DOCSLIB.ORG

Monster(2007)

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Monster(2007) Summer 2, 2021 Gielgud Theatre Monster (2007) by Duncan Macmillan Cast (in alphabetical order) Creative Team Rita Director Katie Cherry Dadiow Lin Tom Designer Jordan Kouamé Isabel Nellie Walters Darryl Lighting Designer Ben Lynn Alex Forey Jodi Sound Designer Minnie Mary Walker Ella Bloomfield Movement Angela Gasparetto Voice Coach Emma Woodvine Dialect Coach Aundrea Fudge Fight Coach Bret Yount First performed at The Royal Exchange Theatre, Manchester on 20 June 2007. Student Production Team Production Manager Scenery Builders Millie Drury Alice Harvey Zoë Sim Technical Manager Rosa Watson Construction Crew Roma Farnell Stage Manager Lucinda Plummer Jaimie Wakefield Spiky Saul Deputy Stage Manager Costume Supervisor Phoebe Francis Zoë Mortimer Assistant Stage Manager Wardrobe Assistants Sophie Slobodjani Sophie Reshad Allison Silberberg ASM 2 Jayden Hendricks-Kynaston Dresser Aidan O’Sullivan Chief Electrician Samuel Blakemore Scenic Art Head of Department Production Electrician Liberty Monroe Ollie Morrill Scenic Art Assistants Programmer Alice Boxer Rebecca Gale India Day Aidan O’Sullivan Lighting Operator Sylvia Wan Alfie Sissons Props Chief Production Sound Jayden Hendricks-Kynaston Engineer Kieran Dye Deputy Production Sound Special thanks: Engineer Tracy Keating James Breedon Sound Operator Dylan Mulholland Radio Mic Co-ordinator Please note this production Elliott Roberts contains: violence, suicide, persons with experience of Radio Mic Runner mental and emotional distress, Skylar Turnbull Hurd strong language, references to physical abuse, alcohol abuse, Broadcast references to animal cruelty, Dylan Mulholland use of a knife in a threatening manner, racism, sexism and Construction Project Manager images that some people may Joel Mansi Thomas find disturbing. Biographies Duncan Macmillan and the National Theatre. Monster is her debut as a Writer designer at RADA. Isabel loves to make and create Duncan Macmillan is an award-winning writer for and is determined to follow a future full of exploring theatre, television and film. His theatre work includes design, scenic art, props, puppetry and costume. Lungs; People, Places and Things; Every Brilliant Thing; Rosmersholm (adapt. Henrik Ibsen) and 1984 Alex Forey (adapt. George Orwell, co-written and co-directed Lighting Designer with Robert Icke). His work has been performed Alex is in his second year of the Foundation Degree throughout the world, including the National Theatre, in Technical Theatre and Stage Management the Old Vic, the Royal Court, St Ann’s Warehouse, specialising in lighting design. Previously he studied Festival d’Avignon, Theatertreffen, in the West End Computer Science at University College London and on Broadway. before switching to drama full-time. He has been awarded the Vectorworks Entertainment Scholarship Dadiow Lin 2021, and two UCL Design Awards. His designs at Director RADA include: Graduate Tree (Jerwood Vanbrugh Dadiow is a freelance theatre director. She has Theatre), MA Theatre Lab Manifestos (Bloomsbury directed contemporary plays, adaptations of classics, Festival, RADA Studios). new writings, and devised performances. The works were presented at Storyhouse, York Theatre Royal, Other work as lighting