Finding Aid for Architectural Records, 1961-2009 the Architectural Archives, University of Pennsylvania

Total Page:16

File Type:pdf, Size:1020Kb

Finding Aid for Architectural Records, 1961-2009 the Architectural Archives, University of Pennsylvania (Collection #366) Anant D. Raje, 1929-2009 A Finding Aid for Architectural Records, 1961-2009 The Architectural Archives, University of Pennsylvania © 2016 The Architectural Archives of the University of Pennsylvania. All rights reserved. The Architectural Archives, University of Pennsylvania Anant Raje Col. 366 Archival Description Descriptive Summary Title: Architectural Records, 1961-2009. Coll. ID: 366. Origin: Anant D. Raje, 1929-2009, architect. Extent: Architectural drawings: 5,914 originals, 336 prints; Project files: approx. 20 linear feet; Photographs: 2,211 photoprints; 7,157 photonegatives; 1,663 slides; Models: 17; Object: 1. Repository: The Architectural Archives, University of Pennsylvania 102 Meyerson Hall Philadelphia, Pennsylvania 19104-6311 (215) 898-8323 Abstract: This collection contains drawings, project and office files, models, and photographic materials related to the career of architect Anant D. Raje (1929-2009). Materials are dated from 1961 to 2009 and reflect the intensity of Raje’s work in higher education and industrial development in India, as well as his collaborations with architect Louis I. Kahn. Projects of note include the Indian Institute of Management - Ahmedabad, Indian Institute of Forest Management, Center for Environmental Planning and Technology University, and the National Dairy Development Board. Other materials include Raje’s writing and teaching records, datebooks and notebooks, as well as travel and family photography. 2 The Architectural Archives, University of Pennsylvania Anant Raje Col. 366 Biographical/Historical Sketch A leading architect and a dedicated teacher of post-independence India, Anant D. Raje (1929-2009) was born in Mumbai on September 17, 1929 to a family with roots in the town of Karjat, Maharastra state. He received his training at the Sir J.J. School of Art where he graduated with a diploma in architecture in 1954. Three years later, Raje was drawn to the city of Ahmedabad by his school colleague Balkrishna V. Doshi (b. 1927); the soon-to-be artistic flowering that developed in the city—in art, architecture, dance, music, and design—would come to define the young architect’s career and those of his generation who were situated at the vanguard of a rapidly modernizing country. Raje worked in professional practice with Doshi for the next several years on works ranging from rural housing studies (1958-60) to their submission to the Toronto City Hall competition (1957-58). Development of institutions to support modernization—especially in areas of higher education and industrial development—were central goals supported by government and progressive patrons alike. Keen attention was paid to scientific and artistic developments abroad, yoked to Indian sensibilities and realities. The design of such institutions would form the core of Raje’s legacy in the sub-continent. Between 1964 and 1969, Raje worked in the Philadelphia office of Louis I. Kahn (1901-1974). There, Raje became a trusted associate, contributing to a number of Kahn’s works, including: the President’s Estate in Islamabad, Pakistan; Levy Playground in New York; the Interama Project in Miami; and the Dominican Motherhouse in Media, PA. One of the few Indian architects to work under Kahn, Raje would return to Ahmedabad to serve as Kahn’s on-site architect for the Indian Institute of Management project (IIM-A) overseeing design development and construction of the school’s main complex, dormitories and housing additions, in addition to the initial designs for dining halls and a post-graduate management school (later called the Management Development Centre). Following Kahn’s death in March 1974, Raje would serve as lead architect for the campus’s completion (for Doshi-Raje Architects)—including the development of Kahn’s designs for the Dining Halls and the Management Development Centre. His affiliation with IIM-A ended in 2003, some 29 years after Kahn’s death. Raje’s experience with Kahn shaped the design of a number of public institutions in the 1970s through his independent practice. For the National Dairy Development Board, Raje prepared plans for multiple dairies in Maharashtra and Gujarat, as well as the Galbabhai Farmer’s Training Institute and the Agricultural Produce Wholesale Market Complex in New Bombay. In the