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The Digital Deli Online - List of Known Available Shows As of 01-01-2003
The Digital Deli Online - List of Known Available Shows as of 01-01-2003 $64,000 Question, The 10-2-4 Ranch 10-2-4 Time 1340 Club 150th Anniversary Of The Inauguration Of George Washington, The 176 Keys, 20 Fingers 1812 Overture, The 1929 Wishing You A Merry Christmas 1933 Musical Revue 1936 In Review 1937 In Review 1937 Shakespeare Festival 1939 In Review 1940 In Review 1941 In Review 1942 In Revue 1943 In Review 1944 In Review 1944 March Of Dimes Campaign, The 1945 Christmas Seal Campaign 1945 In Review 1946 In Review 1946 March Of Dimes, The 1947 March Of Dimes Campaign 1947 March Of Dimes, The 1948 Christmas Seal Party 1948 March Of Dimes Show, The 1948 March Of Dimes, The 1949 March Of Dimes, The 1949 Savings Bond Show 1950 March Of Dimes 1950 March Of Dimes, The 1951 March Of Dimes 1951 March Of Dimes Is On The Air, The 1951 March Of Dimes On The Air, The 1951 Packard Radio Spots 1952 Heart Fund, The 1953 Heart Fund, The 1953 March Of Dimes On The Air 1954 Heart Fund, The 1954 March Of Dimes 1954 March Of Dimes Is On The Air With The Fabulous Dorseys, The 1954 March Of Dimes Is On The Air, The 1954 March Of Dimes On The Air 1955 March Of Dimes 1955 March Of Dimes Is On The Air, The 1955 March Of Dimes, The 1955 Pennsylvania Cancer Crusade, The 1956 Easter Seal Parade Of Stars 1956 March Of Dimes Is On The Air, The 1957 Heart Fund, The 1957 March Of Dimes Galaxy Of Stars, The 1957 March Of Dimes Is On The Air, The 1957 March Of Dimes Presents The One and Only Judy, The 1958 March Of Dimes Carousel, The 1958 March Of Dimes Star Carousel, The 1959 Cancer Crusade Musical Interludes 1960 Cancer Crusade 1960: Jiminy Cricket! 1962 Cancer Crusade 1962: A TV Album 1963: A TV Album 1968: Up Against The Establishment 1969 Ford...It's The Going Thing 1969...A Record Of The Year 1973: A Television Album 1974: A Television Album 1975: The World Turned Upside Down 1976-1977. -
Boxoffice Barometer (March 6, 1961)
MARCH 6, 1961 IN TWO SECTIONS SECTION TWO Metro-Goldwyn-Mayer presents William Wyler’s production of “BEN-HUR” starring CHARLTON HESTON • JACK HAWKINS • Haya Harareet • Stephen Boyd • Hugh Griffith • Martha Scott • with Cathy O’Donnell • Sam Jaffe • Screen Play by Karl Tunberg • Music by Miklos Rozsa • Produced by Sam Zimbalist. M-G-M . EVEN GREATER IN Continuing its success story with current and coming attractions like these! ...and this is only the beginning! "GO NAKED IN THE WORLD” c ( 'KSX'i "THE Metro-Goldwyn-Mayer presents GINA LOLLOBRIGIDA • ANTHONY FRANCIOSA • ERNEST BORGNINE in An Areola Production “GO SPINSTER” • • — Metrocolor) NAKED IN THE WORLD” with Luana Patten Will Kuluva Philip Ober ( CinemaScope John Kellogg • Nancy R. Pollock • Tracey Roberts • Screen Play by Ranald Metro-Goldwyn-Mayer pre- MacDougall • Based on the Book by Tom T. Chamales • Directed by sents SHIRLEY MacLAINE Ranald MacDougall • Produced by Aaron Rosenberg. LAURENCE HARVEY JACK HAWKINS in A Julian Blaustein Production “SPINSTER" with Nobu McCarthy • Screen Play by Ben Maddow • Based on the Novel by Sylvia Ashton- Warner • Directed by Charles Walters. Metro-Goldwyn-Mayer presents David O. Selznick's Production of Margaret Mitchell’s Story of the Old South "GONE WITH THE WIND” starring CLARK GABLE • VIVIEN LEIGH • LESLIE HOWARD • OLIVIA deHAVILLAND • A Selznick International Picture • Screen Play by Sidney Howard • Music by Max Steiner Directed by Victor Fleming Technicolor ’) "GORGO ( Metro-Goldwyn-Mayer presents “GORGO” star- ring Bill Travers • William Sylvester • Vincent "THE SECRET PARTNER” Winter • Bruce Seton • Joseph O'Conor • Martin Metro-Goldwyn-Mayer presents STEWART GRANGER Benson • Barry Keegan • Dervis Ward • Christopher HAYA HARAREET in “THE SECRET PARTNER” with Rhodes • Screen Play by John Loring and Daniel Bernard Lee • Screen Play by David Pursall and Jack Seddon Hyatt • Directed by Eugene Lourie • Executive Directed by Basil Dearden • Produced by Michael Relph. -
On the Front Lines for Racial Equality
