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Media. Research. Consultancy Sound & Light Social Ventures Pvt
SLSV Media. Research. Consultancy Sound & Light Social Ventures Pvt. Ltd. www.soundnlight.in A global media resource, Research, Rating & Consultancy Network (focused on Indian Social Sector) SLSVArt in collaboration with THE LOFT www.theloft.in presents the collection that not only captivates your heart and lights up your life but also reaches out and transforms lives of millions of underprivileged adolescent girls. The inspiration behind this collection is to ensure that your investment in Art not only gives a tangible return to you but also gives a future to the girls who will not only garner skills to negotiate their own lives better but also serve as inspiration to the countless others. SLSVArt for Social good Upto 10% of the cost of the artwork goes towards supporting underprivileged adolescent girls in India. Why Adolescent girls? Investing in Adolescent girls can break the cycle of poverty. Investing in them is linked to achieving nearly every Millennium Development Goal. In India: 47 per cent girls aged 20-24 were married before their 18th birthday. Child and maternal mortality are critically linked to adolescent pregnancy India alone has 105mn adolescent girls, of which nearly half face extreme gender inequality leading to forced marriages, lack of education, sexual violence and coercion SLSVArt for Investment and returns Once you buy and own the artwork from this collection, you can TRADE or AUCTION works within a span of 18months+ of holding it. When you wish to resell or auction, please contact us at [email protected] Witness the power of Art to reach out and transform lives! This catalogue features* 1. -
Dtpage01april28.Qxd (Page 1)
DLD‰‰†‰KDLD‰‰†‰DLD‰‰†‰MDLD‰‰†‰C JLo and behold! Priyanka’s new THE TIMES OF INDIA Jen’s childhood Andaaz bowls Monday, April 28, 2003 isn’t a sob story Bollywood over Page 7 Page 8 TO D AY S LUCKY 832 Jim carrey s teeth T ime for fun 841 888 Two fat ladies Two little ducks 822 Your Dambola Ticket available in Delhi Times on 27th April, 2003 OF INDIA Numbers already announced : 27, 39, 50, 71 MANOJ KESHARWANI Metro breaks new ground at CP ARUN KUMAR DAS Sabha, Civil Lines, Kashmere Gate, the Times News Network New Delhi railway station, Barakham- ba Road, Patel Chowk and the Central he 1 km stretch between Patel Secretariat. Chowk and Connaught Place is CP is, of course, the largest of the Tan uninterrupted journey —but underground stations covered by this only if one undertakes the journey via route. ‘‘The CP station will be equipped a tunnel 20 m below the surface of ter- with four subways opening to ticket ha- ra firma. Higher up, on the ground JAISWAL SATISH lls and bearing large roof-like structur- above, there is a frenzy of construction es. The entire area will be landscaped activity.The Delhi Metro Rail Corpora- to impart a grand look,’’ says Dayal. tion (DMRC) is on the job and busy put- ‘‘To ensure that work on the metro is ting CP on the fast track by laying down TUNNEL VISION conducted smoothly,utilities along var- two-way metro tracks. Work on the underground section of the metro is moving on the right track ious routes have been diverted via ‘‘This underground tunnel is being diaphragm walls.’’ constructed with the help of two state- While the DMRC has made slow and ing DU and ISBT; and the second phase While all metro-station platforms of-the art boring machines procured fr- steady progress so far, it still has a long covering the route between ISBT and will be equipped with AC and escala- om Germany at a cost of Rs 40 crore ea- way to go in that the total length of the the Central Secretariat. -
Raja Ravi Varma 145