two decades that followed, Raje further refined his concept regarding institutions as self-contained entities rather than series of individual function-defined buildings through his work at the Indian Institute of Forest Management in Bhopal and the Murda Institute of Communications in Ahmedabad (later MICA). He designed several office structures, including the Testing Board Offices and Science Museum in Bhopal, the Commissioner’s Office and Walmi Subcenter in Morena, and the headquarters for the Bhopal Development Authority. Larger urban design statements like the Commercial Complex at MOG Lines demonstrate Raje’s ability to integrate bold volumes and open courtyards into an existing urban fabric. Starting in the late 1970’s, Raje designed a number of private residences in and near Ahmedabad that further demonstrate his fascination with the relationship between shape and void, and explore the permeable division between interior and exterior spaces. His Kahn-inspired dedication to light and shadow is equally evident in these works. Throughout this period of independent practice, Raje taught at the School of Architecture at the Center for Environmental Planning and Technology (CEPT), first as a visiting lecturer in 1969, and in the 3 The Architectural Archives, University of Pennsylvania Anant Raje Col. 366 1980s, as Director of the school. Raje served as a visiting lecturer at various universities in Europe, the United States, and India, while maintaining a steady connection to the School of Architecture and Planning at the University of New Mexico in Albuquerque where he taught master’s level design studios (1981- 2001). Raje’s career was recognized by numerous honors including the Indian Institute of Architects’ Baburao Mhatre Gold Medal (1994) and the Architecture Distinguished Professor’s Award for CEPT. Anant Raje died on June 27, 2009 at the age of 79. Scope and Content Note and Arrangement The Anant D. Raje Collection is arranged into four series: Series I. Architectural Drawings. Series II. Project and Office Files. Series III. Models and Objects. Series IV. Photographic Materials. Within the first two series, materials attributed to the Doshi-Raje partnership (D-R), Raje’s independent practice (ADR), and those related to the IIM-A project, have been identified as unique subseries, respectively. Additionally, materials may be arranged into subseries by size and format for storage purposes. In many cases, containers within series and subseries are arranged by project in chronological order. The dates used are based on the earliest dated drawing or file, unlike the chronology utilized in Anant Raje, Architect: Selected Works 1971-2009, which represent dates of project completion. Project names have been standardized as much as possible. Series I. Architectural Drawings. This series contains drawings for projects dated 1961-2009. It is arranged into five subseries (A-E): Subseries I.A includes drawings attributed to Raje’s independent practice (hereafter referred to as ADR). Arranged by project in chronological order. Non-project drawings and unidentified projects are housed at the end of the subseries. Extent: 122 folders (3,483 originals, 183 prints) Subseries I.B includes drawings related to the Indian Institute of Management, Ahmedabad (hereafter referred to as IIM-A). Arranged by project in chronological order. Sketches made by Louis I. Kahn have been identified and are stored in the first four folders of the subseries. Extent: 73 folders (1,956 originals, 125 prints) Subseries I.C includes large format drawings, stored flat. Arranged alphabetically by project name. Extent: 2 folders (32 originals) 4 The Architectural Archives, University of Pennsylvania Anant Raje Col. 366 Subseries I.D includes large format drawings, stored rolled. Arranged by project in chronological order. Materials for IIM-A are housed together in 366.I.D.002. Extent: 2 tubes (29 originals) Subseries I.E includes smaller architectural drawings, housed in an 11 x 14 box. Arranged by project in chronological order. Extent: 39 folders (414 originals, 28 prints) Series II. Project and Office Files. This series contains project files relating to the headquarters for Bhopal Development Authority (BDA); the Gas Tragedy Victims Memorial at Bhopal; the Ezhimala Naval Academy; the residences of Ranvir Khatau, J.C. Parikh, and Gajjaman Kulkarni; the Mohanlal Someshwar Mistry Institute (MSM) school at Jetalpur; the Intec Polymer Silvassa Plant; the Commissioner’s Office and Walmi Subcentre at Morena; the Indian Institute of