designer includes: Polyeucte Young Vic, Soho Theatre, Belgrade Theatre, RADA, (Theatre Royal Stratford East), Libuše, Rhapsody Theatre 503, Southwark Playhouse, Camden People’s 2019, From Here To Eternity (Bloomsbury Theatre), Theatre, Rich Mix, BAC and more. Dadiow is the Babel (Lyric Hammersmith), Into The Woods, recipient of the Genesis Future Directors Award 2019. Exhibition (Shaw Theatre), Daisy Pulls It Off, A Sexual Odyssey, Written on the Body (Cockpit Theatre), Before moving to the UK, she worked as an assistant Songs for a New World (Drayton Arms Theatre), The director on productions at the National Theatre of Piper of Hamelin (Rose Theatre Kingston), Henry V, Taiwan. She also directed classical and contemporary Hiroshima: Crucible of Light (Samuel Pepys Theatre), plays, and won the Best Director award at the Youth Grey Matter, Twelfth Night (Edinburgh Fringe). Talent Theatre Festival Competition back in Taiwan. Dadiow’s cultural background pushes her to view the As associate lighting designer: Quintessential world through various lenses and makes her more (Peacock Theatre, Sadler’s Wells), Legally Blonde, sensitive towards the cultural differences that she’s The Drowsy Chaperone, RENT, The Pajama Game surrounded by. This makes her naturally bring fresh (Pleasance Islington), Modern Love (Etcetera Theatre). perspectives to a production while directing. As assistant/relighter: Growl (Theatre Royal Bury St Edmunds, Curve Leicester, Rose Theatre Kingston), Isabel Nellie Walters as assistant: Parade, Legend Trippers, Anything Goes Designer (The Other Palace). Between designs, Alex also has Isabel studied at the Guildhall School of Music worked as a lighting programmer: Nature of Why and Drama where she received a first degree in (Queen Elizabeth Hall, Southbank Centre), and a Production Arts following the Design Realisation lighting electrician/operator at Wyndham’s Theatre, Pathway. She became a Queen Elizabeth Scholar Shakespeare’s Globe, the Donmar Warehouse, the being awarded Excellence in British Craftsmanship Lyric Hammersmith, and freelance. for Historic Dress (QEST) which enabled her to follow her passion for Costume. Whilst at RADA she also Ella Bloomfield has become a member of the Warner Brothers UK Sound Designer Creative Talent Scheme. Ella Bloomfield is in her second year of the Foundation Degree in Technical Theatre and Stage Isabel has various credits for design. Her last Management specialising in sound. She first became production being Woeful Puppet at the Tower of interested in sound in her first year, originally London. She has worked for the Royal Danish Opera wanting to pursue art. Monster is Ella’s second house in Copenhagen, Cirque Berserk, the Yvonne Sound Design project, with sunlight Is the best Arnold Theatre, Birds College, Foxtrot Costume and disinfectant being their first in 2021. Previous works Props and on the feature film DAU with Phenomen include Sound Operator on Close Quarters in 2019, Films. She has also had secondments at the Royal Production Sound Engineer on The Winter’s Tale in Opera House, the Young Vic, Pitlochry Festival 2020, and Production Sound Engineer and Operator/ Theatre, the Almeida Theatre, the Queens Theatre Mixer on The Seagull in 2021. RADA Supporters Thank you to all those who donate in support of our training, our