Stuart Walker Stuart Walker

Total Page:16

File Type:pdf, Size:1020Kb

Stuart Walker Stuart Walker 29/03/2019 Spotlight: STUART WALKER STUART WALKER SPOTLIGHT 7 Leicester Place, London WC2H 7RJ Phone: 020-7437 7631 Fax: 020-7437 5881 E-mail: enquiries@ spotlight.com WWW: www.spotlight.com Photo: Wolf Marloh ACTORS PLUS 57B Daws Lane, Mill Hill, London NW7 4SD Phone: 020-8959 0008 E-mail: info@actorsplu s.co.uk WWW: www.modelsplus.com Artist's Website: www.stuartwalkeractor.com Location: Greater London, Nationality: British England, United Other: Equity Kingdom Eye Colour: Blue-Grey The City of Brighton and Hove, England, Hair Colour: Dark Brown United Kingdom Hair Length: Short Height: 5'10" (177cm) Facial Hair: Full Set Weight: 11st. (70kg) Voice Character: Enthusiastic Playing Age: 27 - 33 years Voice Quality: Warm Appearance: White Credits: "Stuart Walker is a phenomenal actor. His depth and range are impressive." - Occhi Magazine (2018) • Winner of The LAMDA & Allied Irish Bank (GB) Advanced Performance Award Short Film 2019, Short Film, Joe (Lead), GHOSTS, Quantum Balloon, Vaiginta Perkauskaite 2019, Short Film, Police Oicer (Supporting Actor), FAMILY MAN, Obi Films, Jarod Parker 2018, Short Film, Applicant (Lead), THE LOST ONES, Film and Video Umbrella, Richard Whitby 2018, Short Film, President JFK/Doctor Oppenheimer (Lead), WEST MISSILE STORY, History Bombs, Ellie Rogers 2018, Short Film, Andrew (Lead), STORYTELLERS, End Game Productions, Govind Chandran 2018, Short Film, President Truman/USAF Commander (Supporting Actor), THE HISTORY OF THE COLD WAR (IN ONE TAKE), History Bombs, Ellie Rogers 2018, Short Film, Waiter (Lead), POSH, Foliage Films, Erin Barry 2018, Short Film, Inspector Miles Davies (Lead), SYKE STEELE - RISE OF NEFERTITI, P2 Productions, Howard Perry 2018, Short Film, Quinn (Lead), THE LONGEST TIME, The Cally Collective, Kevin Rainey 2018, Short Film, ADWv7 (Lead), TECH SUPPORT, The Cally Collective, Rashdan Radha 2018, Short Film, The Son (Lead), WE'VE LOST HIM, SendCake Films, Andrew Bruce-Lockhart 2018, Short Film, Jack McVinty (Supporting Actor), THE LATEST KRAYS, GMG & CluedUpp, Gem McNeil https://www.spotlight.com/interactive/cv/cv.asp?ref=M146782&pub=1&verb=print 1/3 29/03/2019 Spotlight: STUART WALKER 2018, Short Film, Stuart (Supporting Actor), THE AFFAIR, The Cally Collective, Charles Normsaskul 2017, Short Film, Flieger Franz Müller (Lead), GURKHAS: BEYOND THE BRAVERY, Shy Films, Pradeep Shahi 2017, Short Film, Detective Frank Hart (Lead), TAKE YOUR FANCY, Edward Evans FFP 2012, Short Film, Jimmy (Lead), CUTAWAYS, Last Red Light Films, BBC Creative, Neil Scott-Sills 2012, Short Film, Harry (Lead), JUBILEE 2012, Kingstreetimages, Mät King Film 2019, Feature Film, Soldier 2 (Featured Artist), LYREBIRD, Imperative Entertainment, Dan Friedkin 2018, Feature Film, Hood (Supporting Actor), ELECTRIC ANGEL, Hanging Dice Productions, Sean Price 2018, Feature Film, Alec (Supporting Actor), HERE BE DRAGONS, BR Productions and Riding High Pictures, Benjamin Rider Television 2018, Television, Benny Red (Lead), THE PROGRAMME (PILOT), Antony Spina Ltd, Antony Spina 2018, Television, Queen's Guard (Supporting Actor), THE LATE LATE SHOW