Forest Management(IIFM); the MAFCO Dairy; the Commercial Complex at MOG Lines; the Murda Institute of Communications at Ahmedabad (MICA); the Center for Wind Energy Technology (C-WET); the Lalbahadru Shastri National Academy at Ghaziabad; the Sardar Swaran Singh National Institute of Renewable Energy (SSS-NIRE); the Videsh Bhavan Project; and the Vyavsaik Pravesh Pareeksha Mandal (VPP-Mandal or VPPP- Mandal). The series is divided into eight subseries (A-H): Subseries II.A contains project files from the Doshi-Raje Partnership (hereafter referred to as D-R), particularly work related to the Indian Institute of Management, Ahmedabad. This subseries largely maintains the order of the files
Recommended publications
  • Dtpage01april28.Qxd (Page 1)
    DLD‰‰†‰KDLD‰‰†‰DLD‰‰†‰MDLD‰‰†‰C JLo and behold! Priyanka’s new THE TIMES OF INDIA Jen’s childhood Andaaz bowls Monday, April 28, 2003 isn’t a sob story Bollywood over Page 7 Page 8 TO D AY S LUCKY 832 Jim carrey s teeth T ime for fun 841 888 Two fat ladies Two little ducks 822 Your Dambola Ticket available in Delhi Times on 27th April, 2003 OF INDIA Numbers already announced : 27, 39, 50, 71 MANOJ KESHARWANI Metro breaks new ground at CP ARUN KUMAR DAS Sabha, Civil Lines, Kashmere Gate, the Times News Network New Delhi railway station, Barakham- ba Road, Patel Chowk and the Central he 1 km stretch between Patel Secretariat. Chowk and Connaught Place is CP is, of course, the largest of the Tan uninterrupted journey —but underground stations covered by this only if one undertakes the journey via route. ‘‘The CP station will be equipped a tunnel 20 m below the surface of ter- with four subways opening to ticket ha- ra firma. Higher up, on the ground JAISWAL SATISH lls and bearing large roof-like structur- above, there is a frenzy of construction es. The entire area will be landscaped activity.The Delhi Metro Rail Corpora- to impart a grand look,’’ says Dayal. tion (DMRC) is on the job and busy put- ‘‘To ensure that work on the metro is ting CP on the fast track by laying down TUNNEL VISION conducted smoothly,utilities along var- two-way metro tracks. Work on the underground section of the metro is moving on the right track ious routes have been diverted via ‘‘This underground tunnel is being diaphragm walls.’’ constructed with the help of two state- While the DMRC has made slow and ing DU and ISBT; and the second phase While all metro-station platforms of-the art boring machines procured fr- steady progress so far, it still has a long covering the route between ISBT and will be equipped with AC and escala- om Germany at a cost of Rs 40 crore ea- way to go in that the total length of the the Central Secretariat.
    [Show full text]
  • Catalogue Fair Timings
    CATALOGUE Fair Timings 28 January 2016 Thursday Select Preview: 12 - 3pm By invitation Preview: 3 - 5pm By invitation Vernissage: 5 - 9pm IAF VIP Card holders (Last entry at 8.30pm) 29 - 30 January 2016 Friday and Saturday Business Hours: 11am - 2pm Public Hours: 2 - 8pm (Last entry at 7.30pm) 31 January 2016 Sunday Public Hours: 11am - 7pm (Last entry at 6.30pm) India Art Fair Team Director's Welcome Neha Kirpal Zain Masud Welcome to our 2016 edition of India Art Fair. Founding Director International Director Launched in 2008 and anticipating its most rigorous edition to date Amrita Kaur Srijon Bhattacharya with an exciting programme reflecting the diversity of the arts in Associate Fair Director Director - Marketing India and the region, India Art Fair has become South Asia's premier and Brand Development platform for showcasing modern and contemporary art. For our 2016 Noelle Kadar edition, we are delighted to present BMW as our presenting partner VIP Relations Director and JSW as our associate partner, along with continued patronage from our preview partner, Panerai. Saheba Sodhi Vishal Saluja Building on its success over the past seven years, India Art Senior Manager - Marketing General Manager - Finance Fair presents a refreshed, curatorial approach to its exhibitor and Alliances and Operations programming with new and returning international participants Isha Kataria Mankiran Kaur Dhillon alongside the best programmes from the subcontinent. Galleries, Vip Relations Manager Programming and Client Relations will feature leading Indian and international exhibitors presenting both modern and contemporary group shows emphasising diverse and quality content. Focus will present select galleries and Tanya Singhal Wol Balston organisations showing the works of solo artists or themed exhibitions.