viii PREFACE Preface i When Was Modernism ii PREFACE Preface iii When Was Modernism Essays on Contemporary Cultural Practice in India Geeta Kapur iv PREFACE Published by Tulika 35 A/1 (third floor), Shahpur Jat, New Delhi 110 049, India © Geeta Kapur First published in India (hardback) 2000 First reprint (paperback) 2001 Second reprint 2007 ISBN: 81-89487-24-8 Designed by Alpana Khare, typeset in Sabon and Univers Condensed at Tulika Print Communication Services, processed at Cirrus Repro, and printed at Pauls Press Preface v For Vivan vi PREFACE Preface vii Contents Preface ix Artists and ArtWork 1 Body as Gesture: Women Artists at Work 3 Elegy for an Unclaimed Beloved: Nasreen Mohamedi 1937–1990 61 Mid-Century Ironies: K.G. Subramanyan 87 Representational Dilemmas of a Nineteenth-Century Painter: Raja Ravi Varma 145 Film/Narratives 179 Articulating the Self in History: Ghatak’s Jukti Takko ar Gappo 181 Sovereign Subject: Ray’s Apu 201 Revelation and Doubt in Sant Tukaram and Devi 233 Frames of Reference 265 Detours from the Contemporary 267 National/Modern: Preliminaries 283 When Was Modernism in Indian Art? 297 New Internationalism 325 Globalization: Navigating the Void 339 Dismantled Norms: Apropos an Indian/Asian Avantgarde 365 List of Illustrations 415 Index 430 viii PREFACE Preface ix Preface The core of this book of essays was formed while I held a fellowship at the Nehru Memorial Museum and Library at Teen Murti, New Delhi. The project for the fellowship began with a set of essays on Indian cinema that marked a depar- ture in my own interpretative work on contemporary art. -
Secondary Indian Culture and Heritage
Culture: An Introduction MODULE - I Understanding Culture Notes 1 CULTURE: AN INTRODUCTION he English word ‘Culture’ is derived from the Latin term ‘cult or cultus’ meaning tilling, or cultivating or refining and worship. In sum it means cultivating and refining Ta thing to such an extent that its end product evokes our admiration and respect. This is practically the same as ‘Sanskriti’ of the Sanskrit language. The term ‘Sanskriti’ has been derived from the root ‘Kri (to do) of Sanskrit language. Three words came from this root ‘Kri; prakriti’ (basic matter or condition), ‘Sanskriti’ (refined matter or condition) and ‘vikriti’ (modified or decayed matter or condition) when ‘prakriti’ or a raw material is refined it becomes ‘Sanskriti’ and when broken or damaged it becomes ‘vikriti’. OBJECTIVES After studying this lesson you will be able to: understand the concept and meaning of culture; establish the relationship between culture and civilization; Establish the link between culture and heritage; discuss the role and impact of culture in human life. 1.1 CONCEPT OF CULTURE Culture is a way of life. The food you eat, the clothes you wear, the language you speak in and the God you worship all are aspects of culture. In very simple terms, we can say that culture is the embodiment of the way in which we think and do things. It is also the things Indian Culture and Heritage Secondary Course 1 MODULE - I Culture: An Introduction Understanding Culture that we have inherited as members of society. All the achievements of human beings as members of social groups can be called culture. -
Catalogue Fair Timings
CATALOGUE Fair Timings 28 January 2016 Thursday Select Preview: 12 - 3pm By invitation Preview: 3 - 5pm By invitation Vernissage: 5 - 9pm IAF VIP Card holders (Last entry at 8.30pm) 29 - 30 January 2016 Friday and Saturday Business Hours: 11am - 2pm Public Hours: 2 - 8pm (Last entry at 7.30pm) 31 January 2016 Sunday Public Hours: 11am - 7pm (Last entry at 6.30pm) India Art Fair Team Director's Welcome Neha Kirpal Zain Masud Welcome to our 2016 edition of India Art Fair. Founding Director International Director Launched in 2008 and anticipating its most rigorous edition to date Amrita Kaur Srijon Bhattacharya with an exciting programme reflecting the diversity of the arts in Associate Fair Director Director - Marketing India and the region, India Art Fair has become South Asia's premier and Brand Development platform for showcasing modern and contemporary art. For our 2016 Noelle Kadar edition, we are delighted to present BMW as our presenting partner VIP Relations Director and JSW as our associate partner, along with continued patronage from our preview partner, Panerai. Saheba Sodhi Vishal Saluja Building on its success over the past seven years, India Art Senior Manager - Marketing General Manager - Finance Fair presents a refreshed, curatorial approach to its exhibitor and Alliances and Operations programming with new and returning international participants Isha Kataria Mankiran Kaur Dhillon alongside the best programmes from the subcontinent. Galleries, Vip Relations Manager Programming and Client Relations will feature leading Indian and international exhibitors presenting both modern and contemporary group shows emphasising diverse and quality content. Focus will present select galleries and Tanya Singhal Wol Balston organisations showing the works of solo artists or themed exhibitions. -