students, our creative and outreach programmes. Principal Partner Silver partners Warner Bros. Entertainment Cadac MDG President’s Circle Panalux UK Sir Kenneth Branagh Quintessentially Aidan Clegg Zero 88 Tina and Martin Hughes Sir Stephen Waley-Cohen Bt Bronze partners And all those who wish to remain anonymous Ambersphere Avolites Benefactors Champagne Taittinger Alan and Ros Haigh ETC Victor and Giulia Loewy Factory John Slamecka Neg Earth David Kaskel and Chris Teano Philips Entertainment Lighting PRG UK Platinum Patrons Projected Image Paul and Gill Kendrick Swarovski Richard Lissack QC TSL Lighting John and Antonia Romeo Triple E Tanya Rose Andrew and Shirley Sutch Event partners The Lynen Family AXA XL XPS Pensions Group Starring Role Trevor and Monica Coldrey Production partners Will and Jo Davies Willis Towers Watson John and Clare Grumbar Wendy Jardine Trusts and Foundations Philip Noel The Cayo Foundation Janet Robb The Kirby Laing Foundation Javier Gonzalez CHK Foundation Mark Stewart Watson Foundation David and Carole Warren Jill Whitehouse Scholarship Fund Professor Michael Worton CBE Anne Peck ASRADA We would like to acknowledge the kind support The Amy Mitcheson Fund of our RADA Leading Role, Supporting Role, The Black Heart Foundation Ensemble and Audience members. The Boris Karloff Foundation The Carne Trust Corporate partners The Charles Michael Holloway Charitable Trust Platinum partners The Clothworkers’ Foundation Shure The Desmond Gill Memorial Award Autograph Sound The D’Oyly Carte Charitable Trust ROBE Lighting The Gilbert and Eileen Edgar Foundation The Garfield Weston Foundation Gold partners The Grahame Norris Memorial Fund Anna Valley Ltd The Harold Hyam Wingate Foundation KV2 Audio The Sir John Gielgud Charitable Trust Bursary Santander Universities UK The Josephine Hart Poetry Foundation White Light Ltd The Laurence Olivier Award RADA Supporters continued The Leverhulme Trust Dame Irene Vanbrugh The Lilian Baylis Award Debbie Cronshaw The Lionel Bart Foundation Eleanore Bryan The Rayne Foundation Eunice Black Santander Universities UK The Friends of RADA Sophie’s Silver Lining Fund Garth Wilton - dedicated to Ann Wilton The South Square Trust Gillian Wilson The Stanley Picker Charitable Trust John Thaw The Wall Trust Kate Dreyer Memorial Warner Bros. Entertainment Keely Donovan The William and Frances Branagh Memorial Fund Keith Waterhouse The William and Katherine Longman Trust Lady Pilkington Lionel Gamlin Legacy Pledges Lord and Lady Attenborough Charles Barton Marianne Pearce Marcus and Susie Bicknell Mary Higgins Philip Carne MBE Mary Morris Kenneth Cohen Max Reinhardt Sarah Cook Peter and Sheila Bennett Mike Cooper Peter Barkworth Craig Crosbie RADA Associates Alastair Davidson The Rayne Foundation Sheila Dickinson The Searle Scholarship Maureen Elton Sir John Gielgud Bursary Sarah Evans St Clair Bayfield Anthony Gardner The Sylvia London Student Bursary Don Gaskell WCRS Student Bursary Stephen Greif Guy Henry Robin Houston David Hunt Vivian Munn Nigel Pivaro Elizabeth Sebok Fiona Shaw CBE Michael Simkins John St Brioc Hooper Felicity Trew Bruce Wall Camilla Whitworth-Jones Anonymous Awards in Perpetuity Constance Roberts @RADA_London Registered Charity No. 312819 RoyalAcademyOfDramaticArt Patron: Her Majesty The Queen royalacademyofdramaticart.