WWCREIGHTONINDOWINDOW UNIVERSITY ■ WINTER 1995-96 FatherFather Markoe:Markoe: Our ‘Champagne A Life Glass’ Economy on the Don’t Play TV Front Lines Trivia With Her for Racial Finding God in Equality Your Daily Life LETTERS WINDOW Magazine edits Letters to the INDOW Editor, primarily to conform to space W■ ■ limitations. Personally signed letters Volume 12/Number 2 Creighton University Winter 1995-96 are given preference for publication. Our FAX number is: (402) 280-2549. E-Mail to: [email protected] Fr. Markoe’s Battle Against Racism ‘And If the Rules Change?’ Bob Reilly tells you about a man who I have read with interest the article “The was a lifelong fighter. Fr. Markoe Social Roots of Our Environmental found a cause for his fighting ener- Predicament” by Dr. Harper in your Fall gy. The word portrait of a strong- 1995 issue of WINDOW. minded Jesuit begins on Page 3. I would like to pose a question for Dr. Harper. In this third human environmental The Rich Get Richer, revolution, supposing we were to discov- er an inexhaustible source of energy. I The Poor Get Poorer am assuming that the laws of supply and Gerard Stockhausen, S.J., talks about what he calls “our cham- demand would eventually lead it to be at pagne-glass economy.” In this case, it doesn’t mean champagne an inconsequential cost. for everyone; it means the shape of our economy that puts the What would that do to the human liv- rich at the broad top of the glass and the poor at the narrow ing conditions in the world? bottom. -
Funny Games and the History of Hostage Noir
ANN NO STOCKS SAVAGE NO SPORTS TRIBUTE ™ ALL NOIR www.noircity.com www.filmnoirfoundation.org VOL. 4 NO. 1 CCCC**** A PUBLICATION OF THE FILM NOIR FOUNDATION BIMONTHLY 2 CENTS MARCH / APRIL 2009 BLACK AND WHITE AND READ ALL OVER IN MEMORIAM DAHL, DEADLINES ANN SAVAGE DOMINATE NC7 By Haggai Elitzur Special to the Sentinel n e l or January, San Francisco’s weather was l A . unusually warm and sunny, but the atmos- M d phere was dark and desperate indoors at the i v F a Castro Theatre, as it always is for the NOIR CITY D film festival. On this, the festival’s seventh outing, Eddie Muller and Arlene Dahl onstage at the Castro most of the selections fell into the theme of news- paper noir. tive MGM when Warner Bros. was tardy in re- upping her contract. Arlene Dahl: Down-to-Earth Diva Dahl described meeting a large group of This year’s special guest was the still-beauti- friendly stars, including Gary Cooper, on her very ful redhead Arlene Dahl, whose two 1956 features first day on the Warner Bros. lot. She also offered screened as a double bill. Wicked as They Come some brief details about her two-year involvement By Eddie Muller was a British production featuring Dahl as a social with JFK, which was set up by Joe Kennedy him- Special to the Sentinel climber seducing her way across Europe. Slightly self. It was a spellbinding interview with a great Scarlet, a Technicolor noir filmed by John Alton, star; Dahl made it clear that she loved the huge ANN SAVAGE CHANGED MY LIFE . -
The Reel Latina/O Soldier in American War Cinema
Western University Scholarship@Western Electronic Thesis and Dissertation Repository 10-26-2012 12:00 AM The Reel Latina/o Soldier in American War Cinema Felipe Q. Quintanilla The University of Western Ontario Supervisor Dr. Rafael Montano The University of Western Ontario Graduate Program in Hispanic Studies A thesis submitted in partial fulfillment of the equirr ements for the degree in Doctor of Philosophy © Felipe Q. Quintanilla 2012 Follow this and additional works at: https://ir.lib.uwo.ca/etd Part of the Film and Media Studies Commons Recommended Citation Quintanilla, Felipe Q., "The Reel Latina/o Soldier in American War Cinema" (2012). Electronic Thesis and Dissertation Repository. 928. https://ir.lib.uwo.ca/etd/928 This Dissertation/Thesis is brought to you for free and open access by Scholarship@Western. It has been accepted for inclusion in Electronic Thesis and Dissertation Repository by an authorized administrator of Scholarship@Western. For more information, please contact [email protected]. THE REEL LATINA/O SOLDIER IN AMERICAN WAR CINEMA (Thesis format: Monograph) by Felipe Quetzalcoatl Quintanilla Graduate Program in Hispanic Studies A thesis submitted in partial fulfillment of the requirements for the degree of PhD in Hispanic Studies The School of Graduate and Postdoctoral Studies The University of Western Ontario London, Ontario, Canada © Felipe Quetzalcoatl Quintanilla 2012 THE UNIVERSITY OF WESTERN ONTARIO School of Graduate and Postdoctoral Studies CERTIFICATE OF EXAMINATION Supervisor Examiners ______________________________ -
