this volume, that approaches to the treatment of sex in the cinema can represent a broad church indeed. Not all the films listed below are accomplished – and some are frankly maladroit – but they all have areas of interest in the ways in which they utilise some form of erotic expression. Barbarella (1968, directed by Roger Vadim) This French/Italian adaptation of the witty and transgressive science fiction comic strip embraces its own trash ethos with gusto, and creates an eccentric, utterly arti- ficial world for its foolhardy female astronaut, who Jane Fonda plays as basically a female Candide in space. The film is full of off- kilter sexuality, such as the evil Black Queen played by Anita Pallenberg as a predatory lesbian, while the opening scene features a space- suited figure stripping in zero gravity under the credits to reveal a naked Jane Fonda. Her peekaboo outfits in the film are cleverly designed, but belong firmly to the actress’s pre- feminist persona – although it might be argued that Barbarella herself, rather than being the sexual plaything for men one might imagine, in fact uses men to grant herself sexual gratification. The Blood Rose/La Rose Écorchée (aka Ravaged, 1970, directed by Claude Mulot) The delirious The Blood Rose was trumpeted as ‘The First Sex Horror Film Ever Made’. In its uncut European version, Claude Mulot’s film begins very much like an arthouse movie of the kind made by such directors as Alain Resnais: unortho- dox editing and tricks with time and the film’s chronology are used to destabilise the viewer. -
Communist Trade Unionism and Industrial Relations on the French Railways, 1914–1939
Fellow Travellers Communist Trade Unionism and Industrial Relations on the French Railways, 1914–1939 STUDIES IN LABOUR HISTORY 13 Studies in Labour History ‘…a series which will undoubtedly become an important force in re-invigorating the study of Labour History.’ English Historical Review Studies in Labour History provides reassessments of broad themes along with more detailed studies arising from the latest research in the field of labour and working-class history, both in Britain and throughout the world. Most books are single-authored but there are also volumes of essays focussed on key themes and issues, usually emerging from major conferences organized by the British Society for the Study of Labour History. The series includes studies of labour organizations, including international ones, where there is a need for new research or modern reassessment. It is also its objective to extend the breadth of labour history’s gaze beyond conven- tionally organized workers, sometimes to workplace experiences in general, sometimes to industrial relations, but also to working-class lives beyond the immediate realm of work in households and communities. Fellow Travellers Communist Trade Unionism and Industrial Relations on the French Railways, 1914–1939 Thomas Beaumont Fellow Travellers LIVERPOOL UNIVERSITY PRESS First published 2019 by Liverpool University Press 4 Cambridge Street Liverpool L69 7ZU Copyright © 2019 Thomas Beaumont The right of Thomas Beaumont to be identified as the author of this book has been asserted by him in accordance with the Copyright, Designs and Patents Act 1988. All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior written permission of the publisher. -
Liste Chronologique Des Ministres Des Ptt
LISTE CHRONOLOGIQUE DES MINISTRES DES PTT Président de la Ministère Ministre Date Secrétariat (SE) ou Secrétaire ou Date République d’entrée Sous-secrétariat Sous-secrétaire d’entrée d’État (SSE) d’État Postes et télégraphes Adolphe COCHERY 05/02/1879 Jean SARRIEN 06/04/1885 Postes et télégraphes JULES GREVY Félix GRANET 07/01/1886 1879-1887 Présidence du Conseil, finances, chargé des postes et Maurice R OUVIER 30/05/1887 télégraphes Présidence du Conseil, finances chargé des postes et Pierre T IRARD 12/12/1887 télégraphes Finances, chargé des postes Paul PEYTRAL 03/04/1888 et télégraphes SADI CARNOT Présidence du Conseil, finances, chargé des postes et 22/2/1889 1887-1894 télégraphes Pierre TIRARD Présidence du Conseil, commerce, industrie et 14/03/1889 colonies, chargé des postes Commerce, industrie et colonies, chargé des postes Jules ROCHE 17/03/1890 1 septembre 2010 LISTE CHRONOLOGIQUE DES MINISTRES DES PTT Président de la Ministère Ministre Date Secrétariat (SE) ou Secrétaire ou Date République d’entrée Sous-secrétariat Sous-secrétaire d’entrée d’État (SSE) d’État Commerce et industrie, Jules ROCHE 27/02/1892 chargé des postes et télégraphes Jules SIEGFRIED 6/12/1892 Jules SIEGFRIED 11/01/1893 Commerce, industrie et SADI CARNOT colonies chargé des postes et Jean TERRIER 04/04/1893 1887-1894 télégraphes Jean MARTY 03/12/1893 Commerce, industrie, postes Jean MARTY 24/03/1894 et télégraphes Victor LOURTIES 30/05/1894 JEAN Commerce, industrie, postes CASIMIR-PERRIER Victor LOURTIES 01/07/1894 et télégraphes 1894- 1895 André LEBON 26/01/1895 -