Load more

Recommended publications
  • Imy Wyatt Corner [email protected]
    Imy Wyatt Corner [email protected] Directing SHOW THEATRE/ VENUE WRITER LENGTH OF RUN YEAR Humane Pleasance Theatre * Polly Creed 3 weeks (postponed) 2021 Gaslight Playground Theatre * Patrick Hamilton 3 weeks 2019 Baby, What Blessings Theatre503 * Siofra Dromgoole 1 week 2019 Baby, What Blessings Edinburgh Fringe Siofra Dromgoole 2 weeks 2019 Baby, What Blessings Bunker Theatre Siofra Dromgoole 1 night 2019 Baby, What Blessings Brewery Arts Centre, Siofra Dromgoole 1 night 2019 Kendal Q&A Southwark Playhouse Jess Moore 1 night 2019 From There to Here Old Red Lion Theatre Amanda Lane 2 nights 2019 We, The People Etcetera Theatre * Eleanor Ross 1 night 2019 Walk Swiftly & With Purpose North Wall Arts Centre Siofra Dromgoole 2 nights 2019 Walk Swiftly & With Purpose Theatre503 * Siofra Dromgoole 1 week 2018 Walk Swiftly & With Purpose Edinburgh Fringe Siofra Dromgoole 2 weeks 2018 NSA The Mono Box Charles Entsie 1 night 2018 Our Lemon Sherbet Sky Arcola Theatre Eleanor Ross 1 night 2018 Flux Leyton Technical/ Plymouth Fringe Naomi Soneye-Thomas 4 nights 2018 Happy Yet? International Theatre, Katie Berglof 4 nights 2018 Frankfurt * Happy Yet? Courtyard Theatre Katie Berglof 1 week 2017 Happy Yet? Edinburgh Fringe Katie Berglof 2 weeks 2016 Assistant Directing SHOW THEATRE/ VENUE DIRECTOR LENGTH OF RUN YEAR NoF*cksgiven Vault Festival Michael Oakley 1 week 2019 R&D Felt Little Angel/ The North Wall * Pip Williams 10 days 2020/21 Humane Pleasance Theatre Polly Creed 1 week 2019 Baby, What Blessings Brewery Arts, Kendal Siofra Dromgoole 1 week 2019 *= professional Other Work & Training Bristol Old Vic Theatre School, MA Drama Directing (2020 – ongoing) Everywoman & Other Confessions,*Producer.
    [Show full text]
  • March 2009.Pmd
    Number 157 March 2009 The newsletter of London Drama Two Primary Reviews for your diary There are currently for further learning two prestigious reviews at the secondary LONDON DRAMA of the Primary stage’ rather than by Courses & Workshops Curriculum going on at their intrinsic value.” the moment: The Wed 4 Mar; 7-9pm Cambridge Primary The Cambridge Voices in the Park (Primary) Review initiated by the report identifies University of Cambridge areas of at Central School in 2006 and led by convergence with Professor Robin the interim Rose * * * Alexander; and the report (like the need Government’s to regroup the Wed 11 Mar; 6.30-8.30pm Independent Review of primary curriculum Drama with EAL Students the Primary Curriculum into areas of study at Central School led by Sir Jim Rose. rather than Each report is due to traditional subjects) * * * be published this year. but also important differences which reflect the reviews’ Sat 14 Mar; 10-1.15pm Is there a difference between the contrasting remits, scope, Half Day Workshop: two reports, and if so, what is it? evidence and degrees of Hoipolloi & WebPlay According to the authors of the independence. The Cambridge at Unicorn Theatre Cambridge Review, the answer is review is rather less sanguine one of remit and focus: about the problems of the existing * * * primary curriculum, and does not “..there is a sense in which the exempt current policies from Thurs 19 Mar; 6.30-8.30pm very focused remit of Rose, and comment. It asks whether the Drama & SEN students (KS1/2) the number of matters which are Rose review is more about at Bloomsbury Theatre apparently to be taken as given, curriculum rearrangement than may encourage the view that the reform, with educational aims * * * two enquiries are incompatible – added after the event rather than though we hope not.
    [Show full text]
  • Restoration Drama Investment in West End Theatre Buildings January 2008
    Economic Development, Culture, Sport and Tourism Committee Restoration Drama Investment in West End theatre buildings January 2008 Economic Development, Culture, Sport and Tourism Committee Restoration Drama Investment in West End theatre buildings January 2008 Copyright Greater London Authority January 2008 Published by Greater London Authority City Hall The Queen’s Walk More London London SE1 2AA www.london.gov.uk enquiries 020 7983 4100 minicom 020 7983 4458 ISBN 978 1 84781 138 7 This publication is printed on recycled paper Cover photograph: © Ian Grundy 2 Contents Rapporteur’s foreword 4 Executive Summary 5 Introduction 7 Part one There has been only limited investment to date in West End theatre buildings and more investment is required 9 Part two There may be a case for some public investment in West End theatre buildings but only on a theatre-by-theatre basis 14 Part three A number of solutions will need to be pursued to secure investment in West End theatre buildings 19 Conclusion and follow-up 26 Summary of recommendations 27 Endnotes 28 Annexes Annex A: List of 40 commercial West End theatre buildings. their owners and developments since Art Now! report (2003) 31 Annex B: Details of Mayor’s Economic Development Strategy 35 Annex C: Details of the review 36 Annex D: Principles of London Assembly scrutiny 38 Annex E: Orders and translations 39 3 Rapporteur’s foreword London’s West End Theatres are an essential part of the lifeblood of London’s tourist trade, generating £1.5 billion for London’s economy each year. The theatres have experienced record audiences this year but, despite this, most theatre owners have not invested in the fabric of the buildings.