WITH JAMES CORDEN IN LONDON, Fulwell 73, Glenn F. Clements Stage 2018, Stage, Freddie the Toy Soldier, FATHER CHRISTMAS AT THE HALL, Royal Albert Hall, Poppy Burton-Morgan 2018, Stage, Copper, THE TWILIGHT HOUR, Canal Cafe Theatre, Rebecca Tenor 2017, Stage, The Chestnut Seller/Servant/Russian Doll, THE NUTCRACKER, Birmingham Royal Ballet, Royal Albert Hall, David Bintley CBE & Sir Peter Wright 2017, Stage, Judas/Butch, THE LAST DAYS OF JUDAS ISCARIOT, The Pleasance Beyond, Edinburgh Fringe, Alexander Knight & Cliord Hume 2014, Stage, Johnny, MISALLIANCE, Tabard Theatre, Thundermaker Productions Ltd, Nick Reed 2014, Stage, Drum Major/Captain/Andres/Doctor, WOYZECK, South Hill Park & UK Tour, Scene Productions, Stuart Walker & Kelly Taylor-Smith 2013, Stage, Bob/Puppeteer/Ghost of Christmas Past/Narrator, A CHRISTMAS CAROL, UK Tour, Micawber Theatre, Mark R. Scopes 2013, Stage, Mephastopheles/7 Deadly Sins/Puppeteer/Pope/Angel, DR FAUSTUS, Pleasance Islington & UK Tour, Scene Productions, Kelly Taylor-Smith 2013, Stage, Roderick, THE FALL OF THE HOUSE OF USHER, New Wimbledon Studio & UK Tour, C.GR, Gavin Robertson 2012, Stage, Jayson, MAUVE NEW WORLD, Oval House, Nick Bruckman 2012, Stage, Connor/Lorcan, VAMPIRATES, Stratford Circus & Premiere UK Tour, C.GR, Gavin Robertson 2011, Stage, Charles, CHIPMAN, Old Red Lion, Flood Theatre, James Ivens 2011, Stage, Terry/Ted, TROLLS, Tristan Bates Theatre, Theatre503 Writers, Tim Roseman 2011, Stage, Gregor, METAMORPHOSIS, The Courtyard Theatre & UK Tour, Scene Productions, Kelly Taylor-Smith Site Specific 2019, Site Specific, Manuel, FAWLTY TOWERS, UK TOUR, Comedy Dining, Mike Herbert 2019, Site Specific, Buster/Rory/Senorita Marron/Detective, MAMMY'S BOYS, UK TOUR, Comedy Dining, Mike Herbert 2018, Site Specific, Gomez, THE ADDAMS FAMILY, Comedy DIning, Mike Herbert 2018, Site Specific, Mad Scientist, SAN MIGUEL - THE FIND YOUR RICH EXPERIENCE, UK Tour, Pablo, Harry Adams 2018, Site Specific, Manuel, WATCH THE BIRDIE, The Foul Players, Bertie Welland 2018, Site Specific, Manuel, FAWLTY TOWERS, UK Tour, Comedy Dining, Mike Herbert 2018, Site Specific, Town Crier, HATCHARDS BOOK LAUNCH, A Taste of Space, Ian Moore 2015, Site Specific, Train Conductor, VIRTUAL LONDON UNDERGROUND TOUR, Playtech & 2heads, Rob Taylor 2014, Site Specific, Captain, WOYZECK, Redbridge Drama Centre, Katharine Hurst & Kelly Taylor-Smith 2014, Site Specific, Bus Conductor, VIRTUAL BUS TOUR, Playtech & 2heads, Joseph Donor 2014, Site Specific, Consuela (Family Guy), MURDER MYSTERY, Little Chico Productions, Hannah Bloch 2013, Site Specific, Crispy, MURDER MYSTERY BUS TOUR, Big Monty Productions, John Kaye 2013, Site Specific, Mordred, MEDIEVAL BANQUET, Avant Garde 2011, Site Specific, Sergeant Major Jack Thompson, OH! WHAT A LOVELY WAR, The 50th Anniversary of East 15, Lucy Skilbeck Viral 2018, Viral, Male One (Lead), THRIVA FACEBOOK, Thriva, Richard Harris III 2018, Viral, Employee 4 (Supporting Actor), THE BEST BOSS, Perkbox Limited, Sandeep Gill 2018, Viral, The Schädelman (Lead), MAST-JAEGERMEISTER UK LTD - #JAGERSOHO, MMFilmCo, Joseph Harvey 2013, Viral, John (Lead), BRITVIC - J2O SPIN TO WIN, Xpono, Matt Beveridge