The Cultural Dimension of Education
THE CULTURAL DIMENSION OF EDUCATION www.ignca.gov.in THE CULTURAL DIMENSION OF EDUCATION Edited by BAIDYANATH SARASWATI 1998 xxii+258pp. col. illus., ISBN: 81-246-0101-1, Rs 700(HB) CONTENTS How can a sensibly worked-out system of education afford a Foreword (Kapila Vatsyayan) symbiosis between modernity Prologue (Chitra Naik) and wisdom tradition Addressing the vital question, the authors Introduction (Baidyanath Saraswati) here look afresh at the relevance of art in the age of 1. Gandhian Experiment of Primary Education:The Story of science/technocentrism, the role Taman Kanak-Kanak 'Gandhi' (Gedong Bagoes Oka) of education in promoting peace 2. Poverty and Education: The Samanwaya Ashram (Dwarko and concord, Gandhian system Sundrani) of basic education& and, finally, 3. Rural Context of Primary Education: Searching for the how far Indias national concerns Roots (Shakuntala Bapat & Suman Karandikar) are reflected in its national policy 4. The Bose Foundation School (Baidyanath on education. Saraswati, Shivashankar Dube& Ram Lakhan Maurya) 5. Ghadatar: An Enquiry into the Invisible Order (Haku Shah) As assemblage of 16 education- 6. My Experiments with Education (D. Patnaik) related essays, this volume is the outcome of a Conference on the Art as a Tool for Cultural Rejuvenation (Dinanath Pathy) 7. "Cultural Dimension of Education 8. Photography in Education (Ravi Chopra) and Ecology", held in New Delhi 9. Education for Value-Creation and Leadership: A Case Study of on 13-16 October 1995 as a part the Rangaprabhat Centre (N. Radhakrishnan) of the Unesco Chair activities (in 10. Education Through Art (Nita Mathur) the field of cultural development) 11. -
General Awareness–Current Affairs Month of March-2019
GENERAL AWARENESS–CURRENT AFFAIRS MONTH OF MARCH-2019 List of Important Days March 1 - Zero Discrimination Day (Theme – “Act to change laws that Discriminate”) March 4 - National Safety Day (Themes – “Cultivate and Sustain A Safety Culture for Building Nation”) Mar 4-10 - National Safety Week March 7 - Janaushadhi Diwas March 8 - International Women’s Day (Theme – “Think Equal, Build Smart, Innovate for Change”). March 12 - World Day against Cyber Censorship March 12 - 30th anniversary of the World Wide Web (WWW) March 14 - (2nd Thursday of March) World Kidney Day (Theme - “Kidney Health for Everyone Everywhere”) March 14 - Pi Day (Pi's value (3.14)) March 15 - World Consumer Rights Day (In India this day is celebrated as Viswa Upabhokta Adhikar Diwas). (Theme – “Trusted Smart Products”) March 20 - International Day of Happiness. (Theme – “Happier Together”) March 20 - World Day of Theatre for Children and Young People March 20 - World Sparrow Day. (Theme – “I LOVE Sparrows”) March 21 - International Day of Forests. (Theme “Forests and Education”) March 21 - World Poetry Day March 21 - World Down Syndrome Day March 21 - International Day for the Elimination of Racial Discrimination (Theme – “Mitigating and countering rising nationalist populism and extreme supremacist ideologies”) March 21 - World Puppetry Day March 22 - World Water Day (Theme – “Leaving no one behind”) March 23 - World Meteorological Day (Theme – “The Sun, the Earth and the Weather”) March 23 - 88th Shaheed Diwas (Martyr’s Day) March 24 - World Tuberculosis (TB) Day (Theme – “It’s time”) March 25 - International Day of Remembrance of the Victims of Slavery and Transatlantic Slave Trade. (Theme – “Remember Slavery: The Power of the Arts for Justice”) March 26 - Independence Day of Bangladesh March 27 - World Theatre Day (WTD) March 30 - Rajasthan Diwas Reserve Bank of India • The Reserve Bank of India (RBI) has fined Yes Bank ₹1 crore for not complying with its directions about SWIFT, a financial messaging software. -
National Institute of Fashion Technology
