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DLD‰‰†‰KDLD‰‰†‰DLD‰‰†‰MDLD‰‰†‰C JLo and behold! Priyanka’s new THE TIMES OF INDIA Jen’s childhood Andaaz bowls Monday, April 28, 2003 isn’t a sob story Bollywood over Page 7 Page 8 TO D AY S LUCKY 832 Jim carrey s teeth T ime for fun 841 888 Two fat ladies Two little ducks 822 Your Dambola Ticket available in Delhi Times on 27th April, 2003 OF INDIA Numbers already announced : 27, 39, 50, 71 MANOJ KESHARWANI Metro breaks new ground at CP ARUN KUMAR DAS Sabha, Civil Lines, Kashmere Gate, the Times News Network New Delhi railway station, Barakham- ba Road, Patel Chowk and the Central he 1 km stretch between Patel Secretariat. Chowk and Connaught Place is CP is, of course, the largest of the Tan uninterrupted journey —but underground stations covered by this only if one undertakes the journey via route. ‘‘The CP station will be equipped a tunnel 20 m below the surface of ter- with four subways opening to ticket ha- ra firma. Higher up, on the ground JAISWAL SATISH lls and bearing large roof-like structur- above, there is a frenzy of construction es. The entire area will be landscaped activity.The Delhi Metro Rail Corpora- to impart a grand look,’’ says Dayal. tion (DMRC) is on the job and busy put- ‘‘To ensure that work on the metro is ting CP on the fast track by laying down TUNNEL VISION conducted smoothly,utilities along var- two-way metro tracks. Work on the underground section of the metro is moving on the right track ious routes have been diverted via ‘‘This underground tunnel is being diaphragm walls.’’ constructed with the help of two state- While the DMRC has made slow and ing DU and ISBT; and the second phase While all metro-station platforms of-the art boring machines procured fr- steady progress so far, it still has a long covering the route between ISBT and will be equipped with AC and escala- om Germany at a cost of Rs 40 crore ea- way to go in that the total length of the the Central Secretariat. -
Catalogue Fair Timings
CATALOGUE Fair Timings 28 January 2016 Thursday Select Preview: 12 - 3pm By invitation Preview: 3 - 5pm By invitation Vernissage: 5 - 9pm IAF VIP Card holders (Last entry at 8.30pm) 29 - 30 January 2016 Friday and Saturday Business Hours: 11am - 2pm Public Hours: 2 - 8pm (Last entry at 7.30pm) 31 January 2016 Sunday Public Hours: 11am - 7pm (Last entry at 6.30pm) India Art Fair Team Director's Welcome Neha Kirpal Zain Masud Welcome to our 2016 edition of India Art Fair. Founding Director International Director Launched in 2008 and anticipating its most rigorous edition to date Amrita Kaur Srijon Bhattacharya with an exciting programme reflecting the diversity of the arts in Associate Fair Director Director - Marketing India and the region, India Art Fair has become South Asia's premier and Brand Development platform for showcasing modern and contemporary art. For our 2016 Noelle Kadar edition, we are delighted to present BMW as our presenting partner VIP Relations Director and JSW as our associate partner, along with continued patronage from our preview partner, Panerai. Saheba Sodhi Vishal Saluja Building on its success over the past seven years, India Art Senior Manager - Marketing General Manager - Finance Fair presents a refreshed, curatorial approach to its exhibitor and Alliances and Operations programming with new and returning international participants Isha Kataria Mankiran Kaur Dhillon alongside the best programmes from the subcontinent. Galleries, Vip Relations Manager Programming and Client Relations will feature leading Indian and international exhibitors presenting both modern and contemporary group shows emphasising diverse and quality content. Focus will present select galleries and Tanya Singhal Wol Balston organisations showing the works of solo artists or themed exhibitions. -
The Cultural Dimension of Education