https://www.spotlight.com/interactive/cv/cv.asp?ref=M146782&pub=1&verb=print 2/3 29/03/2019 Spotlight: STUART WALKER Training Film 2019, Training Film, Captain Hugh Doyen, UNCONSCIOUS BIAS: GOING BLIND TASK 2, CDS Defence Support & British Army, Charlotte Warren 2018, Training Film, Bar Owner, BE AT ONE - RECRUITMENT FILM #2, The Fitting Room, Bonnie Chia Street Theatre 2010, Street Theatre, 1st Lover (Male), ROBIN HOOD (COMMEDIA DELL'ARTE), Madrid Tour, Discontinued Dell'arte, Stuart Walker 2010, Street Theatre, 1st Lover (Female), THE KING OF CASCAIS (COMMEDIA DELL'ARTE), Lisbon Tour, Discontinued Dell'arte, Ensemble 2010, Street Theatre, Capitano, ISABELLA FELLA (COMMEDIA DELL'ARTE), Brighton Tour, Discontinued Dell'arte, Ensemble Voice Over 2019, Voice Over, Awkward Neighbour, GOING OUT (SHORT FILM), Anna Obst Productions Ltd, Anna Obst 2019, Voice Over, Gareth Danger, WAXWORKS OWNER FUMES AT CLOSURE (ANIMATION), Korky Films, Lee Charlish 2018, Voice Over, The Cold Caller, THE COLD CALLER (SHORT FILM), Korky Films, Lee Charlish 2012, Voice Over, Wung-Lo, GOOD STUFF (ELT), Say It, Robbie & Johan 2012, Voice Over, Various Roles, ENGLISH PLUS STARTER (ELT), Oxford University Press, Martin Williamson Further Credits 2018, Web Series, Christopher (Lead), MONDAY MONOLOGUES, B. L. Sherrington 2018, Still Photography, Model, 3D FACES, Sample & Hold 2018, Music Video, Clubber, MATHS TIMES JOY, Rocket Gallery, Hamish Stephenson 2014, Rehearsed Reading, Captain Fairfax, ISOLATED INCIDENT, Dance Attic Studios, Alex Corbet Burcher 2011, Radio, Mustardseed, A MIDSUMMER NIGHT'S DREAM, BBC Radio 3, Celia de Wol 2011, Cabaret, Performer, LIVE MUSIC ON THE THAMES, Tattershall Castle, Kurt Putney 2011, Music Video, Thug, REACH, Archean Soundtrack, Duncan Guymer Skills: Accents & Dialects: American-Southern States, American-Standard, Cockney, London, RP* (* = native) Music & Dance: Guitar, Harmonica, Laban, Tenor, Waltz (* = highly skilled) Performance: Clown, Comedy, Comedy Improv, Commedia Dell'Arte, Immersive Performance, Interactive Performance, Laban Training, Live Roleplay, Living History, Outdoor Performances, Physical Comedy, Physical Theatre, Promenade Theatre, Role Play, Street Theatre, Voice Acting, Voice Over, Voiceover Professional (own studio & ISDN), Writer/Director - Comedy Fringe Sports: Archery, Cricket, Kayak, Rowing*, Rugby, Running*, Shooting, Skiing, Stage Combat, Swimming (* = highly skilled) Vehicle Licences: Car Driving Licence, Motorcycle Licence Other Skills: Barista (experienced), Bartender, Computer Literate, DBS (CRB) clearance, Devising, Director, Improvisation, Military Training/Experience, Moped Rider, Photographic Model, Poker, Puppetry, Silver Service, Waiting Sta (experience), Writer Training: East 15 Acting School, 3 yr BA Acting 2008-11 SPOTLIGHT • 7 Leicester Place, London WC2H 7RJ • Tel: 020 7437 7631 • www.spotlight.com Copyright © 2019 Spotlight. The information in this profile has been provided by or on behalf of the member concerned. Whilst every eort has been made to ensure that the information is correct Spotlight cannot accept responsibility for its accuracy. https://www.spotlight.com/interactive/cv/cv.asp?ref=M146782&pub=1&verb=print 3/3.