National Institute of Fashion Technology A Statutory Institute governed by the NIFT Act 2006 Ministry of Textiles, Government of India NIFT Campus, Hauz Khas, Opposite Gulmohar Park, New Delhi - 110016 National Institute Of Fashion Technology 29th Annual Report 2014-15 21.09.2015 NATIONAL INSTITUTE OF FASHION TECHNOLOGY | ANNUAL REPORT 2014-15 CONTENTS 01 Board of Governors (2014-15) 77 Design Space 05 NIFT - Introduction 83 International & Domestic Linkages 07 Significant Landmarks (2014-15) 86 National Resource Centre 08 Student Development Activities 87 Cluster Development Inititative 09 NIFT Campuses 91 Information Technology Inititative ACADEMIC DEPARTMENTS 93 Continuing Education Programme 11 Fashion Design 97 Campus Placements 19 Leather Design 101 Ph.D. and Research 27 Textile Design 110 FOTD 37 Knitwear Design 112 Admissions 2014 45 Fashion & Lifestyle Accessories 113 Convocation 2014 53 Fashion Communication 114 Abbreviations 61 Fashion Technology Auditor’s Report & 71 Fashion Management Studies 116 Statement of Accounts NATIONAL INSTITUTE OF FASHION TECHNOLOGY | ANNUAL REPORT 2014-15 BOARD OF GOVERNORS Members as on March 2015 Smt. Kiran Dhingra, IAS (Retd.) 83 C Village Chairperson BOG NIFT Gancim- Bhatim Post Office Goa Velha Talukh Tisvadi Goa – 403108 Sh. Naresh Gujral 5, Amrita Shergil Marg Hon’ble M.P Rajya Sabha New Delhi-110003 (22-07-2014 up to 31-03-2015) Shri S. Selvakumara Chinnayan, S-3, SCP Residency, Hon’ble M.P Lok Sabha BVB School Main Road, Thindal, (21-10-2014 up to 31-03-2015) Distt. Erode- 638 012 Tamil Nadu Smt. Poonam Mahajan, Block no. 2 Bhima Worli Sagar Hon’ble M.P Lok Sabha Cooperative Society (21-10-2014 up to 31-03-2015) Dr. -
CV of Seema Bawa
CV of Seema Bawa Title Prof./ First Name Seema Last Name Bawa Photograph Designation Professor Address Department of History, Faculty of Social Sciences University of Delhi Phone No Office 27666659 Residence - Mobile Email [email protected] Web-Page Educational Qualifications Degree Institution Year Ph.D. National Museum Institute Delhi and University of Bonn 2004 (Sandwich programme) M.Phil. / M.Tech. Department of History University of Delhi 1993 PG Lady Shriram College, University of Delhi 1990 UG Lady Shriram College, University of Delhi 1988 Any other qualification Career Profile 1. Professor, Department of History, University of Delhi since January 2014 2. Associate Professor at the Department of History, Sri Aurobindo College, University of Delhi March 1996 to January 2014 3. Lecturer in Department of History at Jesus and Mary College, Delhi College of Arts and Commerce, Kamla Nehru College, Moti Lal College (Eve.) from 1991 to 1996 on Adhoc & temporary basis 4. Visiting Faculty for Indian Art and Iconography at the Institute of Archeology, Archeological Survey of India, 5. Guest Lectures at Indian Art History at Institute of Oriental Art History, University of Bonn 2000 to 2002 6. Guest Faculty for University of California, Exchange students over several semesters on Ancient and Modern Indian Art & Culture at National Museum Institute. 7.. Guest Faculty for Cultural History M.A (Tourism), College of Vocational Studies, Univ. of Delhi in academic year 1999-2000. Administrative Assignments 1. In-Charge, The Museum of Art and Archaeology, Department of History, University of Delhi 2. Treasurer, Governing Body, Shaheed Bhagat Singh College, University of Delhi- 2014 -2016 3. -
February 27, 2014
The Annual Charity Auction February 27, 2014 Conducted by Mallika Advani in aid of organised by Secure Giving Art for Concern, the annual charity art auction synonymous with extraordinary artwork, was initiated in aid of Concern India Foundation in 2001 and has carved an exclusive niche for itself amongst art events in Mumbai. We are forever grateful to Mallika Advani for her advice, guidance and unstinting support. With the overwhelming support of well-established modern and contemporary artists, art collectors and aficionados; over the past 13 years, Art for Concern has not just promoted Indian art, but more importantly, it has contributed to the socio-economic development of Our special thanks to the weaker sections of our society. April Cornell Each year, Art for Concern endeavours to raise financial resources for Concern India Foundation, a registered non-profit organisation. Set up in 1991 with the Arun Vadehra belief