THE CULTURAL DIMENSION OF EDUCATION www.ignca.gov.in THE CULTURAL DIMENSION OF EDUCATION Edited by BAIDYANATH SARASWATI 1998 xxii+258pp. col. illus., ISBN: 81-246-0101-1, Rs 700(HB) CONTENTS How can a sensibly worked-out system of education afford a Foreword (Kapila Vatsyayan) symbiosis between modernity Prologue (Chitra Naik) and wisdom tradition Addressing the vital question, the authors Introduction (Baidyanath Saraswati) here look afresh at the relevance of art in the age of 1. Gandhian Experiment of Primary Education:The Story of science/technocentrism, the role Taman Kanak-Kanak 'Gandhi' (Gedong Bagoes Oka) of education in promoting peace 2. Poverty and Education: The Samanwaya Ashram (Dwarko and concord, Gandhian system Sundrani) of basic education& and, finally, 3. Rural Context of Primary Education: Searching for the how far Indias national concerns Roots (Shakuntala Bapat & Suman Karandikar) are reflected in its national policy 4. The Bose Foundation School (Baidyanath on education. Saraswati, Shivashankar Dube& Ram Lakhan Maurya) 5. Ghadatar: An Enquiry into the Invisible Order (Haku Shah) As assemblage of 16 education- 6. My Experiments with Education (D. Patnaik) related essays, this volume is the outcome of a Conference on the Art as a Tool for Cultural Rejuvenation (Dinanath Pathy) 7. "Cultural Dimension of Education 8. Photography in Education (Ravi Chopra) and Ecology", held in New Delhi 9. Education for Value-Creation and Leadership: A Case Study of on 13-16 October 1995 as a part the Rangaprabhat Centre (N. Radhakrishnan) of the Unesco Chair activities (in 10. Education Through Art (Nita Mathur) the field of cultural development) 11. -
Modern Art Auction
Modern Art July - 2021 LIVE AUCTION Modern Art 6th July, 2021 www.prinseps.com Curator's Note Prinseps is delighted to announce its summer modern art auction. We at Prinseps pride ourselves on being not just an auction house but a storehouse of knowledge. After in-depth research and analysis conducted by experts and constantly keeping an eye for sublime luxury, we present our summer auction. The history of modern Indian art is often riddled with gaps and holes. Documentation is rather inadequate and sources seldom reliable. We believe that we can change that.... we plunge into these unknown, unchartered, and fascinating depths to discover treasure troves. Our focus is to bring forward extraordinary works that have been hitherto ignored. Modern Art The 1940s were a defining chapter for modern art in the country, with Indian artists practically th blooming and blossoming ... experimenting with their individual style, expressing their creativity, 6 July, 2021 making socio-political statements that would go on to be etched in time forever. It was an explosion of home-grown talent. These path-breakers were the “Progressive Artists” of India. Our modern art auction is essentially composed of three distinguished estates. Over the years, Prinseps has managed to acquire the estates of some avant-garde personalities, the most recent Auction is now open for written bids / proxy bidding being the sole female member of the Progressive Artists' Group, Bhanu Athaiya. Live Auction commences at 7.00 pm on 6th July 2021 This auction offers to the discerning connoisseur a cornucopia of art that was lost in the sands Lots will be auctioned sequentially. -
General Awareness–Current Affairs Month of March-2019
GENERAL AWARENESS–CURRENT AFFAIRS MONTH OF MARCH-2019 List of Important Days March 1 - Zero Discrimination Day (Theme – “Act to change laws that Discriminate”) March 4 - National Safety Day (Themes – “Cultivate and Sustain A Safety Culture for Building Nation”) Mar 4-10 - National Safety Week March 7 - Janaushadhi Diwas March 8 - International Women’s Day (Theme – “Think Equal, Build Smart, Innovate for Change”). March 12 - World Day against Cyber Censorship March 12 - 30th anniversary of the World Wide Web (WWW) March 14 - (2nd Thursday of March) World Kidney Day (Theme - “Kidney Health for Everyone Everywhere”) March 14 - Pi Day (Pi's value (3.14)) March 15 - World Consumer Rights Day (In India this day is celebrated as Viswa Upabhokta Adhikar Diwas). (Theme – “Trusted Smart Products”) March 20 - International Day of Happiness. (Theme – “Happier Together”) March 20 - World Day of Theatre for Children and Young People March 20 - World Sparrow Day. (Theme – “I LOVE Sparrows”) March 21 - International Day of Forests. (Theme “Forests and Education”) March 21 - World Poetry Day March 21 - World Down Syndrome Day March 21 - International Day for the Elimination of Racial Discrimination (Theme – “Mitigating and countering rising nationalist populism and extreme supremacist ideologies”) March 21 - World Puppetry Day March 22 - World Water Day (Theme – “Leaving no one behind”) March 23 - World Meteorological Day (Theme – “The Sun, the Earth and the Weather”) March 23 - 88th Shaheed Diwas (Martyr’s Day) March 24 - World Tuberculosis (TB) Day (Theme – “It’s time”) March 25 - International Day of Remembrance of the Victims of Slavery and Transatlantic Slave Trade. (Theme – “Remember Slavery: The Power of the Arts for Justice”) March 26 - Independence Day of Bangladesh March 27 - World Theatre Day (WTD) March 30 - Rajasthan Diwas Reserve Bank of India • The Reserve Bank of India (RBI) has fined Yes Bank ₹1 crore for not complying with its directions about SWIFT, a financial messaging software. -
National Institute of Fashion Technology
National Institute of Fashion Technology A Statutory Institute governed by the NIFT Act 2006 Ministry of Textiles, Government of India NIFT Campus, Hauz Khas, Opposite Gulmohar Park, New Delhi - 110016 National Institute Of Fashion Technology 29th Annual Report 2014-15 21.09.2015 NATIONAL INSTITUTE OF FASHION TECHNOLOGY | ANNUAL REPORT 2014-15 CONTENTS 01 Board of Governors (2014-15) 77 Design Space 05 NIFT - Introduction 83 International & Domestic Linkages 07 Significant Landmarks (2014-15) 86 National Resource Centre 08 Student Development Activities 87 Cluster Development Inititative 09 NIFT Campuses 91 Information Technology Inititative ACADEMIC DEPARTMENTS 93 Continuing Education Programme 11 Fashion Design 97 Campus Placements 19 Leather Design 101 Ph.D. and Research 27 Textile Design 110 FOTD 37 Knitwear Design 112 Admissions 2014 45 Fashion & Lifestyle Accessories 113 Convocation 2014 53 Fashion Communication 114 Abbreviations 61 Fashion Technology Auditor’s Report & 71 Fashion Management Studies 116 Statement of Accounts NATIONAL INSTITUTE OF FASHION TECHNOLOGY | ANNUAL REPORT 2014-15 BOARD OF GOVERNORS Members as on March 2015 Smt. Kiran Dhingra, IAS (Retd.) 83 C Village Chairperson BOG NIFT Gancim- Bhatim Post Office Goa Velha Talukh Tisvadi Goa – 403108 Sh. Naresh Gujral 5, Amrita Shergil Marg Hon’ble M.P Rajya Sabha New Delhi-110003 (22-07-2014 up to 31-03-2015) Shri S. Selvakumara Chinnayan, S-3, SCP Residency, Hon’ble M.P Lok Sabha BVB School Main Road, Thindal, (21-10-2014 up to 31-03-2015) Distt. Erode- 638 012 Tamil Nadu Smt. Poonam Mahajan, Block no. 2 Bhima Worli Sagar Hon’ble M.P Lok Sabha Cooperative Society (21-10-2014 up to 31-03-2015) Dr. -
20Years of Sahmat.Pdf
SAHMAT – 20 Years 1 SAHMAT 20 YEARS 1989-2009 A Document of Activities and Statements 2 PUBLICATIONS SAHMAT – 20 YEARS, 1989-2009 A Document of Activities and Statements © SAHMAT, 2009 ISBN: 978-81-86219-90-4 Rs. 250 Cover design: Ram Rahman Printed by: Creative Advertisers & Printers New Delhi Ph: 98110 04852 Safdar Hashmi Memorial Trust 29 Ferozeshah Road New Delhi 110 001 Tel: (011) 2307 0787, 2338 1276 E-mail: [email protected] www.sahmat.org SAHMAT – 20 Years 3 4 PUBLICATIONS SAHMAT – 20 Years 5 Safdar Hashmi 1954–1989 Twenty years ago, on 1 January 1989, Safdar Hashmi was fatally attacked in broad daylight while performing a street play in Sahibabad, a working-class area just outside Delhi. Political activist, actor, playwright and poet, Safdar had been deeply committed, like so many young men and women of his generation, to the anti-imperialist, secular and egalitarian values that were woven into the rich fabric of the nation’s liberation struggle. Safdar moved closer to the Left, eventually joining the CPI(M), to pursue his goal of being part of a social order worthy of a free people. Tragically, it would be of the manner of his death at the hands of a politically patronised mafia that would single him out. The spontaneous, nationwide wave of revulsion, grief and resistance aroused by his brutal murder transformed him into a powerful symbol of the very values that had been sought to be crushed by his death. Such a death belongs to the revolutionary martyr. 6 PUBLICATIONS Safdar was thirty-four years old when he died. -
2013 MFA Painting/Print Making/Sculpture