Recommended publications
  • Introduction to Ecovenue Ecovenue Is a Signifi Cant Theatre-Specifi C Environmental Project Being Run by the Theatres Trust
    Introduction to Ecovenue Ecovenue is a signifi cant theatre-specifi c environmental project being run by The Theatres Trust. It aims to improve the environmental performance of forty-eight London theatres and raise awareness of how to make theatres greener. Ecovenue is promoting the sustainability of theatres and the reduction of carbon emissions through the provision of free theatre-specifi c, environmental advice. The project started in 2009 and runs until 2012. Forty-eight venues each undergo an Environmental Audit, and receive a Display Energy Certifi cate (DEC) and Advisory Report. They track their energy use through SMEasure. Each venue receives a second DEC a year after their fi rst to measure progress. Ecovenue includes a ‘DEC Pool’ of performing arts venues across the UK that have obtained DECs. The DEC Pool helps us to evaluate the project and share best practice and information, establish meaningful benchmarks, and provide a better understanding of energy use of theatres. Any theatre can join the DEC Pool. The Trust’s Theatres Magazine provides quarterly reports on the participants and the work of the Ecovenue project. The Theatres Trust Ecovenue project receives fi nancial support from the European Regional Development Fund. Participating Theatres Albany Theatre Etcetera Theatre Old Vic Arcola Finborough Theatre Orange Tree Theatre Arts Theatre Gate Theatre Pleasance Islington artsdepot Greenwich & Lewisham Young Polka Theatre Brockley Jack People’s Theatre Putney Arts Theatre Bush Theatre Greenwich Playhouse Questors Camden People’s
    [Show full text]
  • See a Full List of the National Youth
    Past Productions National Youth Theatre ​ ​ '50s 1956: Henry V - William Shakespeare, Dir: Michael Croft @ Toynbee Hall 1957: Henry IV Pt II - William Shakespeare, Dir: Michael Croft @ Toynbee Hall 1957: Henry IV Pt II - William Shakespeare, Dir: Michael Croft @ Worthington Hall, Manchester 1958: Troilus & Cressida - William Shakespeare, Dir: Michael Croft @ Moray House Theatre, Edinburgh 1958: Troilus & Cressida - William Shakespeare, Dir: Michael Croft @ Lyric Theatre, Hammersmith '60s 1960: Hamlet - William Shakespeare, Dir: Michael Croft @ Tour of Holland. Theatre des Nations. Paris 1961: Richard II - William Shakespeare, Dir: Michael Croft @ Apollo Theatre, Shaftesbury Avenue 1961: Richard II - William Shakespeare, Dir: Michael Croft @ Ellen Terry Theatre. Tenterden. Devon 1961: Richard II - William Shakespeare, Dir: Michael Croft @Apollo Theatre, Shaftesbury Avenue 1961: Henry IV Pt II - William Shakespeare, Dir: Michael Croft @ Apollo Theatre, Shaftesbury Avenue 1961: Julius Caesar - William Shakespeare, Dir: Michael Croft @ British entry at Berlin festival 1962: Richard II - William Shakespeare, Dir: Michael Croft @ Italian Tour: Rome, Florence, Genoa, Turin, Perugia 1962: Richard II - William Shakespeare, Dir: Michael Croft @ Tour of Holland and Belgium 1962: Henry V - William Shakespeare, Dir: Michael Croft @ Sadlers Wells 1962: Julius Caesar - William Shakespeare, Dir: Michael Croft @ Sadlers Wells1962: 1962: Hamlet - William Shakespeare, Dir: Michael Croft @ Tour for Centre 42. Nottingham, Leicester, Birmingham, Bristol, Hayes
    [Show full text]
  • Fence En Français
    FENCE, UN RESEAU INTERNATIONAL DE COLLABORATION D’AUTEURS ET METTEURS EN SCENE AU SERVICE DU THEATRE 1 SOMMAIRE Jonathan METH, directeur/coordinateur du réseau FENCE (biographie) p.3 Sélection et présentation de 10 compagnies coproductrices de FENCE p. 6 Présentation d’une sélection de 35 auteurs/metteurs en scène/interprètes p. 10 parmi les 170 membres actifs de FENCE Liste non exhaustive de compagnies rattachées à des participants de FENCE p.28 Autres connections internationale des membres de FENCE p. 29 Présentation de WONDERLAND, prochain grand projet de FENCE p. 30 2 JONATHAN METH /DIRECTEUR Nationalité Britannique 51 ans Expérience professionnelle 2003 – 2013 : Directeur et fondateur, The Fence L’association FENCE (réseau international d’auteurs et de metteurs en scène de théâtre) Fence est un réseau international de créateurs de théâtre (écrivains, dramaturges, metteurs en scène et directeurs de théâtre à travers l’Europe et au-delà). À l’origine Fence a fut lancée en 2003 sous l’impulsion d’un partenariat entre Writernet (UK), Le British Council et Creative Renewal, et en association avec IETM, réseau international pour les arts du spectacle, afin d’explorer la pratique de l’écriture dramatique contemporaine dans différents contextes culturels européens. Depuis le réseau s’est développé avec succès et compte aujourd’hui plus de 170 écrivains de théâtre et opérateurs culturels provenant de plus de 40 pays différents. Ils organisent régulièrement des rencontres comme à Budapest, Graz, Belgrade, Tampere, Utrecht/Amsterdam, Leeds, Istanbul, Timisoara, Glasgow, Guadeloupe, Paris/Bondy, Rabat et Toscan/Rome entre autres. Les activités du group ce génèrent de façon organique a travers le réseau entier, réunissant traditionnellement des groupes composés de 2 a 6 personnes.