    [Show full text]
  • Who We Are Week Runs, One Offs & Matinees
    Valid until 31.12.2018 265 CAMDEN HIGH STREET - NW1 7BU - LONDON 0207 482 4857 - [email protected] 1996 Guinness Ingenuity Award for Pub Theatre WHO WE ARE As a home is not just a house, a Theatre is not just a space. HISTORY & LOCATION Since its foundation in 1986, the Etcetera Theatre has become one of the milestone venues of the London fringe circuit. The theatre is ideally located right on Camden High Street, one of the busiest tourist and shopping areas in London only seventy-five metres away from Camden Town tube station. The Etcetera works to establish a healthy and sustainable relationship with all incoming companies and we are happy to provide support and advice throughout the production process. We have been established here for twenty nine years and are happy to pass on useful contacts and advice to incoming companies. THE TEAM Since 2014, the Etcetera has not only become a family business but an artistic one at that! Run by Maud (actress) & her brother Pierre (musician), their experience of being self represented artists and their passion for the live arts is definitely one of the main assets of this new management as they can fully understand the ins and outs of putting on a show. WEEK RUNS, ONE OFFS & MATINEES These prices include the use of our PA system and lights as well as our furniture and microphones. WEEK RUNS Include 6 performances from TUE – SUN and are available on two different slots. EARLY SLOT: 7PM – 8PM (6.30PM – 8PM for 90min shows) LATER SLOT: 9PM – 10PM LATER SLOT EXTENDED: 9PM – 10.30PM NB: on Sundays all shows start and finish an hour earlier.
    [Show full text]
  • Newsletter July 2019 PDF File
    WILLIAM ELLIS SCHOOL NEWS July 2019 The last week of the summer term saw the boys off timetable for our final Deep Learning Day (DLD) of the year “More in Common”, with the message hope not hate, co-ordinated by Mr Pratt and Ms Conway. Groups were put into houses, giving a mixture of ages to work together, rather than form groups. An image from New Zealand earlier this year after an attack on a mosque. During DLD boys in Year 7 concluded the Oracy project they have been working on over the school year with Mr Singleton and Ms Neve. The project was filmed and will be edited into a Camden’s Oracy Hub film which will be shared with other schools and our parents later in the year. WILLIAM ELLIS SCHOOL NEWS July 2019 AWARDS EVENING The annual Awards Ceremony on Thursday was the final external event of the school year. It was great to celebrate the achievements of our students and share their delight in winning awards. WILLIAM ELLIS SCHOOL NEWS July 2019 GRAND OPENING OF THE WILLIAM ELLIS PERFORMING ARTS CENTRE Founder’s Day this year saw a gathering of guests, familes, staff and local press to see the official opening of the new William Ellis Performing Arts Centre. The ribbon was cut by Ms Georgia Gould, Leader of Camden Council and governor at the school along with Fiona Millar our Chair of Governors. There was a tour of the new music and drama rooms with boys performing dance and music for the visitors. WESPA provided refreshments throughout the event and followed up with a Summer Social.