Guide to the Colin De Land and Pat Hearn Library Collection MSS.012 Hannah Mandel; Collection Processed by Ann Butler, Ryan Evans and Hannah Mandel
CCS Bard Archives Phone: 845.758.7567 Center for Curatorial Studies Fax: 845.758.2442 Bard College Email: [email protected] Annandale-on-Hudson, NY 12504 Guide to the Colin de Land and Pat Hearn Library Collection MSS.012 Hannah Mandel; Collection processed by Ann Butler, Ryan Evans and Hannah Mandel. This finding aid was produced using ArchivesSpace on February 06, 2019 . Describing Archives: A Content Standard Guide to the Colin de Land and Pat Hearn Library Collection MSS.012 Table of Contents Summary Information ................................................................................................................................................ 3 Biographical / Historical ............................................................................................................................................. 5 Scope and Contents ................................................................................................................................................. 6 Arrangement .............................................................................................................................................................. 6 Administrative Information ......................................................................................................................................... 7 Related Materials ...................................................................................................................................................... 7 Controlled Access Headings .................................................................................................................................... -
LE MONDE/PAGES<UNE>
www.lemonde.fr 57e ANNÉE – Nº 17605 – 7,50 F - 1,14 EURO FRANCE MÉTROPOLITAINE -- DIMANCHE 2 - LUNDI 3 SEPTEMBRE 2001 FONDATEUR : HUBERT BEUVE-MÉRY – DIRECTEUR : JEAN-MARIE COLOMBANI A Durban, Yasser Arafat 2002 : la droite part en campagne b Tandis que la majorité de gauche gouverne, l’opposition s’organise pour l’élection présidentielle qualifie b A l’UDF, François Bayrou parie sur le premier tour et le refus du « duel des dinosaures éternels » de « raciste » b Au RPR, Alain Juppé et Nicolas Sarkozy pensent déjà aux législatives, une fois Jacques Chirac réélu LA DROITE se met en ordre de Quimper, samedi 1er et dimanche Chirac pour s’organiser. Nicolas François Bayrou, président de la politique d’Israël bataille pour l’élection présidentiel- 2 septembre, le RPR fait bloc derriè- Sarkozy affiche clairement son ambi- l’UDF, qui réunissait son université à le ; et certains de ses responsables re le président de la Républi- tion de devenir, après la présidentiel- Ramatuelle (Var) ce week-end, a EN OUVERTURE de la troisième en piste pour Matignon en cas de que. Alain Juppé affirme qu’il n’est le, chef de la droite afin de mener la jugé qu’« il faut sortir du duel des conférence de l’ONU contre le racis- réélection de Jacques Chirac en pas nécessaire d’attendre la déclara- campagne pour les élections législati- dinosaures éternels ». Lionel Jospin MARTIAL TREZZINI/AP/KEYSTONE me, vendredi 31 août à Durban, en 2002. Réuni en université d’été à tion de candidature de Jacques ves. ne peut, selon lui, incarner « l’es- Afrique du Sud, le secrétaire général, poir ». -
Cinema Studies: the Key Concepts
Cinema Studies: The Key Concepts This is the essential guide for anyone interested in film. Now in its second edition, the text has been completely revised and expanded to meet the needs of today’s students and film enthusiasts. Some 150 key genres, movements, theories and production terms are explained and analysed with depth and clarity. Entries include: • auteur theory • Black Cinema • British New Wave • feminist film theory • intertextuality • method acting • pornography • Third World Cinema • War films A bibliography of essential writings in cinema studies completes an authoritative yet accessible guide to what is at once a fascinating area of study and arguably the greatest art form of modern times. Susan Hayward is Professor of French Studies at the University of Exeter. She is the author of French National Cinema (Routledge, 1998) and Luc Besson (MUP, 1998). Also available from Routledge Key Guides Ancient History: Key Themes and Approaches Neville Morley Cinema Studies: The Key Concepts (Second edition) Susan Hayward Eastern Philosophy: Key Readings Oliver Leaman Fifty Eastern Thinkers Diané Collinson Fifty Contemporary Choreographers Edited by Martha Bremser Fifty Key Contemporary Thinkers John Lechte Fifty Key Jewish Thinkers Dan Cohn-Sherbok Fifty Key Thinkers on History Marnie Hughes-Warrington Fifty Key Thinkers in International Relations Martin Griffiths Fifty Major Philosophers Diané Collinson Key Concepts in Cultural Theory Andrew Edgar and Peter Sedgwick Key Concepts in Eastern Philosophy Oliver Leaman Key Concepts in