    [Show full text]
  • Create Design Perform Learn 2021 Prospectus
    create perform design learn 2021 Prospectus The Royal Central School of Speech and Drama University of London Eton Avenue At Central, we believe that our world-leading training London NW3 3HY should be accessible to everyone who wishes to develop UK their creativity and positively impact the industry. Telephone: +44 (0)20 7722 8183 Email: [email protected] www.cssd.ac.uk We are a unique and special community and treat all members and visitors with dignity and respect. @CSSDLondon By celebrating and respecting our different cultures, abilities and identities we aim to shape a better future for the arts and society. Excellence requires diversity, which brings richness, knowledge, innovation, new understanding and skills. Our differences enrich our learning, insight and wisdom. CBP002372 Printed on 100% recycled paper. World Land Trust is an international conservation charity, which protects the world’s most biologically important and threatened habitats. Madeline Samuel Malone MFA Voice Studies: Teaching Charlemagne and Coaching BA (Hons) Acting Musical Theatre ‘I found I had an early affinity for ‘I applied for Central through Open singing and theatre. However, I took Door, who offer a package of support the path well-travelled, obtaining to young people from low income a Bachelor of Commerce degree, backgrounds, which includes free followed by a Master’s in Adult auditions to drama schools, as well Education. I began a corporate career, as practical tutoring, workshops and but I never managed to shake off travel bursaries. my desire to work in theatre and to educate. At the time, I knew almost nothing about Central but it turned out to be I struggled with my identity for years, the perfect fit for me; a course centred specifically my voice, for which I had in acting that also develops my singing been bullied.
    [Show full text]
  • PRESS RELEASE 24 July 2019
    PRESS RELEASE 24 July 2019 Theatres Trust awards over £50,000 to eleven theatres across London as grant scheme changes allow more small theatres to apply Eleven more small London theatres receive up to £5,000 each from the Theatres Trust London Small Theatres Grants Scheme for projects that improve operation, access and environment for all theatre users. Five theatres were able to apply for the first time thanks to changes made to the tenure and charitable structure criteria to widen eligibility: Coronet Theatre, King’s Head Theatre, Matchstick Piehouse, Pentameters and 2Northdown. Hampstead’s pub theatre, Pentameters, will undertake urgent electrical works which will protect this well-loved local theatre – this grant is the first the venue has ever received. The Coronet Theatre will be able to provide induction loop facilities for the hearing impaired as it upgrades its sound system; and the King’s Head Theatre, will be able to ensure its new venue is as accessible as possible. Matchstick Piehouse, a new 60-seat railway arch theatre, will improve the flexibility of its auditorium with extra sound proofing and rigging positions. A benefit to all users, this work will also reduce the risk of noise complaints from neighbours. Also newly eligible 2Northdown, a small comedy venue in King’s Cross, the testing ground for comedians expanding from stand-up, will install a permanent stage allowing artists the facilities to present this art form more theatrically. Six other theatres receive Theatres Trust funding to ensure better facilities for audience and artist. The Bernie Grant Arts Centre, in Tottenham, will ensure the safety of its visitors by installing improved security systems, and those attending the Pleasance Islington and Studio 3 Arts will benefit from upgraded heating and cooling systems.