that given an opportunity, people have the power to change their own lives; Concern Carmen Kagal India Foundation aims to help the disadvantaged become self-reliant and works towards K. G. Subramanyan ‘Helping People Help Themselves’. Khorshed and Dadiba Pundole Through branches in seven cities including Mumbai, Delhi, Bengaluru, Chennai, Shanti Chopra Hyderabad, Kolkata, and Pune, Concern India Foundation provides financial and non-financial support to over 270 grassroots initiatives in the areas of T. V. Santhosh education, health and community development. Vigilante Services Pvt. Ltd. All the participating artists The support has helped bring about a positive change in the lives of over 2,75,000 beneficiaries that include children, youth, women, the specially challenged and the aged. -
20Years of Sahmat.Pdf
SAHMAT – 20 Years 1 SAHMAT 20 YEARS 1989-2009 A Document of Activities and Statements 2 PUBLICATIONS SAHMAT – 20 YEARS, 1989-2009 A Document of Activities and Statements © SAHMAT, 2009 ISBN: 978-81-86219-90-4 Rs. 250 Cover design: Ram Rahman Printed by: Creative Advertisers & Printers New Delhi Ph: 98110 04852 Safdar Hashmi Memorial Trust 29 Ferozeshah Road New Delhi 110 001 Tel: (011) 2307 0787, 2338 1276 E-mail: [email protected] www.sahmat.org SAHMAT – 20 Years 3 4 PUBLICATIONS SAHMAT – 20 Years 5 Safdar Hashmi 1954–1989 Twenty years ago, on 1 January 1989, Safdar Hashmi was fatally attacked in broad daylight while performing a street play in Sahibabad, a working-class area just outside Delhi. Political activist, actor, playwright and poet, Safdar had been deeply committed, like so many young men and women of his generation, to the anti-imperialist, secular and egalitarian values that were woven into the rich fabric of the nation’s liberation struggle. Safdar moved closer to the Left, eventually joining the CPI(M), to pursue his goal of being part of a social order worthy of a free people. Tragically, it would be of the manner of his death at the hands of a politically patronised mafia that would single him out. The spontaneous, nationwide wave of revulsion, grief and resistance aroused by his brutal murder transformed him into a powerful symbol of the very values that had been sought to be crushed by his death. Such a death belongs to the revolutionary martyr. 6 PUBLICATIONS Safdar was thirty-four years old when he died. -
D:\Journals & Copyright\Artisti
A BRIEF HISTORY OF CONTEMPORARY ART OF PUNJAB Karuna Bhandari A BRIEF HISTORY OF CONTEMPORARY ART OF PUNJAB Karuna Bhandari Research Scholar, S. Sobha Singh Deptt. of Fine Arts, Punjabi University, Patiala (Punjab) Abstract Reference to this paper This research paper deals with the evolution and the should be made as follows: growth of the Contemporary Art of Punjab. It is a humble effort Karuna Bhandari, on the part of the writer to present the facts of the Contemporary Art scene of Punjab and its development in the Post- A BRIEF HISTORY OF Independence period. The artists who were born in Punjab CONTEMPORARY ART having deep roots in Punjabi culture and got national and OF PUNJAB, international recognition with their techniques and concepts, they worked for and reflected the psyche of their oeuvre. This is Artistic Narration 2018, probably the first-ever paper to be presented with different Vol. IX, No.1, pp.34-41 aspects of Contemporary Art of Punjab. Keywords: Contemporary art, Modern art, Industrial Revolution, http://anubooks.com/ ?page_id=485 Italian Renaissance, Reawakening, Industrial Art Society, J. J. School of Art, AIFACS, Shilpi Chakra, Bengal School, Shilpa Shastra, Kala Bhawan, Shantiniketan, Lalit Kala Akademi, National Gallery of Modern Art, Punjab Art Council, Punjab Kala Bhawan, Dr. M.S. Randhawa and Dr. Mulk Raj Anand. 34 Artistic Narration, Vol. IX, 2018, No. 1: ISSN (P) : 0976-7444 (e) : 2395-7247 Impact Factor 6.5133(SIJF) UGC Approved Journal No. 43285 ‘Contemporary Art’ in its literal meaning pertains to art which is being practiced by the artists today. Contemporary art showcases the present day cultural, philosophical, ethical, creative and socio-economic scenario which deals with creative impulses, desires, aspirations, hopes, manifestations, perceptions, visions and insights of the contemporary society.