    [Show full text]
  • Amy De Bhrún
    AMY DE BHRÚN NolanMuldoonAgency HEIGHT 5’ 8” HAIR Blonde EYES Blue/Green NATIONALITY Irish TRAINING Laine Theatre Arts Company FILM & TELEVISION Production Part Director Company Penny Dreadful Prostitute J.A. Bayona Showtime Casualty Alana Steve Hughes BBC Treasure The Stag Rachel John Butler Entertainment Vikings Ingigerd Johan Renck History Channel All is By My Side Pheobe John Ridley Matador The Crown and the Dragon Ellen Barethon (L) Anne K Black Arrowstorm The South Bank Show Tess Durberville Matt Cain ITV Bigga Than Ben Girl in Bookshop Suzie Halewood Annex Films Lovelorn Doctor Becky Preston Tread Softly Dance Invasion Sarah Collins (L) Liam Beale Chaos Weekly Films Girl in Motion Girl (L) Phil Bowman Doublecrossed We Few Head Operator Lee Stringer Lucas Films THEATRE Play Part Director Venue/Company Till Death We Part One Woman Show Helena Browne Theatre Upstairs Theatre Row, New Female of the Species One Woman Show Helena Browne York Life A One Woman Show Grainne Helena Browne Solas Productions The Money Man Sophie Helena Browne Rumor Mill, LA NolanMuldoonAgency / +353 1 288 1537 / www.nolanmuldoonagency.com Facing the Space Emma Helena Browne Mayfield Café Life Grainne Helena Browne Roundhouse, London 2am Jono Helena Browne Etcetera Theatre 3 Women for the Moon La Helena Browne Bewley’s Café Theatre A Short Swim in the Air Jessie Helena Browne Pleasance Theatre The Maids Claire Helena Browne Etcetera Theatre The Donahue Sisters Annie Helena Browne Etcetera Theatre The House of Bernarda Alba Magdalena Mhairi Grealis Pentameters
    [Show full text]
  • CAMDEN FRINGE 2019 RADA STUDIO THEATRE Studio Theatre
    CAMDEN FRINGE 2019 RADA STUDIO THEATRE Studio Theatre RADA 16 Chenies Street, Fitzrovia London WC1E Contact: Caitlin Richards Email: [email protected] Website: https://www.rada.ac.uk/about-us/venue-hire/venue-hire-theatres/ RADA Studios is a theatrical venue located in the heart of the west end, owned by the Royal Academy of Dramatic Art. As one of the most famous and most prestigious centres for drama training in the world, RADA is one of London’s artistic landmarks. The Studio Theatre is a hugely versatile space, and we currently host a large variety of work, including theatre, musicals, dance, stand-up, opera, radio recordings and film screenings. Only 10mins from Tottenham Court Road, Euston Square and Warren Street station, we are situated amongst some of the most esteemed theatres in London. Before it was acquired by RADA, the Studio Theatre was The Drill Hall – a venue which supported experimental theatre projects, LGBTQ voices, and bold new work. We are looking to return to this legacy with the Studio Theatre as part of the Camden Fringe. The Venue: 200 seats (fixed raked seating – seats can be removed on request to create a more intimate space) 2 Wings Backstage Crossover 2 Dressing Rooms (10 people each) Green Room / Storage space Depth 7m, width 11m, grid height between 4.5m - 5m Includes basic festival lighting rig (Company has access to two specials) Includes PA system, Minimac with Qlab 4 Includes adjoining bar Fully accessible Fully staffed (technician, duty manager, ushers, box office team during performance) Box Office through Camden Fringe Festival View the venue here.