    [Show full text]
  • London Academy of Music & Dramatic
    LONDON ACADEMY OF MUSIC & DRAMATIC ART Welcome 3 Why Choose LAMDA? 5 Acting at LAMDA 7 BA (Hons) Professional Acting 9 Foundation Degree Professional Acting 12 MA Classical Acting for the Professional Theatre 13 Production & Technical Arts at LAMDA 15 Production & Technical Arts: Stage & Screen 17 Recent Technical Graduate Destinations 19 Other Full-Time Courses 21 MA Directing 23 LAMDA Foundation Diploma 26 LAMDA Semester Diploma Classical Acting 27 LAMDA Shakespeare Summer School 28 LAMDA Short Courses 29 Shakespeare Short Course 31 Audition Technique 32 Introduction to Drama School 32 Introduction to Screen Acting 32 English Communication Skills Through Drama (EFL) 32 How to Apply 35 Equality & Diversity 36 Fees & Funding 37 Living in London 39 Our New Home 41 Our Graduates 43 Faculty & Visiting Artists 45 The Conservatoire for Dance and Drama 47 Our Supporters 49 Our Examinations 51 Contact Us 53 This publication is also available to view at www.lamda.org.uk. If you require this prospectus in large print, please contact LAMDA on +44 (0)20 8834 0500 or [email protected]. Every effort has been made to locate the source of photographs, illustrations and text appearing in this publication. All information correct at time of going to press. Brian Cox CBE © LAMDA Limited 2016. All Rights Reserved. Class of 1965 BAFTA, Emmy and Olivier Award winner Designed by Hudson Fuggle www.hudsonfuggle.com Credits include: War and Peace (BBC), Penny Dreadful (Sky), Rise of the Planet of the Apes Front Cover: Macbeth by William Shakespeare. LAMDA at Large at the Pleasance, Islington. Photograph by John Haynes.
    [Show full text]
  • The Region's Leading Entertainment Guide
    Wolves & B'Cntry Cover - Oct Edit.qxp_Mids Cover - August 26/09/2014 10:19 Page 1 WOLVERHAMPTON & BLACK WOLVERHAMPTON COUNTRY ON WHAT’S THE REGION’S LEADING ENTERTAINMENT GUIDE WOLVERHAMPTON & BLACK COUNTRY ISSUE 346 ’ Whatwww.whatsonlive.co.uk sOnISSUE 346 OCTOBER 2014 LADY GAGA OCTOBER 2014 NEW TOUR BRINGS HER CLOSER TO HER FANS... DAME JANET SUZMAN brings Lara Foot’s drama to the Midlands PART OF MIDLANDS WHAT’S ON MAGAZINE GROUP PUBLICATIONS GROUP MAGAZINE ON WHAT’S MIDLANDS OF PART interview inside... DINOSAUR ZOO prehistoric creatures on stage in Wolverhampton HORRIBLE HISTORIES scary spiders at Black @WHATSONWOLVES @WHATSONWOLVES Country Living Museum WWW.WHATSONLIVE.CO.UK Havana FP Oct_Layout 1 26/09/2014 09:44 Page 1 Contents October Region 2.qxp_Layout 1 26/09/2014 18:12 Page 1 October 2014 Editor: Davina Evans INSIDE: [email protected] 01743 281708 Editorial Assistants: Lady Gaga Brian O’Faolain [email protected] brings new tour to 01743 281701 the Midlands p13 Lauren Foster [email protected] 01743 281707 Adrian Parker [email protected] 01743 281714 Sales & Marketing: Chris Horton [email protected] 01743 281704 Subscriptions: Adrian Parker [email protected] 01743 281714 Managing Director: Paul Oliver [email protected] Dame Janet Suzman 01743 281711 in Solomon And Marion Publisher and CEO: interview p8 Martin Monahan [email protected] 01743 281710 Graphic Designers: Lisa Wassell Chris Atherton Accounts Administrator Julia Perry [email protected] 01743 281717
    [Show full text]
  • Monster(2007)
    Summer 2, 2021 Gielgud Theatre Monster (2007) by Duncan Macmillan Cast (in alphabetical order) Creative Team Rita Director Katie Cherry Dadiow Lin Tom Designer Jordan Kouamé Isabel Nellie Walters Darryl Lighting Designer Ben Lynn Alex Forey Jodi Sound Designer Minnie Mary Walker Ella Bloomfield Movement Angela Gasparetto Voice Coach Emma Woodvine Dialect Coach Aundrea Fudge Fight Coach Bret Yount First performed at The Royal Exchange Theatre, Manchester on 20 June 2007. Student Production Team Production Manager Scenery Builders Millie Drury Alice Harvey Zoë Sim Technical Manager Rosa Watson Construction Crew Roma Farnell Stage Manager Lucinda Plummer Jaimie Wakefield Spiky Saul Deputy Stage Manager Costume Supervisor Phoebe Francis Zoë Mortimer Assistant Stage Manager Wardrobe Assistants Sophie Slobodjani Sophie Reshad Allison Silberberg ASM 2 Jayden Hendricks-Kynaston Dresser Aidan O’Sullivan Chief Electrician