    [Show full text]
  • PROFILES Ilh
    'la' PROFILES Ilh, ANANT D. RAJE By Attilio Petruccioli Born September 1929 in Bombay. Graduated in Architecture, Sir J.J. School of Fine Arts, Bombay, 1954. 1957-1960 Professional practice with Mr. B.V. Doshi, Architect in Ahmedabad working on Housing for the Textile Indu- stry workers and Housing for Low-Income group, Gujarat University Science Laborato- ries and Textile Pavilion for Indian Industrial Exposition in New Delhi. 1961-1964 Professional work in Ahme- dabad. 1964-1968 In the office of Prof. Louis I. Kahn in Philadelphia. 1969- 1971 Working on construction of the Indian Institute of Busi- ness Management Building complex with Louis . Kahn, as his local representative to develop design details and or- ganize site office unit and construction work in Ahme- dabad Court of faculty offices. Indian institute of Management Ahmedabad. (ig Yl. 1974 since Extensions and new work to -the IIM campas Ahmedabad. Indian Institute ofManagement, Ahmedabad. (Fig. 92). Right. Management Development Centre. Main hall on three levels. (Fig. 93). He is Honorary Director of the School of Architecture, Ahmedabad. 68 :ti I J 69 Anand Raye is a shy personage of few words, whose talent merits greater fame, such as to go beyond the limited confines of the world in which he lives and works. In a world of great design companies (veritable holding companies), ba- sing their fame on the prima donna attitudes of the boss, on political and financial relations favoured by lf being located in the big "business cities" of India, the studio in which . Anand Raje stubbornly goes about his occupation of a good "craft- sman" of architecture, is a happy exception.
    [Show full text]
  • The Cultural Dimension of Education
    THE CULTURAL DIMENSION OF EDUCATION www.ignca.gov.in THE CULTURAL DIMENSION OF EDUCATION Edited by BAIDYANATH SARASWATI 1998 xxii+258pp. col. illus., ISBN: 81-246-0101-1, Rs 700(HB) CONTENTS How can a sensibly worked-out system of education afford a Foreword (Kapila Vatsyayan) symbiosis between modernity Prologue (Chitra Naik) and wisdom tradition Addressing the vital question, the authors Introduction (Baidyanath Saraswati) here look afresh at the relevance of art in the age of 1. Gandhian Experiment of Primary Education:The Story of science/technocentrism, the role Taman Kanak-Kanak 'Gandhi' (Gedong Bagoes Oka) of education in promoting peace 2. Poverty and Education: The Samanwaya Ashram (Dwarko and concord, Gandhian system Sundrani) of basic education& and, finally, 3. Rural Context of Primary Education: Searching for the how far Indias national concerns Roots (Shakuntala Bapat & Suman Karandikar) are reflected in its national policy 4. The Bose Foundation School (Baidyanath on education. Saraswati, Shivashankar Dube& Ram Lakhan Maurya) 5. Ghadatar: An Enquiry into the Invisible Order (Haku Shah) As assemblage of 16 education- 6. My Experiments with Education (D. Patnaik) related essays, this volume is the outcome of a Conference on the Art as a Tool for Cultural Rejuvenation (Dinanath Pathy) 7. "Cultural Dimension of Education 8. Photography in Education (Ravi Chopra) and Ecology", held in New Delhi 9. Education for Value-Creation and Leadership: A Case Study of on 13-16 October 1995 as a part the Rangaprabhat Centre (N. Radhakrishnan) of the Unesco Chair activities (in 10. Education Through Art (Nita Mathur) the field of cultural development) 11.
    [Show full text]
  • Modern Art Auction
    Modern Art July - 2021 LIVE AUCTION Modern Art 6th July, 2021 www.prinseps.com Curator's Note Prinseps is delighted to announce its summer modern art auction. We at Prinseps pride ourselves on being not just an auction house but a storehouse of knowledge. After in-depth research and analysis conducted by experts and constantly keeping an eye for sublime luxury, we present our summer auction. The history of modern Indian art is often riddled with gaps and holes. Documentation is rather inadequate and sources seldom reliable. We believe that we can change that.... we plunge into these unknown, unchartered, and fascinating depths to discover treasure troves. Our focus is to bring forward extraordinary works that have been hitherto ignored. Modern Art The 1940s were a defining chapter for modern art in the country, with Indian artists practically th blooming and blossoming ... experimenting with their individual style, expressing their creativity, 6 July, 2021 making socio-political statements that would go on to be etched in time forever. It was an explosion of home-grown talent. These path-breakers were the “Progressive Artists” of India. Our modern art auction is essentially composed of three distinguished estates. Over the years, Prinseps has managed to acquire the estates of some avant-garde personalities, the most recent Auction is now open for written bids / proxy bidding being the sole female member of the Progressive Artists' Group, Bhanu Athaiya. Live Auction commences at 7.00 pm on 6th July 2021 This auction offers to the discerning connoisseur a cornucopia of art that was lost in the sands Lots will be auctioned sequentially.