    [Show full text]
  • L'influence Actuelle Du Rock Sur L'identité Culturelle De Paris Et Londres
    L’influence actuelle du rock sur l’identité culturelle de Paris et Londres BARRETO CALLAMAND, Rafael Francisco Mémoire présenté sous la direction de M. Dominique JONCKHEERE, en vue de l'obtention du titre de master en Gestion Culturelle Année académique 2011-2012 Beneficiario COLFUTURO 2010 1 Table des matières Table des matières........................................................................................... 2 Résumé ........................................................................................................... 5 Dédicace .......................................................................................................... 6 Remerciements ............................................................................................... 7 Introduction .................................................................................................... 8 Définition de la culture ; l’identité culturelle et du rock .................................. 13 Culture ............................................................................................................... 13 L’identité culturelle ........................................................................................... 14 Rock ................................................................................................................... 15 Les acteurs de la musique rock ...................................................................... 21 Ethnographie de la culture rock .................................................................... 23 La
    [Show full text]
  • Lipman Complete.Docx
    · Correspondence from Sandy Forsyth · Letters page from the ‘Evening Standard’ featuring Maureen Lipman’s letter in reply to Charles Spencer’s review of ‘The Graduate’ and Kathleen Turner in the nude. · 2 scrap notes BOX 24 Folder labelled ‘George Elliott’ · Newsletter from the George Elliott Society · The George Elliot Fellowship membership card for Maureen Lipman · Events leaflet, 2003 · Handwritten notes · Clipping from ‘Daily Express Saturday Magazine, 2002 · Research and correspondence relating to BBC production of George Elliot Pamphlets · A Community of Interest: The Story of The George Elliot Fellowship 1930-2000 by Kathleen Adams · The George Elliot Review; Journal of the George Eliot Fellowship No.30 1999 · The George Elliot Review; Journal of the George Eliot Fellowship No.32 2001 · The George Elliot Review; Journal of the George Eliot Fellowship No.33 2002 · George Elliot,:The Pitkin Guide by Kathleen Adams Script · George Elliot Script, BBC 1st July, 2002 · Film Schedules: Sun 8th-Thur 12th Sep 2002 · Updated scripts, loose · Final Film script updated 8th Aug, 2002 Articles and Other · Green Folder labelled Good Housekeeping Articles Oct 1999-Dec 2000 · Woman’s Weekly magazine interview 28th June, 1994 · Programme and correspondence with details of ‘An Evening with Maureen Lipman’ a dinner at Dove house Hospice, Hull Mon 28th June, 1993 Programmes · Candida by Bernard Shaw, Albery Theatre No. 24 Sep, 1977 · The Theatre of Comedy Company ‘See How They Run’ Shaftesbury Theatre, 1984 · Candida by Bernard Shaw, Theatre Royal,
    [Show full text]
  • The Curious Incident of the Dog in the Night-Time Illinois Theatre
    THE CURIOUS INCIDENT OF THE DOG IN THE NIGHT-TIME ILLINOIS THEATRE A play by Simon Stephens Based on the novel by Mark Haddon Latrelle Bright, director Thursday-Saturday, February 28-March 2, 2019, at 7:30pm Thursday-Saturday, March 7-9, 2019, at 7:30pm Saturday, March 9, 2019, at 1pm (Sensory-friendly Performance) Sunday, March 10, 2019, at 3pm Colwell Playhouse three overlapping audiences, and that our departmental mission of inclusion is enacted on and behind our stages. We have to serve our own students, the people who’ve come to receive the education to make a career as professional theatre makers. We have an obligation to train them to become working designers, actors, technicians, playwrights, stage managers, directors, scholars, and teachers. We also serve the other 44,000+ students on the campus, many of whom take our classes and enjoy our productions. POWER + PLEASURE We have to serve the University of Illinois I think a lot about the enormous privilege at Urbana-Champaign. As part of a I have as Head of Illinois Theatre. I have Research I university, we are obligated the very great pleasure of working with to create new knowledge and to pass it incredibly talented and committed faculty, on. Our productions must take part in students, and staff in the Department broad conversations and reflect the goals of Theatre, the College of Fine and and strategic plan of the university as a Applied Arts, and Krannert Center for the whole. We must make connections across Performing Arts. I have the power to shape disciplines and across campus.