Samuel Blakemore Scenic Art Head of Department Production Electrician Liberty Monroe Ollie Morrill Scenic Art Assistants Programmer Alice Boxer Rebecca Gale India Day Aidan O’Sullivan Lighting Operator Sylvia Wan Alfie Sissons Props Chief Production Sound Jayden Hendricks-Kynaston Engineer Kieran Dye Deputy Production Sound Special thanks: Engineer Tracy Keating James Breedon Sound Operator Dylan Mulholland Radio Mic Co-ordinator Please note this production Elliott Roberts contains: violence, suicide, persons with experience of Radio Mic Runner mental and emotional distress, Skylar Turnbull Hurd strong language, references to physical abuse, alcohol abuse, Broadcast references to animal cruelty, Dylan Mulholland use of a knife in a threatening manner, racism, sexism and Construction Project Manager images that some people may Joel Mansi Thomas find disturbing. Biographies Duncan Macmillan and the National Theatre.
    [Show full text]
  • Gardening: for the Unfulfilled and Alienated
    GARDENING: FOR THE UNFULFILLED AND ALIENATED by Brad Birch near The Grand, Pleasance Courtyard, 60 Pleasance, Edinburgh, EH8 9TJ Thursday 1st August – Sunday 25th August 2013 A man struggling under the weight of the modern world finds a self-help book that inspires him to take up gardening. And he’s good at it. Really good. But there’s a dark and violent secret to his success. From fast-rising writer Brad Birch (Soho Theatre, Royal Court) comes the world premiere of a bittersweet play about obsession, death and horticulture. Undeb Theatre, with exciting young director Hannah Bannister, present an intimate storytelling experience for only two audience members at a time. Step inside Owain’s very own garden shed to hear about one man and the lengths he’ll go to create a beautiful garden. Men often escape to their garden sheds but Owain is hiding a secret in his. What starts as a gentle play about gardening turns into something far more macabre and haunting, with just a hint cynicism. This dark comedy is magical, quirky and inescapable. Undeb Theatre are known for their use of the unconventional stage. They like to be a little off- kilter. Under the archway, near the Pleasance Grand, is a fully decked-out garden shed with half empty tins of paint, gardening tools, flower pots and bags of soil. You’d walk past it without realising that it’s a new theatre venue. But, once you’ve been inside, you won’t be able to talk about anything else. This tiny shed is at the heart of Brad Birch’s new play.
    [Show full text]
  • Spring 2011 Volume 23 Issue 01 Totaltheatre.Org.Uk
    Spring 2011 Volume 23 Issue 01 totaltheatre.org.uk SPRING CHICKENS AND OLD HENS! THE CANNY GRANNY GOES WILD IN THE COUNTRY WHAT A LOAD OF OLD COCK! THE WORKS OF TIM CROUCH THE ANIMALS AND CHILDREN TAKE TO THE STREEts, AND IT’S ALL CHILDSPLAY FOR S.P.I.D. THEATRE MAN AND BEAst, MAN AND MACHINE AT THE LONDON INTERNATIONAL MIME FEstIVAL RAJNI SHAH SPILLS THE BEANS ON THE MAKING OF GLORIOUS PLUS THE VOICE OF ROBERT PACIttI, SONG OF THE GOAT’S MACBETH, THEATRE AD INFINITUM, CREATION AT THE POINT, AND A WEALTH OF REVIEWS, NEWS, AND PREVIEWS BA Street Arts Do you know that you can now study street dance, parkour, street theatre, large scale puppetry, circus and acrobatics, site specifi c performance and comedy on the BA Street Arts degree course at the University of Winchester? This exciting new degree is the fi rst of its kind in the UK and develop a portfolio of work throughout the degree showcasing recently shortlisted for the most innovative degree in the UK. it in front of creative producers, agents and event’s organisers here and abroad whilst studying on the course. Are you interested in making contemporary performance that is physical and visual, exciting and adventurous and that You will learn how to develop and produce work of high explores and develops new ways of creating work. quality for the large European market and you will graduate with a qualifi cation and experience that will place you at You will work with creative producers and professional the centre of this dynamic and well resourced sector of the practitioners and also learn how to create and administrate performing arts industry.