B - 31 Entrance Examinations, February 2013 MFA Painting/Print Making/Sculpture Maximum Marks ,5o Time : 2 Hours Hall Ticket No. General Instructions : 1. Write your Hall Ticket Number in the OMR Answer Sheet and also write the Hall Ticket Number in the space provided above. 2. This paper consists ,A' ,Bn. .question of Two Parts - Part and part part-A of the question paper consists of 25 questions of one mark each. a J. Answers are to be marked on the OMR answer sheet following the instructions provided thereupon. 5. There is negative marking for a wrong answer in Part-A only. Each wrong answer carries -0.33 mark. 6. Hand over the oMR answer sheet at the end of the examination to the Invigilator. 7. No additional sheets will be provided. Rough work can be done in the question paper itself. b-> I UNIVERSITY OF HYDERABAI) Department of Fine Arts MFA Painting/Printmaking/Sculpture Total Marks 56: (1X50) Date:2610212013 Time: 2:00 pm to 4:00 pm Instructions , The question paper consists of two parts (part A and part B). Part A has 25 questions with negative marking of 0.33 for each for every wrong answer of one mark question. lart B has 25 questions with NO NEGATIVE marking. For each question, there shall be four answers and the-answers are to be indicated with capital letters of alphabets viz., A, Bn C and D. Part A 25 Questions with Negative Marking I Name the capital of the Vijayanagara dynasty. A. Mathura B. Tanjore C. Hampi D. -
Finding Aid for Architectural Records, 1961-2009 the Architectural Archives, University of Pennsylvania
(Collection #366) Anant D. Raje, 1929-2009 A Finding Aid for Architectural Records, 1961-2009 The Architectural Archives, University of Pennsylvania © 2016 The Architectural Archives of the University of Pennsylvania. All rights reserved. The Architectural Archives, University of Pennsylvania Anant Raje Col. 366 Archival Description Descriptive Summary Title: Architectural Records, 1961-2009. Coll. ID: 366. Origin: Anant D. Raje, 1929-2009, architect. Extent: Architectural drawings: 5,914 originals, 336 prints; Project files: approx. 20 linear feet; Photographs: 2,211 photoprints; 7,157 photonegatives; 1,663 slides; Models: 17; Object: 1. Repository: The Architectural Archives, University of Pennsylvania 102 Meyerson Hall Philadelphia, Pennsylvania 19104-6311 (215) 898-8323 Abstract: This collection contains drawings, project and office files, models, and photographic materials related to the career of architect Anant D. Raje (1929-2009). Materials are dated from 1961 to 2009 and reflect the intensity of Raje’s work in higher education and industrial development in India, as well as his collaborations with architect Louis I. Kahn. Projects of note include the Indian Institute of Management - Ahmedabad, Indian Institute of Forest Management, Center for Environmental Planning and Technology University, and the National Dairy Development Board. Other materials include Raje’s writing and teaching records, datebooks and notebooks, as well as travel and family photography. 2 The Architectural Archives, University of Pennsylvania Anant Raje Col. 366 Biographical/Historical Sketch A leading architect and a dedicated teacher of post-independence India, Anant D. Raje (1929-2009) was born in Mumbai on September 17, 1929 to a family with roots in the town of Karjat, Maharastra state. -
The Village Gallery Founded in 1989 by Dolly Narang Has the Distinction of Holding Innovative and Unique Exhibitions, Which Have Been Critically Acclaimed
The Village Gallery The Village Gallery founded in 1989 by Dolly Narang has the distinction of holding innovative and unique exhibitions, which have been critically acclaimed. It has exhibited the works of eminent masters such as M. F. Husain, Ganesh Pyne, Paritosh Sen as well as the illustrations and film sketches of the late Satyajit Ray (during his lifetime). Our group shows have included the works of Sakti Burman, Arpana Caur, Sunil Das, Laxma Goud, M.F. Husain, Bhupen Khakhar, Nalini Malani, Meera Mukherjee, Manu Parekh, Madhvi Parekh, Ganesh Pyne, S.H Raza, Krishna Reddy, Paritosh Sen, Haku Shah, Shamshad, Gulammohammed Sheikh, Nillima Sheikh, Anupam Sud, Vivan Sundram and others. Our efforts are also directed towards encouraging upcoming artists and do our best towards promoting their works not only from the commercial angle. Landmark exhibitions presented by The Village Gallery, some of which have been acknowledged as the first of their kind are – 1989 ‘Husain Graphics‐89’, Lithographs and Serigraphs by M. F. Husain. 1989 Exhibition of SELF PORTRAITS by twenty four eminent artists. 1989 Opening Show of The Village Gallery with the works of Arpana Caur, Narendra Dixit. Jagdish C, Rajesh Mehra, Ved Nayar, Gogi Saroj Pal, Paritosh Sen. 1989 ‘Ceramics Show’ by Leena Batra, Gurcharan Singh, 1989 Exhibition of ‘Self Portraits ‘by Altaf, R.B. Bhaskaran, Arpana Caur, Shail Choyal, Sunil Das, Shyamal Datta M. F. Husain, Shamshad Husain, Jagdish. C, Prithpal S. Ladi, Nalini Malani, Navjot, Ved Nayar, Manu Parekh, Mickey Patel, Ganesh Pyne, K.S Radhakrishnan , DLN Reddy, Gogi Saroj Pal, Paritosh Sen, Bulbul Sharma, Gulam Mohammed Sheikh, K.P. -