Ronald Davis Oral History Collection on the Performing Arts
Oral History Collection on the Performing Arts in America Southern Methodist University The Southern Methodist University Oral History Program was begun in 1972 and is part of the University’s DeGolyer Institute for American Studies. The goal is to gather primary source material for future writers and cultural historians on all branches of the performing arts- opera, ballet, the concert stage, theatre, films, radio, television, burlesque, vaudeville, popular music, jazz, the circus, and miscellaneous amateur and local productions. The Collection is particularly strong, however, in the areas of motion pictures and popular music and includes interviews with celebrated performers as well as a wide variety of behind-the-scenes personnel, several of whom are now deceased. Most interviews are biographical in nature although some are focused exclusively on a single topic of historical importance. The Program aims at balancing national developments with examples from local history. Interviews with members of the Dallas Little Theatre, therefore, serve to illustrate a nation-wide movement, while film exhibition across the country is exemplified by the Interstate Theater Circuit of Texas. The interviews have all been conducted by trained historians, who attempt to view artistic achievements against a broad social and cultural backdrop. Many of the persons interviewed, because of educational limitations or various extenuating circumstances, would never write down their experiences, and therefore valuable information on our nation’s cultural heritage would be lost if it were not for the S.M.U. Oral History Program. Interviewees are selected on the strength of (1) their contribution to the performing arts in America, (2) their unique position in a given art form, and (3) availability. -
UCLA FESTIVAL of PRESERVATION MARCH 3 to MARCH 27, 2011
UCLA FESTIVAL of PRESERVATION MARCH 3 to MARCH 27, 2011 i UCLA FESTIVAL of PRESERVATION MARCH 3 to MARCH 27, 2011 FESTIVAL SPONSOR Additional programming support provided, in part, by The Hollywood Foreign Press Association ii 1 FROM THE DIRECTOR As director of UCLA Film & Television Archive, it is my great pleasure to Mysel has completed several projects, including Cry Danger (1951), a introduce the 2011 UCLA Festival of Preservation. As in past years, we have recently rediscovered little gem of a noir, starring Dick Powell as an unjustly worked to put together a program that reflects the broad and deep efforts convicted ex-con trying to clear his name, opposite femme fatale Rhonda of UCLA Film & Television Archive to preserve and restore our national mov- Fleming, and featuring some great Bunker Hill locations long lost to the Los ing image heritage. Angeles wrecking ball. An even darker film noir, Kiss Tomorrow Goodbye (1950), stars James Cagney as a violent gangster (in fact, his last great This year’s UCLA Festival of Preservation again presents a wonderful cross- gangster role) whose id is more monstrous than almost anything since Little section of American film history and genres, silent masterpieces, fictional Caesar. Add crooked cops and a world in which no one can be trusted, and shorts, full-length documentaries and television works. Our Festival opens you have a perfect film noir tale. with Robert Altman’s Come Back to the 5 & Dime, Jimmy Dean, Jimmy Dean (1982). This restoration is the first fruit of a new project to preserve Our newsreel preservationist, Jeff Bickel, presents his restoration of John and restore the artistic legacy of Mr. -