    [Show full text]
  • General Awareness–Current Affairs Month of March-2019
    GENERAL AWARENESS–CURRENT AFFAIRS MONTH OF MARCH-2019 List of Important Days March 1 - Zero Discrimination Day (Theme – “Act to change laws that Discriminate”) March 4 - National Safety Day (Themes – “Cultivate and Sustain A Safety Culture for Building Nation”) Mar 4-10 - National Safety Week March 7 - Janaushadhi Diwas March 8 - International Women’s Day (Theme – “Think Equal, Build Smart, Innovate for Change”). March 12 - World Day against Cyber Censorship March 12 - 30th anniversary of the World Wide Web (WWW) March 14 - (2nd Thursday of March) World Kidney Day (Theme - “Kidney Health for Everyone Everywhere”) March 14 - Pi Day (Pi's value (3.14)) March 15 - World Consumer Rights Day (In India this day is celebrated as Viswa Upabhokta Adhikar Diwas). (Theme – “Trusted Smart Products”) March 20 - International Day of Happiness. (Theme – “Happier Together”) March 20 - World Day of Theatre for Children and Young People March 20 - World Sparrow Day. (Theme – “I LOVE Sparrows”) March 21 - International Day of Forests. (Theme “Forests and Education”) March 21 - World Poetry Day March 21 - World Down Syndrome Day March 21 - International Day for the Elimination of Racial Discrimination (Theme – “Mitigating and countering rising nationalist populism and extreme supremacist ideologies”) March 21 - World Puppetry Day March 22 - World Water Day (Theme – “Leaving no one behind”) March 23 - World Meteorological Day (Theme – “The Sun, the Earth and the Weather”) March 23 - 88th Shaheed Diwas (Martyr’s Day) March 24 - World Tuberculosis (TB) Day (Theme – “It’s time”) March 25 - International Day of Remembrance of the Victims of Slavery and Transatlantic Slave Trade. (Theme – “Remember Slavery: The Power of the Arts for Justice”) March 26 - Independence Day of Bangladesh March 27 - World Theatre Day (WTD) March 30 - Rajasthan Diwas Reserve Bank of India • The Reserve Bank of India (RBI) has fined Yes Bank ₹1 crore for not complying with its directions about SWIFT, a financial messaging software.
    [Show full text]
  • National Institute of Fashion Technology
    National Institute of Fashion Technology A Statutory Institute governed by the NIFT Act 2006 Ministry of Textiles, Government of India NIFT Campus, Hauz Khas, Opposite Gulmohar Park, New Delhi - 110016 National Institute Of Fashion Technology 29th Annual Report 2014-15 21.09.2015 NATIONAL INSTITUTE OF FASHION TECHNOLOGY | ANNUAL REPORT 2014-15 CONTENTS 01 Board of Governors (2014-15) 77 Design Space 05 NIFT - Introduction 83 International & Domestic Linkages 07 Significant Landmarks (2014-15) 86 National Resource Centre 08 Student Development Activities 87 Cluster Development Inititative 09 NIFT Campuses 91 Information Technology Inititative ACADEMIC DEPARTMENTS 93 Continuing Education Programme 11 Fashion Design 97 Campus Placements 19 Leather Design 101 Ph.D. and Research 27 Textile Design 110 FOTD 37 Knitwear Design 112 Admissions 2014 45 Fashion & Lifestyle Accessories 113 Convocation 2014 53 Fashion Communication 114 Abbreviations 61 Fashion Technology Auditor’s Report & 71 Fashion Management Studies 116 Statement of Accounts NATIONAL INSTITUTE OF FASHION TECHNOLOGY | ANNUAL REPORT 2014-15 BOARD OF GOVERNORS Members as on March 2015 Smt. Kiran Dhingra, IAS (Retd.) 83 C Village Chairperson BOG NIFT Gancim- Bhatim Post Office Goa Velha Talukh Tisvadi Goa – 403108 Sh. Naresh Gujral 5, Amrita Shergil Marg Hon’ble M.P Rajya Sabha New Delhi-110003 (22-07-2014 up to 31-03-2015) Shri S. Selvakumara Chinnayan, S-3, SCP Residency, Hon’ble M.P Lok Sabha BVB School Main Road, Thindal, (21-10-2014 up to 31-03-2015) Distt. Erode- 638 012 Tamil Nadu Smt. Poonam Mahajan, Block no. 2 Bhima Worli Sagar Hon’ble M.P Lok Sabha Cooperative Society (21-10-2014 up to 31-03-2015) Dr.
