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Accused: Fairfield’S Witchcraft Trials September 25, 2014 – January 5, 2015 Educator Guide
Accused: Fairfield’s Witchcraft Trials September 25, 2014 – January 5, 2015 Educator Guide Accused: Fairfield’s Witchcraft Trials September 25, 2014 – January 5, 2015 Teacher Guide Index Introduction: The Legacy of Witchcraft Page 3 Essential Questions & Big Ideas Page 5 Accused Suggested Mini-Activity Page 6 Online Teacher Resources: Lesson Plans & Student Activities Page 7 Student & Teacher Resources: Salem Pages 9 - 10 New England Witchcraft Trials: Overview & Statistics Page 10 New England Witchcraft Timeline Pages 12 - 13 Vocabulary Page 14 Young Adult Books Page 15 Bibliography Page 15 Excerpts from Accused Graphic Novel Page 17 - 19 Educator Guide Introduction This Educator Guide features background information, essential questions, student activities, vocabulary, a timeline and a booklist. Created in conjunction with the exhibition Accused: Fairfield’s Witchcraft Trials, the guide also features reproductions of Jakob Crane’s original illustrations and storylines from the exhibition. The guide is also available for download on the Fairfield Museum’s website at www.fairfieldhistory.org/education This Educator Guide was developed in partnership with regional educators at a Summer Teacher Institute in July, 2014 and co-sponsored by the Fairfield Public Library. Participants included: Renita Crawford, Bridgeport, CT Careen Derise, Discovery Magnet School, Bridgeport, CT Leslie Greene, Side By Side, Norwalk, CT Lauren Marchello, Fairfield Ludlowe High School, Fairfield, CT Debra Sands-Holden, King Low Heywood Thomas School, Stamford, CT Katelyn Tucker, Shelton Public Schools, CT About the Exhibition: In 17th century New England religious beliefs and folk tradition instilled deep fears of magic, evil, and supernatural powers. How else to explain unnatural events, misfortune and the sudden convulsions and fits of local townspeople? In this exhibition, the fascinating history of Connecticut’s witchcraft trials is illuminated by author and illustrator Jakob Crane. -
An Ethnographic Inquiry of a Coven of Contemporary Witches James Albert Whyte Iowa State University
Iowa State University Capstones, Theses and Retrospective Theses and Dissertations Dissertations 1981 An examen of Witches: an ethnographic inquiry of a coven of contemporary Witches James Albert Whyte Iowa State University Follow this and additional works at: https://lib.dr.iastate.edu/rtd Part of the Anthropology Commons, New Religious Movements Commons, and the Other Religion Commons Recommended Citation Whyte, James Albert, "An examen of Witches: an ethnographic inquiry of a coven of contemporary Witches" (1981). Retrospective Theses and Dissertations. 16917. https://lib.dr.iastate.edu/rtd/16917 This Thesis is brought to you for free and open access by the Iowa State University Capstones, Theses and Dissertations at Iowa State University Digital Repository. It has been accepted for inclusion in Retrospective Theses and Dissertations by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. An examen of Witches: An ethnographic inquiry of a coven of contemporary Witches by James Albert Whyte A Thesis Submitted to the Graduate Faculty in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS Department: Sociology and Anthropology Maj or: Anthropology Signatures have been redacted for privacy Iowa State University Ames, Iowa 1981 ii TABLE OF CONTENTS Page INTRODUCTION 1 WITCHCRAFT 10 WITCHES 23 AN EVENING WITH THE WITCHES 39 COVEN ORGANIZATION 55 STRESS AND TENSION IN THE SWORD COVEN 78 THE WITCHES' DANCE 92 LITERATURE CITED 105 1 INTRODUCTION The witch is a familiar figure in the popular Western imagination. From the wicked queen of Snow White to Star Wars' Yoda, witches and Witch like characters have been used to scare and entertain generations of young and old alike. -
Book of Shadows