BARNEY' GLAZER .. __ = MIII·. /$5'64.00 • Canadian
D , . Page Se.v.ellc ~ THE JEW[SH POST ': Thursdal"; August 7, 1969 pageSti. THE JEW[SH ;POST Thursday, August 7, ]969 ;~ L .. (~~ette) . Gordpn, Mrs. S. '" Shaarey, Zedek Cemetery. Shiva at he held the Qffice qf vice-presiqent a.n4 (Rosetta) Isenstein, both of Calgaty; 462 Anderson ~ve. In lieu of flowers, for. a. conside~~Q~e .tune. Mrs. Mnir) has made the permanent move here. He calls Hollywood the) ====";B;;'O~B;;""";J;=A;=NS;J;;K;;===="" eight· grand¢ildre~; two bro,hllrs, donations to be made to charity. .Mr. SIiule~ is survived by his wife real Fun City.... Deanna Lund is considering touring in a night club I ExperiencCdCarpenters Dr S Levant in Russia, and Henry Obituaries Sarah; two sons, Sam ('By) Shuler .. ,. .- . , - . act during thefirst-of-the-year hiatus for Land of the Giants. available for: Portnoy was born in R11'iSia and HARRY SHULER ~f C~lgary and Mackie Shuler of Levant of Calgary; one sister, Bes Learning that Pat Harrington Jr. is a jazz pianist, producers of Mr. Ree. Rooms _ Garages _ Fencing arri~ed in Winnipeg in 1!)25, He is On July' 25, 1969; Hru::ry Shuler, Edmo;'ton; seven grandchildren and sie, also in Russi~. BARNEY' GLAZER Deeds Goes to Town will write a script around it. ... Jack' Carter's . Home Improvements survived by his wife, Pessia; three aged 87, of Calgary, Alta., passed six great-grandchildren. He', was Funeial 'services were held fr~m beloved mother is visiting him at his Hollywood apartment. Unaccus- For Free Estimate ·call sons, Dave, Joe and Louis; two away. -
World War Ii and Us Cinema
ABSTRACT Title of Document: WORLD WAR II AND U.S. CINEMA: RACE, NATION, AND REMEMBRANCE IN POSTWAR FILM, 1945-1978 Robert Keith Chester, Ph.D., 2011 Co-Directed By: Dr. Gary Gerstle, Professor of History, Vanderbilt University Dr. Nancy Struna, Professor of American Studies, University of Maryland, College Park This dissertation interrogates the meanings retrospectively imposed upon World War II in U.S. motion pictures released between 1945 and the mid-1970s. Focusing on combat films and images of veterans in postwar settings, I trace representations of World War II between war‘s end and the War in Vietnam, charting two distinct yet overlapping trajectories pivotal to the construction of U.S. identity in postwar cinema. The first is the connotations attached to U.S. ethnoracial relations – the presence and absence of a multiethnic, sometimes multiracial soldiery set against the hegemony of U.S. whiteness – in depictions of the war and its aftermath. The second is Hollywood‘s representation (and erasure) of the contributions of the wartime Allies and the ways in which such images engaged with and negotiated postwar international relations. Contrary to notions of a ―good war‖ untainted by ambiguity or dissent, I argue that World War II gave rise to a conflicted cluster of postwar meanings. At times, notably in the early postwar period, the war served as a progressive summons to racial reform. At other times, the war was inscribed as a historical moment in which U.S. racism was either nonexistent or was laid permanently to rest. In regard to the Allies, I locate a Hollywood dialectic between internationalist and unilateralist remembrances. -
GUNSMOKE TV CAST and DETAILS Premiered
GUNSMOKE TV CAST AND DETAILS Premiered: September 10, 1955, on CBS Rating: TV-PG Premise: This landmark adult Western centered on Marshal Matt Dillon of Dodge City. John Wayne turned down the lead, suggesting James Arness (who remained for its entire run). Originating on radio (with William Conrad as Dillon), it moved to TV in September 1955. Its popularity spawned a number of copycats, but none would enjoy the longevity (and few the consistent quality) of this classic. Airing for 20 years, it's TV's longest running prime-time drama (a record that `Law & Order' is currently chasing). Gunsmoke Cast • James Arness : Marshal Matt Dillon • Milburn Stone : Dr. Galen `Doc' Adams • Amanda Blake : Kitty Russell • Dennis