    [Show full text]
  • Curriculum Vitae of Mr
    CURRICULUM VITAE OF MR. YATIN PANDYA FOOTPRINTS E.A.R.T.H. Environment Architecture Research Technology Housing RECENT POSITIONS HELD: Present: Proprietor: Footprints E.A.R.T.H. (Environment, Architecture, Research, Technology, Housing) Jul 08-Nov 09 Design director: KSA Design Planning Services, Ahmedabad 1984-2008 Associate Director, Vastu-Shilpa Foundation for Studies and Research in Environmental Design CONTACT DETAILS Milan bunglow, Sargam flat lane, Iswarbhuvan Stadium Road, Navjivan post, Ahmedabad, 380 014 (INDIA) Telephone (079) 26447460 / 9825005049 E-mail: [email protected], [email protected], [email protected] WEB SITE: www.footprintsearth.com BIRTH Sixth July, 1960, Delhi (India) Nationality : Indian EDUCATION 1988 Master of Architecture -Centre for Minimum Cost Housing, McGill University, Montreal, Canada 1984 Diploma in Architecture (Equivalent of Degree) Centre for Environmental Planning and Technology, Ahmedabad, India (CEPT University) AWARDS, ACHIEVEMENTS AND DISTINCTIONS March 18 NDTV-GROHE DESIGN AND ARCHITECTURE AWARD -Award award for heritage architecture of Gandhi Ashram Parikshit Ashramshala Dec 17 Special Mention in 2017 WORLD HABITAT AWARDS UK for ‘Ujasiyu’-Bringing light and air to Homes in informal settlements, India Aug 16 Curry Stone Foundation- International Award for Sustinable practice, USA Jun 16 Excellence in Architecture & Interior Design Services category leadership award by FMLA-2016 Apr 16 HUDCO- National award for Landscape Design and Planning for “Shantivan Memorial”. Jan 16 NDTV-GROHE DESIGN AND ARCHITECTURE AWARD- Jury commendation award for heritage architecture of Gandhi Ashram somnath chhatralay Nov 15 Emersion Cup – award for energy efficient design of EVOSYS office (retrofitting) Oct 14 Indian Institute of architect’s Award for Architectural Excellence- Research category (Elements of Spacemaking) Feb 14 Archi Design Excellence Award.
    [Show full text]
  • February 27, 2014
    The Annual Charity Auction February 27, 2014 Conducted by Mallika Advani in aid of organised by Secure Giving Art for Concern, the annual charity art auction synonymous with extraordinary artwork, was initiated in aid of Concern India Foundation in 2001 and has carved an exclusive niche for itself amongst art events in Mumbai. We are forever grateful to Mallika Advani for her advice, guidance and unstinting support. With the overwhelming support of well-established modern and contemporary artists, art collectors and aficionados; over the past 13 years, Art for Concern has not just promoted Indian art, but more importantly, it has contributed to the socio-economic development of Our special thanks to the weaker sections of our society. April Cornell Each year, Art for Concern endeavours to raise financial resources for Concern India Foundation, a registered non-profit organisation. Set up in 1991 with the Arun Vadehra belief that given an opportunity, people have the power to change their own lives; Concern Carmen Kagal India Foundation aims to help the disadvantaged become self-reliant and works towards K. G. Subramanyan ‘Helping People Help Themselves’. Khorshed and Dadiba Pundole Through branches in seven cities including Mumbai, Delhi, Bengaluru, Chennai, Shanti Chopra Hyderabad, Kolkata, and Pune, Concern India Foundation provides financial and non-financial support to over 270 grassroots initiatives in the areas of T. V. Santhosh education, health and community development. Vigilante Services Pvt. Ltd. All the participating artists The support has helped bring about a positive change in the lives of over 2,75,000 beneficiaries that include children, youth, women, the specially challenged and the aged.