    [Show full text]
  • BECKETT, SAMUEL, 1906-1989 Samuel Beckett Collection, 1955-1996
    BECKETT, SAMUEL, 1906-1989 Samuel Beckett collection, 1955-1996 Emory University Robert W. Woodruff Library Stuart A. Rose Manuscript, Archives, and Rare Book Library Atlanta, GA 30322 404-727-6887 [email protected] Collection Stored Off-Site All or portions of this collection are housed off-site. Materials can still be requested but researchers should expect a delay of up to two business days for retrieval. Descriptive Summary Creator: Beckett, Samuel, 1906-1989 Title: Samuel Beckett collection, 1955-1996 Call Number: Manuscript Collection No. 902 Extent: .5 linear foot (1 box), 1 oversized papers folder (OP), and 1.56 MB born digital materials (63 files) Abstract: Collection of handbills, playbills, and programs relating to Samuel Beckett productions in the United Kingdom. Language: Materials entirely in English. Administrative Information Restrictions on access Collection stored off-site. Researchers must contact the Rose Library in advance to access this collection. Access to born digital materials is only available in the Stuart A. Rose Manuscript, Archives, and Rare Book Library. Terms Governing Use and Reproduction All requests subject to limitations noted in departmental policies on reproduction. Related Materials in Other Repositories Beckett collection, University of Reading, Reading, England; Carlton Lake collection of Samuel Beckett papers and Samuel Beckett collection, Harry Ransom Humanities Research Center, Emory Libraries provides copies of its finding aids for use only in research and private study. Copies supplied may not be copied for others or otherwise distributed without prior consent of the holding repository. Samuel Beckett collection, 1955-1996 Manuscript Collection No. 902 University of Texas at Austin; and Samuel Beckett papers, Washington University Libraries, Department of Special Collections.
    [Show full text]
  • National Theatre
    WITH EMMA BEATTIE OLIVER BOOT CRYSTAL CONDIE EMMA-JANE GOODWIN JULIE HALE JOSHUA JENKINS BRUCE MCGREGOR DAVID MICHAELS DEBRA MICHAELS SAM NEWTON AMANDA POSENER JOE RISING KIERAN GARLAND MATT WILMAN DANIELLE YOUNG 11 JAN – 25 FEB 2018 ARTS CENTRE MELBOURNE, PLAYHOUSE Presented by Melbourne Theatre Company and Arts Centre Melbourne This production runs for approximately 2 hours and 30 minutes, including a 20 minute interval. The Curious Incident of the Dog in the Night-Time is presented with kind permission of Warner Bros. Entertainment. World premiere: The National Theatre’s Cottesloe Theatre, 2 August 2012; at the Apollo Theatre from 1 March 2013; at the Gielgud Theatre from 24 June 2014; UK tour from 21 January 2017; international tour from 20 September 2017 Melbourne Theatre Company and Arts Centre Melbourne acknowledge the Yalukit Willam Peoples of the Boon Wurrung, the Traditional Owners of the land on which this performance takes place, and we pay our respects to Melbourne’s First Peoples, to their ancestors past and present, and to our shared future. DIRECTOR MARIANNE ELLIOTT DESIGNER LIGHTING DESIGNER VIDEO DESIGNER BUNNY CHRISTIE PAULE CONSTABLE FINN ROSS MOVEMENT DIRECTORS MUSIC SOUND DESIGNER SCOTT GRAHAM AND ADRIAN SUTTON IAN DICKINSON STEVEN HOGGETT FOR AUTOGRAPH FOR FRANTIC ASSEMBLY ASSOCIATE DIRECTOR RESIDENT DIRECTOR ELLE WHILE KIM PEARCE COMPANY VOICE WORK DIALECT COACH CASTING CHARMIAN HOARE JEANNETTE NELSON JILL GREEN CDG The Cast Christopher Boone JOSHUA JENKINS SAM NEWTON* Siobhan JULIE HALE Ed DAVID MICHAELS Judy
    [Show full text]