THE SECRET CIRCLE: BOOK OF SHADOWS Note* To avoid confusion please remember that all of the information found here is from L.J. Smith’s SECRET CIRCLE Trilogy: The Initiation, The Captive and The Power books, not the CW’s TV show. New Salem Town Facts In 1693 a year after the Salem Witch Trials ended the real witches left and moved to an island in New England. These original families founded the Town of New Salem. The name Salem was common in Colonial times and comes from the name Jerusalem. In the 300 years since settling in New Salem the original families intermingled to keep their blood pure. Today’s coven consists of the direct decedents of the original families. The human outsiders living in New Salem are descended from the original families hired help, or from drifters that came to the island and were allowed to settle there. The houses on Crowhaven Road belonged to the original coven. The witches of New Salem still occupy the houses today. The homes on Crowhaven Road are mostly in poor condition due to their age with a few exceptions. The current living arrangements are as follows: Number 1 – Diana Number 2 – Deborah & Nick Number 3 – Vacant Number 4 – Melanie Number 5 – Laurel Number 6 – Faye Number 7 – Vacant Number 8 – Doug, Chris & Kori Number 9 – Adam Number 10 – Suzan Number 11 – Sean Number 12 – Cassie Number 13 – Only the foundation remains. Spells and Ritual Facts • Spells misused can rebound on the person who cast it threefold. • The Master Tools: A Crystal Skull, Leather Garter, Silver Diadem and Silver Bracelet • A circle is cast by going around it with a dagger, water, incense and a lit candle. -
Criminalising Witchcraft
A Creative Connect International Publication 19 CRIMINALISING WITCHCRAFT Written by Bhavya Sharma* & Utkarsh Jain** * 3rd year BA LLB, Institute of Law, Nirma University, Ahmedabad ** 3rd year BA LLB, Institute of Law, Nirma University, Ahmedabad INTRODUCTION Witchcraft as a term means the belief in, and practice of, magical skills and abilities that are able to be exercised by individuals and certain social groups. These are practiced by witches. Witch is an English word gender specific which is confined to women only. Witch is generally attributed to the individuals who through sheer malice, consciously or subconsciously, use magical power to inflict all type of evil on their fellow humans. They usually bring disease; destroy property and misfortune and causes death, without any provocation to satisfy their inherent craving. Some cultures in the Province of South Africa believe that all the misfortunes and deaths are either due to the punishments by ancestors or by the evil spirits or witches. It is found that majority of the people in the provinces believes in witchcraft and therefore the existence of witches. It is considered that some people are born as witches. In some culture in the African Provinces it is believed that a baby born should be thrown against a wall and if the baby clings to the wall, he or she would become a witch afterwards. Many animals are also considered to be associated with the practice of witchcraft such as owls, cats, snakes, bats, baboons, pole- carts. Some of the material articles related with witchcraft includes mirror, blades, brown bread, whirlwinds, traditional dishes, plates, saucers, traditional horns which are blown at nights, etc. -
Constructing the Witch in Contemporary American Popular Culture
"SOMETHING WICKED THIS WAY COMES": CONSTRUCTING THE WITCH IN CONTEMPORARY AMERICAN POPULAR CULTURE Catherine Armetta Shufelt A Dissertation Submitted to the Graduate College of Bowling Green State University in partial fulfillment of the requirements for the degree of DOCTOR OF PHILOSOPHY December 2007 Committee: Dr. Angela Nelson, Advisor Dr. Andrew M. Schocket Graduate Faculty Representative Dr. Donald McQuarie Dr. Esther Clinton © 2007 Catherine A. Shufelt All Rights Reserved iii ABSTRACT Dr. Angela Nelson, Advisor What is a Witch? Traditional mainstream media images of Witches tell us they are evil “devil worshipping baby killers,” green-skinned hags who fly on brooms, or flaky tree huggers who dance naked in the woods. A variety of mainstream media has worked to support these notions as well as develop new ones. Contemporary American popular culture shows us images of Witches on television shows and in films vanquishing demons, traveling back and forth in time and from one reality to another, speaking with dead relatives, and attending private schools, among other things. None of these mainstream images acknowledge the very real beliefs and traditions of modern Witches and Pagans, or speak to the depth and variety of social, cultural, political, and environmental work being undertaken by Pagan and Wiccan groups and individuals around the world. Utilizing social construction theory, this study examines the “historical process” of the construction of stereotypes surrounding Witches in mainstream American society as well as how groups and individuals who call themselves Pagan and/or Wiccan have utilized the only media technology available to them, the internet, to resist and re- construct these images in order to present more positive images of themselves as well as build community between and among Pagans and nonPagans. -