    [Show full text]
  • Brutal Cessation
    j Brutal Cessation Assembly George Square (The Box), George Square, Edinburgh, EH8 9JZ Thursday 3rd – Monday 28th August 2017 (not 14th), 16:20 Brutal Cessation is a savage new play by Milly Thomas (Clique BBC3, A First World Problem and Clickbait, Theatre503) exploring violence in relationships, our expectations of gender and what happens when we're no longer in love but refuse to let go. Following the story of a rotting relationship and the purgatory that follows, the show asks: Is having no reason to stay a reason to leave? Thomas’s production is about the absence of love, that gnawing feeling that is left behind after a relationship. When you’re too proud to admit you were wrong, what lengths will you go to in order to emerge unscathed? Laced with dark humour, Brutal Cessation is a unique exploration of traditional power play as the actors swap roles throughout the sixty minute show, offering a refreshing perspective into both men and women’s experience of victimhood as their reality becomes emotionally and physically unsafe. The current statistics show that roughly 1 in 4 women and 1 in 6 men are suffering violence within their relationships. There is a lot of work to be done in creating an environment where people are able to come forward and share their experiences. In 2015, Thomas herself took someone to court over sexual assault on public transport and was astonished at how she was made to feel. She may have won the case but, because of the lack of respect for ‘victims’, it didn’t feel like a victory and she saw how other people may be discouraged to report abuse due to the lack of support given.
    [Show full text]
  • Albion Programme
    “THIS IS OUR LITTLE PIECE OF THE WORLD, AND ALBION WE’RE ALLOWED TO DO WITH IT, EXACTLY AS WE LIKE. YES?” Registered Charity Number 282167 4 5 Registered Charity Number 282167 ALBION by Mike Bartlett Directed by Rupert Goold 1 February – 29 February 2020 CAST CREATIVE TEAM PRODUCTION TEAM Production Electrician Edward Writer Production Manager Philip Burke Nigel Betts Mike Bartlett Tom Horton Production Sound Krystyna Direction Production Assistant Engineer Edyta Budnik Rupert Goold Lauren Young Michael Woods Weatherbury/James/ Design Company Stage Manager Production Carpenters Stanley Miriam Buether Linsey Hall Gruff Carro Stuart Relph Wil Coban Light Deputy Stage Manager Anna Neil Austin Lorna Seymour Show Crew Angel Coulby James Barbour Sound Assistant Stage Managers Tom Carro-Lemay Zara Gregory Clarke Meg Charlton Chris Parker Daisy Edgar-Jones Catriona McHugh Casting Tech Week Runner Gabriel Amy Ball Head of Costume Olivia Page Dónal Finn Claire Wardroper Movement Director Stage Management Matthew Rebecca Frecknall Wardrobe Deputy Student Placement Geoffrey Freshwater Associate Director Bec Goldstone Daiva Aleksiunaite Audrey Walters Tom Brennan Wardrobe Assistant Set built by Victoria Hamilton Associate Lighting Finlay Forbes Gower Miraculous Engineering Cheryl Designer Hair and Makeup Set painted by Margot Leicester Jamie Platt Suzanne Scotcher Kerry Jarrett Paul Walters Costume Supervisor Chief Technician Horticultural Consultant Nicholas Rowe Claire Wardroper Jason Wescombe Janice McGuire Katherine Sanchez Assistant Designer Lighting Technician Production and Rehearsal Helen Schlesinger Joana Dias Robin Fisher Photos by Voice Coach Sound Technician Marc Brenner Alison Bomber George Lumkin Theatre Technician Fraser Craig Cover Victoria Hamilton photographed by Marc Brenner 1 ALBION REPOTTED Our ideas of who we are by Rupert Goold, Artistic Director as a country and a people are much less simply divided between those who wanted their borders secured and those who liked them porous.
    [Show full text]