Weaver : Chester Goode • Ken Curtis : Festus Haggen • Burt Reynolds : Quint Asper • James Nusser : Louie Pheeters • Charles Seel : Barney Danches • Howard Culver : Howie Culver • Tom Brown : Ed O'Connor • John Harper : Percy Crump • Dabbs Greer : Mr. Jonus • George Selk : Moss Grimmick • Hank Patterson : Hank Miller • Glenn Strange : Sam • Sarah Selby : Ma Smalley • Ted Jordan : Nathan Burke • Roger Ewing : Clayton Thaddeus `Thad' Greenwood • Roy Roberts : Mr. Bodkin • Woody Chamblis : Mr. Lathrop • Buck Taylor : Newly O'Brien • Charles Wagenheim : Halligan • Pat Hingle : Dr. John Chapman • Fran Ryan : Miss Hannah Gunsmoke Credits • Sam Peckinpah : Screenwriter Gunsmoke Directors • Harry Horner : Director Gunsmoke Guest Cast • Aaron Saxon : Basset • Aaron Spelling : Weed Pindle • Abraham Sofaer : Harvey Easter • Adam West : Hall -
Nothing Was Impossible with the Original Phelps
Page 12 Thursday, March 25, 2010 The Westfield Leader and The Scotch Plains – Fanwood TIMES A WATCHUNG COMMUNICATIONS, INC. PUBLICATION Devil’s Den Nothing Was Impossible Devil of the Week Will return With the Original Phelps On April 8 By BRUCE JOHNSON Specially Written for The Westfield Leader and The Times The blonde man in the convertible perfectly-timed, almost-impossible-to- bara Bain), master of disguise Rollin Grant (now the library) – (Billy) Myers, would pull into a parking space. He’d believe stunt to keep the “free world” Hand (Martin Landau), electronics (Roger) Doyle. I don’t think there was look around, then walk into the three- safe. (Or at least that’s how one very wizard Barney Collier (Greg Morris) a lot of stickball at Columbus, maybe pictures-for-a-quarter photo booth, take gullible teenager of that period viewed and strongman Willy Armitage (Pe- (Charles) Mason, or McKinley, prob- out a key and unlock a drawer. He’d it back then.) ter Lupus) – and later magician the ably (Nick) Piscopo. The batter’s box pull out a big manila envelope with And now Jim Phelps … Peter Graves Great Paris (Leonard Nimoy), a doc- and strike zone are still in the same photos and click on a tape player. in the real world … has passed away, tor (Sam Elliott), and hotties Lee spot at Jefferson. Do kids play it any- “Good morning, Mr. Phelps … ” the last week at the age of 83. Meriwether, Leslie Ann Warren, more? That was a big thing in the early voice would start, and Jim Phelps would There have been a handful of shows Lynda Day George and Barbara ’60s. -
Janfeb03 (Page 2)
January - February, 2003 50 Years Ago... by Carla Whalen The lot was humming with activity in Allen, Slim Pickens, Eddy Waller, Roy the years 1952 and 1953. Republic Pictures Barcroft, Rod Cameron, Forrest Tucker, owned the facility, continued to produce Harry Carey, Jr., John Agar and Jim Davis; feature films, and was beginning to enter with cowgirls Mary Ellen Kay, Penny into television production. Republic made Edwards, Marjorie Lord, Estelita Rodriguez forty-six features in ’52 and ’53, of which and Gale Storm. The most famous feature twenty six were westerns starring big B- of this two-year period was The Quiet Man movie cowboys Allan "Rocky" Lane, Rex starring John Wayne, Maureen O’Hara, Barry Fitzgerald and Ward Bond. This was shot mostly on distant location in a very rainy Ireland, with the interiors done back here on the lot on what are now Stages #9 and #10. Republic also continued producing the "cliffhanger" serials it was famous for and Bill Williams, Kit Carson produced four 12-episode Chapterplays during 1952-53; Canadian Mounties vs. over three-hundred fifty B-westerns, Atomic Invaders, Radar Men from the Moon, including fifty-six Gene Autry and eighty- Zombies of the Stratosphere and Jungle Drums two Roy Rogers singing cowboy oaters. By of Africa starring Clayton Moore, who was the early 50’s Republic’s production schedule taking a break from his role as "The Lone was the lowest it had been since 1935, and Ranger." Republic produced Commando Cody most shows were shot on location leaving the – Sky Marshal of the Universe as a television stages available to independent producers.