DIVINATION SYSTEMS Written by Nicole Yalsovac Additional Sections Contributed by Sean Michael Smith and Christine Breese, D.D
DIVINATION SYSTEMS Written by Nicole Yalsovac Additional sections contributed by Sean Michael Smith and Christine Breese, D.D. Ph.D. Introduction Nichole Yalsovac Prophetic revelation, or Divination, dates back to the earliest known times of human existence. The oldest of all Chinese texts, the I Ching, is a divination system older than recorded history. James Legge says in his translation of I Ching: Book Of Changes (1996), “The desire to seek answers and to predict the future is as old as civilization itself.” Mankind has always had a desire to know what the future holds. Evidence shows that methods of divination, also known as fortune telling, were used by the ancient Egyptians, Chinese, Babylonians and the Sumerians (who resided in what is now Iraq) as early as six‐thousand years ago. Divination was originally a device of royalty and has often been an essential part of religion and medicine. Significant leaders and royalty often employed priests, doctors, soothsayers and astrologers as advisers and consultants on what the future held. Every civilization has held a belief in at least some type of divination. The point of divination in the ancient world was to ascertain the will of the gods. In fact, divination is so called because it is assumed to be a gift of the divine, a gift from the gods. This gift of obtaining knowledge of the unknown uses a wide range of tools and an enormous variety of techniques, as we will see in this course. No matter which method is used, the most imperative aspect is the interpretation and presentation of what is seen. -
Rosaleen Norton's Contribution to The
ROSALEEN NORTON’S CONTRIBUTION TO THE WESTERN ESOTERIC TRADITION NEVILLE STUART DRURY M.A. (Hons) Macquarie University; B.A. University of Sydney; Dip. Ed. Sydney Teachers College Submission for Degree of Doctor of Philosophy School of Humanities and Social Science University of Newcastle NSW, Australia Date of submission: September 2008 STATEMENT OF ORIGINALITY This work contains no material which has been accepted for the award of any other degree or diploma in any university or other tertiary institution and, to the best of my knowledge and belief, contains no material previously published or written by another person, except where due reference has been made in the text. I give consent to this copy of my thesis, when deposited in the University Library, being made available for loan and photocopying subject to the provisions of the Copyright Act 1968. Signed: Date: Neville Stuart Drury ACKNOWLEDGEMENT OF AUTHORSHIP I hereby certify that the work embodied in this Thesis is the result of original research, the greater part of which was completed subsequent to admission for the degree. Signed: Date: Neville Stuart Drury 2 CONTENTS Introduction 5 Chapter One: Rosaleen Norton – A Biographical Overview 16 Chapter Two: Sources of the Western Esoteric Tradition 61 Chapter Three: Aleister Crowley and the Magic of the Left-Hand Path 127 Chapter Four: Rosaleen Norton’s Magical Universe 214 Chapter Five: Rosaleen Norton’s Magical Practice 248 Chapter Six: Rosaleen Norton as a Magical Artist 310 Chapter Seven: Theories and Definitions of Magic 375 Chapter Eight: Rosaleen Norton’s Contribution to the Western Esoteric Tradition 402 Appendix A: Transcript of the interview between Rosaleen Norton and L.J. -
Episode #030 – the Inspiring Wendy Rule