    [Show full text]
  • Contemporary Architecture
    09ARC 6.4 – CONTEMPORARY ARCHITECTURE Written by Administrator Saturday, 31 October 2009 17:55 - Last Updated Saturday, 31 October 2009 17:56 CONTACT PERIODS : : 3 (LECTURE) PER WEEK DURATION OF EXAM : 3 HRS EXAM MARKS : 100 PROGRESSIVE MARKS : 50 Objective: To provide an understanding and appreciation of Contemporary trends in Indian and Western Architecture in terms of Ideas and directions through the works of outstanding architects. Outline: 1 / 3 09ARC 6.4 – CONTEMPORARY ARCHITECTURE Written by Administrator Saturday, 31 October 2009 17:55 - Last Updated Saturday, 31 October 2009 17:56 Post-Independence Architecture in India – Works of Corbusier in Chandigarh and Ahmedabad (Legislative Assembly Complex including High Court, Legislative assembly and Secretariat, Chandigarh and Mill Owners’ Building, Ahmedabad) Louis Kahn’s contributions – the IIM, Ahmedabad, Ideas and works of BV Doshi (Institute of Indology Ahmedabad, IIM-Bangalore and Gufa, Ahmedabad), Charles Correa (RamaKrishna House, Ahmedabad, Kanchen Junga Apartments, Mumbai and MRF Headquarters, Chennai), Raj Rewal (Pragati Maidan, New Delhi and Asian Games Village, New Delhi), Achyut Kanvinde(IIT, Kanpur and Nehru Science Centre, Mumbai), Uttam Jain(Lecture Theatres, Jodhpur and Engineering College, Kota), Lauire Baker(Centre for Development Studies, Thiruvananthapuram and St. John Cathedral at Tiruvalla) and Anant Raje(IIFM, Bhopal and Management Development Centre, IIM-A) Western Architecture – Ideas and works of Richard Meier (Smith House, Connecticut and Getty Centre, Brent
    [Show full text]
  • 20Years of Sahmat.Pdf
    SAHMAT – 20 Years 1 SAHMAT 20 YEARS 1989-2009 A Document of Activities and Statements 2 PUBLICATIONS SAHMAT – 20 YEARS, 1989-2009 A Document of Activities and Statements © SAHMAT, 2009 ISBN: 978-81-86219-90-4 Rs. 250 Cover design: Ram Rahman Printed by: Creative Advertisers & Printers New Delhi Ph: 98110 04852 Safdar Hashmi Memorial Trust 29 Ferozeshah Road New Delhi 110 001 Tel: (011) 2307 0787, 2338 1276 E-mail: [email protected] www.sahmat.org SAHMAT – 20 Years 3 4 PUBLICATIONS SAHMAT – 20 Years 5 Safdar Hashmi 1954–1989 Twenty years ago, on 1 January 1989, Safdar Hashmi was fatally attacked in broad daylight while performing a street play in Sahibabad, a working-class area just outside Delhi. Political activist, actor, playwright and poet, Safdar had been deeply committed, like so many young men and women of his generation, to the anti-imperialist, secular and egalitarian values that were woven into the rich fabric of the nation’s liberation struggle. Safdar moved closer to the Left, eventually joining the CPI(M), to pursue his goal of being part of a social order worthy of a free people. Tragically, it would be of the manner of his death at the hands of a politically patronised mafia that would single him out. The spontaneous, nationwide wave of revulsion, grief and resistance aroused by his brutal murder transformed him into a powerful symbol of the very values that had been sought to be crushed by his death. Such a death belongs to the revolutionary martyr. 6 PUBLICATIONS Safdar was thirty-four years old when he died.
    [Show full text]
  • 'Indian Architecture' and the Production of a Postcolonial
    ‘Indian Architecture’ and the Production of a Postcolonial Discourse: A Study of Architecture + Design (1984-1992) Shaji K. Panicker B. Arch (Baroda, India), M. Arch (Newcastle, Australia) A Thesis Submitted to the University of Adelaide in fulfilment of the Requirements for the Degree of Doctor of Philosophy School of Architecture, Landscape Architecture and Urban Design Centre for Asian and Middle Eastern Architecture 2008 Table of Contents Abstract ............................................................................................................................................................................................iv Declaration ............................................................................................................................................................................................vi Acknowledgements..........................................................................................................................................................................vii List of Figures ........................................................................................................................................................................................ ix 1 Introduction ........................................................................................... 1 1.1: Overview..................................................................................................................................................................1 1.2: Background...........................................................................................................................................................2
    [Show full text]