Michael Meister CV
CURRICULUM VITÆ NAME: Michael William Meister EDUCATION: * Harvard University, Ph.D., Fine Arts, 1974 * Harvard University, M.A., Fine Arts, 1971 * Harvard College, B.A. (honors), History and Literature, 1964 HONORARY DEGREE: University of Pennsylvania, M.A., 1979 PROFESSIONAL ACTIVITIES: Teaching 2008 April–June Gastprofessur, Institut fur Kunstgeschichte, Universitat Wein. 2002–present W. Norman Brown Professorship in South Asian Studies, University of Pennsylvania. 2000–2002 Edmund J. and Louise W. Kahn Term Chair, University of Pennsylvania. 1988–2000 Professor, Department of the History of Art, University of Pennsylvania. South Asian Curator, Asian Section, University Museum; Curator, South Asian Art Archive, van Pelt library. Member, Ph.D. Architecture Graduate Group, Graduate School of Fine Arts, and South Asia Studies, Asian and Middle Eastern Studies, Religious Studies, and History of Art Graduate Groups, School of Arts and Sciences. 1979–88 Associate Professor, Departments of the History of Art and South Asia Regional Studies, University of Pennsylvania. 1976–79 Assistant Professor, Departments of the History of Art and South Asia Regional Studies, University of Pennsylvania, Philadelphia. 1974–76 Assistant Professor, Department of Art, Center for Asian Studies, and Graduate Faculty, University of Texas, Austin. 1969–70 Dunster House India Seminar, Harvard. 1968 Experiment in International Living, Group Leader, India. 1964–66 Fulbright Tutor (English), Maharaja’s College, Jaipur (1964–65); Fergusson College, Pune (1965–66). Lectures, Panels, Symposia 2016.1 “Āmalaka Shrines,” European Association for South Asian Archaeology, 23rd biennial conference, Cardiff, Wales, Great Britain. 2016.2 “Conservation Challenges in India and the Himalayas: Yesterday, Today, and Tomorrow?,” lecture and panel discussion, College Art Association sessions, Annual Convention, Washington, DC. -
Art for Tribal Rituals in South Gujarat, India a Visual Anthropological
Art for Tribal Rituals in South Gujarat, India A Visual Anthropological Survey of 1969 Eberhard Fischer & Haku Shah A spectacular tribute to tribal ritual leaders of A visual record of ritual practices of the tribal people of Gujarat, by two eminent Western India anthropologists. Art for Tribal Rituals in South Gujarat, India, is the outcome of extensive Features over 800 images of icons and fieldwork carried out by Eberhard Fischer and Haku Shah in South ritual objects captured in minute detail. Gujarat in 1969. After an initial survey tour to locate village shrines and sacred pilgrimage sites, as well as specialists in rituals and crafts, the two Records the accomplishments of Adivasi art-anthropologists stayed in the field to observe as silent participants ritual leaders, healers and craftspeople oracle and spirit-healing sessions, a death ceremony and the worship of of the past. local deities by the village communities. Fischer and Shah documented their experiences in unprecedentedly detailed photographic sequences, and as well, took precise notation of what they observed. In addition, they spoke to the specialists and carefully noted their comments, which are reproduced in this book as individual ‘indigenous voices’. This book of 528 pages and 823 photographs thus presents painted stones, large wooden stone-slabs and figures – representations of bodies for otherwise unsettled souls of the dead – but also monumental wooden crocodiles, revered with piles of terracotta votive offerings. They also documented the production, installation and worship of these icons and ritual objects. This publication is a tribute to the artistic and ritualistic accomplishments of Adivasi ritual leaders, healers and craftspeople of the past in a once remote area of Western India.