“The Infinite and the Beyond” hosted by Chris Orapello Episode #030 – The Inspiring Wendy Rule 1 Episode #030 – The Inspiring Wendy Rule The Infinite and the Beyond An esoteric podcast for the introspective pagan mind hosted by Chris Orapello www.infinite-beyond.com Underline Theme: Awen and Inspiration Show Introduction MM, BB, 93, Hello and Welcome to the 30th Episode of “The Infinite and the Beyond,” an esoteric podcast for the introspective pagan mind. Where we explore a variety of topics which relate to life and one’s unique spiritual journey. I am your host Chris Orapello. Intro music by George Wood. In this episode… We speak with Australian Visionary Songstress Wendy Rule and get to enjoy some of her music. “Creator Destroyer” from her album The Wolf Sky “Guided by Venus” from her album Guided by Venus “My Sister the Moon” from her album Guided by Venus “The Wolf Sky (Live)” from her album Live at the Castle on the Hill “Circle Open (Live)” from her album Live at the Castle on the Hill We learn about the controversial, “King of the Witches,” Alex Sanders in A Corner in the Occult. In the spirit of creativity we learn about the Awen in The Essence of Magic, but first lets hear “Creator Destroyer” a haunting track by Wendy Rule. Featured Artist “Creator Destroyer” by Wendy Rule Interview Part 1 : Wendy Rule ➢ Wild, passionate and empowering, Australian Visionary Songstress Wendy Rule, weaves together music, mythology and ritual to take her audience on an otherworldly journey of depth and passion. Drawing on her deep love of Nature and lifelong fascination with the worlds of Faerie and Magic, Wendy’s songs combine irresistible melodies with rich aural textures and a rare personal honesty. -
Palgrave Historical Studies in Witchcraft and Magic Series Editors
Palgrave Historical Studies in Witchcraft and Magic Series Editors: Jonathan Barry, Willem de Blécourt and Owen Davies The history of European witchcraft and magic continues to fascinate and challenge students and scholars. There is certainly no shortage of books on the subject. Several general surveys of the witch trials and numerous regional and micro studies have been published for an English-speaking readership. While the quality of publications on witchcraft has been high, some regions and topics have received less attention over the years. The aim of this series is to help illuminate these lesser known or little studied aspects of the history of witchcraft and magic. It will also encourage the development of a broader corpus of work in other related areas of magic and the supernatural, such as angels, devils, spirits, ghosts, folk healing and divination. To help further our understanding and interest in this wider history of beliefs and practices, the series will include research that looks beyond the usual focus on Western Europe and that also explores their relevance and influence from the medieval to the modern period. Titles include: Jonathan Barry WITCHCRAFT AND DEMONOLOGY IN SOUTH-WEST ENGLAND, 1640–1789 Jonathan Barry RAISING SPIRITS How a Conjuror’s Tale was Transmitted across the Enlightenment Edward Bever THE REALITIES OF WITCHCRAFT AND POPULAR MAGIC IN EARLY MODERN EUROPE Culture, Cognition and Everyday Life Ruth Bottigheimer MAGIC TALES AND FAIRY TALE MAGIC From Ancient Egypt to the Italian Renaissance Alison Butler VICTORIAN -
Spiritual Philosophy & Practice of Wicca in the U.S. Military (PDF
SPIRITUAL PHILOSOPHY AND PRACTICE OF WICCA IN THE U.S. MILITARY David L. Oringderff, Ph.D. Ronald W. Schaefer, Lt Col USAF SPIRITUAL PHILOSOPHY and PRACTICE of WICCA In the U.S. MILITARY David L. Oringderff, Ph.D. Ronald W. Schaefer, Lt Col USAF Acknowledgments This work developed out of an identified need for clear and concise information regarding the practice of Wicca, particularly as it pertains to US military members and their families, friends, commanders, and chaplains. Many people were significantly involved in this effort. The authors would particularly like to thank Reverend Selena Fox and Circle Sanctuary, the Reverend Rene Delaere of Greencraft and the Sacred Well for their direct and substantial contributions, as well as Silverdrake for their work in the previous editions of this guide, Overview and Guide for Wiccans in the Military. We would also like to recognize the energy, love and support given by the International Executive Council of Clerics of the Sacred Well Congregation, Hera, Odinda, Itárilde, Arghuicha, and Gayomard. Special thanks goes to Father Timothy Ullman for his assistance in researching constitutional law and applicable service regulations. The Sacred Well Congregation PO Box 58 Converse, Texas 78109 Samhain, 2001, First edition The authors and the Sacred Well Congregation extend use of this copyrighted material to military and governmental agencies and other educational and non profit institutions and organizations so long as copyright notices, credits, and integrity of the material is maintained and the material is not used for any commercial purpose. 2 Spiritual Philosophy and Practice of Wicca in the U.S. -
Bibliography
BIBLIOGRAPHY Archives Doreen Valiente Papers, The Keep Archival Centre, Brighton. Feminist Archive North, Brotherton Library, University of Leeds. Feminist Archive South, Bristol University Library. Feminist Library, South London. Library of Avalon, Glastonbury. Museum of Witchcraft’s Library, Boscastle, England. Peter Redgrove Papers, University of Sheffeld’s Library. Robert Graves Papers, St. John’s College Library, Oxford University. Sisterhood and After: The Women’s Liberation Oral History Project, The British Library. Starhawk Collection, Graduate Theological Union, Berkeley. Women’s Library, London School of Economics Library. Primary Sources Amanda, “Greenham Festival of Life,” Pipes of PAN 7 (1982): 3. Anarchist Feminist Newsletter 3 (September 1977). Anon., You Can’t Kill the Spirit: Yorkshire Women Go to Greenham (S.L.: Bretton Women’s Book Fund, 1983). Anon., “Becoming a Pagan,” Greenleaf (5 November 1992). © The Editor(s) (if applicable) and The Author(s), under exclusive 277 license to Springer Nature Switzerland AG 2020 S. Feraro, Women and Gender Issues in British Paganism, 1945–1990, Palgrave Historical Studies in Witchcraft and Magic, https://doi.org/10.1007/978-3-030-46695-4 278 BIBLIOGRAPHY “Aquarian Pagans,” The Cauldron 22 (Beltane 1981): 5. Arachne 1 (May Eve 1983). Arachne Collective, “Arachne Reborn,” Arachne 2 (1985): 1. Ariadne, “Progressive Wicca: The New Tradition,” Dragon’s Brew 3 (January 1991): 12–16. Asphodel, “Letter,” Revolutionary and Radical Feminist Newsletter 8 (1981). Asphodel, “Letters,” Wood and Water 2:1 (Samhain 1981): 24–25. Asphodel, “Womanmagic,” Spare Rib 110 (September 1981): 50–53. Asphodel, “Letter,” Matriarchy Research and Reclaim Network Newsletter 9 (Halloween 1982). Asphodel, “Feminism and Spirituality: A Review of Recent Publications 1975– 1981,” Women’s Studies International Forum 5:1 (1982): 103–108. -
From Decadent Diabolist to Roman Catholic Demonologist: Some Biographical Curiosities from Montague Summers’ Black Folio
From Decadent Diabolist to Roman Catholic Demonologist: Some Biographical Curiosities from Montague Summers’ Black Folio Bernard Doherty Introduction The history and practice of black magic, witchcraft, and Satanism have long held a deep fascination in British—and indeed international—popular culture. Beginning with the gothic literature of the eighteenth century, through to the nineteenth century occult revival and Victorian “penny dreadful,” and then into twentieth century pulp fiction, tales of the supernatural involving maleficent magic have been authored some of Britain’s most popular—if not always critically acclaimed—writers including, among others M. R. James, Arthur Machen, William Somerset Maugham, Agatha Christie, Charles Williams, and Dennis Wheatley. These writers, as well as various other short story writers, novelists, and journalists, have all played an important role in shaping, recording, and reflecting popular beliefs about these topics. Indeed, not a few occult practitioners, most notably Aleister Crowley, Dion Fortune, Gerald Gardner, and Doreen Valiente, even turned their hands to writing popular occult fiction. Despite this, the frequent blurring of the often porous boundary between actual occult practices and groups, and the imagined worlds of the purveyors of popular and literary fiction, has been seldom explored outside of highly specialised academic literature dedicated to the history of gothic or weird fiction and the burgeoning study of what has come to be called Western Esotericism.1 Bernard Doherty is a lecturer in the School of Theology at Charles Sturt University. 1 See, for example, Nick Freeman, ‘The Black Magic Bogeyman 1908–1935’, in The Occult Imagination in Britain, 1875–1947, ed. Christine Ferguson and Andrew Radford, pp.